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    Timber joinery “gently cocoons” inhabitants in compact Gdańsk apartment by ACOS

    Polish studio ACOS has used timber joinery to conceal the functional elements of this apartment in Gdańsk, with the aim of creating a calm and tranquil interior.

    Located at the edge of one of the few remaining green spaces in the city’s heavily urbanised historical town centre, Hideaway Home is a family apartment that was designed to make the most of its 70-square-metre footprint.
    ACOS has designed the Hideaway Home apartment in GdańskACOS, which is a collaboration between architect Anna Stojcev and designer Stanisław Młyński, began the project by mapping out the existing space to create the most efficient layout.
    “The optimal arrangement was achieved by carefully analysing each square centimetre and redesigning the infrastructure,” the studio said.
    “As a result, we’ve managed to unclutter the original layout and benefit from a more generous volume. This resulted in a solution that seems very shy and modest at first but becomes more interactive once one starts to explore its layers.”

    Routed timber screens conceal the kitchen’s food storage and preparation areasThe apartment is split into “day” and “night” zones. An open-plan living, cooking and dining area occupies one half of the apartment while the bedrooms and bathrooms are located on the other.
    ACOS used blocks of timber, stone, concrete and a mineral surfacing called microscreed to define the different spaces, softened by neutral fabrics and brass accents.
    The entrance to the living room is framed by a timber portalThe joint kitchen and dining area revolves around a large custom-made wooden dining table and a utilitarian concrete trough sink. The space is framed by routed timber screens that completely conceal the food storage and preparation areas.
    Eager to combine new technologies and materials with time-honoured crafts, the studio custom-designed furniture pieces such as the dining chairs, which were made using digital 3D modelling and traditional carpentry techniques.

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    The adjoining living area has a more generous footprint, with its entrance framed by an oakwood portal and a timber window seat running along one of its walls.
    The space between the day and night zones, where the apartment’s entrance is located, is finished with veneered panels that support a textile ceiling.
    Textile panels cover the ceiling in the hallway”The simplicity of details and forms aims to bring back the value of honest design and craftsmanship,” ACOS said.
    “Whether it is a large surface of an oak coffee table or textile soffit or curtains – those elements are purely a means to frame the volume gently cocooning the user.”
    Full-height carpentry provides storage in the main bedroomThe bedrooms were conceived as simple and compact volumes, with walls finished in natural lime and marble plaster while the floors and skirting boards are pale timber.
    Custom full-height carpentry provides storage in the main bedroom and integrates seamlessly with a timber entrance portal.
    The apartment’s main bathroom is finished in white microscreed surfacing paired with custom-made terrazzo slabs.
    The bathroom is accented by custom-made terrazzo slabsHideaway Home is among six projects shortlisted in the apartment interior category of this year’s Dezeen Awards.
    Also in the running is a renovated Tribeca loft with a half-transparent, half-mirrored wall and a live-work space in London belonging to the founders of environmental communication agency Earthrise Studio.
    The photography is by Pion Studio.

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    Venice floodwaters inform two-tone interior of Warsaw bar Va Bene Cicchetti

    Sea green floors and skirting tiles are contrasted against the all-red interior of this bar in Warsaw, Poland, which local studio Noke Architects has designed to recall the high waters of Venice.

    Billed as Poland’s first cicchetti bar – an Italian bar selling drinks alongside small plates of food – Va Bene Cicchetti is located in a huge Socialist Realist housing estate from the 1950s called the Marszałkowska Housing District.
    Va Bene Cicchetti is a bar in WarsawCustomers enter the bar via an arched doorway lined with antique mirrors. Inside, they are met by a huge red travertine counter with a large drinks cooler, which is hollowed out of the stone and filled with ice and bottles of prosecco.
    Most of the interior is rendered in warm hues of red and gold in a nod to the colours of the Venetian flag.
    But the floor, and everything up to about 20 centimetres in height, is finished in sea green to suggest the high waters of the Veneto region, locally known as acqua alta.

    Its interior was informed by Venice’s floodwatersSeveral times a year, when the tide in the Adriatic Sea rises, these floodwaters will cover streets and piazzas in Venice in a layer of water.
    To recreate this “flood effect” inside the interior of Va Bene Cicchetti, Noke Architects coloured the floors and skirting tiles, as well as the base of table legs, chairs and plinths in a watery shade of turquoise.
    Tables resemble Venice’s red-and-white striped mooring poles”We wanted the place to be unambiguously associated with Venice but we also wanted for this reference to be fresh and unique,” said Piotr Maciaszek, who co-founded Noke Architects alongside Aleksandra Hyz and Karol Pasternak.
    “We took inspiration from the colours of the Venetian flag, which dominate all finishings, and incorporated the acqua alta motif in the interior as an element of surprise.”
    Turquoise skirting tiles run along the perimeter of the roomThe scheme is completed with glass lamps that resemble rippling water and bespoke furniture pieces including tables that pay homage to the red-and-white striped mooring posts found in Venice’s canals.
    Taking over an entire wall of the bar is an intricate mosaic made from reclaimed materials including glass panes from the Murano glass factory in Venice and fragments of wine bottles from Va Bene Cicchetti’s sister restaurant Va Bene.

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    The mural depicts the bar’s owners and their dog Koko enjoying wine and food at a table in Venice.
    “Veneto is where the famous Murano glass and antique mirrors are manufactured,” Maciaszek explained.
    “The region is famous for its ceramics and wine. We came up with the idea to use mini pieces of Venice as the building blocks of our artwork. Mosaic was the perfect solution for this.”
    The bar is centred on a red travertine counterThe bar’s basement level is completely saturated in the same greeny-blue hue as the floors upstairs to create the impression of being underwater.
    Bathrooms, meanwhile, are finished in black and white stripes and topped with a red ceiling in a reference to the uniforms worn by Venetian gondoliers.
    An intricate mosaic covers an entire wall of the barPolish illustrator and graphic designer Ola Niepsuj was responsible for creating the bar’s visual identity, which depicts the Lion of Saint Mark – a winged lion that represents the patron saint of Venice and is found on buildings across the city.
    At Va Bene Cicchetti, this motif can be found in the form of door handles and the neon light above the entrance.
    The bar’s basement level is covered in sea green tilesElsewhere in Poland, local practice Paradowski Studio recently channelled the glamour of Kraków’s interwar cafes and the clean functionalism of its mid-century modern cinemas for a hotel renovation.
    The Puro Stare Miasto hotel is located next to Kraków’s historic old town and spans 138 rooms alongside an extensive open-plan reception, lobby space and restaurant.
    The photography is by Piotr Maciaszek.

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    Projekt Praga incorporates mid-century references into Polish dumpling restaurant

    Polish architecture firm Projekt Praga has blended modern and mid-century features inside the Syrena Irena bistro in Warsaw, which serves traditional pierogi dumplings.

    Syrena Irena is located in an early 1950s building in the centre of the city that originally functioned as a hotel cafe.
    Syrena Irena is a pierogi restaurant in WarsawAside from handmade boiled pierogi, the restaurant’s “cheerful and honest” menu contains classic Polish dishes from the 50s and 60s such as sour rye soup and herring in flax and hemp oil, which have been updated for modern tastes.
    To add to the homely and casual atmosphere, Projekt Praga created an interior with a self-service set-up that uses mid-century design references to pay homage to both the building’s architecture and the bistro’s nostalgic menu.
    Wooden stools by Buck Studio surround the restaurant’s tablesThese include terrazzo-style tabletops, mosaic tiles, neon signs, milky glass sconces from Polish lighting brand Aqform and wooden stools with triangular seats by Wroclaw-based Buck Studio.

    In particular, Projekt Praga said it chose details, shapes and materials associated with the “prudent design” of Poland’s communist era.
    Spherical glass sconces by Aqform decorate the wallsThe terrazzo-style tabletops with their simple black bases were custom made, as were most of the metal elements in the space.
    Bar counters were powder-coated in bold colours to complement the building’s original 1950s wall mouldings and arches.
    The interior’s colour scheme mixes blue and coral tonesA large window at the front of the restaurant allows passersby to observe the chefs at work – kneading, stuffing and folding the pierogi.
    In the afternoon, sun shines through the windows and illuminates the dining room, while neon lights bring the space to life in the evening.

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    The colour scheme mixes aquatic blue with pink, peach and coral tones in line with the restaurant’s mermaid-themed branding, which was developed by Polish graphic design agency Mamastudio and illustrator Ola Sadownik.
    Both this and the restaurant’s name, Syrena Irena, are a nod to Syrenka Warszawska – the mermaid that acts as a symbol for the city of Warsaw and can be found in its coat of arms, as well as on monuments and buildings throughout the capital.
    Black tables with terrazzo-style tops were custom made for the space”The alternating personality of Syrena Irena gave us a chance to use geometrical forms and colours,” explained Projekt Praga.
    “The classical aesthetic of the existing space was balanced by less profound features like wall drawings, railings imitating a mermaid scale pattern and distinctive neon signs,” the studio added.
    “Despite this duality in the bistro’s persona, varied details like neon signs, lettering and murals all come together harmoniously.”
    A monochrome rendition of a Herbert James Draper painting decorates the wallsAt Mamastudio’s suggestion, Projekt Praga used a monochrome print of Ulysses and the Sirens – an oil painting created by English artist Herbert James Draper in 1909 – to cover two of the walls.
    The restaurant’s illuminated signeage was designed in collaboration with local artisan Jacek Hanak, who is responsible for reviving many of the city’s old neon lights.
    Neon signs were made in collaboration with Jacek Hanak. Photo is by Zuza Kozerska”We were influenced by the aesthetics of the jazzy Warsaw of the 1960s when this part of town was a vibrant destination for night owls and barflies,” said Mamastudio of the restaurant’s branding.
    “There were bright neon signs, music was everywhere, colourful artsy types and thrilling energy. With that, we decided that the mermaid logo should bear resemblance to a retro cut-out. The typography is expressive and slightly clumsy on purpose.”
    Other dumpling restaurants featured on Dezeen include a bao restaurant in Valencia that was designed to resemble a sunset and a small Chinese eatery in New York, where stainless steel, brass and polycarbonate are combined to create a futuristic interior.
    The photography is by PION studio unless otherwise stated.

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  • Agnieszka Owsiany Studio creates tranquil apartment in Poznań for couple working in medicine

    The high-pressure medical jobs of the couple living in this Poznań apartment led Agnieszka Owsiany Studio to apply a calming mix of wood and pale marble throughout the interiors.Set inside a newly built residential block that overlooks a botanical garden, the Botaniczna Apartment is home to a surgeon and his wife who runs a medical clinic.

    Above: the living area. Top image: a wood-lined hallway leads to the apartment’s master bedroom
    The couple had purchased the 90-square-metre apartment as an empty shell but soon brought Agnieszka Owsiany Studio on board to develop the interiors.

    They requested that the studio compose a calming home environment where they could unwind at the end of their often stressful workdays.

    The couple’s personal trinkets can be displayed in a long walnut sideboard
    “My clients asked for a high quality, almost hotel-like space as they were in need of everyday comfort,” the studio’s founder, Agnieszka Owsiany, told Dezeen.
    “I really wanted to create something timeless, hence the idea to use the materials such as wood and travertine which age beautifully and hopefully won’t be replaced within many years,” she continued.
    “All the kinds of wood and stone I chose, they have these nice, soothing warm tones.”

    A black dining table contrast the neutral colours elsewhere in the room
    Wooden chevron flooring runs throughout the home’s open-plan living and dining room, at the centre of which sits a plump sofa upholstered in brown leather.
    A coffee table perches on a fluffy rug just in front. It runs alongside a four-metre-long walnut sideboard where the couple can tuck books and magazines, or display small ornaments.

    The kitchen boasts oak cabinetry and a travertine marble island
    The kitchen is placed in the corner of the room, finished with oak cabinetry. Slim slabs of creamy travertine marble have been used to make the splashback behind the stove and the breakfast island.

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    There’s additionally a console made from burl wood – specifically chosen by the studio for its distinctive grain pattern – and a jet-black dining table fashion from bogwood, which is meant to stand in stark contrast to the otherwise neutral shades in the room.

    Burl wood has been used to make a distinctive vanity desk in the bedroom
    A cosy, wood-panelled hallway leads to the apartment’s other rooms, which lie behind floor-to-ceiling doors.
    Agnieszka Owsiany Studio has continued using much the same material palette – for example, burl wood has been used to create a vanity desk in the master bedroom. Oak storage units feature in the adjacent walk-in-wardrobe, which is neatly obscured by a linen-curtain screen.

    Travertine marble also covers surfaces in the bathroom
    The same travertine marble that features in the kitchen has been used to line surfaces in the bathroom and to make the washbasins.
    In the home office, oak lines the back wall and a full-height gridded shelf.

    The home office includes a full-height oak shelving unit
    This isn’t the first project that Agnieszka Owsiany Studio has completed in the Polish city of Poznań.
    At the end of last year, the studio designed the interiors of restaurant Nadzieja, filling it with Bauhaus-inspired details like tubular steel-frame chairs and pale partition walls that echo the buildings seen in Tel Aviv’s White City.
    Photography is by Pion Studio.

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  • K916 and K907 are a pair of pared-back holiday apartments in Warsaw

    Boxy timber volumes tuck away the beds and bathrooms of these minimal holiday apartments designed by Thisispaper Studio, which lie at the heart of the Polish capital. The two flats – named K916 and K907 – are set within an old print warehouse in Warsaw’s Praga district that was originally built in 1903, but has […] More

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    Mateusz Baumiller converts warehouse into homely offices for Clay.Warsaw

    Polish architect Mateusz Baumiller has merged deep-pink walls, velvet furnishings and wooden fixtures to soften the industrial shell of this creative office in Warsaw. Housed in a former military warehouse from the 1930s and founded by three creative production companies – Analog/Digital, Menu and Photoby – Clay.Warsaw serves as a workplace, studio, shoot location and […] More