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    Balenciaga wraps London store in pink faux fur to celebrate its Le Cagole “it-bag”

    Fashion brand Balenciaga has transformed its Mount Street store in London, creating a maximalist look to launch its Le Cagole collection by blanketing the interior in bright pink faux fur.

    To celebrate its popular Le Cagole bag, which references Balenciaga’s maximalist It Bags of the past, and launch the line’s collection of accessories and shoes, the entire interior of the store has been covered in fur.
    Balenciaga’s Mount Street store was lined in faux furThe brand removed its accessories, ready-to-wear collections and permanent shelving from the store and installed temporary, metal fixtures – taken from the brand’s previous projects and installations – throughout.
    Balenciaga wrapped these temporary fixtures and displays in a fluffy, bright pink faux fur chosen for its maximalist look to tie with the Le Cagole bag identity.
    Pink faux fur was used across the walls, floors and surfaces”The line, which now includes multiple bags, wallet, and shoe styles, reinvents Balenciaga codes in the tradition of maximalist It Bags of another era,” said Balenciaga.

    “Le Cagole pop-ups are in keeping with this spirit, covered entirely with bright pink fake fur. Shelves, displays, floors, seating, and even racks in the open-plan kiosks are lined in pink.”
    Le Cagole bags were placed across the fur-lined temporary displaysThe Le Cagole, which Vogue has dubbed the “new it-bag”, was designed by Balenciaga’s creative director Demna, who reinvented one of the house’s most iconic bags – the Balenciaga Motorcycle bag.
    First released in 2001 by Nicholas Ghesquiere, who led a 15-year tenure as creative director at the house from 1997 to 2012, the Motorcycle bag quickly became a staple of the 2000s.

    Balenciaga dedicates Autumn Winter 2022 show to the climate crisis and the war in Ukraine

    Demna’s Le Cagole collection, which was first launched as a collection of handbags, has now extended into a number of different bags, shoes and purses. It takes its name from French slang that refers to an “over-the-top attitude”.
    The pieces employ the same detailing, hardware and rivets as Ghesquiere’s 2001 Motorcycle bag, which have been applied across a number of accessories including knee-high stiletto boots, mini-purses and oversized rhinestone-embellished handbags.
    The fur-lined Le Cagole pop-up is open at Balenciaga’s Mount Street store in London from April through until June 2022.
    The pop-up offers limited edition bagsBalenciaga told Dezeen that the metal fixtures and displays would be reused for future projects, and it is looking into ways in which the fur can be repurposed and reused in different contexts.
    “Each Le Cagole pop-up fixture base was made of reused metal from previous projects. After the faux fur is removed, the metal will be reused again for future projects,” it said.
    “We are currently researching the best way in which we can donate the faux fur so that it can be reused in manufacturing toys, for example.”
    The pop-up is open until JuneFor the fashion brand’s Autumn Winter 2022 collection, the house created a “snow globe” where models walked the runway in a blizzard as a comment on both the climate crisis and the Ukraine war.
    In late 2021, Balenciaga renovated its flagship store in London and debuted its “raw architecture” store aesthetic.
    Photos are courtesy of Balenciaga.

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    Theatrical curtains drape around Dame bar by Bergman & Co

    A “rather fabulous” fictitious muse influenced the design of this richly decorated bar and restaurant in Melbourne by local interiors studio Bergman & Co.

    Dame recently opened in the IM Pei-designed Collins Place, a mixed-use complex in the East End of the city.
    Dame is located in IM Pei’s Collins Place complexThe concrete development was completed in 1981, so Bergman & Co looked to this decade for inspiration when devising a concept for the bar’s interior.
    “The narrative of Dame is centred around a fictitious 1980s muse; a powerful, well connected and rather fabulous woman,” said the team, led by director Wendy Bergman.
    A curvaceous pink marble bar counter sits in the centre of the spaceThe fictional character’s power and femininity are reflected in elements like the curved bar counter, made from blush-toned marble.

    Her portrait, painted by local Melbourne artist Stacey Rees, hangs behind the bar to tie the concept together.
    Blush curtains provide a backdrop for communal diningPale pink curtains divide the space from the building lobby and are draped dramatically to create an entryway.
    Diners are presented with multiple seating options around the restaurant’s glazed periphery.
    Glass block table legs nod to the building’s gridded architectureCommunal tables feature dark wooden tops and glass block supports, nodding to the gridded architecture of the setting.
    Above, pendant lights created in collaboration with Melbourne design studio Please Please Please are delicately suspended like pieces of jewellery.

    Pink marble and patchy concrete emulate ancient Rome in Melbourne’s Pentolina pasta bar

    Banquette seating wrapped in dark textured fabric creates cosy booths, while more casual round tables are paired with wicker-backed chairs.
    “A sumptuous banquette setting finished in rich, earthen tones creates a subtle sense of nostalgia, warming the building’s otherwise restrained palette of architectural finishes,” said Bergman & Co.
    Upholstery for banquettes was chosen to create a “sense of nostalgia””Quilted upholstery and 1980s-inspired furniture complete the aesthetic tableau, offering an elevated, all-day dining space,” the studio added.
    Glossy red table lamps and pendants are also scattered through the space, uniting a palette that feels rich and warm against the building’s grey terrazzo flooring.
    Pink marble tables are accompanied by wicker-backed chairsPink marble is similarly used at Melbourne’s Pentolina restaurant, designed by Biasol.
    Other dining and drinking establishments with notable interiors around Australia’s second-largest city include Studio Esteta’s Via Porta and Three Blue Ducks by Pattern.
    The photography is by Eve Wilson.

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    Mizzi Studio uses pink and emerald green for Barbajean restaurant in Malta

    Design practice Mizzi Studio paired pink terrazzo with emerald-green velvet and timber to form the bold interior of restaurant Barbajean in Malta.Serving a menu of modern Meditteranean dishes, Barbajean occupies a prominent corner property in the village of Dingli.
    The quiet village sits at the highest point of Malta, and has uninterrupted views out across the ocean towards the uninhabited isle of Filfla.

    Barbajean has a pink and green facade

    Mizzi Studio’s founder, Jonathan Mizzi – who is from Malta – designed the restaurant so that it pays tribute to Dingli and its scenic landscape, but also “injects [the village] with new life”.
    “Working within the village’s particular urban fabric was a key inspiration for us,” said Mizzi.”We wanted to create a restaurant that would stand at the core of a quintessential Maltese village experience.”

    Three arches punctuate the restaurant’s terrazzo-lined bar
    The baby-pink facade of Barbajean has been made to include architraves and coloured doors– two elements that Mizzi says can be seen on the exterior of a typical Maltese home.
    Emerald-green timber doors have been built into the facade’s trio square openings. Each opening is surrounded by a chunky pink-terrazzo architrave, created by Maltese surface manufacturer Halmann Vella.

    Malta-themed artwork has been mounted on Barbajean’s walls
    The pink and green colour scheme continues inside the restaurant. Rose-coloured terrazzo lines the wall behind the drinks bar, which has been punctuated with three arched niches.
    Liquor bottles and glassware are displayed inside the niches, illuminated by neon-pink strip lights that have been installed overhead.
    Rosy terrazzo has also been used to craft the surfacetop of the bar counter, the base of which is made from fluted timber that’s been stained green. Just in front is a row of pink high chairs with tubular brass frames.

    Dining chairs are accompanied by pink-terrazzo tables
    A lengthy seating banquette upholstered in emerald velvet winds its way around the opposite side of the room, accompanied by pink terrazzo tables inlaid with flecks of Guatemala Verde marble.
    Directly above are a series of prints by Maltese illustrator Ed Dingli, which depict quotidian scenes of life in the village.

    Mizzi Studio completes stingray cafe alongside the Serpentine

    In between the prints are custom-made light fixtures designed by Mizzi Studio, which feature curling brass stems and spherical bulbs.
    Surfaces in this area of the restaurant are painted a pale mint shade, but another dining nook that lies towards the rear of the plan has been given a cosier feel with dark-green walls and wooden floorboards.

    Towards the back of the restaurant is another dining nook
    Mizzi Studio was established in 2011 and has offices in both London and Valletta, the capital of Malta. Barbajean isn’t the only hospitality space that the studio has designed – last year it completed works on The Serpentine Coffee House in London’s Hyde Park.
    The venue boasts glass walls and a gold, undulating roof that’s meant to resemble the shape of a stingray.
    Photography is by Brian Grech.
    Project credits:
    Stonework: Halman VellaBrass fabrication: Anvil and ForgeJoinery and upholstery: Construct FurnitureCustom print artwork: Ed DingliBranding: Steves and Co

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  • Ten pink interiors that range from rose blush to bright coral

    From homes with peach-coloured walls to rose-tinted shops and restaurants, we’ve rounded up 10 interiors projects to make you think pink.

    Cats’ Pink House, Taiwan, KC Design Studio

    This holiday home in Taiwan is all pink – even the basketball court. KC Design Studio created the house by the sea for a client who owns several cats, so the interior includes pink cat ladders and a fluffy swing for the feline companions to recline on.
    Find out more about Cats’ Pink House ›

    The Daily Edited, Australia, Pattern Studio
    Pattern Studio created a shop in Melbourne entirely in the signature colour of lifestyle brand The Daily Edited.
    Blush-coloured walls are complemented by pale terrazzo floors and slabs of Norwegian rose marble.
    Find out more about The Daily Edited ›

    Ecnesse, China, by Penda China
    Penda China used a rosy colour palette to create cosy cave-like interiors for high-end beauty salon Ecnesse in Beijing.
    The rounded edges of the pink furniture echo the arched mirrors and doorways, which can be screened off using deep red velvet curtains.
    Find out more about Ecnesse ›

    Waterfront Nikis Apartment, Greece, by Stamatios Giannikis
    Colourful flamingo-coloured walls are a standout feature of this apartment in an art deco building in Thessaloniki.
    Architect Stamatios Giannikis, who hosts dinners and exhibitions in this apartment he designed, chose the pink walls to enhance the views of the sea from beyond the balcony.
    Find out more about Waterfront Nikis Apartment ›

    His House and Her House, China, Wutopia Labs
    Part house, part installation, His House and Her House is a pair of structures that Chinese studio Wutopia Labs used to explore ideas around gender.
    The feminine side of the project is painted entirely in pastel pinks, featuring billowing pink curtains across the facade and a patio filled with pink rock salt instead of gravel.
    Find out more about His House and Her House ›

    Minimal Fantasy, Spain, Patricia Bustos Studio
    This striking holiday rental apartment in Madrid is decorated in 12 different shades of pink. Patricia Bustos Studio wanted to create something on of a kind, using bubblegum hues, satin sheets and surfaces with iridescent sheen.
    “Pink is already the colour of a whole generation,” said the studio. “The generation of the brave, those who are not afraid of change.”
    Find out more about Minimal Fantasy ›

    Specus Corallii, Italy, Antonino Cardillo
    Specus Corallii, or The Coral Cave, is a music room in Sicily that’s decorated in homage to the shell imagery associated with the city of  Trapani.
    The walls are covered in rough plasterwork that has been painted a muted pink to create a grotto-like interior, complimented by slabs of honey-coloured limestone.
    Find out more about Specus Corallii ›

    The Olive Houses, Spain, by Mar Plus Ask
    The Olive Houses are a cluster of off-the-grid guesthouses in Mallorca designed as a retreat for artists and writers seeking a place to create free from interruptions.
    Architecture studio Mar Plus Ask built the retreat around the boulders that litter the ancient olive grove, plastering the walls in a pale-pink stucco chosen to compliment the delicate green leaves of the trees.
    Find out more about The Olive Houses ›

    Humble Pizza, UK, Child Studio
    Child Studio created interiors for this vegan pizza restaurant in London that pay tribute to 1950s greasy spoon cafes.
    Candy pink walls and furnishings highlight the pink Formica tables and countertops, all the flatware is pink and pink newspapers are used as decoration as well as reading material.
    Find out more about Humble Pizza ›

    Angle + Eart St Studio, Australia, by BoardGrove Architects
    Three different tones of peach were selected by BoardGrove Architects to decorate the interiors of this shared office space in Melbourne. The trio of colours subtly differentiates between the front of house, workspaces and back of house zones.
    See more Angle + Eart St Studio ›

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  • Minimal Fantasy holiday apartment in Madrid is almost completely pink

    Patricia Bustos Studio channelled “aesthetic madness” to create the striking bright-pink interior of this rentable apartment at the heart of Madrid, Spain.Locally-based Patricia Bustos Studio applied 12 different shades of pink throughout the Minimal Fantasy apartment, which is meant to offer a bolder take on the typical holiday rental.
    “We wanted to do something eye-catching and not go unnoticed, since in Madrid the offer of vacation rentals is enormous and you have to differentiate yourself if you want to have a recurrence in the rentals,” the studio told Dezeen.

    Surfaces throughout the apartment are bright pink
    The 55-square-metre apartment is set inside a 1950s residential building that’s a stone’s throw away from Madrid’s lively Puerta del Sol square.

    It formerly played host to just one bedroom and one bathroom, but Patricia Bustos Studio reconfigured the floor plan so that it can comfortably accommodate slightly larger groups of holiday goers.

    An arched doorway looks through to the kitchen
    There are now two bedrooms and an additional bathroom. The kitchen has also been separated from the living area so that, if necessary, it can sleep another two guests.
    With structural changes out the way, the studio set about creating the apartment’s stand-out interior – which is almost exclusively pink.

    Cabinetry in the kitchen is a mix of blue, pink and gold
    “Except for the distribution, which had to be practical, the rest of the project has been an aesthetic madness to take the visitor out of their comfort zone and make them dream,” explained the studio.
    “Pink is already the colour of a whole generation… the generation of the brave, those who are not afraid of change,” it continued.
    “Pink vindicates the fall of stereotypes – everything is possible, nothing is planned or established and that’s the beauty of it. There are no rules, or rather that everyone has their own.”

    Pink cushions and faux-fur throws dress the beds
    In the living area, bubblegum-pink paint has been applied across the walls and ceiling. A flecked pink laminate covers the floor and a chunky L-shaped plinth that winds around the corner of the room, topped with plush pink sofa cushions.
    Guests can gather for meals around the oval-shaped pink dining table, which is surrounded by dining chairs upholstered in metallic pink fabric with an iridescent finish.

    One of the beds is supported by a pink-tile platform
    The monochromatic colour scheme is interrupted in the adjacent kitchen, where the cabinets are covered in a mixture of blue, pink and gold geometric shapes.
    Worktops are lined with glazed, blush-pink tiles.

    Child Studio looks to worker’s cafes for pink interiors of London’s Humble Pizza

    These same tiles have been used to clad the side tables and supporting mattress base in one of the apartment’s bedrooms.
    In the other bedroom, the mattress is pushed up against a scalloped pink headboard. Textural interest is added throughout by baby-pink lamé soft cushions and faux-fur throws.
    Arched sliding doors can be drawn back to reveal pink-tile bathrooms, complete with pink-frame vanity mirrors and shiny pink shower curtains.

    Bathrooms lie behind arched sliding screens
    Other than a few spherical pendant lights, trailing ivy plants and neon art piece, Patricia Bustos Studio hasn’t incorporated a lot of decoration in the apartment.
    Some elements, like the stepped blocks which display books and other trinkets, are meant to riff off La Muralla Roja – a housing development designed by Spanish architect Ricardo Bofill in 1968, distinguished by its maze of interlocking stairways.
    “[Bofill] creates a mysterious and infinite space with the perfect transformation between 2D and 3D, and with several elements that play with the optical illusion,” added the studio.

    Shiny pink curtains and pink-frame mirrors complete the bathrooms
    Several other architects and designers haven’t shied away from making extensive use of the colour pink – last year, Child Studio covered the interior of a vegan pizza restaurant in London with candy-pink Formica.
    Mar Plus Ask also washed the walls of a cave-like guesthouse in Spain with blush-pink stucco.
    Photography is by JC de Marcos.

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  • The Olive Houses are off-grid retreats hidden in Mallorca's mountains

    Craggy boulders jut through walls in these off-grid guesthouses that architecture studio Mar Plus Ask has built in Mallorca, Spain, for creatives in need of a quiet escape.Tucked away high up in Mallorca’s Tramuntana mountains, The Olive Houses are run year-round by Mar Plus Ask as a silent refuge where solo architects, writers and artists can stay free from interruption.

    The pair of houses are enclosed by a dense grove of thousand-year-old olive trees, which at points is interrupted by huge boulders resembling “natural monumental sculptures”.

    Keen to leave this rugged terrain largely untouched, Mar Plus Ask set about designing two modest structures – one that accommodates sleeping quarters, the other cooking facilities – that look like homes in the surrounding landscape.

    “Our first reaction was that only if we could come up with something that would add something in a respectful and beautiful way, would we ever consider building,” explained the studio, which is led by Mar Vicens and Ask Anker Aistrup.
    “However, it was calming that the functions we were looking to build wouldn’t be much different than those of the existing structures found in the area.”

    One of the houses is partially embedded into an existing stone terrace, which the studio hopes will help the structure keep cool during the warm summer months.
    A sliding teakwood door can be pushed back to reveal a grand arched entrance. Inside, the house has a series of smooth, sloping surfaces similar to those seen within a cave.
    The walls, floor and ceiling have been exclusively rendered in blush-pink stucco, as the studio felt the colour was complementary to the pale green shade seen on the underside of an olive tree leaf.

    A corner of the house has been built around a craggy boulder that the studio left in situ, illuminated by a skylight directly above.
    “To us, the stone became a piece of art – suddenly the house was more about sculpting its backdrop and being its lightbox,” explained the studio.

    Tiny camping pods by Andrea Zittel serve as a creative refuge in the California desert

    Just beside the boulder, an overhead shower has been fitted, while a single bed lies on the other side of the house. Outside there’s also a large sink, the basin of which is formed from rock.

    Mar Plus Ask created the second house by renovating a dilapidated shed on site that was once used to store tools.
    Surfaces throughout are instead covered in deep-purple stucco, a hue that the studio thought was more akin to the dark, glossy topside of an olive leaf.

    The structure was initially deemed too narrow to hold cooking facilities but the studio ended up carving a wide opening into one of its 60-centimetre-thick walls, which is able to accommodate a chunky prep counter and a sink.
    Guests will also have access to two gas burners and a wood-fire oven – water, like that used to service the shower and sink in the first house, is sourced from a nearby spring. This house also includes a toilet.

    Mar Plus Ask was established in 2015 and works between offices in Copenhagen, Berlin, Mallorca and Valencia.
    The studio’s Olive Houses project isn’t the only place where creatives can go to clear their heads. Back in 2016, Andrea Zittel launched Wagon Station Encampment – a campsite near Joshua Tree Park, California, where artists and writers are allowed to play out their “desert fantasy”.
    The site includes 10 sleeping pods, a communal outdoor kitchen and open-air showers.
    Photography is by Piet Albert Goethals.

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