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Promotion: natural stone by Italian company Antolini has been used throughout the interior of this apartment in Malta designed by architects Sabrina Soldà and Keith Pillow. More
Promotion: the interiors of a pet-friendly office and a wood-fired restaurant are among the five winning projects in this year’s Shaw Contract Design Awards.
The winners of the 19th edition of the award programme, hosted by flooring manufacturer Shaw Contract, feature entries from around the world, also including a minimalist workplace in China to a nature-inspired apartment block in Canada.
Top image: a wood-fired restaurant is among the winners of this year’s Shaw Contract Design Awards. Above: it features a corridor lined with firewoodThe Shaw Contract Design Awards programme takes place annually to “celebrate the optimism of design and its ability to positively impact our communities and our planet”.
It focuses specifically on interiors that make use of Shaw Contract’s products and services, as well as those the brand believes embody its own ethos and sustainability focus.
Another is a pet-friendly office in the US”These projects showcase the pinnacle of regional design excellence and align with Shaw Contract’s four core People Together Planet Forever ambitions: material health, circular economy, carbon impact, and diversity, equity and inclusion,” said Shaw Contract.
“These criteria reflect our commitment to creating spaces that are not only beautiful and functional, but also sustainable and inclusive.”
It was celebrated by Shaw Contract for its “unique pet-first amenities”This year’s top projects have each been awarded a prize called Best of Globe Winner. They were selected from almost 700 entries from 36 countries, whittled down to a shortlist of 43, each of which was named Best of Region Winners.
The first winning project is the workspace of pet food company Hill’s Pet Nutrition in the US, designed by Perspective Architecture + Design for employees to enjoy with their furry companions.
It was celebrated by Shaw Contract for its “unique pet-first amenities”, including an indoor dog park and snack stations, as well as its range of workspaces designed to cater to the different work styles of its employees.
The office also participated in the Shaw Contract Reclamation programme, which involved removing the building’s existing carpet and sending it to the company for recycling.
A minimalist office in China was another winnerNext is Kasian Architecture’s workplace in Calgary for Canadian law firm Stikeman Elliott, designed to encourage its employees back to the office after the pandemic.
It was hailed by Shaw Contract for its “focus on sophistication” but also the use of durable finishes, reflecting a desire to adopt the principles of a circular economy. This included the use of the brand’s flooring ranges, including its carpet tiles.
Another winning project in Canada is Upper West Side Condos, a 14-storey residential building designed by II By IV Design.
Shaw Contract said it was selected for the way it seeks to blend “nature with contemporary luxury”, and for the use of the brand’s Mist carpet, which it described as being “reminiscent of a country lane on a rainy day”.
Shaw Contract also recognised Upper West Side Condos in CanadaBar Kar is a small wood-fired restaurant in Malaysia by Spacemen, awarded for its cave-like interior that is dominated by warm terracotta tones and finished with wooden, metallic and stone details.
In particular, the brand enjoyed a corridor lined with firewood, which the chef uses as storage for the wood that they use to cook inside the kitchen.
“Its a locally natural material which can be replenished and reused at all times, which we have turned into a building material,” said Shaw Contract.
Another Canadian winner was a workplace for law firm Stikeman ElliottThe last project is a small workplace interior in China by Guangzhou Jenmehome Design, selected for its clean-cut minimalist design.
Guangzhou Jenmehome Design was praised for its use of “eco-friendly” materials, which Shaw Contract said included its carpet ranges.
Each Best of Globe Winner is awarded a $2,000 (£1,497) donation in their name to the organisation of their choice in addition to a handmade trophy by Singapore crochet artist Kelly Limerick.
To find out more about Shaw Contract and its design awards, visit its website.
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Promotion: surfaces brand Armourcoat has launched a range of textured and eco-friendly paints for interiors, designed to celebrate the distinctive look and feel of traditional limewash.
Named Limewash, the collection by Armourcoat is intended as a surface coating suited to both residential and commercial interiors.
It has a soft matt appearance in 45 shades of limewash – a mix of lime and water used for coating walls – but has a less chalky and more durable finish than traditional forms.
Armourcoat has launched a range of textured and eco-friendly paintsArmourcoat Limewash is composed of a mix of carbon dioxide-absorbing slaked lime, clay mineral kaolinite, water, mineral pigments and natural plant additives, ensuring it is free from solvents and Volatile Organic Compounds (VOCs).
According to Armourcoat, this ensures the paint aligns it with “top-level environmental and health accreditation” in the architecture industry.
The brand claims it is the only paint of its kind with Environmental Product Declaration (EPD) and Health Product Declaration (HPD) documentation, making it suited to projects striving to obtain the BREEAM and LEED sustainable building certifications.
It is available in 45 shades”Here at Armourcoat we believe material transparency is fundamental to designing beautiful interiors that have minimal impact on our planet,” said creative director Duncan MacKellar.
“Our goal as creative manufacturers is to reduce both embodied carbon and environmental toxins, and ultimately drive sustainable innovation within the built environment,” added MacKellar.
“With our Environmental and Health Product Declarations, architects and designers can be confident that all Armourcoat finishes align with efforts to create environmentally conscious, healthy interiors.”
It is intended to celebrate traditional limewashBenefiting from the properties of limewash, Armourcoat’s collection has a “naturally high alkalinity owing to its slaked lime”, a critical ingredient which makes it resistant to bacteria and mould. It is also non-combustible.
Limewash is the latest addition to Armourcoat’s collection of surface finishes developed by the brand to offer “sustainable luxury finishes” to architects and designers around the world.
To find out more about Limewash and Armourcoat, visit the brand’s website here.
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Promotion: architecture practice Iosa Ghini Associati has renovated the 1980s headquarters of Italian surfacing manufacturer Fiandre in Castellarano, using ceramic to cover almost the entire interior from the walls and floors to the custom furnishings.
Set across three floors and 2,400 square metres, the office was originally designed by architect Quintilio Prodi in 1989 and is described by Fiandre as “vaguely post-modern”.
Iosa Ghini Associati has renovated the Fiandre officeIosa Ghini Associati has revamped and reorganised the interiors by designer Carlo Cattani to prioritise the wellbeing of employees and encourage their return to the office post-pandemic.
With this aim, the architectural studio, with offices in Milan and Bologna, introduced novelties including a hangout area in the basement complete with a football table, a “take one, leave one” bookshelf and rocking chairs overlooking the garden.
The basement houses hangout areas including a football table, and a space with music and books to be sharedOffice space and meeting rooms are spread across all three floors of the building, separated by glass partitions that allow daylight to filter into the core of the building while still providing acoustic privacy.
Different areas are also distinguished by their use of different Fiandre ceramics, which architect Massimo Iosa Ghini used across almost all available surfaces.
Ceramic surfaces define different areas”Ceramic surfaces were applied like a changing, decorative skin to floors and walls, at times adorned with precious triangular and herringbone cuts to embellish the spaces without ever overdoing it,” Fiandre said.
Fiandre’s ceramic surfacing was used to cover floors across all three storeys, as well as various walls, washbasins and custom desks, meeting tables, bar counters and coffee tables designed bespoke for the office.
The ceramics can resemble marbleTo improve indoor air quality and hygiene, Fiandre chose Active Surfaces – ceramic slabs developed by Fiandre’s parent organisation Iris Ceramica Group. The photocatalytic properties of these “eco-active ceramic surfaces use light energy to trigger chemical reactions that eliminate bacteria, viruses and pollutants, converting them into harmless substances”, the company said.
In total, the building uses 5,058 square metres of ceramic slabs, which together with the LED lights help to purify over 10,000 cubic metres of air from odours and volatile organic compounds per day, according to calculations from researchers at the University of Milan.
In the lobby, the floor is finished in a herringbone pattern formed from alternating matte and glossy slabs of the marbled Premium White Maximum porcelain.
The reception desk is flanked by two waiting areas, underscored in Pietra Grey Maxium and enveloped by two curving walls clad in fluted ceramic slabs made using the 4D Ceramics technology pioneered by Fiandre’s parent company Iris Ceramica Group and distributed by Sapiestone brand.
Pietra Grey also features in the basement, combined with terrazzo-like Seminato Beige.
Meeting rooms feature touch panels integrated directly into the stone tabletopsThe executive offices on the first floor feature walls adorned in striking blue Amazonite Maximum, while the 70-square-metre CEO office is equipped with a mini-bar and a private bathroom that features Fiandre’s highly polished Glint finish, which reflects light around the room.
The first floor also features a huge 18-by-3-metre mural by digital artist Becha, printed on ceramic slabs using the company’s Design Your Slabs (DYS) technology and reused from Iris Ceramica Group’s exhibition space at international ceramics fair Cersaie in Bologna in 2023.
Ridged table bases are created using 4D Ceramic technologyMeeting rooms scattered around the rest of the building can accommodate between eight and 20 people and feature tables with ridged and fluted bases made using the 4D Ceramic technology.
The lighting and polarised windows in the meeting rooms can be controlled with touch ceramic surfaces integrated directly into the stone surface, eliminating the need for unsightly external cover plates and switches.
Marsala Red decorates the meeting roomsAnd walls are decorated in Marsala Red with a tessellated pattern cut into the surface to provide subtle decoration.
“The colour of the furnishings and finishes adds personality, making the spaces feel more creative and more like home, while adding a sense of timeless elegance,” the architect specifies,” Iosa Ghini said.
Fiandre is part of Iris Ceramica Group. For more information on Fiandre, visit the company’s website.
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Promotion: the Barcelona School of Arts & Design has launched a 12-month master programme that will teach students how to design contemporary interiors and give them an “overview of every facet of the craft”.
As a design institute, The Barcelona School of Arts & Design (LABASAD) prides itself on having the experience and resources to teach everything in design. Its classes are limited to 25 students and taught in English by industry professionals.
Chiara Luzzato, director of the online master in interior design and hospitalityFor the online master in interior design and hospitality, students will be taught by professionals currently working in the field, led by Italian architect, stylist and art director Chiara Luzzatto.
Luzzatto is described as a professional who “loves conceptualising and constructing modern spaces and environments”. She has an extensive background in academia studying architecture in Rome and as a master in interior design in Venice. Subsequently she worked in Milan at the Elisa Ossino Studio and later in Modena to as an art director at an interior and photography company.
She is now co-founder and art director at Notoo Studio, creating interior images for international furniture brands.
A roster of artists, architects, photographers and other specialists also teach students as part of the programme.
NotooStudio creates interior images for international furniture brandsThe 12-month master, taught in English, will comprise 13 courses, grouped into five modules, and integrate project-based knowledge in the set-up and furniture sectors, as well as retail.
The programme will explore the cultural and technical aspects of design and will look at styling, design and photography, and students will also learn about 3D practices.
“By the end of the programme, students will be able to create compelling digital images for catalogues, magazines, window displays, commercial spaces, and interiors, which speaks volumes about their new skills,” LABASAD said.
One of the four objectives of the programme is to reach a deeper understanding of visual composition to create “futuristic design systems”. The course also sets out to balance “aesthetic and performance” in interior design”. Thirdly, students will “master interior industry techniques and design thinking to grasp different contexts, user needs, and business challenges”. Finally, students are expected to gain practical experience with an array of stakeholders in a project.
Students will attend classes online on a weekly basis”Besides practical aspects of interior design, the program will emphasize the importance of comfort-seeking, individual expression, social cohesion, identity creation, and modern communication,” LABASAD said.
“As an online programme, it offers students the flexibility to study anywhere,” LABASAD said. “We have students from all over the world from Spain to the UK, Germany, Mexico, Belgium, among others.”
Classes are regularly scheduled and take place every week. They can also be recorded so that if there is a day when a student is unable to attend, they can watch the class that they missed.
The LABASAD programme will prepare students for the professional worldThe programme targets students or workers who are passionate about interior design and want to delve deeper into the subject, as well as industry professionals who want to specialise in hospitality and interior design.
It is also suitable for people who work in agencies and design students and want to specialize in 3D modelling or styling, and for interior styling enthusiasts who want to start a career in the field.
LABASAD’s online master in interior design and hospitality was designed to give its students a road map and “overview of every facet of the craft”, preparing them for the professional world, the design institute said.
To find out more about the online master in interior design and hospitality, visit LABASAD here.
Photography is courtesy of LABASAD and Notoo Studio.
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Promotion: acoustic partition brand JEB Group has enclosed a wood-lined meeting room with a sliding partition system, forming the centrepiece of an office in Hong Kong.
Named “Summit Partition Systems”, the set up features a slim frame with a curved design, intended to integrate with the overall interior design. The project also uses the company’s Summit sliding door with a lightweight design and pared back extrusions.
JEB specialises in acoustic partitions and furniture for commercial interiors, where clients want to reduce noise and minimise disruption.
JEB Group supplied and installed single glazed partitions with a matching sliding door in this Hong Kong officeJEB said its Summit sliding doors are hung and constructed using a specially designed technique using gaskets to minimise sound when opening and closing.
The company said it is also able to achieve smooth access through a custom made track at the base and heavy rollers capable of bearing loads up to 300kg.
The partitions systems were customised by JEB with curved glass and matt black finishes for a financial planning company’s Hong Kong office.
Designed to “optimise acoustics and seamlessly blend charm and functionality”, Summit partitions provide a private space suitable for meetings, according to the company.
The meeting room has single glazed glass partitions and doors”One of the standout features of this workspace is our Summit partitions systems and matching sliding doors,” said the brand.
“These partitions are a perfect example of how thoughtful design can enhance the modern office environment. They offer a sleek and stylish appearance with a slim frame that complements the overall interior design,” the company continued.
The switchable “smart glass” can be left transparent for visibility or “misted” when privacy is needed”Their acoustic capabilities ensure that the workspace remains peaceful and free from distractions, creating an environment conducive to productivity,” added JEB Group.
Summit partitions system and matching sliding doors, like all JEB acoustic partitions, undergo ISO certified and third party laboratory testing, and can achieve an STC rating of up to 37 with their double glazing solutions, the company said.
“What’s more, the elegant curved feature of these doors adds a touch of sophistication to the space.”
The curved glass was specified by the client for a contemporary lookAccording to the company, the Summit partition system is lightweight, ensuring “smooth and effortless operation”.
The switchable single glazed glass panes can be left transparent for visibility between meeting spaces or “misted” to maximise privacy when needed.
In addition to the Summit sliding doors, JEB Group curated a selection of modern and ergonomic furniture for the client.
“By prioritising comfort and functionality, these carefully chosen pieces added the perfect finishing touch to our client’s commercial space, catering to the modern needs of businesses in workstations and breakout areas,” said JEB Group.
The room is designed to be a private, near silent spaceJEB said it is committed to promoting sustainability practices striving to “repurpose unwanted furniture and relocate partitions to new sites” where possible.
The company aims to provide an array of design services: acoustic partitions, office furniture, bespoke facades and circular office fit-out solutions.
Other projects by JEB Group featured on Dezeen include glazed acoustic partitions and furniture created for UOW College Hong Kong.
To find out more about JEB Group, visit jebgroup.com.
The photography is courtesy of JEB Group.
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Promotion: more than 9,000 red bricks form a curved volume within the interior of this mixed-use building’s lobby, which has been awarded Gold in the Commercial category at the Brick in Architecture Awards.
The lobby, which forms the entrance to an office building at Kendall Square, Cambridge, Massachusetts, has a brick curtain wall that was hand-laid.
It was designed to create a visually striking yet functional circulatory zone, helping visitors and employees navigate the building’s wider offices, dining areas, wellness centres and community spaces.
The lobby is lined with a curved structure made from 9000 individually-laid bricksWrapping around the perimeter of the interior, the brick-built surface incorporates a front desk, bench seating, lighting, an entry kiosk and a staircase. The project features brick manufactured by Interstate Brick and distributed by Consolidated Brick.
Local studio Merge Architects designed the space and was implemented by mason company, JAJ Co Inc The designers said they chose to work with bricks as a building material with the goal of referencing New England’s local vernacular architecture.
Digital signs are installed at evenly-spaced points in one areaThe project integrates interactive signage within hand-laid masonry, “overlaying the physical world with the digital”, according to the Brick Industry Association.
A brick double-wythe screen paired with rectangular digital signs serves various functions: from conveying news and information about public events to displaying digital artwork.
“This fusion of strength and transparency creates mesmerising patterns and textures as light filters through the brick, inviting admiration for the timeless elegance and contemporary allure that brick brings to architectural design,” said Trish Mauer of the Brick Industry Association.
Balance is created by using opaque red bricks in tandem with translucent glass bricksThe structures are made by laying bricks in two different directions, creating a stimulating textural surface that encourages the interplay of light and shadow.
“Course one moves tangent to the wall orientation, and course two moves along the north/south axis, allowing for a complex interplay of transparency and opacity as the curtain-like wall wraps the space,” the company continued.
The curved form contains various furnishings and lighting systemsAt a certain junction, a gradient is created when the wall transitions between solid red bricks to translucent glass blocks of the same dimensions.
The frosted bricks continue until they arrive at a glass-clad staircase. This element of transparency creates a light interface between the public space and the company’s office.
Bricks were laid in two directions to create a layered effect”Combining transparency with solidity and low-tech materials with high-tech digital art, this lobby reinforces the company’s brand of integrating high tech with human-centric sensibilities,” the Brick Industry Association concluded.
For more information about the project, please click here.
All photography by Chuck Choi
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Promotion: Italian architect Elisa Ossino has designed a “tactile” showroom in Milan for Swiss home appliance brand V-Zug.
Overlooking Piazza San Marco in the Italian city’s Brera district, the space is organised into two areas – one that displays V-Zug’s home appliances and one that functions as an “interactive kitchen”.
This was designed for visitors to “feel at home and experience appliances while enjoying good conversations”, the company said.
V-Zug Milan overlooks Piazza San Marco in BreraOssino designed the space, which will act as V-Zug’s Italian flagship, using cocciopesto flooring and limestone walls rendered in soft colours inspired by the silver finishing of the brand’s appliances.
“The narrative of the space focuses on the tactility of the material and the contrast between the mirrored surfaces of the V-Zug technological home appliances and the tactility of the stone, which is often sculptural,” Ossino told Dezeen.
“All the materials in the space are on the one hand a search for the tactility of surfaces and on the other a search for colours,” she added. “Household appliances have mirrored surfaces that lend themselves very well to dialogue with any kind of material.”
At the heart of the space sits a monolithic white limestone staircase, designed as a three-dimensional volume. A large porthole visually connects the upper area with the floor below.
The interactive kitchen allows guests to experience V-ZUG’s home appliances in actionV-Zug wanted to challenge “the standard showroom” by offering guests an immersive experience during Milan design week, when they could watch chefs prepare dishes using the brand’s appliances in an interactive kitchen.
Following the immersive experience, guests could browse an extensive materials library and sit around a long grey stone table while members of the V-Zug Gourmet Academy carried out demonstrations.
“It is this theme in general that has somewhat suggested the entire formal layout of the showroom, which is played out very much on a balance between nature, matter and technology,” Ossino explained.
A porthole visually connects the upper and lower areasV-Zug Milan was just one of several outposts opened by the brand in the past few months, following on the heels of showrooms in Vienna, Berlin, Hamburg and Sydney.
“With the showroom in Milan, I tried to intercept some of the subtle themes that run through our imagination, our everyday life,” said Ossino.
“We are witnessing on the one hand a great technological development – just think of artificial intelligence – in our daily lives. But at the same time we have a great need to reclaim something ancestral, a more humanistic design [that’s] closer to matter.”
The architect also designed a series of installations for the space in collaboration with art studio Henry Timi, which were on display as part of this year’s Milan Design Week 2024.
The studio is V-Zug’s Italian flagshipThe location of the brand’s showroom in Brera was not insignificant for the designer, who drew on the district’s “extraordinary” history when designing the space.
“I would say that the whole space is about a meeting of matter, technology and craftsmanship,” she said.
“In Italy, we have an incredible tradition in the world of craftsmanship and it is a knowledge that tends to get lost. There is a strong process underway at this time in history to valorise it, which is also very much linked to this ancestral need to reconnect with the material.”
Guests can browse an extensive materials libraryThe space’s sleek lines and sculptural minimalism also pay homage to V-Zug’s Swiss roots.
“For us, it was important to convey a sense of hospitality,” added V-Zug global interior art director Gabriel Castelló Pinyon.
“We have tried to speak the language of the city: to be bolder and to work a lot with natural materials,” said the brand. “In Milan, people always expect something different. But it’s still V-Zug – it’s still minimalistic with clean lines.”
V-Zug Studio Milan co-hosted an exhibition at Sala della Passione. Pinacoteca di Brera showcased an installation designed by Ossino in collaboration with Henry Timi. For more information, visit V-Zug’s website.
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Promotion: Swiss furniture brand Vitra is expanding its European presence through a programme of showroom openings in renovated, distinctive historic buildings.
The brand, which is known for high-end office and home furniture by leading designers, has embarked on a programme of showroom expansion and renovation to add to its global presence.
“All Vitra showrooms reflect an agile and flexible platform to showcase our office and home concepts, including both Vitra and Artek,” said the brand.
“We are keen to present the collaboration and synergies with our partners in spaces designed for communal work, activities and events.”
It has recently opened or renovated showrooms in Amsterdam, London, Madrid, Oslo and Stockholm.
Vitra recently opened a showroom in OsloVitra’s latest showroom opened last month in Oslo. Set within a 1930s metal factory in the resurgent Skøyen district, the understated interior was designed to contrast the industrial structure and set the base for the brand’s curated furniture collections.
The space contains offices for Vitra local staff and also functions as a place for the brand to host architects and designers.
It also opened a showroom in renovated building in MadridEarlier this year in Madrid’s bustling Salamanca district, Vitra opened a showroom within a 1920s art nouveau building originally designed by Spanish architect Antonio Palacios as a power supply facility for the city’s metro system.
The space was renovated by Spanish studio Carlos Manzano Arquitectos to create a bright and open space that showcases many of the building’s original features.
Topped by a distinctive steel and glass roof, the space combines office space for Vitra’s Madrid staff along with a showroom space, Vitra Colour & Material Library and a Task Chair Lab.
“One of our main goals was to peel off added elements to reveal the beauty of the spacious interior,” said Till Weber, creative director interiors and scenography.
“We also tried to maintain as much as possible of the original structure. For example, we tore out an entire kitchen installed by the former tenant to reveal wonderfully preserved brick walls.”
Its Amsterdam showroom overlooks the city’s portIn Amsterdam, Vitra recently opened another showroom on the dockside in the city’s Houthavens district within an old industrial munitions complex.
Vitra’s Amsterdam home was designed by London-based interiors studio SevilPeach, which was shortlisted for interior designer of the year at Dezeen Awards 2019.
Described as “breathtaking” by Vitra chairman Rolf Fehlbaum, the pared-back space features several showrooms, a shop, offices, canteen, a workshop and warehouse spaces.
Vitra’s London showroom opened in the Tramshed in ShoreditchIn London, Vitra recently opened a showroom in another heritage building – the Grade II-listed Tramshed in Shoreditch.
Originally built as a power station for the East London Tramway in 1905, the building was renovated to draw attention to its original features including the central roof light.
Along with the showroom openings, Vitra also recently renovated its Stockholm showroom. The brand also has European showrooms in Brussels, Copenhagen, Frankfurt, Prague and Paris as well as outside Europe in Los Angeles, New York and Tokyo.
The Herzog & de Meuron-designed VitraHaus is its flagship storeThe target audience for Vitra’s showrooms are B2B professionals, dealers, artists and designers. For its private clients, Vitra caters via its authorised dealer network and its own online shops.
Additionally, there is the Vitra Campus in Weil Am Rhein in Germany, which contains the Herzog & de Meuron-designed VitraHaus flagship store.
“The VitraHaus is a unique building that we have been working on for more than a decade,” said Nora Fehlbaum, CEO of Vitra.
“During this time, we have learned more about the building and about interiors in general: what does the building want? What suits it? What are the recipes for a good room? What is missing from our collection to make an interior even more meaningful or appealing? The interior we have now created reflects our answers to these questions and it is an ongoing project.”
Vitra creative director interiors and scenography Till Weber said: “In addition to the Vitra Campus, the Vitra brand should also be tangible and visible at a local level.”
“Depending on the location and surroundings there is a tailored concept, different colour scheme, a different product selection – but the Vitra DNA can always be experienced.”
Find out more about Vitra’s showrooms on its website.
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