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      Bindloss Dawes converts 18th-century pub into light-filled Michelin-starred restaurant

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      Architecture studio Bindloss Dawes has renovated an 18th-century pub in Somerset, England, to create an “intimate” new home for the Osip farm-to-table restaurant.

      Helmed by chef Merlin Labron-Johnson, Michelin-starred Osip was located on Bruton High Street in Somerset until August of this year, when it was transferred to a nearby Georgian pub built in 1730.
      Bindloss Dawes has created a new home for OsipLocal architecture office Bindloss Dawes stripped the three-storey building back to its original shell by removing a series of recent additions. The studio also stabilised the pub’s existing stone walls and relayed its slate roofs.
      Rewashed in white lime, the textured facade is characterised by limestone door and window frames, which complement the surrounding planted garden that supports Osip’s seasonal menu.
      An open theatre kitchen features floor-to-ceiling glazingOn the interior, Bindloss Dawes sought to illuminate the ground-floor restaurant with natural light while retaining a sense of the pub’s former character.

      Low, beamed ceilings feature across the seating area, which overlooks an open kitchen framed by floor-to-ceiling glazing and crowned by a geometric skylight.
      Earthenware flooring was laid across the seating area”The original Osip had a road-facing window and a small serving hatch, giving diners a limited view of the kitchen,” studio co-founder Oliver Bindloss told Dezeen.
      “In the new restaurant, we have opened up new windows and the garden to create wide views of the surrounding landscape.”
      The kitchen includes chunky bar stoolsBindloss Dawes chose a palette of natural materials when dressing the interior spaces.
      A deep red, locally sourced earthenware floor was laid across the seating area in a nod to the pub’s original charred crimson clinker floors. The breathable material was also selected for its acoustically absorbent properties.
      Artist Max Bainbridge hand-carved a knobbly timber barArtist Max Bainbridge of Somerset studio Forest + Found hand-carved a knobbly central drinks bar out of local timber gathered from the neighbouring woods, while abstract artworks add subtle colour to the otherwise white-washed walls.
      The kitchen is defined by a mixture of stainless steel, timber accents and chunky bar stools upholstered in Somerset textiles. Dimmable lighting was fitted throughout the restaurant to enhance a setting where diners can “focus on the food”, according to Bindloss.

      William Floyd Maclean designs modular timber furniture that “considers a wider picture”

      “The interior design is intimate, filled with natural light and open to the landscape,” said the studio co-founder.
      “Osip’s materials and makers represent the same things as its food – locally sourced and representing the best of Somerset and the south west,” he added.
      Osip includes a garden for growing seasonal produceBindloss Dawes also restored the building’s first and second floors, which extend into the original roof rafters and house four double guestrooms with en-suite bathrooms, furnished to reflect the downstairs restaurant.
      The studio opened its Bruton practice in 2018 and has completed Somerset projects ranging from the renovation of a Grade II-listed house in Pitcombe with a contemporary timber extension to a car barn for a classic Porsche collector.
      The photography is by Dave Watts.

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      Diandra Maselli Architect renovates historic red-brick home in Montreal

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      Montreal architect Diandra Maselli has overhauled a century-old house in the city for herself and her family, modernising the residence while retaining some historic character.

      The founder of Diandra Maselli Architect acquired the property a week before the Covid-19 pandemic caused global lockdowns, and faced an uphill battle during the renovation of the historic structure.
      The 100-year-old home was fully modernised inside, including a new kitchen”The house had its fair share of obstacles – including structural decay, carpenter ants, mice, water infiltration, foundation holes, and asbestos abatement,” said Maselli.
      “However, amidst these challenges, there was a silver lining – the extensive demolition and incorporation of a steel structure paved the way for a tailor-made renovation, envisioned to meet modern needs and newly unfolding realities.”
      Architect Diandra Maselli played with boundaries and thresholds throughout the homeWith the structural work on the 3,512-square-foot (326 square metres) building complete, the architect was able to tailor the interiors to her family’s needs.

      For example, they needed two home offices – one on each floor – that could also transition into family areas during evenings and weekends.
      A variety of custom doors were added, including a glass and steel design between the living area and home officeThe old building’s compartmentalised layout was restrictive, so Maselli explored playing with the public and private boundaries.
      She did this by introducing a variety of custom doors, using different designs and materials so that “each threshold assumes a distinctive purpose”.
      Although contemporary furniture was inserted, details like the fireplace mantles and bay windows were restoredA glass and steel door separates the ground-floor home office from the kitchen and living area, allowing light and views to pass between the two spaces.
      To conceal the laundry room from the kitchen, a nine-foot-tall (2.7 metres), flush-mounted door was installed, while a large sliding partition was added to open the kitchen to an outdoor patio.
      “By bestowing unique characteristics upon these transitions, the house’s dynamics shift responsively,” Maselli said.
      Built-in furniture made from white oak is found throughout the houseUniting the majority of the spaces is the use of white oak for millwork, built-in furniture and other details, providing visual consistency throughout the home.
      The most expansive application of the material is in the kitchen, forming a front for the cabinetry, a central island and a coffee station opposite.

      Atelier L’Abri renovates trio of apartments for a family in Montreal

      White oak also wraps walls and closets in the primary bedroom, where it is detailed with rounded corners and almost invisible door pulls.
      A half-height partition divides the sleeping and dressing areas, providing a view through mirrored double swing doors to the second-floor office.
      Upstairs, the primary bedroom separated from a dressing area by a half-height partitionThe renovation also provided the opportunity to modernise the home’s heating, ventilation and electrical systems.
      This included repurposing the original cast-iron radiators to support a dual-energy heating system.
      White oak millwork is used for the closets and features rounded cornersAll of the window shades, lighting and under-floor heating are automated to sync with the family’s daily routines.
      “The essence of the project is to blend the legacy of a century-old house with the needs of today, ensuring that its historic charm is retained while seamlessly integrating modern functionalities that respond to our new unfolding realities,” said the architect.
      The red-brick home in Montreal also received a full exterior restorationMaselli founded her eponymous studio in 2020 and has since also completed a single-family house in Lasalle, Quebec.
      Other recently renovated Montreal homes include a mid-century dwelling overhauled by Atelier Chardonnat and Salem Architecture, and a triplex residence reimagined by Atelier L’Abri.
      The photography is by Maxime Brouillet.

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      Office of Tangible Space redesigns Brooklyn Museum Cafe

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      New York studio Office of Tangible Space has refreshed the interiors of the cafe at the Brooklyn Museum, ahead of the institution’s 200th anniversary next year.

      The Brooklyn Museum Cafe is located in the building’s light-filled entry pavilion, which was added to the original beaux-arts building in 2004 by Polshek Partnership Architects (now Ennead Architects).
      Furniture at the redesigned Brooklyn Museum Cafe is laid out like “islands and streams”Serving a menu by local restaurateur and sommelier André Hueston Mack, who runs the neighborhood restaurant & Sons, the redesigned cafe is intended for locals and museum-goers to enjoy light bites and drinks.
      “Playing off the mission of the museum, [we] envisioned the cafe as a Brooklyn stoop where all are invited,” said Office of Tangible Space. “The space embodies the playfulness, creativity, craft, and expression that make Brooklyn and Brooklynites so unique.”
      The cafe occupies a portion of the building’s light-filled entry pavilionThe locally based studio created a fluid layout that allows visitors to meander through the space.

      Furniture is arranged in “islands and streams” that can accommodate diners in varied group sizes, as well as those stopping for a casual coffee.
      Periwinkle-hued tables with angled sides form snaking shapes through the space”The space is anchored by large islands of seating and undulating streams of custom tables indicating the walking paths,” said Office of Tangible Space.
      Aluminium chairs with seats and backs perforated with large holes accompany tables, including circular wooden designs for up to six guests and dark green two-tops.
      Dark green two-top tables are accompanied by aluminium chairs perforated with large holesOther tables made from folded sheets of thin periwinkle-hued metal have angled sides, allowing them to form snaking shapes when lined up in a row.
      Round cushioned poufs upholstered in pale blue and green are placed around the perimeter, which is demarcated by a set of freestanding wooden dividers and potted plants.

      OEO Studio uses materials in a “playful way” for Designmuseum Denmark cafe and shop

      “The incorporation of bold color and material add to playfulness and tactility of the space,” the studio said.
      For the new space, the museum and Office of Tangible Space commissioned 10 local artists to design one-off stools that are peppered through the cafe.
      Large round poufs are provided for more casual seatingThe handcrafted wooden seats, manufactured by Sundays, have been customised by Minjae Kim, Chen Chen and Kai Williams, Ellen Pong, Kim Mupangilaï and more.
      “These handcrafted pieces not only complement the cafe’s design but also echo the philosophy that food, like art, is an immersive experience – engaging the senses, sparking conversation, and creating a connection between the creator and the audience,” said Office of Tangible Space.
      The cafe was redesigned ahead of the Brooklyn Museum’s 200th anniversaryThe Brooklyn Museum’s building, designed by McKim, Mead & White and completed in 1895, will host a variety of exhibitions and events planned to celebrate its bicentenary.
      These include Breaking the Mold: Brooklyn Museum at 200, a showcase celebrating the institution’s collection and legacy that opens in February 2025.
      Founded by Michael Yarinsky and Kelley Perumbeti, Office of Tangible Space was longlisted in the emerging interior designer of the year category of Dezeen Awards 2020.
      The photography is by Matthew Gordon.

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      Gachot Studios refreshes lounge at The Metropolitan Opera in New York

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      New York-based Gachot Studios has redesigned the patrons lounge at The Metropolitan Opera, imbuing the space with rich materials like textured wallpaper, black granite and brass accents.

      Gachot Studios transformed the Keebler J Straz Lounge while keeping the 1,861-square-foot space aligned with its ornate surroundings.
      The bar at the refreshed Keebler J Straz Lounge features a matte brass front and black stone topStudio founders and opera lovers John and Christine Gachot have a personal connection to the venue, which is part of the Lincoln Center complex designed by American architect Wallace K Harrison and opened in 1966.
      “Our son, who attended LaGuardia High School, would walk past The Met Opera every day on his way to school,” said the couple. “As New Yorkers, we value city institutions like The Met with its incredible history and cultural influence.”
      Wall-to-wall carpet in a rust hue complements the palette chosen for furnitureThe lounge was originally designed by late American decorator Billy Baldwin, and Gachot Studios referenced his layout and some of the furnishings as part of the redesign.

      “It had an intimate residential feel with various deep sofas defining seating areas,” said Gachot Studios. “The new furniture layout draws inspiration from Baldwin’s thoughtful arrangement with four lounge seating groups.”
      Brass accents including bar-top lighting are found throughout the patron’s loungeA series of upholstered screens that were once used to delineate the different lounge areas were reinterpreted as walnut-framed panels that direct guest flow from the entrance and conceal the back-of-house door.
      The arc-shaped bar is fronted by matte brass panels and topped with a curved slab of black granite.
      Seating and tables from Roche Bobois were customised to accommodate guests of all agesBronze-tinted mirrors in the back bar area reflect the room’s gold-painted ceiling and provide a mount surface for delicate shelving and a vintage clock.
      Sheer drapes are hung across the windows, and the wall are covered in textured wallpaper between vertical bands of polished brass.

      Gachot Studios creates cosy New York neighbourhood bar

      Rust-coloured wall-to-wall carpet provides a plush finish underfoot, and complements the palette of furniture pieces in cream, blush, caramel, oxblood, and various brown and black tones.
      The seating and tables from French brand Roche Bobois were customised “to accommodate for patrons of all ages” Gachot Studios said.
      Textured wallpaper sits between vertical strips of polished brassA dining area behind the bar is also provided for those wanting to sit more formally or use the space for meetings.
      Architectural lighting is kept to a minimum so as not to detract from the ceiling, while sconces, floor lamps and table lamps by Hudson Valley Lighting offer a warm glow.
      Black and white photos from The Metropolitan Opera’s history adorn the wallsThe majority of the furniture and decor can be rearranged to accommodate events beyond the use of the space before performances or during intermissions.
      “In a building that requires a balance between grandeur and practicality, the lounge is no different,” said the studio.
      Gachot Studios reinterpreted the screens originally designed for the lounge by Billy BaldwinElle Décor magazine collaborated with the opera and the studio to secure furnishings and fittings for the project.
      Founded in 2012, Gachot Studios has completed several hospitality and commercial projects across the US.
      These range from boutique hotels in Detroit and Washington DC, to the New York flagship store for cosmetics brand Glossier.
      The photography is by William Jess Laird.

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      FMA creates flexible offices within former Mexican convent

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      A meditation room and an outdoor work area are available to employees at this office in Mexico, which was remodelled by architecture firm FMA within a 17th-century convent.

      The GO Headquarters is located in the historic centre of Morelia, a city in the state of Michoacán, and is arranged around a cloister at the heart of the building.
      The GO Headquarters takes advantage of a cloister space that is used as an outdoor work and dining areaThis central courtyard offers employees a space to work or relax outside, while surrounded by five planters with orange trees set against the old stonework.
      “The primary challenge of the project was to honor the original architectural elements of the building while maximizing available space,” said FMA founder Francisco Méndez.
      A coffee bar wrapped in clay tiles anchors a space for employees to relax”Moreover, careful recognition of the alterations that the convent had undergone over time was needed, distinguishing between those that were appropriate and those that were not,” he added.

      All of the interior office space is on the level above, accessed from the main entrance via the courtyard and a stairwell.
      Larger rooms feature long conference tables for desk-style workingOn this upper floor, interconnected rooms open onto the colonnaded central space overlooking the verdant enclosed garden below.
      “Moving upstairs, the work areas were conceived as living spaces with a disruptive approach,” said Méndez. “While the architectural program remains straightforward, the diversity and multifunctionality of each area are striking.”
      A variety of clay elements made by local artisans are incorporated throughout the officesLarger rooms accommodate long oak tables that offer more traditional desk-style workspace and meeting areas.
      Meanwhile, a library with lounge furniture and a large shelving system the covers a full wall acts as both a reception and a casual work area.
      A library has a full wall of display shelving and casual furnitureAnother room features a horseshoe-shaped coffee bar fronted with clay tiles and a wooden ping-pong table, where team members can gather and socialise.
      There’s also a dedicated meditation room, nicknamed “the nest”, which acoustically optimised with oak panelling and a padded floor for comfort.

      RootStudio transforms former Oaxaca convent into culinary centre

      “This tranquil space is dedicated to introspection, providing a sanctuary for individuals to rejuvenate their minds and break away from routine, thus emphasising the significance of mental and physical well-being, ultimately enhancing the quality of life and productivity of workers,” Méndez said.
      Throughout the building, lighting was upgraded to an intelligent system that adjusts according to the circadian cycle and saves energy.
      Sand-coloured plaster walls and white oak stave flooring complement the historic buildingMaterials including sand-hued plaster walls, white oak stave flooring, and furniture in warm, earthy tones complements the existing building’s palette.
      Clay lamps, planters and decorative objects crafted by artisans from Michoacán are also incorporated.
      “An emphasis was placed on natural and regional finishes to sustain a sense of warmth and harmony within the project, as well as to support local artisans and commerce,” said the architect.
      Employees have access to a meditation room lined with white oak panelsCompanies and organisations across Mexico are finding a variety of new uses for abandoned or unused convent buildings.
      In Oaxaca, RootStudio converted a historic building into a centre for celebrating the rich culinary legacy of the region – earning the project a spot of the Heritage Project shortlist for the 2023 Dezeen Awards.
      The photography is by César Belio.

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      CLB Architects takes “residential” approach for Jackson Hole Airport

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      Fireplaces, warm lighting and large windows offering views of the Teton Range are among the features at the renovated and expanded Jackson Hole Airport in Wyoming, which is the only commercial airport within an American national park.

      Located in the mountainous Grand Teton National Park in the western part of the state, the airport dates to the 1930s and has undergone various changes over the decades.
      Jackson Hole Airport dates back to the 1930sAround 2009, it received a major update by the Denver office of global studio Gensler, with Jackson-based CLB Architects serving as the local associate architect.
      In more recent years, CLB has served as the design architect for a series of renovations and additions spanning five phases. Miller Dunwiddie, a Minneapolis firm, served as executive architect.
      The project was designed to tie into the landscapeThe project was designed to tie into the landscape and “facilitate the flow of 21st-century travelers”, while also adhering to strict area and height limits imposed by the national park.

      The facility is the only commercial airport located within a US national park, according to the federal agency that oversees the parks.
      A new restaurant/bar was included in the renovationThe work included a new restaurant/bar, an expanded holding area, two additional gates, a gift shop and an updated baggage claim area with retail space — all held within the L-shaped terminal totalling 125,000 square feet (11,613 square metres).
      “Design decisions facilitate an easy and stress-free travel experience, with open floor plans and clear sight corridors, as well as abundant glazing that frames the airplane runways and Teton Mountain range beyond,” said CLB Architects.
      Interior finishes are a mix of earthy and industrial materialsInterior finishes are a mix of earthy and industrial materials, including polished concrete, quartzite and timber – all meant to stand up to heavy use, as 800,000 travelers pass through the airport each year.
      For the structural system, the team paired lightweight steel with Douglas fir glue-laminated beams and rough-hewn log columns. The structural supports are meant to have “an elegant and minimal presence”.
      Fireplaces were incorporated to make the airport feel like a “residential space”In addition to the natural light that flows in through large windows, the terminal has downlights, uplights and LED accents that create a feeling of warmth.
      “Indirect up-lighting creates an evocative, atmospheric quality that contrasts with the usual cold, fluorescent lighting of institutional airport spaces,” the team said.
      CLB Architects created a “living room” for travellers awaiting their flightsThroughout the facility, the team blended elements of residential design into the travel hub.
      “It was our intent to make the experience feel more like a residential space rather than a commercial one,” the team said.

      CLB Architects creates trio of “tectonic structures” for Wyoming residence

      On the northern side of the terminal, where passengers wait to board their planes, the studio created a “living room” with comfy furniture, commissioned artwork and a monumental fireplace.
      Glazed walls are lined with polished concrete benches with leather seat cushioning, where visitors can watch aircraft take off and land. The waiting area also features a grab-and-go concessions counter and a casual restaurant with a fireplace.
      The terminal is designed to be highly flexibleThe terminal is designed to be highly flexible, so rooms can be reconfigured as needed. To that point, the airpot has an underground area of approximately 3,000 square feet (279 square metres) that was envisioned as a “versatile flex space”.
      CLB had two additional projects underway at the airport – a private terminal and three hangar structures.
      Other US airport projects include the ZGF-designed expansion to the Portland International Airport, which features a massive timber roof, and plans for a highly sculptural air-traffic-control tower in Columbus, Indiana, designed by Marlon Blackwell Architects.
      The photography is by Matthew Millman.
      Project credits:
      Design architect and architect of record for phases 3-7: CLB ArchitectsCLB team: Kevin Burke (partner), Cary Lakeman (senior project manager), Steve Jakub (project manager)Executive architect for phases 3-7: Miller DunwiddieInterior design: TruexCullins (restaurant and hold room)Contractor: Wadman CorporationCivil consultant: JviationGeotechnical engineer and well design: Nelson EngineeringStructural engineer: KL&AMechanical, electrical, plumbing, technology engineer: Michaud, Cooley, EricksonLighting: Helius Lighting DesignFood service: The Marshall AssociatesLife, safety, accessibility: Jensen HughesAcoustic engineer: Wave EngineeringClient: Jackson Hole AirportOwner’s representative: KLJ Engineering

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