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      Oak panels and slatted screens adorn Carroll Gardens Townhouse in Brooklyn

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      New York studios Starling Architecture and Emily Lindberg Design have renovated a Brooklyn townhouse for a young family, combining two units into a single home and unifying them through the use of white oak.

      The Carroll Gardens Townhouse was previously laid out as a two-family dwelling, but the owners needed more room for their growing kids, so decided to connect the units.
      White oak acts as a unifying element throughout the renovated townhouseStarling Architecture and Emily Lindberg Design were initially briefed to convert and cosmetically upgrade the townhouse, and add spaces such as a mud room, work-from-home and living areas, and a large dining room.
      Once the project was underway, the scope expanded to include a complete overhaul of the layout, a new staircase, an extensive millwork package, and the replacement of the furniture and artwork.
      A large dining area was created to accommodate group gatherings”Aside from giving everyone a little more space to work, live and grow, we also quickly focused on bringing in more light and connection between the various levels,” said Starling Architecture founder Ian Starling.

      Spanning five storeys, the building has a total living area of 3,700 square feet (344 square metres), with four bedrooms and four-and-a-half bathrooms.
      Oak millwork continues in the kitchen, which was relocated from the centre of the houseRearranging the program involved moving the second-floor kitchen from the centre of the plan to the south facade, where it received much more light.
      The dining room occupies the adjacent space, enveloped in European white oak panels that extend from a long built-in bench seat, across the ceiling, and down to a slatted screen in front of the stairs.
      Cool hues offset the warm oak flooring throughout the home, including in the lounge areaA walnut table with rounded corners provides enough space for hosting friends and extended family.
      White oak is continued on the staircase across all levels and the flooring throughout, to a corridor and the mudroom, powder room, office and wet bar at garden level.
      Oak panels define a corridor at garden level”All wood for the house was sourced from the same mill in Belgium, where they custom fabricated and finished it to our exact specifications,” said Starling.
      “All of the panels were CNC cut, so we were able to specify exact panel sizes based on as-built dimensions and each panel was divided into equal veneer widths.”
      A mud room was created as part of the renovation scopeThe earthy tones of the wood helped to guide the remaining decor choices, which include cool blue undertones offset by family-friendly materials like purple slate and clay brick.
      Cork lines the office space, while the children’s playroom in the cellar features brighter colours without feeling too juvenile.

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      “With a new layout overall, the clients were in an ‘out with old in with the new’ mentality, going forward with some bold splashes of color along the way,” said Starling.
      “There is a purity about much of the palette, working with organic texture and form rather than applied pattern,” added Lindberg.
      Cork covers the walls in a room used as an officeStarling Architecture is based in Brooklyn, while Emily Lindberg Design has a presence in both New York City and Providence, Rhode Island.
      The two studios previously collaborated on a similar project for friends of the Carroll Gardens Townhouse owners, who recommended them for this job.
      Brighter colours are introduced in the children’s playroom, located in the cellarBrooklyn’s townhouses are in high demand, and new owners waste no time in renovating these historic buildings to meet their needs.
      Recently completed examples include a property on Warren Street, for which Studio Vural used Kyoto merchant houses as a reference point, and a home in Park Slope that was designed to meet Passive House standards.
      The photography is by Eric Petschek.
      Project credits:
      Architecture: Starling ArchitectureInterior design: Emily Lindberg DesignContractor: Euro Art ConstructionWood surfaces: Madera Surfaces

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      Capella hotel takes over former government building in Sydney

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      Architecture firm Make and interior design practice BAR Studio have converted Sydney’s heritage-listed Department of Education building into the latest outpost from Capella Hotels.

      The adaptive reuse project involved adding a modern extension with curved glass corners to the building’s roof, set back from its sandstone facade to respect the original Edwardian Baroque architecture.
      With these four additional floors, the building now measures eleven storeys high and houses 192 guest rooms alongside bars, restaurants and a 20-metre swimming pool that occupies the former sixth-floor gallery.
      Sydney’s Department of Education building was converted into a Capella hotelSince the Department of Education was constructed in Sydney’s historic Sandstone Precinct in 1912, its interior had been compromised with countless ad-hoc changes, according to Make.
      The studio worked to restore the sense of grandeur envisioned by the original architect George McRae, for example by reinstating the internal garden courtyard on the ground floor.

      “Stitching together the existing Edwardian Baroque-style structure with a new contemporary layer of architecture is one of many things that makes this landmark project stand out as a hotel,” Make designer Michelle Evans told Dezeen.
      It now houses 192 guest rooms and restaurants including Brasseries 1930″Capella Sydney has been a joy to work on, as it builds on our growing portfolio of reusing and adapting existing and heritage buildings,” she added.
      Picking up the baton from Make, hospitality design firm BAR Studio was tasked with creating luxurious yet contemporary interiors for the hotel that work seamlessly with the history of the building.
      “The heritage building that houses Capella Sydney provided us with the underpinning for the interior design,” said co-founder Stewart Robertson.
      A swimming pool occupies the building’s sixth-floor galleryWhile the building’s exterior was largely intact, only a few areas of historical significance remained inside.
      Some of these spaces offered incredible opportunities for reinvention, such as the gallery on the former top floor, which has become the Auriga spa and pool.
      Meanwhile, references to the original steel-framed windows were incorporated into the interiors via a recurring motif of framed forms.

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      Steel in black and bronze finishes was used throughout the building to frame doors, windows and screens, making a subtle reference to the district’s origins in the age of industry.
      This serves the practical purpose of delineating and dividing spaces but also brings a restrained form of embellishment, Robertson said.
      “We’ve used framing techniques to create separation but also to build an organic connection between the public spaces,” he explained.
      “We wanted the colour and finish to feel appropriate to the original era but also for these elements to read as new and sophisticated insertions.”
      The same floor also houses a spaA palette of natural materials brings a sense of subtle luxury to the bedrooms and communal spaces.
      Steel was used alongside honed marble, sandblasted travertine, natural wall coverings and light and dark timber. This approach enables the heritage features as well as the art and objects to become the focal points.
      The colour palette, too, is simple and neutral, taking its cues from the material palette with stone-coloured walls and tan leather upholstery.
      Each treatment room sits under a one of the original roof lanterns”The neutral base palette of cream stone and dark and light timber integrates with the existing architectural and design elements but sets a warm and soothing mood, creating a real sanctuary from the surrounding city,” explained Robertson.
      In keeping with the light touch of the new architectural interventions, much of the furniture draws on the concept of campaign furniture – traditionally made for military campaigns and therefore easy to transport.
      “These portable and ingenious pieces bring the comforts of home to remote places,” said Robertson.
      A recurring motif of framed forms features throughout the hotel’s interiorsOther Capella hotels include the Norman Foster-designed Capella Resort – set on an island off the coast of Singapore – and the Capella Sanya, which won the 2020 AHEAD Asia award for best landscaping and outdoor spaces.
      The photography is by Timothy Kay.

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      Brazilian architects renovate Brigadeiro Apartment for themselves

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      Architect couple Leandro Garcia and Amanda Dalla-Bona have renovated a 1970s apartment in Curitiba, Brazil, for themselves, reconfiguring the layout and choosing eclectic furniture.

      All of the electrics and plumbing needed to be replaced, and the floor plan was rethought to create “a place to pause and retreat”.
      The couple remodelled the apartment to suit their needsThree bedrooms were replaced with two to make room for a larger living and dining area, which could be integrated with the existing kitchen.
      Original features including the window frames and the imbuia parquet floor were retained and restored, while a variety of new materials were introduced.
      The living space with brightened by white walls, large rugs and translucent curtainsThe Brigadeiro Apartment has been in Dalla-Bona’s family since the 1980s – it was her parents’ home as newlyweds and where her older sister was born.

      After moving out when they planned their second child, the parents rented out the 108-square-metre space for 30 years.
      A concrete column was exposed while reconfiguring the floor planDue to its central location, Dalla-Bona always discouraged them from selling it, as she had intentions to move in herself one day.
      When that time came recently, she and her partner Garcia decided to remodel the interiors to better align with their needs.
      The architects custom-designed a 4.5-metre-long dining table for themselves”From the apartment the view is expansive, a rare characteristic in the city centre, and we were both captivated by the natural light, the sun and wind streaming in through the windows,” said the couple.
      “Walking a few blocks, we arrive at our favorite cafes and restaurants and in our studio, where we work together,” they added.
      Removing a bedroom allowed the living space to be opened up to the kitchenTerrazzo countertops and a backsplash of hydraulic tiles were added in the kitchen, while a concrete column in the living room was exposed.
      The remainder of the lounge area is brightened by white walls, textured rugs and translucent curtains.
      Terrazzo countertops and hydraulic tiles were introduced in the kitchenAn assortment of vintage modernist and newer furniture pieces – mostly by Brazilian designers – add colour and character to the interiors.
      Mid-century seating by Percival Lafer, Flavio de Carvalho and Geraldo de Barros are among the couple’s choices, along with a collection of lamps, stools and tables.

      Leandro Garcia renovates compact flat in Curitiba for hosting guests

      “In the living room, the furniture – not only the armchairs, but also the carpets, must be soft to sit on the ground – was chosen, thrifted and positioned for conversations and readings,” they said.
      Garcia and Dalla-Bona also custom-designed a 4.5-metre-long wood dining table to accommodate their various daily activities, and host their friends and family for meals.
      A variety of vintage furniture pieces were sourced for the interiorsBesides the cabinetry in the kitchen and bathroom, all of the storage and furniture is moveable.
      In the bathroom, the floor and walls are covered in small white mosaic tiles, affixed with matching grout for a clean, minimalist appearance.
      White mosaic tiles and grout create a minimalistic look in the bathroomCuritiba, in the southern Brazilian state of Paraná, is the site of several projects completed by Garcia, Dalla-Bona and their team, including the renovation of a compact apartment renovated for a journalist.
      The studio has also overhauled a family’s holiday home near the beach in Matinhos, and filled it with vintage Brazilian furniture.
      The photography is by Fran Parente.

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      Six renovated Parisian apartments in historical Haussmann-era buildings

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      Period details are mixed with contemporary interventions inside these renovated apartments in Paris, built in the mid-19th century during Georges-Eugène Haussmann’s reconstruction of the French capital.

      In his role as the prefect of the Seine département under Napoleon III, Baron Haussmann was responsible for creating the network of boulevards that still define the city’s urban landscape today.
      The homogenous apartment buildings flanking these boulevards were designed to strict guidelines, all made from cream-coloured stone with a steep four-sided mansard roof and no more than six storeys.
      Although Haussmann was less prescriptive about the building’s interiors, they generally feature high ceilings and parquet floors alongside elaborate mouldings and boiserie.
      Read on for six examples of how architects and interior designers have brought these apartments into the 21st century, including a book lover’s loft and two flats combined to form a family home in the Marais.

      This is the latest in our lookbooks series, which provides visual inspiration from Dezeen’s archive. For more inspiration see previous lookbooks featuring bedrooms with minimalist interiors, concrete kitchens and marble-lined bathrooms.
      Photo by Salem MostefaouiWood Ribbon apartment by Toledano + Architects
      Original details such as parquet floors and ornate ceiling plasterwork were retained in the renovation of this apartment, which had been left largely untouched since the end of the 19th century.
      But local studio Toledano + Architects tore down several partition walls to create a more open floorplan, traversed by a snaking plywood wall that roughly divides the apartment into three zones while providing tactical storage in the living room and kitchen.
      “I really wanted to enhance this dichotomy between ancient and contemporary,” founder Gabrielle Toledano told Dezeen. “It’s very relevant in a city like Paris where both are in a constant dialogue.”
      Find out more about Wood Ribbon apartment ›
      Photo by Giulio GhirardiApartment Canal Saint Martin by Rodolphe Parente
      French interior designer Rodolphe Parente made only a few minor architectural interventions when overhauling this apartment in Canal Saint-Martin, exposing long sealed-off doorways and creating a hybrid dining room and kitchen.
      Instead, he modernised the apartment by contrasting original details such as mouldings with unexpected contemporary details, colours and the “radical” art collection of the owner.
      In the bedroom, a vivid purple rug clashes with caramel-coloured walls while in the living room, period wall panelling highlights the modernity of the sofa and the glossy coffee table.
      Find out more about Apartment Canal Saint Martin ›
      Photo by Olivier Martin GambierApartment XIV by Studio Razavi
      With several partition walls removed, French office Studio Razavi created a new layout for this apartment by slotting a multi-faceted furniture block made from wood-fibre panels into the remaining gaps.
      Its staggered profile creates sightlines between the different areas of the house while framing some of the building’s original Hausmann-style ceiling mouldings.
      Painted in a muted slate grey, the furniture block performs a different function in every room – acting as a storage cabinet in the kitchen, a TV mount in the living room and a desk in the study.
      Find out more about Apartment XIV ›
      Photo by Stephan JulliardMarais apartment by Sophie Dries
      Two flats become one 100-square-metre residence in this renovation project that French architect Sophie Dries completed in trendy Marais for a family of four.
      Period details were painted in simple white, providing a contrast with new additions such as the Hans J Wegner chairs and the dyed linen curtains in the living room
      “The Haussmannian style was refined and pared down, in order to introduce minimal lines better suited to a modern family,” Dries explained.
      Find out more about Marais apartment ›

      Enter the Diamond by Atelier 37.2
      An additional bathroom is housed inside the three-metre-high birchwood volume at the centre of this residence in the French capital, designed by local studio Atelier 37.2.
      The sharp lines of the diamond-shaped structure contrast with the apartment’s ornate ceiling mouldings and white-painted walls.
      “This tension generates a fictional potential that plays with the imagination of the inhabitants,” said the studio.
      Find out more about Enter the Diamond ›
      Photo by Stéphane ChalmeauArsenal loft by h2o Architectes
      This three-room loft is set inside the mansard roof of a Haussmann-era building in the Arsenale district, which originally served as servant’s quarters for the apartments below.
      Parisian firm h2o Architectes opened up its floor plan to make the most of the top-floor views while installing wooden bookshelves to define different areas and house the extensive library of the apartment’s book-loving owner.
      Their timber construction creates a visual connection with the original parquet floors, while the white paint used to brighten walls and other structural elements continues onto some sections of the floor.
      Find out more about Arsenal loft ›
      This is the latest in our lookbooks series, which provides visual inspiration from Dezeen’s archive. For more inspiration see previous lookbooks featuring bedrooms with minimalist interiors, concrete kitchens and marble-lined bathrooms.

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      Il Capri Hotel receives pink-heavy revamp from Graziella Buontempo and Arnaud Lacombe

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      A husband-and-wife hotelier duo has renovated a hotel in a Venetian-style palazzo on the island of Capri, refreshing its pastel-pink facade and continuing the hue into the guest rooms.

      Il Capri Hotel was built in the 19th century as a private villa in the Neo-gothic Venetian style before being transformed into a hotel in 1899.
      Il Capri Hotel is located in a Venetian-style palazzo in the centre of CapriIts current owners, Graziella Buontempo and Arnaud Lacombe, redesigned the interiors to reflect the grandeur of the property while imbuing it with a sense of contemporary chic.
      The duo retained the building’s signature pink-and-white facades, repairing and repainting them. They also chose to repeat some of the same hues and external architectural details throughout the interiors.
      The reception area features a marble-topped desk and a retail space”Honoring the property’s history and location, the hotel’s colour palette is inspired by the pink found across the island of Capri and the striking volcanic reds of Mount Vesuvius,” said the hotel team.

      A bright red curved awning signals the hotel’s entrance, located close to the town square in the centre of the famous Italian holiday destination, leading guests to a reception desk topped with reddish marble.
      A checkerboard floor runs through the communal lounge spacesRoom keys are stored individually in small arched niches within a wood-panelled wall behind, while local gifts are displayed on built-in shelves nearby.
      The hotel’s public areas feature checkerboard flooring, black lighting fixtures and red curtains to the match sofa cushions and rug trims.
      The hotel has 21 guest rooms spread over several floorsA variety of antique furniture pieces were curated to make the lounges feel homely while artworks and photos were sourced from the personal collection of Buontempo, whose family has long associations with the island.
      Archways divide various seating areas from corridors and one another, creating several distinct areas where guests can relax.
      The pink of the building’s exterior is continued in the guest roomsIn the bedrooms, pink appears again as wainscoting and on upholstered headboards shaped as ogee arches.
      The rooms include sisal floors and other natural materials and are simply decorated so that attention isn’t drawn away from the views.
      The rooms are decorated sparingly to draw attention to the views”Each of the 21 guest rooms pays homage to the culture of the island with decor imbuing a feeling of comfort, no-frills luxury and understated elegance,” the hotel team said.
      Il Capri offers several options for dining and drinking, many of which allow these activities to be enjoyed al fresco with views of the island’s dramatic coastline and the Gulf of Naples.

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      These include the street-level Caprirama Bar, connected to the lobby and extended onto an expansive terrace with a herringbone-pattern tiled floor and groupings of terracotta plant pots, landscaped by garden designer Jonathan Froines.
      The all-day restaurant Vesuvio also has a shaded outdoor dining terrace, where caned bistro chairs accompany wood-topped tables.
      The hotel has several terraces for relaxing outdoorsSun loungers line up along the rooftop swimming pool, shaded by red parasols with crenellated white edges.
      There’s also a subterranean nightclub, Rumore, which is used as a cinema and an events space during the off-season.
      The terraces feature herringbone-tiled floors and groups of potted plantsA short boat ride from Naples on the Amalfi Coast, Capri is a popular destination for both Italian and international tourists.
      Elsewhere in the country, recently opened or revamped hotels include the Palazzo Daniele in Puglia, the Condominio Monti in Rome, and the Aeon Hotel near Bolzano.
      The photography is by Jonathan Froines.

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      The Mint List brings mid-century influences to north London family home

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      Interior design studio The Mint List has brought light, space and warmth to this Edwardian house in London with multiple extensions, a hidden playroom and plenty of tactile materials.

      The renovated end-of-terrace house in Kensal Rise belongs to a film-industry couple that wanted a cosy family home with mid-century elements, in particular referencing the work of designers Charles and Ray Eames.
      The Mint List has renovated and extended an Edwardian house in north London”The clients had a leaning towards mid-century style but they didn’t want that to overwhelm the scheme,” The Mint List founder Camilla Kelly told Dezeen.
      “The Eames House was a good mid-century reference in terms of encompassing warm, repurposed textures, a sense of scale and an abundance of light.”
      A new rear extension houses the home’s kitchen and dining spaceThe brief was to open up this formerly dark and “unremarkable” home and create an improved sense of flow.

      As well as adding two bedrooms and a small study in the newly converted loft, The Mint List created a rear extension to house the kitchen-dining space and absorbed the property’s former garage into the house, providing a mudroom, pantry and playroom.
      The custom-built kitchen island has two levelsThe playroom is cleverly concealed behind a bank of new storage in the hallway, which has also been enlarged by opening it up into the former porch.
      “There was huge importance given to light in the design,” said Kelly. “Wherever possible, we created tall windows benefiting from the south-facing aspect.”
      Bookshelves act as room dividers to form a hybrid library and snugThe house is full of custom-designed features and finishes at the request of the client.
      The floor uses unusually slim lengths of oak, laid at right angles to each other in huge grids, while the thresholds were distinguished with slender fins of brass that add subtle visual interest.
      The children’s playroom is hidden inside a wall of storage in the hallwayDrawing on the design language of mid-century furniture, the kitchen was completely custom-built for the space with a clean-lined, yet playfully asymmetric design.
      “We centralised the assembly and used high windows on either side of the cabinets to emphasise the cubic nature of the design,” said Kelly. “The asymmetric cubes that form the cabinets were built using walnut, with cream-painted doors for the covered storage.”

      The Mint List fits out London office with mid-century-style movable furniture

      The material mix includes walnut veneer, reeded glass, olive-coloured door fronts and antique brass detailing, as well as concrete and reclaimed iroko wood worktops.
      “I’m averse to keeping things all in one colour,” the designer said. “It’s a missed opportunity to bring texture, colour and character to a space.”
      The children’s bedroom is located on the first floorThe kitchen island was designed to account for the owners’ love of entertaining, with a section of the worktop raised to bar height to draw guests away from the cooking area.
      “The island is even more asymmetric, with different levels, drawers, shelves and openings that served to show how the geometry of a design can sometimes be off-kilter and still look neatly intentioned, as long as it sits correctly within the scale of the space,” Kelly said.
      A small study now occupies the loft alongside a primary bedrooms suiteThe curved bar provides a visual link to the rounded steps that lead down into the kitchen area, as well as to other curved elements throughout the house.
      “I like to include some curves in my projects through room openings, joinery and countertops,” Kelly said. “They help to soften spaces and improve flow from one area to the next.”
      The main bathroom is held in pale blue and green tonesAdjoining the kitchen is a hybrid library and snug, which is partially enclosed with oak shelving finished in glass and raffia, that double up as room dividers and nod to the Eames House in California.
      “We didn’t want this to be a dead space,” Kelly said. “It’s a quiet spot where you can curl up with a book or listen to music. And when the couple is entertaining, this is a soft space where you come to catch up with someone.”
      Four bedrooms are spread across the home’s upper levels, including a shared children’s bedroom with bunk beds on the first floor and two added bedrooms in the converted loft.
      A baby pink sink provides a pop of colourSince founding The Mint List in 2011, Kelly has completed a number of interior projects in London.
      Among them are the headquarters of music management company Everybody’s in Highbury, which she kitted out with mid-century-style movable furniture.
      The photography is by Dave Watts.

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      Rodolphe Parente respectfully rethinks a classic Haussmannian apartment in Paris

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      French interior designer Rodolphe Parente has completed a contemporary overhaul of a 19th-century Parisian apartment, reflecting both the building’s heritage and the “radical” art collection of its owner.

      Originally built during Haussmann’s major reconstruction of Paris, the 150-square-metre flat is located in the Canal Saint-Martin neighbourhood in northeastern Paris.
      Rodolphe Parente has renovated a Haussmann-era apartment in ParisAs part of the renovation, Parente sought to celebrate the apartment’s extensive period details. In the entrance hall, a band of gold leaf now highlights the geometry of the circular ceiling and missing sections of the mouldings were painstakingly reinstated.
      “The main idea was to preserve and at some points restore the classic Haussmannian codes of a Parisian apartment,” Parente told Dezeen. “It was important for me to keep the Parisian vibration as well as the radical tone of my client’s art taste.”
      Redfield & Dattner created an abstract fresco behind the dining tableParente began by opening up the apartment to improve the sense of flow, exposing long sealed-off doorways and connecting the dining room with the kitchen.

      Taking cues from the craftsmanship inherent in the apartment, Parente drafted in several contemporary craftspeople including custom painting studio Redfield & Dattner, which created an abstract fresco on the new wall behind the dining table.
      The kitchen balances cabinet finishes of stainless steel and pastel pink”I wanted to bring the hand of craftsmanship into this project,” said Parente.
      “The people I have worked with on this apartment bring something to the creativity in general.”
      A sculptural vintage sofa centres the living roomThroughout the space, a palette of warm neutrals was used to create a sense of immersion.
      “I chose neutral tones to subtly enhance the classical heritage of the apartment and keep an enveloping atmosphere,” the interior designer explained.

      Studio Razavi inserts sculptural furniture block into 19th-century Parisian apartment

      Against this cohesive backdrop, surprisingly colourful elements leap out including the lacquered yellow light above the dining table – Parente’s own design – and the vivid purple rug used against caramel-coloured walls in the main bedroom.
      The kitchen balances cabinet finishes of stainless steel and pastel pink with a frame-like marble splashback, created by French artist Alice Guittard for Double V Gallery.
      “The kitchen is a deconstructed block sitting in the Haussmanian environment,” Parente said. “It is connected to the historical elements through its composition.”
      Period wall panelling remains in the reading roomIn the living room, a sculptural vintage sofa is sited in the centre of the space, anchored by a graphic rug and positioned to disrupt the angles of the room.
      Parente played with contrast via the material and colour palettes throughout the apartment. In the reading room, period wall panelling highlights the modernity of the sofa and chair with their highly lacquered side panels.
      Parente designed a custom chair and sofa for the space”For this room, we have designed custom-made furniture with contemporary and radical shapes bringing a form of reflection to the space,” the designer said.
      The idea of juxtaposition continues with the art displayed in the apartment, with the client’s often provocative pieces completing the aesthetic in each room.
      Colours clash in the main bedroom”The client showed total faith in this balance between modernism and legacy for the interior design. He also wanted to keep this dialogue for the decoration and focused on staying eclectic in his choice of furniture and art,” said Parente.
      “The client has a radical point of view regarding art and design. It was a real pleasure to create a dialogue between the existing pieces and the interior design.”
      A vivid purple rug contrasts with caramel-coloured wallsOther Hausmann-era apartment renovations in Paris have seen interior designers make more dramatic interventions, with Atelier 37.2 adding a sculptural wooden volume to house a new bathroom while Studio Razavi inserted a multifaceted furniture block that takes on a different function in each room.
      The photography is by Giulio Ghirardi.

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      Daytrip creates calm broken-plan interior for Edwardian home in west London

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      Warm, tactile materials and rich colours are balanced with a newfound sense of openness in this early 20th-century house that architecture studio Daytrip has renovated and extended in London.

      Queen’s Park House is a double-fronted Edwardian property – set in the titular west London neighbourhood – which Daytrip has taken from a series of run-down and characterless bedsits to a calm, contemporary home for a TV producer and his family.
      An understated foyer leads into Queen’s Park HouseAs the house had lost many of its Edwardian features, the studio devised contemporary takes on these details.
      Among them are the cherry wood “portals” by London carpenter Studio Manolo, which have replaced the architraves that once surrounded doors throughout the house.
      Daytrip extended the home with a bold new double-height volume to the rear, accommodating a hybrid kitchen-dining-living space and an open gallery housing a small study. In addition, the studio created a new principal bedroom suite at loft level.

      Steps lead down into the bespoke kitchen designed by Edward CollinsonDaytrip’s approach to the layout focused on maximising the feeling of space by opening up the connection points between previously discrete rooms.
      Stepping away from the traditional idea of a central corridor, the studio shifted the main route through the house to take in each room in turn.
      The spaces are differentiated by a drop in levels, as part of the semi-open broken-plan layout devised by Daytrip.
      A clerestory window provides views out from the living roomWhile these spaces retain their own individual functions and character, there is now a closer relationship between the individual rooms.
      “Traditional homes are full of dead ends where rooms feel secluded and separated,” Daytrip told Dezeen. “We wanted to create more connections.
      “It felt appropriate for a modern family lifestyle to create an easy and accessible route, from arrival down through the social spaces.”
      The living area also opens out onto a small gardenThe “arrival room” with its central table by local furniture maker Edward Collinson was designed to create a sense of calm to reframe the family’s mindset as they return home.
      On a practical level, this room also provides storage for all of the family’s coats, shoes and bags, concealed behind panelling that’s an inverted version of the typical period panelling found in Edwardian homes.
      Throughout the house, cherry timber was used in combination with the darker tones of the fumed oak floors.
      A gallery-level study sits above the kitchen”We enjoy the smoky effect of the fumed oak and used the warmer tones of the cherry as a counterpoint to that,” the practice said. “We like to use timber to create a tonal background, as it brings more depth to a room than paint alone.”
      From the foyer, steps descend into a more intimate snug, which is lined with umber-toned textured wallpaper and cherry timber shelving. This creates a darker, more cosy atmosphere that contrasts with the previous space.
      More steps link the snug to the newly extended kitchen, dining and living room.

      Daytrip transforms east London terrace house into understated apartments

      Here, floor-to-ceiling glass doors open the space up to the minimalist courtyard garden beyond – designed by regular Daytrip collaborator Tyler Gold Finch Gardens.
      Above this area, a clerestory window creates a dual-aspect outlook and frames views of the surrounding tree canopy.
      The kitchen, also made by Edward Collinson, features cherry wood panelling and Fior Di Pesco marble splashbacks, while the island is topped with a solid piece of lava stone in a glazed finish.
      The study is furnished with an Ekstrem chair by Terje Ekstrøm”We build palettes that reflect the mood and character of the property, often introducing both harmony and contrast,” Daytrip said.
      A poured concrete floor that was polished to a soft sheen continues out into the garden, creating a sense of seamlessness between the two spaces.
      Above the kitchen floats an open gallery, decorated in shades of russet with a rust-coloured carpet by Swedish brand Kasthall.
      Bathrooms provide an unexpected splash of colourFor the home’s colour palette, Daytrip referenced its red brick front and the greenery of the nearby park with an earthy mix of rusty-reddish tones, balanced by shades of bronze and bright mossy green.
      Beyond the study, the first floor is family-focused with children’s bedrooms and bathrooms, while the principal bedroom suite resides at the top of the house, benefitting from views of the London skyline.
      The bedroom was designed as a comfortable retreat, enveloped by tactile grasscloth wallpaper, in a warm amber tone. There’s an emphasis on softness here, with an off-white pure wool carpet as well as floor-to-ceiling diaphanous linen curtains.
      The principal bedroom was designed as a calming retreatLondon design consultancy Monument Store was chosen to furnish and style the house.
      “We liked Monument Store’s contrast of abstract and brutalist sculptural objét alongside post-modernist pieces such as the cult iconic Ekstrem chair in the gallery space, or the Tito Agnoli cane chairs in the kitchen-lounge,” Daytrip said.
      Linen curtains hide views of the London skylineThe studio has completed a number of London home extensions in recent years.
      Among them are two properties in east London’s Clapton – a townhouse with a newly excavated basement level and a Victorian terrace, which is now home to three separate apartments.
      The photography is by Pierce Scourfield.

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