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    Ten Spanish apartment renovations characterised by eclectic tiles

    For our latest lookbook, we have collected 10 apartments in Spain that have been brought to life using decorative tiles, from preserved 20th-century features to speckled contemporary terrazzo grout.

    Known for its abundance of colourful tiles, Spain has many period apartments with original details including ornate archways and eclectic tiling.
    The following architecture and interior design studios have made the most of these traditions when renovating homes, which often involved refreshing the homes’ interiors while maintaining their history, or adding contemporary elements that nod to the past.
    This is the latest in our lookbooks series, which provides visual inspiration from Dezeen’s archive. For more inspiration see previous lookbooks featuring statement carpets, pop-up shops and homes with sliding doors.
    Photo is by José HeviaYurikago House, Barcelona, by Mas-aqui

    Architecture studio Mas-aqui opened up an apartment in Barcelona by creating multiple levels lined with slabs of exposed concrete, slatted wood and reddish ceramic tiles.
    The dwelling was named  Yurikago House after the Japanese word for a cradle, which references the shape of the timber structure that supports part of a new mezzanine that was created in the renovation.
    Find out more about Yurikago House ›
    Photo is by German SáizMadrid apartment by Sierra + De La Higuera
    Set within a 1940s building, interior spaces in this Madrid apartment were delineated with vibrantly hued Moroccan zellige tiles, from bold yellow accents in the living room to an emerald green kitchen.
    The tiles are defined by imperfect hand-moulded surfaces and feature throughout the home in the form of decorative skirting as well as flooring and cabinetry.
    Find out more about this Madrid apartment ›
    Photo is by Mariela ApollonioValencia apartment by DG Arquitecto
    During the minimalist renovation of a 1920s apartment in Valencia, local studio DG Arquitecto preserved the original mosaic elements – flooring that the firm called “typical” of the city.
    The studio paired mid-century rattan dining chairs and delicate timber elements with the colourful tiles while original mouldings and decorative arched doorways were also maintained.
    Find out more about this Valencia apartment ›
    Photo is by José Hevia1040 Unit, Madrid, by Studio Noju
    Working within Madrid’s iconic brutalist Torres Blancas tower, emerging practice Studio Noju created an apartment that balances contemporary details with the building’s brutalist history.
    Each of the dwelling’s three bathrooms were individually colour-coded with small geometric mosaics that nod to the green ceramic tiles that clad the apartment’s terraces.
    “The [mosaic] material allowed us to solve all the elements of the bathroom such as shower areas, vanities, walls and floors, referencing a similar material strategy used in the original design,” studio co-founder Antonio Mora told Dezeen.
    Find out more about 1040 Unit ›
    Image is courtesy of NarchBarcelona apartment by Narch
    Eclectically arranged decorative floors dating back to the early 20th century take centre stage in this Barcelona apartment that was renovated by Narch architecture office.
    Known as encaustic tiling, which is common in the city, each tile is created by pouring pigmented ceramics into moulds and pressing them to create a pattern.
    Elsewhere in the apartment, doors made from laminated glass screen off its bedrooms. This material was chosen for its neutrality in order to emphasise the space’s ornate flooring.
    Find out more about this Barcelona apartment ›
    Photo is by Asier RuaCasa Olivar, Madrid, by Matteo Ferrari and Carlota Gallo
    Casa Olivar is a two-storey apartment by designers Matteo Ferrari and Carlota Gallo, which is characterised by handmade terracotta floor tiles that complement the home’s muted colour palette.
    Created as a “sensorial refuge”, the dwelling includes two large windows in the living room that flood the space with natural light. Earthy-toned, simple materials feature throughout, including textured plaster finishes.
    Find out more about Casa Olivar ›
    Photo is by Judith Casas SayósBarcelona apartment by Parramon + Tahull
    Barcelona studio Parramon + Tahull added bespoke birch plywood joinery and continuous tiled flooring to an apartment in the city’s Gracia neighbourhood, in order to blend with the building’s original features.
    Created by Spanish manufacturer Wow, the terracotta tiles feature a mismatched geometric design that covers the entire apartment, including the kitchen and the bathroom.
    Find out more about this Barcelona apartment ›
    Photo is by José HeviaLaia and Biel’s House, Barcelona, by TEd’A
    Architecture office TEd’A used crushed tiles to create playful terrazzo grout in a renovated apartment that belongs to the owners of the Mallorcan tile brand Huguet.
    The grout was made from the original terracotta tiles that lined the home before its revamp, which were crushed into tiny pieces to form a reddish-hued aggregate that was mixed with existing white tile grout.
    “Our idea was to keep the best parts of the old flat we bought,” Biel told Dezeen, citing sustainability and honouring the apartment’s original design.
    Find out more about Laia and Biel’s House ›
    Photo is by Yago PartalEnd of the Roc, Barcelona, by Nook Architects
    Nook Architects redesigned another apartment in Barcelona while maintaining its distinctive historical details, including a striking mural-style wall that is over 40 years old, timber beams and intricately patterned floor tiles.
    “Our approach to End of the Roc revolved around the restoration and consolidation of the building’s original character,” said the architecture studio.
    Find out more about End of the Roc ›
    Photo is by Jordi FolchCasa Burés, Barcelona, by Vilablanch and TDB Arquitectura
    Interior design studio Vilablanch collaborated with TBD Arquitectura to refurbish all 26 apartments within Case Burés – a 20th-century building constructed by the late architect Francesc Berenguer i Mestres.
    The team selected “silent” contemporary furnishings to complement Case Burés’ original decorative features, such as stainless steel geometric cabinetry that was chosen so as not to “compete with” or “imitate” the colourful tiled flooring.
    Find out more about Casa Burés ›
    This is the latest in our lookbooks series, which provides visual inspiration from Dezeen’s archive. For more inspiration see previous lookbooks featuring statement carpets, pop-up shops and homes with sliding doors. 

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    Cruciform cabinet anchors The Loma Residence by Esrawe Studio

    An oak “skin” wraps the interior of living spaces at this apartment in Mexico City, renovated by locally based Esrawe Studio.

    The two-bedroom Loma Residence in the neighbourhood of Lomas de Chapultepec faces sunset views over the forest, so Esrawe Studio reconfigured the layout to optimise this orientation.
    The Loma Residence was reconfigured so that living spaces could enjoy west-facing vistas and lightWalls and partitions were removed to create a more open living and dining space, where low furniture is arranged so as not to obstruct the vista or prevent the golden-hour light from reaching far into the apartment.
    To deal with a column and create separation from the rest of the apartment in a single gesture, the studio wrapped the structural element in oak and extended low consoles from both sides — forming a cross shape.
    Oak panels wrap a structural column and extend out to form low consoles”Its sculptural expression triggers the operative relationship of the space, defining the leading gesture of the project, and becoming the element that houses books, vinyl records, and a space for a turntable,” said Esrawe Studio, which was founded by Héctor Esrawe.

    Storage cabinets at the same height are continued along a nearby wall, forming part of a much larger expanse of millwork that extends to the ceiling and wraps around the living room.
    A granite island sits in the centre of the minimalist kitchen”The oak wood skin that runs through the space embraces the perimeter of the apartment,” the studio said. “This same skin integrates all doors and entrances to the service areas, creating a visual, warm, and tactile continuity that travels all the way to the master bedroom.”
    The kitchen can also be hidden from the living area by sliding partitions in the same material.

    Chloé Mason Gray utilises “masculine” elements for Mexico City renovation

    When open, these operable panels sit flush within the millwork, which curves in on both sides to also conceal the refrigerator and the access to the pantry, linen closet and wine cellar.
    In the centre of the kitchen sits a green-toned granite island that incorporates four gas burners, and the sink faces a long window that frames the verdant landscape.
    Oak wraps the perimeter of the apartment and continues into the bedroomsSurfaces that aren’t oak are marble, to “provide the space with a sober and contemporary atmosphere” according to the design team.
    The exception is the guest bathroom, which is lined in green quartizite and features a sculptural Tikal marble washbasin designed by EWE Studio — founded by Esrawe with gallerist and curator Age Salajõe, and designer Manuel Bañó to promote Mexico’s craft heritage.
    EWE Studio designed a sculptural Tikal marble washbasin for the guest bathroomEsrawe Studio was named Interiors Studio of the Year at the 2020 Dezeen Awards, and operates from a converted dancehall with an “honest industrial aesthetic” in the Mexican capital.
    The studio’s completed interior projects have ranged from a glossy bar at the city’s Auditorio Nacional to a restaurant informed by Samurai armour and Kanji characters.
    The photography is by Fabián Martinez.
    Project credits:
    Interior design and furniture: Esrawe StudioCreative direction: Héctor EsraweDesign team: Ángel Campos, Javier García-Rivera, Raúl Araiza, Jair Rocha, Viviana Contreras.Visualizations: Madián Alvarado

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    Direccion brings sense of tranquility to Casa Tres Árboles in Valle de Bravo

    The designers at Mexican studio Direccion had “monastic sanctuary” in mind when revamping this weekend retreat in Valle de Bravo.

    The two-storey Casa Tres Árboles is designed to celebrate light and shadow contrasts, natural materials and calming colour tones.
    The double-height entrance hall features a floor of wood and black microcement”The goal of this project was to create a space in natural and warm tones, to convey a sense of refuge and retreat, of monastic sanctuary,” said designer Mariana Morales, founder of Direccion.
    Casa Tres Árboles was first built 25 years ago in the popular lakeside location, which is located two hours drive west of Mexico City, but the original design had become outdated.
    Pre-existing walls were removed to create a more open-plan living space”The client’s directive was to give the house a refreshed style, with updated finishes to accommodate more frequent visits, while maintaining the weekend getaway feel of the place,” said Morales.

    The renovation centred around opening up the interior, creating a more natural flow of light and movement through the different living spaces.
    Located below street level, the house’s entrance is a pivoting doorThis was achieved by not only removing walls, but also by adjusting the split-level floor so that the social spaces feel more connected.
    Key to the design was the entrance sequence. From the street, a staircase descends, leading around a tree and into a small sunken courtyard.
    A new wall screens the staircase, with an arched doorway leading through to a bedroomDireccion’s design enhances the sense of drama to this arrival. A former bathroom was removed to make space for a planter filled with leafy shrubs and ferns.
    From here, a pivoting door leads through to a double-height entrance hall topped by a glass dome and features a high-contrast floor-combing wood and black microcement.

    Matte-black house Las Golondrinas is a sanctuary for retirement in Valle de Bravo

    The space is framed by a new wall that hides away the previously open stairwell. An arched doorway leads through to a bedroom, while an aged wooden table presents a display of sculptural vases.
    “This decidedly sculptured hall is the prime space to pause and become surrounded by the material serenity of the house,” said Morales.
    A wooden seating bench runs alongside a 10-person dining tableThe kitchen, dining room and lounge space are all located beyond the hall, one step down, and now connect with a sundeck thanks to sliding glass doors.
    This open-plan layout was made possible by the addition of two structural columns, which take the place of load-bearing walls that previously divided the space.
    Dark walls help to create atmosphere in the bedroomsCasa Tres Árboles contains three en-suite bedrooms on the upper level, along with a small snug.
    Both these rooms and those on the ground floor are painted in dark shades that offer a natural counterpoint to the warm tones of the exposed wooden ceiling beams.
    A soft-red sofa located in the main living space is one of few splashes of colour.
    All four bedrooms have en-suite bathroomsArtworks are dotted throughout, including a painting by Mexican artist Beatriz Zamora, while dark crockery by artisanal craft makers Colectivo 1050 is displayed openly in the kitchen.
    “The colour palette integrates the flow of the elements and, with every piece and material carefully curated, creates a space for repose, meditation and balance,” added Morales.
    A snug is located on the upper levelValle de Bravo is home to some of Mexico’s best examples of housing design.
    Other memorable examples include the Y-shaped Casa de la Roca by Cadaval & Solà-Morales and the secluded Santana House by CC Arquitectos.
    The photography is by Fabian Martinez.

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    Luca Nichetto transforms Swedish villa into his own studio and showroom

    Luca Nichetto has converted a 1940s villa in Stockholm into a studio to display his designs in a domestic setting and provide a comfortable working environment for his team.

    The Italian designer’s studio was previously based out of an apartment in the city’s Midsommarkransen neighbourhood. But when the landlord wanted to raise the rent, Nichetto decided to relocate to a larger property in a nearby suburb.
    Luca Nichetto has turned a 1940s villa into his own studio”I didn’t really need to look for another space in the city centre because it’s not that important for us as we work globally,” Nichetto explained.
    “A week after beginning to search, I saw on the real estate market what is now the Pink Villa. It was simply perfect and I made the offer.”
    A blush-pink staircase leads up to the first floorThe Pink Villa is a typical 1940s wooden house with a gabled roof and a large garden. Nichetto bought the property in 2021 and began adapting the interior to make it suitable for use as a studio.

    “I didn’t want a conventional studio space but rather a space that could be a studio, a showroom and a domestic property to be used on the weekends by my family and during the week by my team,” the designer told Dezeen.
    Nichetto’s Banah sofa for Arflex sits in the living areaThe villa takes its name from its distinctive pink exterior, which was given a fresh coat of bubblegum-pink paint to maintain its characterful presence on the street.
    The property’s existing three bedrooms were transformed into a private office for Nichetto on the first floor and a meeting room and tailor’s workshop on the ground floor, which his wife uses on the weekends.
    La Manufacture’s Soufflé mirror helps to bring character to the spaceA corridor leads from the entrance to a bright living room that looks onto the garden. An opening beyond the stairs up to the first floor connects with the simple custom-built kitchen.
    Along with Nichetto’s office, the upper floor contains a second bathroom and a large open workspace that facilitates flexible use rather than incorporating dedicated workstations.
    Bright and bold colours were used throughout the interiorThe interior features a pared-back palette of materials and colours that provide a neutral backdrop for a selection of products and furniture designed by Nichetto for brands including Offecct, Cassina, Arflex and Bernhardt Design.
    “I wanted to give a touch of warmth and I did that using colour and volumes,” the designer said. “I particularly chose materials culturally connected with the south of Europe and very deliberately mixed them with Scandinavian features.”

    Watch our talk with Ginori 1735 and Luca Nichetto about their new collection of home fragrances

    In the living area, pale-pink walls and white-painted floors contribute to the light and airy feel. Nichetto’s Banah sofa for Arflex and Soufflé mirror for La Manufacture are among the playful designs that bring character to this space.
    Upstairs, the main office spaces feature furniture such as Nichetto’s Torei low table for Cassina and Nico armchair for Bernhardt Design. His office contains the Railway table for De Padova and Robo chairs by Offecct.
    Walls in the living area were painted a light pinkOne of the key qualities that attracted Nichetto to the property is the spacious garden, which includes a terrace furnished with his Esedra table and Pluvia chairs for Ethimo.
    The basement garage was converted into a self-contained guest suite called the Chalet, which includes a living room, bedroom and bathroom with a Swedish sauna.
    The house also has a self-contained guest suiteSince the renovation was completed in April 2022, the Chalet has hosted international visitors including art directors, photographers and designers.
    The property’s location close to a park and to the water was another reason it appealed to Nichetto, who said he enjoys the proximity to nature and the good relationship he has established with his neighbours.
    Ceramic tiles provide a pop of colourA housekeeper was hired to look after the studio and to prepare meals for the team, adding to the sense of it hybrid space that is both domestic and designed for work.
    “It’s like being in a family: we all have lunch together and there are no fixed workstations to work,” he explained. “Moreover, whoever comes to visit us, if he wants, can stay and sleep. The idea is to create a sense of community.”
    Ethimo’s Esedra table and Pluvia chairs decorate the terraceLuca Nichetto established his multidisciplinary practice in Venice, Italy, in 2006 and continues to run a studio there alongside his main office in Stockholm. Nichetto Studio specialises in industrial and product design as well as art direction for design brands.
    Nichetto’s recent work includes a series of home fragrances for Ginori 1735 and his first foray into fashion accessories in the form of the apple-leather Malala handbag.
    The photography is by Max Rommel.

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    Studio Noju renovates curvy apartment in brutalist Torres Blancas tower

    Local firm Studio Noju has updated a two-storey Madrid apartment within the Torres Blancas high-rise with a renovation that remains “in constant dialogue” with the original apartment design.

    Designed in 1961 by architect Francisco Javier Sáenz de Oíz, Torres Blancas is a 71-metre-high exposed concrete tower featuring cylindrical shapes that create bulbous balconies on its facade and curved rooms inside.
    Studio Noju renovated the largest apartment in Torres BlancasStudio Noju overhauled the 1040 unit – the brutalist building’s biggest apartment – to balance its history with contemporary design details, according to the firm.
    “Our interior design proposal for the apartment takes inspiration from the original ideas that the architect came up with for the building,” studio co-founder Antonio Mora told Dezeen.
    Recovered terrace space is characterised by green tilesA key part of the project involved expanding the apartment’s exterior area on the first floor from 15 to almost 80 square metres to create the amount of outdoor space that existed before multiple past renovations of the tower.

    This expansion added terraces that are characterised by curved floor-to-ceiling glazing and slatted crimson shutters. These open onto gleaming green ceramic tiles that take cues from 1960s interiors and form built-in benches, fountains and planters that follow the terraces’ meandering contours.
    Visitors enter at a semi-circular foyer”The outdoor spaces have been once again consolidated into a continuous terrace that follows the outline of the original plan,” explained Mora, who set up Studio Noju with Eduardo Tazón in 2020.
    “There is a constant dialogue between many of the solutions we have proposed in the interior design of the apartment with those proposed more than 50 years ago by Sáenz de Oiza.”
    White walls and ceilings create an airy open-plan first floorVisitors enter the apartment at a semi-circular foyer featuring Segovia black slate and wine-red panelling – the same materials used in the building’s communal areas.
    The open-plan ground floor is interrupted by snaking white structural walls, such as a partition in the living room that features repetitive circular openings.
    The kitchen was formed from a continuous countertopA continuous custom-made countertop with a subtle green hue forms the kitchen area, which includes a statement bulbous sink that echoes Torres Blancas’ cylindrical facade.
    Light reflects from the original glass-brick tinted windows and illuminates the smooth resin floor and metallic wall accents.
    Studio Noju salvaged an original brass banister for the staircaseWhite geometric treads create a floating staircase with an original polished brass banister that leads to the first floor. Upstairs, a sequence of bedrooms is characterised by oak ceilings that contrast with the bright white ceilings on the ground floor.
    Each bathroom is playfully colour-coded with individual mosaics of bright tiles, complete with sconce lights, mirrors and cabinetry that follow the rounded shapes found throughout the apartment.
    Each bathroom has colour-coded tiles”The [mosaic] material allowed us to solve all the elements of the bathroom such as shower areas, vanities, walls and floors, referencing a similar material strategy used in the original design,” said Mora.
    Adjacent to the main bedroom, the first-floor terrace includes a large green tile-clad outdoor bathtub cloaked in a sheer curtain, which is flanked by plants that were positioned to absorb the water produced by bathing.

    Casa Olivar is a Madrid apartment designed as a “sensorial refuge”

    “The element that we are most proud of is the feeling of a house-patio that has been recovered in the apartment,” reflected Mora.
    “The unit once again revolves around the exterior spaces, and these seem to blend with the interior through the curved traces of green tiles that enter and exit the living room and dining area,” added the architect.
    “Our biggest challenge was striking a balance between honouring the building, but at the same time imbuing the interior design with our language.”
    The first floor terrace features an outdoor bathtubStudio Noju showcased a similar colourful style in its debut project, which involved the renovation of an open-plan Seville apartment.
    Torres Blancas was among the buildings captured by photographer Roberto Conte in his series of brutalist buildings in Madrid.
    The photography is by José Hevia. 

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    Yana Molodykh refurbishes attic apartment with views over Kyiv

    Ukrainian designer Yana Molodykh has renovated a compact apartment in Kyiv, creating a light-filled space with storage fitted around the building’s existing structural framework.

    The 50-square-metre apartment, which was christened with a housewarming party a few days before the start of the Ukraine war, is a pied-à-terre for a couple that lives in one of the capital’s suburbs and likes to spend weekends in the city centre.
    Yana Molodykh has renovated an attic apartment in KyivThe apartment is located on the attic level of a modern eight-storey building in the historic Podil district, which the owners chose because it reminds them of their home city of Kherson.
    The existing interior was divided by a series of metal columns and partition walls, with small windows, zinc-profiled flooring and steel roof beams making the rooms feel dark and cluttered.
    The apartment was redesigned to let in more daylightMolodykh completely reorganised the space, removing internal walls, adding effective soundproofing and enlarging the windows to let in more sunlight.

    The designer wanted to create a bright and eclectic space reminiscent of Kherson’s resort atmosphere, with materials chosen to bring natural warmth and texture into the daylit interior.
    Wooden joinery adds warmth and texture to the interior space”I aimed to create a true atmosphere of living under the roof,” the designer told Dezeen. “When you are at the top of a building every action occurs below you, so you can observe and enjoy the view. Also, I wanted there to be no obstacles to daylight.”
    The main requests from the client were for a cosy living area and a comfortable and functional kitchen where the couple can cook and entertain.
    Some of the home’s steel structure was left exposedWooden flooring and joinery contribute to the warm and relaxing atmosphere, Molodykh said, with details such as the sheer curtains and paper Akari floor lamp from Vitra adding “airy” accents.
    Some of the building’s steel structure was left exposed while other parts were concealed behind shelves in the living room and the closets in the bedroom.
    Built-in storage that extends all the way to the ceiling optimises the apartment’s available height. And in the dining area, storage for tableware is cleverly integrated behind one of the columns.

    Makhno Studio celebrates Ukrainian craft in all-beige home near Kyiv

    The smallest room in the apartment is the 6.4-square-metre bedroom, which features a bed raised on a podium and a wardrobe set into a niche behind a column.
    A large beam that crosses the space was boxed in to prevent the uncomfortable feeling of a heavy metal structure overhead, while built-in shelves by the bed help to free up floor space.
    The steel beam in the bedroom was boxed inThe apartment’s compact entrance area features a tiled floor and a blue accent door, creating a visual buffer between the interior and exterior.
    A small dressing area is slotted in between the beams and columns next to the entrance, hidden behind sliding doors with mirrored panels.
    Geometric patterned tiles also feature in the bathroom, which contains a freestanding bathtub and shower cubicle along with terracotta ceramic sconces by Ukrainian designer Julia Kononenko.
    Geometric floor tiles define the apartment’s entranceMolodykh mixed tiles from four different brands to create a layered effect influenced by her appreciation of Ukrainian constructivist architecture, much of which is currently falling victim to Russian shelling.
    “I wanted to link the apartment’s interior with important buildings nearby including the Zhytniy market and Zhovten cinema,” the designer explained.
    “I admire their architecture, lines, proportions and ideas, so I wanted to pay my tribute. That is why the bathroom looks slightly different from the rest of the apartment. It makes the project more eclectic and more corresponding to its surroundings.”
    The tiling in the bathroom was informed by Ukrainian constructivist architecturePodil is one of Kyiv’s oldest districts and today, its early-20th-century buildings are neighboured by modern constructions and high-rise hotels.
    These diverse architectural styles contribute to the cosmopolitan feel of the neighbourhood, which has not escaped the Ukraine war unscathed. In March 2022, a missile destroyed a building in the district some distance away from the apartment.
    But Molodykh said that despite everything, people in the area still look to their homes as havens amidst the ongoing war.
    The apartment is located in Kyiv’s historic Podil district”Even these days, people enjoy their cosy interiors and warm home atmosphere where they can spend time with families and close friends supporting each other,” she said.
    Molodykh currently lives between here and Krakow in Poland, as it is easier for her to work on projects from outside of Ukraine.
    Other projects in Kyiv that were completed just before the war and are just starting to be published in recent months include an all-beige home in the city’s outskirts by architect Sergey Makhno and the HQ of fashion label Sleeper, which is housed in a former shoe factory.
    The photography is by Yevhenii Avramenko.

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    Dezeen Debate features a “clean” and “simple” revamp of a 1920s house in Prague

    The latest edition of our weekly Dezeen Debate newsletter features No Architects’ “seamless” renovation and extension of a 1920s house in Prague. Subscribe to Dezeen Debate now.

    No Architects’ extensive revamp aimed to retain the character of the house, which was built in the 1920s in a romantic style that references arts and crafts-style English villas.
    “Our addition refers to the original facade details and is hardly recognisable as separate to the original house,” the studio’s co-founder Jakub Filip Novák told Dezeen.
    Commenters had nothing but praise for the project.

    “Love the clean lines, the simple gestures, the quiet flourishes,” wrote one. “With the historic muted greens and blues complementing the wood, it reminds me of Shaker modernism here in the States. Really beautiful spaces.”
    Sumu Yakushima is a co-operative housing project that supports humans and nature Other stories in this week’s newsletter include a “superbly configured” co-operative housing project in Japan, a roundup of the architecture projects not to miss in 2023 and a Zaha Hadid Architects-designed modular tent classroom for refugees.
    Dezeen Debate
    Dezeen Debate is a curated newsletter sent every Thursday containing highlights from Dezeen. Read the latest edition of Dezeen Debate or subscribe here.
    You can also subscribe to Dezeen Agenda, which is sent every Tuesday and contains a selection of the most important news highlights from the week, as well as Dezeen Daily, our daily bulletin that contains every story published in the preceding 24 hours.

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    Atelier Fréderic Louis adds new curves to art-deco house in Antwerp

    The rounded details of an art-deco-style facade are repeated throughout the interior of this house in Antwerp, which has been renovated by Atelier Fréderic Louis.

    Belgian architect Fréderic Louis has modernised the layout of House Mellinet, replacing the previously separate kitchen and living room with a large, open family room that opens out to the rear garden.
    The design – created in collaboration with interior designer Sarah De Pauw – celebrates the building’s existing curved details.
    The art-deco house has a brick facade with various curved detailsAccording to Louis, it was these details that first attracted the owners to the 145-square-metre property.
    “They bought the home because they fell in love with the original art-deco-style elements,” he told Dezeen.

    Extra curved details have also been added in, including a new fireplace and two focal staircase treads.
    The renovation created a more open layout for the ground floorThe ambition behind the renovation was to create a more open-plan ground floor layout, increasing natural light and making the living spaces feel more generous in size.
    Achieving this layout involved stripping the building back to its structure and installing new steelwork.
    An original arched opening was reinstated”Our starting point was trying to figure out how we could open the rooms to each other, as these were all closed off from each other by thick load-bearing walls,” explained Louis.
    “The structural elements we used for this were key for the design of the house, as they stayed partly visible.”
    New steelwork was required, although only some of the beams are left exposedWhen builders started stripping the interior back to its structure, they discovered hidden details such as a large arched wall frame. This fuelled Louis’ decision to make curves the key design motif.
    The new layout creates a circular route through the ground-floor spaces, defining a lobby space, a lounge area, a dining area and a kitchen, while a small office sits off to one side.
    The junction between floor surfaces is one of many new curved detailsTwo different floor surfaces feature here: a chevron-patterned oak parquet, and a speckled white terrazzo.
    The junction between these surfaces integrates another curved detail.

    Graux & Baeyens designs three brick volumes to form Belgian house with wetland views

    This is echoed by the shape of the kitchen island counter, which is made from a marble that matches the tones of the terrazzo floor.
    “The end of the wall was also curved, not only as a reference to the original style elements, but also to ease the circulation around the kitchen island and the spaces next to it,” said Louis.
    Other curves feature on the kitchen counter and the fireplaceNew windows were installed in place of the previous PVC frames, with slender aluminium details that look more akin to the steel designs that would have been on the building originally.
    Heating, plumbing and electrical systems have also been upgraded to bring them up to modern standards.
    Focal staircase treads repeat the curve themeGhent-based Louis has run his own studio since 2014, but he also works for Graux & Baeyens Architecten, where he has led projects including the blocky House J-VC.
    House Mellinet is one of several historically sensitive renovations the architect has undertaken. He believes the design has returned the building “to its former grandeur”.
    The renovated first-floor bathroom features a similar terrazzo to the kitchen”The living areas have evolved from closed, dark spaces, to a vivid, daylight-rich living space with a great view over the green garden,” he said.
    “The kitchen has become a point of attraction, while the new and restored art-deco elements have restored the original feel of the house.”
    The photography is by Tim Van de Velde.

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