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    Bindloss Dawes converts 18th-century pub into light-filled Michelin-starred restaurant

    Architecture studio Bindloss Dawes has renovated an 18th-century pub in Somerset, England, to create an “intimate” new home for the Osip farm-to-table restaurant.

    Helmed by chef Merlin Labron-Johnson, Michelin-starred Osip was located on Bruton High Street in Somerset until August of this year, when it was transferred to a nearby Georgian pub built in 1730.
    Bindloss Dawes has created a new home for OsipLocal architecture office Bindloss Dawes stripped the three-storey building back to its original shell by removing a series of recent additions. The studio also stabilised the pub’s existing stone walls and relayed its slate roofs.
    Rewashed in white lime, the textured facade is characterised by limestone door and window frames, which complement the surrounding planted garden that supports Osip’s seasonal menu.
    An open theatre kitchen features floor-to-ceiling glazingOn the interior, Bindloss Dawes sought to illuminate the ground-floor restaurant with natural light while retaining a sense of the pub’s former character.

    Low, beamed ceilings feature across the seating area, which overlooks an open kitchen framed by floor-to-ceiling glazing and crowned by a geometric skylight.
    Earthenware flooring was laid across the seating area”The original Osip had a road-facing window and a small serving hatch, giving diners a limited view of the kitchen,” studio co-founder Oliver Bindloss told Dezeen.
    “In the new restaurant, we have opened up new windows and the garden to create wide views of the surrounding landscape.”
    The kitchen includes chunky bar stoolsBindloss Dawes chose a palette of natural materials when dressing the interior spaces.
    A deep red, locally sourced earthenware floor was laid across the seating area in a nod to the pub’s original charred crimson clinker floors. The breathable material was also selected for its acoustically absorbent properties.
    Artist Max Bainbridge hand-carved a knobbly timber barArtist Max Bainbridge of Somerset studio Forest + Found hand-carved a knobbly central drinks bar out of local timber gathered from the neighbouring woods, while abstract artworks add subtle colour to the otherwise white-washed walls.
    The kitchen is defined by a mixture of stainless steel, timber accents and chunky bar stools upholstered in Somerset textiles. Dimmable lighting was fitted throughout the restaurant to enhance a setting where diners can “focus on the food”, according to Bindloss.

    William Floyd Maclean designs modular timber furniture that “considers a wider picture”

    “The interior design is intimate, filled with natural light and open to the landscape,” said the studio co-founder.
    “Osip’s materials and makers represent the same things as its food – locally sourced and representing the best of Somerset and the south west,” he added.
    Osip includes a garden for growing seasonal produceBindloss Dawes also restored the building’s first and second floors, which extend into the original roof rafters and house four double guestrooms with en-suite bathrooms, furnished to reflect the downstairs restaurant.
    The studio opened its Bruton practice in 2018 and has completed Somerset projects ranging from the renovation of a Grade II-listed house in Pitcombe with a contemporary timber extension to a car barn for a classic Porsche collector.
    The photography is by Dave Watts.

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    Diandra Maselli Architect renovates historic red-brick home in Montreal

    Montreal architect Diandra Maselli has overhauled a century-old house in the city for herself and her family, modernising the residence while retaining some historic character.

    The founder of Diandra Maselli Architect acquired the property a week before the Covid-19 pandemic caused global lockdowns, and faced an uphill battle during the renovation of the historic structure.
    The 100-year-old home was fully modernised inside, including a new kitchen”The house had its fair share of obstacles – including structural decay, carpenter ants, mice, water infiltration, foundation holes, and asbestos abatement,” said Maselli.
    “However, amidst these challenges, there was a silver lining – the extensive demolition and incorporation of a steel structure paved the way for a tailor-made renovation, envisioned to meet modern needs and newly unfolding realities.”
    Architect Diandra Maselli played with boundaries and thresholds throughout the homeWith the structural work on the 3,512-square-foot (326 square metres) building complete, the architect was able to tailor the interiors to her family’s needs.

    For example, they needed two home offices – one on each floor – that could also transition into family areas during evenings and weekends.
    A variety of custom doors were added, including a glass and steel design between the living area and home officeThe old building’s compartmentalised layout was restrictive, so Maselli explored playing with the public and private boundaries.
    She did this by introducing a variety of custom doors, using different designs and materials so that “each threshold assumes a distinctive purpose”.
    Although contemporary furniture was inserted, details like the fireplace mantles and bay windows were restoredA glass and steel door separates the ground-floor home office from the kitchen and living area, allowing light and views to pass between the two spaces.
    To conceal the laundry room from the kitchen, a nine-foot-tall (2.7 metres), flush-mounted door was installed, while a large sliding partition was added to open the kitchen to an outdoor patio.
    “By bestowing unique characteristics upon these transitions, the house’s dynamics shift responsively,” Maselli said.
    Built-in furniture made from white oak is found throughout the houseUniting the majority of the spaces is the use of white oak for millwork, built-in furniture and other details, providing visual consistency throughout the home.
    The most expansive application of the material is in the kitchen, forming a front for the cabinetry, a central island and a coffee station opposite.

    Atelier L’Abri renovates trio of apartments for a family in Montreal

    White oak also wraps walls and closets in the primary bedroom, where it is detailed with rounded corners and almost invisible door pulls.
    A half-height partition divides the sleeping and dressing areas, providing a view through mirrored double swing doors to the second-floor office.
    Upstairs, the primary bedroom separated from a dressing area by a half-height partitionThe renovation also provided the opportunity to modernise the home’s heating, ventilation and electrical systems.
    This included repurposing the original cast-iron radiators to support a dual-energy heating system.
    White oak millwork is used for the closets and features rounded cornersAll of the window shades, lighting and under-floor heating are automated to sync with the family’s daily routines.
    “The essence of the project is to blend the legacy of a century-old house with the needs of today, ensuring that its historic charm is retained while seamlessly integrating modern functionalities that respond to our new unfolding realities,” said the architect.
    The red-brick home in Montreal also received a full exterior restorationMaselli founded her eponymous studio in 2020 and has since also completed a single-family house in Lasalle, Quebec.
    Other recently renovated Montreal homes include a mid-century dwelling overhauled by Atelier Chardonnat and Salem Architecture, and a triplex residence reimagined by Atelier L’Abri.
    The photography is by Maxime Brouillet.

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