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      Modern Age longevity clinic creates calm with 3form resin interiors

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      Promotion: longevity clinic Modern Age has opened its flagship studio in New York City, with an interior design featuring translucent 3form materials, which aims to create a welcoming environment.

      The Modern Age studio offers a wide range of treatments and products, including IV drip therapy, botox and wrinkle relaxers, vitamins and hormone therapy.
      The flagship clinic was designed in-house by the brand’s head of studio design Madelynn Ringo, who wanted to create a calm and welcoming environment for clients undertaking treatments.
      The Modern Age studio uses translucent 3form Chroma resin throughout its interiorTo achieve a futuristic look, 3form’s Chroma resin material was chosen to feature in several places to create consistency throughout the interior while conjuring the desired mood.
      Chroma is a thick resin that 3form describes as offering high clarity and light transmission, which is durable and cleanable enough to be used even for horizontal applications such as tables, benches, boxes and counters.

      Its look is highly customisable with an array of finishes, diffusions and effects, and a choice of more than 250 colours.
      A peachy coral hue of Chroma was chosen for the suite doorsRingo wanted to create private spaces within the studio without reducing the light transmission, so she used Chroma in a peachy coral hue to make translucent pocket doors for the suites, and then applied the material again as shelving in the retail area to tie the interior together.
      The material helps the space to look glowy and inviting and has the advantage of being easy to work with.
      “3form’s materials are similar to glass, but are much lighter weight,” said Ringo. “This allows us to fabricate it in other ways that would be too heavy if we tried to use glass.”
      “Sometimes we can send it to our fabricators to craft into different shapes, which is easier and safer to cut than glass onsite.”
      The same colour is echoed in the retail area’s resin shelvesModern Age was also keen to work with environmentally friendly materials, and 3form’s material has the GreenGuard Gold certification for being low in chemical emissions and the Declare Label disclosing all of the ingredients in the final product.
      Ringo completed the space with more textured materials and finishes that provide a contrast to Chroma. They are also meant to hint at the ageing process and the beauty of imperfections.
      “Everyone has their own imperfections and we highlight that through the materiality of the space,” said Ringo. “The veininess of the terracotta tiles represents signs of ageing. The walls have a painterly limewash, to not show something that was too refined.”
      3form is an American brand that manufactures a range of resin, glass and felt materials for various architectural applications. In addition to its environmental sustainability goals, it also holds a Just Label, which recognises its social justice and equity outcomes.
      Visit 3form’s website for more information on Chroma and its other products.
      Partnership content
      This article was written by Dezeen for 3form as part of a partnership. Find out more about Dezeen partnership content here.

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      Fiandre covers Armenian church in porcelain slabs printed with 1.5 million unique motifs

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      Promotion: Fiandre Architectural Surfaces porcelain slabs, digitally printed with 1.5 million icons, cover the facade of an Armenian church in Texas designed by New York-based architect David Hotson.

      For the facade of Saint Sarkis Armenian Church in Carrollton, Texas, architect David Hotson and Yerevan-trained architectural designer Ani Sahakyan worked closely with Italian architectural surface manufacturer Fiandre to create a facade that works at a series of visual scales.
      The church is covered with Fiandre porcelain slabsThe church’s western facade that surrounds its entrance is clad with porcelain slabs depicting a traditional Armenian cross or “tree of life” with distinctive floral branching arms. This Armenian symbol of faith in the face of suffering and of resurrection and redemption serves as a memorial to the victims of the Armenian genocide.
      Viewed more closely, as the visitor approaches the church, the cross is composed of interwoven botanical and geometrical motifs drawn from Armenian art. These motifs represent the bonds of ancestry and tradition that have bound the Armenian community together across centuries of challenge and upheaval.
      Examined from even closer proximity, visitors will be able to see that the slabs are covered with individual icons or pixels, each one centimetre in diameter.

      Printed at a high resolution using Fiandre’s “Design Your Slab” or DYS printed porcelain slab system, the tiny icons – 1.5 million in total – cover the entire church facade. All of the icons are unique and derived from the circular emblems that recur throughout Armenian decorative arts.
      The ceramic slabs are printed with 1.5 million icons based on ancient Armenian motifsThe 1.5 million unique icons are designed to symbolise the individuals who were murdered in the Armenian genocide. The scale of the individual icons that are spread across the entire building facade is intended to make tangible the scale of this historical atrocity.
      To create the facade design, a computer script was developed by architectural designer Ben Elmer to generate the icons based on ancient Armenian ornamental motifs.
      These icons were scaled to fit a total of 1.5 million on the facade and were distributed according to density to form larger-scale patterns when viewed from a distance.
      The ceramic surfaces are also UV-resistantThe motifs were printed to the exact pixel modules required onto Fiandre’s large-format, exterior-grade, UV-resistant porcelain rain screen slabs.
      “The facade is believed to be the first use of this technology to optically engage the viewer in a series of visual scales nested inside each other, from the scale of an entire architectural facade to the scale of individual pixels each rendered in high-resolution at the threshold of visual perception,” said Fiandre.
      In addition to the memorial facade, Fiandre supplied the full range of porcelain interior and exterior floor, wall and soffit finishes used throughout the Saint Sarkis Campus.
      The Armenian church in Texas is designed by New York-based architect David HotsonNew York-based Hotson’s design for the new church building is modelled on the ancient church of Saint Hripsime, which stands near Armenia’s modern capital of Yerevan.
      Having withstood fourteen centuries of upheaval, Saint Hripsime serves as a symbol of the endurance, perseverance, and resilience of the Armenian people. The cornerstone of Saint Sarkis was laid in 2018, fourteen centuries after Saint Hripsime was completed in 618 AD.
      “From this brief, Hotson developed a design that looks forward as well as backward, marrying ancient architectural and artistic traditions reflecting Armenia’s cultural legacy as the world’s first Christian nation with contemporary digitally-driven design and fabrication technologies,” explained the manufacturer.
      To learn more about Fiandre Architectural Surfaces, visit the brand’s website.
      Partnership content
      This article was written by Dezeen for Fiandre as part of a partnership. Find out more about Dezeen partnership content here.

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      Tristan Auer designs Blade Runner-inspired bathroom for Axor

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      Promotion: drawing on the aesthetic of the film Blade Runner, architect Tristan Auer has designed a neon-lit bathroom concept for Axor to suit an imagined male client.

      Auer created the concept as part of the German brand’s Distinctive project, which tasks some of the world’s leading architects with creating highly individual bathrooms.
      Auer was free to design whatever he wanted, but had his imagination sparked by a suggestion in the brief that the bathroom sit in a high-rise apartment in Hong Kong.
      Tristan Auer’s bathroom concept was partly inspired by the aesthetic of Blade Runner”You know Blade Runner from Ridley Scott? Hong Kong is like that — something that is building on top of itself. Different layers,” he said.
      “You have the crowd on the street level, and then, as you elevate, it’s more and more futuristic. It’s why I combine old antiques pieces with very modern textures.”

      From this starting point, Auer developed a dark bathroom that combines reflective stainless steel elements with neon lighting and a mix of different travertine stones.
      He wanted to give the bathroom a masculine feel with ’80s touchesAxor’s Edge faucets, designed by Jean-Marie Massaud, further fuelled his worldbuilding around the design, as he says their diamond-cut pyramidal pattern reminds him of an 80s icon, the ST Dupont lighter.
      “I don’t smoke, but I like to touch. So that sets the stage — Dupont, those colors, those ambiances,” he said, explaining that, in combination with the “masculine” travertine, it helped him to build a picture of his imagined client.
      “It’s for a man. Definitely selfish. The guy is only thinking about himself. He likes to collect. He’s a hedonist.”
      The pattern on the Axor Edge faucets fuelled Auer’s imaginationAs well as the Axor Edge washbasin faucet and freestanding bath faucet, Auer’s bathroom features the Axor ShowerHeaven and Axor Edge thermostat in the shower and Philippe Starck’s ultramodern Axor Universal rectangular accessories.
      They all have a polished gold optic finish, which adds to the bold and moodily space-age look of the bathroom.
      “Axor Edge is great, and not only because Jean-Marie is a good friend,” said Auer. “I would have liked to have designed it before him!”
      The Axor Edge tapware is by Jean-Marie MassaudAuer describes himself as an “interior and emotion” architect, because of how he reads and interprets his clients’ wishes, drawing inspiration from them rather than imposing his own style.
      He started his career with French interior designer and architect Christian Liaigre, who worked wholly bespoke at the time, and says he learned to design everything down to the door handle.
      Auer mixed layers of modern elements and antique pieces in the bathroom concept”I know the artisans,” he said. “I know the process. And individualisation is very interesting because, for me, that’s luxury, to have something made for you.”
      Individualisation of living spaces is the focus of Axor’s Distinctive project, for which Auer and fellow architects Sarah Poniatowski and Hadi Teherani have all designed highly personalised bathrooms.
      Axor sees individualisation as a growing trend, with people seeking more personal expressions of style following decades of globalisation and standardisation.
      To view more of Axor’s products, visit its website.
      Partnership content
      This article was written by Dezeen for Axor as part of a partnership. Find out more about Dezeen partnership content here.

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      Attitude of “permanent renewal” drives retail success says Colette co-founder Sarah Andelman in Liganova talk

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      Promotion: Sarah Andelman, co-founder of Parisian concept store Colette, has discussed the unexpected approaches needed to succeed in the future retail landscape in a talk hosted by Dezeen and brand retail experts Liganova during Milan design week.

      Andelman was in conversation with Dezeen’s chief content officer Benedict Hobson at brand and retail experience company Liganova’s Salone Club, a live event held in a lounge overlooking the rooftops of Milan.
      The event explored the topic of the future of retail and how brands can create relevant and meaningful experiences in stores through curation and collaboration, with Andelman drawing on her decades of experience helming Colette alongside her mother, Colette Roussaux.
      The talk included Mathias Ullrich, Ben Hobson and Sarah AndelmanThe Paris boutique – opened in 1997 and widely considered one of the most influential stores in the world – brought together fashion, streetwear and beauty products. The space also included a gallery, bookshop, cafe and “water bar” serving more than 100 varieties of bottled water.
      Mother and daughter kept things fresh by changing the windows and displays every week, and Andelman said that it was the fact that they would always “renew ourselves” that meant people would come back to see what’s new.

      “We would always push and try to introduce things we haven’t seen yet, and this permanent renewal,” she said. “It was a mix of brands and mix of events. I think this energy helped create what Colette was.”
      Andelman is the co-founder of Parisian concept store ColetteColette closed in late 2017 when it was almost at the height of its popularity and Andelman says going out on a high when the time felt right was “the best decision we took”.
      The next year she founded her consulting agency, Just an Idea, which has worked with brands including Valentino and Nike to produce unique and tailored retail experiences.
      Andelman considers collaboration one of the keys to current and future retail success but says it has become harder than ever to make an impression in the space.
      Sarah Andelman was in conversation with Ben Hobson at Liganova’s Salone Club at Milan design week 2022″Now there are so many unexpected collaborations that you’re not surprised anymore,” she said. “It’s really everywhere.”
      “We had so many collaborations of brands with artists, brands with brands, I think now maybe we’ll talk to writers, to architects, to hospitality, to find new ways of developing a new format of collaboration to bring a new dimension to the classic collaboration,” she continued.
      Curation is also key according to Andelman, who urges curators to embrace their idiosyncracies without fear. It is something she and Roussaux were known for at Colette, which presented high-end labels alongside undiscovered emerging designers.
      Andelman spoke in front of an audience of Liganova partners, clients and friends”For a good curator I think you need knowledge, you need to know what exists, you need to be super curious, to have to go to multiple trade shows, showrooms, anything,” she said. “You hear, you read, you follow information, you really just follow your instinct, to not try to duplicate something you have seen somewhere else.”
      In the future, she believes the real world and metaverse will come to intersect in the retail space, requiring continuity of approach from brands.
      At the same time, there will continue to be a place for bricks-and-mortar stores, especially “retail experiences” that capture the senses and are almost museum-like in their approach.
      The live talk took place in a rooftop lounge looking out over Milan”I think bricks and mortar are here to stay if there is this extra touch to make it the opposite of the internet, this human service, maybe a drink, this extra service that you won’t find online,” she said.
      “I think it’s fantastic for brands like Jacquemus to have a concept like its pop-up at Selfridges,” she said. “It’s a focus on one bag. You feel the water, you hear the sound.”
      “In an experience, I think you need all of these: the sound, the smell, the touch and the fact that it’s not a system that they will duplicate in Tokyo, New York, but they really take the time to design something different for each market,” she continued. “The challenge is to keep it short and to renew and do something completely different next time.”
      To learn more about Liganova, visit its website.
      Milan design week 2022
      Salone Club took place on 8 June as part of Milan design week 2022. See Dezeen Events Guide for an up-to-date list of architecture and design events taking place around the world.
      Partnership content
      This article was written by Dezeen for Liganova as part of a partnership. Find out more about Dezeen partnership content here.

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      Sarah Poniatowski designs teal and teak indoor-outdoor bathroom for Axor

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      Promotion: interior designer Sarah Poniatowski has drawn on her connection to the French seaside to create a tranquil bathroom concept for Axor combining teal tiles, teak wood and bronze fittings.

      Poniatowski, the founder of Maison Sarah Lavoine, designed the concept as part of Axor’s Distinctive project, which presents personalised bathroom ideas from leading architects and designers.
      The Paris-based designer answered the brief with a coastal indoor-outdoor bathroom, referencing the place where she feels most connected with nature.
      Sarah Poniatowski’s seaside bathroom concept for Axor includes an outdoor shower”I have a deep connection with the south-west region of France,” Poniatowski said. “It’s so authentic, and nature is everywhere. It’s the most relaxing place in the world for me.”
      “The goal was to emphasise the surroundings with an indoor-outdoor bathroom and create a relaxing space with a summer holiday feeling.”

      Poniatowski’s concept includes an outdoor shower area that flows on from the main bathroom, where multiple doorways, large mirrors and louvre windows allow in plentiful light and enhance the feeling of being immersed in nature.
      The design combines raw pine and teak wood with a travertine stone washbasinWood floorboards and panelling along the walls and ceiling give the space a cabin-like feel, but one enlivened by Poniatowski’s material and colour combinations.
      Along with raw pine wood panelling and teak frames, the interior features a travertine bathtub and washbasin, teak tiling and, in the indoor shower, a feature section of multicoloured Zellige tiles that introduce blocks of deep purple and pale pink.
      Poniatowski describes it as “a place where you can daydream yet relax, be creative yet stand still, enjoy the outside while being in your very own bubble”.
      The indoor shower features multicoloured tiles”It’s all about balance,” she said. “Hence the choice to play with contrasts.”
      Poniatowski completed her bathroom concept with Axor’s Starck fittings, designed by Philippe Starck, in the brushed bronze FinishPlus surface finish.
      The fittings include the Axor Starck Nature Shower outdoors, another slender shower column indoors, two faucets on the washbasin and a floorstanding faucet at the tub.
      The bathroom is completed with Axor Starck fittings in brushed bronzePoniatowski sees the tapware as creating another opportunity to bring balance through contrast, with the Starck designs having linear, contemporary forms and smooth finishes that punctuate the organic-looking bathroom surfaces.
      “The design of the Axor Starck collection is very distinctive,” she said. “It was important to create a setting in line with it: emphasise it but don’t overwhelm it, and vice versa.”
      Poniatowski created her concept bathroom to suit an imagined personality who loves to travel and appreciates a fast-paced life while also knowing when to stand still and contemplate.
      The fittings provide a contrast to the raw and natural materialsShe designed it as part of Axor’s Distinctive project, which explores the rise of individualisation in personal living spaces via concept designs and discussions with experts and partners.
      The brand sees the trend as a response to decades of globalisation and standardisation, with people now seeking more personal expressions of luxury and style.
      “No one is the same, and this is what I love about my job — meeting people and creating something like nothing before,” said Poniatowski.
      To view more of Axor’s products, visit its website.
      Partnership content
      This article was written by Dezeen for Axor as part of a partnership. Find out more about Dezeen partnership content here.

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      Natuzzi's Fabio Novembre-designed concept store celebrates the brand's Puglian roots

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      Promotion: designer Fabio Novembre’s concept store for Italian furniture brand Natuzzi celebrates the brand’s Puglian roots with an interior that reflects the culture, colours and traditions of the southern Italian region.

      Novembre, who was born in the Puglian city of Lecce, has created a “new retail concept” for Natuzzi at its Milan flagship store that will be launched during Milan design week next month.
      Designed to make the furnishings stand out, the renovated store interior is anchored by a square-shaped central lounge area that sits at its heart. This piazza-like space is lined with lights and arches that recall traditional Apulian architecture.
      Natuzzi is an Italian furniture brandThe central space is used for meetings with customers and also provides an area where they can try out the brand’s virtual 3D shopping experience.
      Arranged around the central space, various room sets can be accessed through the arches, creating easy and free-flowing pathways through the space.

      Four of the room sets are dedicated to the living area while another three spaces set out total living proposals. The Apulian landscape – which is characterised by farms, olive trees and a particular warm light – is conveyed through the soft colour choices and tactile materials that create a relaxed mood.
      Natuzzi creates a range of high quality furniture”There is a deep connection between Fabio and Natuzzi: we share the love for our roots, for what Apulia taught us,” said chief creative officer of Natuzzi Italia, Pasquale Junior Natuzzi.
      “When we decided to rethink the concept of our showrooms we immediately thought he would be the right choice, as he has a unique ability to translate into architecture those values we share: hospitality, warmth, Mediterranean beauty.”
      “Natuzzi is the perfect interpreter to narrate Apulia to an international audience,” commented Novembre. “Places have a soul, and Apulia has always been a crossroads of different cultures that live together in harmony. We are a symbolic bridge over the Mediterranean.”
      The concept will be launched during Milan design week next monthDuring Milan design week, the courtyard spaces adjacent to the showroom in Palazzo Durini Caproni di Taliedo will host an installation called Germogli, which translates as sprouts or shoots in English.
      Conceived by Italian artist and designer Marcantonio, a series of gigantic golden olive tree sprouts, almost four metres tall, will appear as if they are emerging from the earth.
      The golden olive tree sprouts intended to explore humanity’s connection to natureThe installation explores the idea of rebirth and our connection to nature.
      “The sprouts I have represented are the olive, the symbolic tree of Puglia,” said Marcantonio. “Its wood is precious, it is strong, its fruit is an emblem of fertility and memory for all towns dotted across the Mediterranean, and it provides a unique cultural connection between them”.
      Giampaolo Sgura’s photographic exhibition called TRE(E)PIDATION will also be on showThe brand hopes that the installation will also throw the spotlight on an urgent problem facing olive groves in Puglia where a bacterial disease called Xylella is causing substantial problems in the olive groves and risks compromising crops across Europe.
      Also on show is Giampaolo Sgura’s photographic exhibition called TRE(E)PIDATION.
      The exhibition will present three photographs of olive trees that showcase a landscape that “risks disappearing forever” due to the Xylella epidemic and was created to promote public awareness of the issue and support scientific research.
      Fabio Novembre has collaborated with Pj NatuzziIn 2019, the Italian furniture brand embarked on what it called “a new era of advanced, white-glove customer service” by launching a virtual-reality shopping experience.
      Natuzzi’s showroom takes place from 10 am to 8.30 pm from 7 to 12 June 2022.
      To learn more about the brand, visit its website.
      Partnership content
      This article was written by Dezeen for Natuzzi as part of a partnership. Find out more about Dezeen partnership content here.

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      Hadi Teherani designs Middle East-inspired bathroom under a cupola for Axor

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      Promotion: architect Hadi Teherani has designed a bathroom concept for Axor based on Middle Eastern bathhouses, imagining the room as a place of retreat and holistic cleansing.

      Teherani designed the concept as part of Axor’s Distinctive project, which presents bathroom ideas from renowned architects as a way of exploring the trend of individualisation.
      Teherani was asked to create a personal “bathroom with personality” for the project and answered the brief by creating a circular, cupola-topped room meant to provide a sense of security and serenity.
      Hadi Teherani’s concept bathroom for Axor has a central tub that sits under a cupola”I see the bathroom as a space where I can clean myself – in a metaphorical sense as well,” said Teherani. “Here is where I arm myself for the day. This space protects me, offers me security, but at the same time, it doesn’t restrict me but rather gives me a feeling of space and infinity.”
      The concept takes the form of a cupola, which is Teherani’s way of conjuring those seemingly contradictory feelings of safety and liberation, security and freedom. It is “enveloping but not narrowing”.

      The cupola would sit at the centre of a home or hotel suite and be accessible from several points. It is inspired by Middle Eastern public baths, which would typically have several individual cupolas accommodating different functions.
      An oval double washbasin is located along the wallIn Teherani’s design, an organically shaped bathtub sits directly under the cupola, with a spacious shower area and oval double washbasin around it.
      “For me the cupola symbolises openness and secureness,” said Teherani. “The vastness comes from the high arched ceiling with a glass mosaic that stretches across the room like the sky.”
      “When you lay here in the bathtub placed in the centre of the room you get the feeling of looking into the vastness of the starry sky.”
      The circular room can be accessed from several pointsThis effect is enhanced by the chosen materials, which include glass mirror mosaic tiles that stretch from the floor to the cupola overhead. These reflect the light marble surfaces below, creating a glittering panorama of silvers and golds.
      Teherani’s bathroom concept is completed with Axor fittings in matt black: Axor Citterio E lever-handle and pin-handle faucets, Axor overhead and handheld showers, as well as Axor Universal Softsquare Accessories. He sees them as fulfilling the role of “functional jewellery”.
      “The faucets crown the bathroom concept with their timeless elegance and transport the water to the washbasin,” said Teherani. “The overhead shower is a recharging area for new energy, the bathtub faucet the water source at the bathtub.”
      The bathroom is finished with Axor fittings in matt blackThe bathroom demonstrates how linear fittings can be made to work in a round space, which Teherani said he accomplished by making “little cuts into the walls” and planning the positioning carefully.
      “The good thing about Axor is that the brand offers so many individual product variants so that it’s always possible to find a solution,” he added.
      Axor’s Distinctive project explores the trend of individualisation in personal living spaces through interviews and conversations with experts and Axor design partners, as well as bathroom concepts designed by leading architects.
      To view more of Axor’s products, visit its website.
      Partnership content
      This article was written by Dezeen for Axor as part of a partnership. Find out more about Dezeen partnership content here.

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      The Standard to open design-led Asia flagship hotel in Bangkok

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      Promotion: hotel brand The Standard is set to open a Bangkok outpost in King Power Mahanakhon, featuring bright interiors by Spanish designer Jaime Hayon and The Standard’s in-house design team.

      Named The Standard, Bangkok Mahanakhon, the design-led lifestyle hotel in Thailand will open in May 2022 and become The Standard’s Asia flagship.
      The Standard is opening a hotel in Bangkok’s King Power Mahanakhon skyscraperThe 155-room hotel is being developed in the pixelated King Power Mahanakhon.
      Its interiors, which are being designed by Hayon in collaboration with the brand’s in-house designers, are hoped to encapsulate the “unmistakable energy of the Thai capital”.
      Its interiors are being designed by Jaime Hayon”There is nothing in Bangkok, or the entire region, like what we have created here,” said The Standard’s executive chairman Amar Lalvani.

      “We love the energy, style and culture Bangkok offers and couldn’t be more proud to partner with King Power to open our flagship for the region in this awe-inspiring building, in this incredible city.”
      The 155 guest rooms will vary in sizeThe 78-storey King Power Mahanakhon was chosen as the host building for the hotel in recognition of its iconic architectural design and setting within Bangkok’s central business district.
      It is also in close proximity to Bangkok’s Old Town, which the brand said: “has recently become the chosen enclave for the city’s dynamic creative community”.
      Finishes will be bright and colourfulThe interiors of the hotel will be distinguished by bright colours and fluid shapes. There will also be a mix of art installations and greenery.
      These finishes have been developed by Hayon to challenge the usual aesthetic of other luxury hotels in Bangkok.
      Greenery will feature throughoutHotel rooms will range in size from 40-square-metre guest rooms to a spacious 144-square-metre penthouse.
      In addition to the hotel rooms will be a meeting and events room, as well as shops and a gym that will be open to the local community.
      Like all other hotels by The Standard, there will also be an outdoor terrace pool and a mix of restaurant, lounge, bar and nightlife venues.
      The terrace, described by The Standard as “the highest alfresco sky beach in Bangkok” will have sweeping views of the city.
      The hotel aims to encapsulate the “unmistakable energy of the Thai capital”The Standard was established in 1999. It is known for its design-led approach to hotels.
      Its Bangkok outpost joins the US and European flagships, named The Standard, High Line, and The Standard, London, as well as waterside retreats in Miami, the Maldives, and Hua Hin. The Standard, Ibiza is also opening this spring.
      The hotel will feature a roof terrace and poolTo celebrate the opening of The Standard, Bangkok Mahanakhon, the brand is offering a pre-opening discount of 25 per cent on bookings until 31 Jul 2022 for stays until 28 Feb 2023.
      For more information on The Standard, Bangkok Mahanakhon, and its opening, visit its website.
      The imagery is courtesy of The Standard.
      Partnership content
      This article was written for The Standard as part of a partnership. Find out more about Dezeen partnership content here.

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