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    Studio8 transforms 1930s Hangzhou villa into hotpot restaurant

    Promotion: Chinese architecture practice Studio8 has renovated the interior of a 1930s villa in Hangzhou, China, transforming it into a hotpot restaurant and cocktail bar that celebrates the building’s history.

    The Gud restaurant and bar includes a roof terrace, dining space on the upper floors and bar on the ground floor.
    The 496-square-metre space occupies a three-storey building that was built in 1939, as well as a later-built extension and the ground floor of an adjacent property.
    Antique hotpots are displayed throughout the interiorAlthough the villa had previously undergone a number of renovations, when designing the restaurant Studio8 aimed to maintain the building’s original features, including the street-facing facade.
    Service areas, including the kitchen, restroom and staircase, are located in the extension and adjacent building, leaving the full space of the historic villa for restaurant dining and the cocktail bar.

    The cocktail bar features red velvet seatingThe Gud restaurant specialises in hotpots, which lead Studio8 to study the culture of the cuisine and introduce aspects of it into the interior design, creating a “museum-like experience”.
    The project’s design was informed by three stages of making and experiencing hotpots – the heat from the fire that cooks it, water as the main medium of the food, and the elevation of the flavour coming from the steam.
    Studio8 used the themes of “heat, medium and elevation of flavour” to influence the function, materials, textures and light used in each space.
    The restaurant interior was informed by hotpot cuisineThe cocktail bar on the ground floor of the historic villa was designed to be a lively space. It features a red floor, a fireplace, structural columns that display antique hotpots and red velvet sofas.
    Part of the original brick wall was left exposed and a recessed mirrored ceiling at the perimeter of the room makes the space feel larger and more luxurious.
    The interior nods to the building’s history”As the first element, heat is a fundamental design factor on the first floor, where human interactions were planned out accordingly,” said Studio8.
    “The aim was to create a warmer and more welcoming space at the beginning of the hotpot experience, where people and friends meet first, have a cocktail and wait for everyone to arrive.”
    The restaurant features glass-brick nichesOn the upper floor is the restaurant’s main dining area, which features glass-brick niches in the walls where windows used to be.
    At the sides of the dining area, Studio8 opened up the ceiling to expose the wooden roof structure.
    The third floor includes a private dining room”After passing through the heated cocktail bar, comes the second element, water – the medium that reunites all elements,” said Studio8.
    “Family and friends are seated together in groups around the round tables on the second floor for the food experience, a process that the architects relate to water reconstructing the atoms of the ingredients.”
    A roof terrace overlooks the cityThe building’s original timber staircase was removed and a new enclosed staircase that connects the three floor levels was added in the patio area.
    The staircase has double glazed U-shaped glass partitions along its floors with a “lighting system to represent the continuous energy flow transition”.
    A terrace and private dining room are located on the third floor of the villa.
    A new enclosed staircase that connects the three floor levels was added in the patio area.”Here, the customers are reconnected with the city and able to look at it from different heights and angles, corresponding to the last element, steam, the elevation of taste,” said Studio8.
    “The simply designed interior shows off the geometric shape of the attic, while benches on the roof allow customers to have a more exclusive interaction with the city.”
    The staircase has double glazed U-shaped glass partitions along its floorsStudio8 is currently working on a number of renovation projects that aim to respect the history of the building, including the transformation of hotels and restaurants.
    The photography is by Sven Zhang.
    Partnership content
    This article was written by Dezeen for Studio8 as part of a partnership. Find out more about Dezeen partnership content here.

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    Wood and stone surfaces bring “rich texture” to Primrose Hill House interior

    Architecture for London has updated a 1960s house in London, creating an open-plan interior filled with natural materials and an improved connection to the rear courtyard garden.

    The house is one of two detached properties set in a modernist estate in Primrose Hill that primarily consists of painted brick courtyard houses and small terraces.
    Primrose Hill House was designed by Architecture for LondonThe new owner asked Architecture for London to transform the interior into a modern layout that is better suited to their lifestyle.
    “The house had a very broken plan consisting of lots of small rooms,” the studio’s director Ben Ridley told Dezeen. “The client wanted to create a family house that was more open plan with better views of the garden.”
    The studio added a rooftop extension clad in white bricksThe remodelled interior improves the connection with the garden by incorporating a large picture window in the kitchen, along with sliding wood-framed doors in the living area.

    The ground floor also contains a smaller reception area next to the entrance hall, with folding doors allowing this space to be separated from the kitchen and dining area.
    Sliding wood-framed doors open the living room up to the gardenA bespoke blackened-steel staircase provides access to four bedrooms on the first floor, including a main suite with a juliet balcony overlooking the garden.
    Following a detailed cost and sustainability review, a decision was made to demolish all of the property’s interior walls and rebuild them in order to achieve the required spaces.
    The interior was finished in a rich material paletteThis solution also offered the best energy-efficiency potential, according to Ridley, with a layer of wall insulation added alongside a heat recovery ventilation system (MVHR).
    The home’s first-floor plate was replaced using steel beams and timber joists to enable the demolition of the ground-floor walls and the opening up of the interior.
    Flooring was used to define different zonesspThe project also involved the addition of a timber-framed rooftop extension, clad with white-painted brick to tie in with the rest of the house and set back so it’s largely hidden from view.
    The extension contains a flexible mezzanine space for yoga and meditation that is accessed from the main bedroom suite.

    Architecture for London uses natural materials to renovate studio founder’s home

    Throughout the home, Architecture for London applied a pared-back palette of natural materials that is intended to create a sense of calmness and connection with the garden.
    Internal walls treated with breathable lime plaster provide a neutral backdrop for furniture including a dining table made from locally sourced London plane trees.
    Doors and windows are framed with wood”We intentionally didn’t use a lot of colour so there’s a strong feeling of consistency,” Ridley said. “The choice of stone and timber brings a rich texture to the palette.”
    A reference image of a Portuguese manor house, featuring a tiled trompe l’oeil frieze around a doorway, informed the use of materials to define space within the interior.
    The shared living areas have an open-plan layoutIn the living room, stone floor tiles in different shades create a border around the room, as if an area rug has been placed on the floor to demarcate where furniture could be placed.
    Ben Ridley founded Architecture for London in 2009 following his studies at London’s Barlett School of Architecture. The studio aims to create places that improve how people live and work, with a focus on reducing their operational emissions.
    Wood lines the interior walls of the homeRidley’s own London house recently featured in our round-up of five UK house renovations designed to improve energy efficiency.
    “Ultimately we are going to have to accept some changes in the appearance of our traditional homes,” he said, speaking to Dezeen as part of a feature on architects who have retrofitted their own homes.
    The photography is by Christian Brailey.

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    Hollywood puppet theatre becomes Chief LA members' club

    A clubhouse for women in business now occupies a 1940s theatre in Los Angeles, following renovation work by JM|A+D and TAP Studio, with interiors by AvroKO.

    The three studios collaborated to rehabilitate the former Hollywood puppet theatre to create the Los Angeles flagship for Chief, which offers memberships to women in leadership roles.
    Like Chief’s other locations, the LA flagship clubhouse is designed to have a residential feel”Designed as a space for the most powerful women in business to connect and find community, we re-conceptualized the historic structure as a modern pied-a-terre, reinterpreting the best elements of traditional member’s club environments with a bold, lush palette,” said the team in a joint statement.
    JM|A+D and TAP Studio – both based in California – worked on restoring the theatre building while updating the spaces for their new purposes.
    The former theatre was converted to include two bars, five conference rooms and multiple lounges”From scattered wet bars and mothers’ rooms to carefully scaled seating and meeting areas, our goal was to develop a female-focused environment that brings the membership network’s mission to life,” the team said.

    “We dovetailed original building elements with new millwork, pathways, and technology to create an enfilade of communal and enclosed zones designed to host large events, lingering, chance encounters and focused work.”
    Conference rooms are each identified by a different colourThe interiors incorporate some of the design elements in Chief’s New York and Chicago locations, the latter of which was also designed by AvroKO and was named Large Workspace of the Year at the Dezeen Awards 2021.
    The visual threads between the different outposts include the use of rich colours and mix of furniture styles to create a residential feel, and incorporating many pieces by female artists and designers among custom millwork and vintage finds.
    Nods to the building’s former use include framed signatures of those who performed thereThe 14,000-square-foot (1,300-square-metre) LA clubhouse is split over two levels and includes two bars, five conference rooms, multiple lounge areas, and smaller private rooms for meetings or focused work.
    An outdoor patio is also available for members to sit among the trees or around a fire pit.

    AvroKO creates residential feel inside Chief members club in Chicago

    Inside, another fireplace is clad in narrow, glossy ceramic tiles and forms a focal point at the end of the bar.
    Each of the conference rooms is identified by a different colour, such as a large room with a sienna-hued ceiling and another that’s painted dark blue.
    A mix of furniture styles includes custom pieces, vintage finds and many designs by womenOchre yellow, dusty rose and various shades of green can also be found in upholstery, rugs, artwork and styled accessories.
    Nods to the building’s previous use are also scattered throughout. “We integrated a wall with celebrity signatures from roasts hosted at the theatre into the design,” said the team.
    Chief LA also has an outdoor patio for members to enjoyJM|A+D was founded by architect Jeffrey Miller and also has an office in Oregon. The studio has previously collaborated with TAP principal Tanya Paz on several residential projects.
    AvroKO is best known for hospitality projects and also designed the Mortimer House members’ club in London.
    The photography is by Aubrie Pick.
    Project credits:
    Architecture: JM|A+D and TAPInterior design: AvroKOCivil engineer: KPFFMEP consultant: Interface EngineeringAudiovisual consultant: VanWert Technology DesignLighting consultant: Focus LightingFood and beverage consultant: Sam Tell

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    Ten Spanish apartment renovations characterised by eclectic tiles

    For our latest lookbook, we have collected 10 apartments in Spain that have been brought to life using decorative tiles, from preserved 20th-century features to speckled contemporary terrazzo grout.

    Known for its abundance of colourful tiles, Spain has many period apartments with original details including ornate archways and eclectic tiling.
    The following architecture and interior design studios have made the most of these traditions when renovating homes, which often involved refreshing the homes’ interiors while maintaining their history, or adding contemporary elements that nod to the past.
    This is the latest in our lookbooks series, which provides visual inspiration from Dezeen’s archive. For more inspiration see previous lookbooks featuring statement carpets, pop-up shops and homes with sliding doors.
    Photo is by José HeviaYurikago House, Barcelona, by Mas-aqui

    Architecture studio Mas-aqui opened up an apartment in Barcelona by creating multiple levels lined with slabs of exposed concrete, slatted wood and reddish ceramic tiles.
    The dwelling was named  Yurikago House after the Japanese word for a cradle, which references the shape of the timber structure that supports part of a new mezzanine that was created in the renovation.
    Find out more about Yurikago House ›
    Photo is by German SáizMadrid apartment by Sierra + De La Higuera
    Set within a 1940s building, interior spaces in this Madrid apartment were delineated with vibrantly hued Moroccan zellige tiles, from bold yellow accents in the living room to an emerald green kitchen.
    The tiles are defined by imperfect hand-moulded surfaces and feature throughout the home in the form of decorative skirting as well as flooring and cabinetry.
    Find out more about this Madrid apartment ›
    Photo is by Mariela ApollonioValencia apartment by DG Arquitecto
    During the minimalist renovation of a 1920s apartment in Valencia, local studio DG Arquitecto preserved the original mosaic elements – flooring that the firm called “typical” of the city.
    The studio paired mid-century rattan dining chairs and delicate timber elements with the colourful tiles while original mouldings and decorative arched doorways were also maintained.
    Find out more about this Valencia apartment ›
    Photo is by José Hevia1040 Unit, Madrid, by Studio Noju
    Working within Madrid’s iconic brutalist Torres Blancas tower, emerging practice Studio Noju created an apartment that balances contemporary details with the building’s brutalist history.
    Each of the dwelling’s three bathrooms were individually colour-coded with small geometric mosaics that nod to the green ceramic tiles that clad the apartment’s terraces.
    “The [mosaic] material allowed us to solve all the elements of the bathroom such as shower areas, vanities, walls and floors, referencing a similar material strategy used in the original design,” studio co-founder Antonio Mora told Dezeen.
    Find out more about 1040 Unit ›
    Image is courtesy of NarchBarcelona apartment by Narch
    Eclectically arranged decorative floors dating back to the early 20th century take centre stage in this Barcelona apartment that was renovated by Narch architecture office.
    Known as encaustic tiling, which is common in the city, each tile is created by pouring pigmented ceramics into moulds and pressing them to create a pattern.
    Elsewhere in the apartment, doors made from laminated glass screen off its bedrooms. This material was chosen for its neutrality in order to emphasise the space’s ornate flooring.
    Find out more about this Barcelona apartment ›
    Photo is by Asier RuaCasa Olivar, Madrid, by Matteo Ferrari and Carlota Gallo
    Casa Olivar is a two-storey apartment by designers Matteo Ferrari and Carlota Gallo, which is characterised by handmade terracotta floor tiles that complement the home’s muted colour palette.
    Created as a “sensorial refuge”, the dwelling includes two large windows in the living room that flood the space with natural light. Earthy-toned, simple materials feature throughout, including textured plaster finishes.
    Find out more about Casa Olivar ›
    Photo is by Judith Casas SayósBarcelona apartment by Parramon + Tahull
    Barcelona studio Parramon + Tahull added bespoke birch plywood joinery and continuous tiled flooring to an apartment in the city’s Gracia neighbourhood, in order to blend with the building’s original features.
    Created by Spanish manufacturer Wow, the terracotta tiles feature a mismatched geometric design that covers the entire apartment, including the kitchen and the bathroom.
    Find out more about this Barcelona apartment ›
    Photo is by José HeviaLaia and Biel’s House, Barcelona, by TEd’A
    Architecture office TEd’A used crushed tiles to create playful terrazzo grout in a renovated apartment that belongs to the owners of the Mallorcan tile brand Huguet.
    The grout was made from the original terracotta tiles that lined the home before its revamp, which were crushed into tiny pieces to form a reddish-hued aggregate that was mixed with existing white tile grout.
    “Our idea was to keep the best parts of the old flat we bought,” Biel told Dezeen, citing sustainability and honouring the apartment’s original design.
    Find out more about Laia and Biel’s House ›
    Photo is by Yago PartalEnd of the Roc, Barcelona, by Nook Architects
    Nook Architects redesigned another apartment in Barcelona while maintaining its distinctive historical details, including a striking mural-style wall that is over 40 years old, timber beams and intricately patterned floor tiles.
    “Our approach to End of the Roc revolved around the restoration and consolidation of the building’s original character,” said the architecture studio.
    Find out more about End of the Roc ›
    Photo is by Jordi FolchCasa Burés, Barcelona, by Vilablanch and TDB Arquitectura
    Interior design studio Vilablanch collaborated with TBD Arquitectura to refurbish all 26 apartments within Case Burés – a 20th-century building constructed by the late architect Francesc Berenguer i Mestres.
    The team selected “silent” contemporary furnishings to complement Case Burés’ original decorative features, such as stainless steel geometric cabinetry that was chosen so as not to “compete with” or “imitate” the colourful tiled flooring.
    Find out more about Casa Burés ›
    This is the latest in our lookbooks series, which provides visual inspiration from Dezeen’s archive. For more inspiration see previous lookbooks featuring statement carpets, pop-up shops and homes with sliding doors. 

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    Cruciform cabinet anchors The Loma Residence by Esrawe Studio

    An oak “skin” wraps the interior of living spaces at this apartment in Mexico City, renovated by locally based Esrawe Studio.

    The two-bedroom Loma Residence in the neighbourhood of Lomas de Chapultepec faces sunset views over the forest, so Esrawe Studio reconfigured the layout to optimise this orientation.
    The Loma Residence was reconfigured so that living spaces could enjoy west-facing vistas and lightWalls and partitions were removed to create a more open living and dining space, where low furniture is arranged so as not to obstruct the vista or prevent the golden-hour light from reaching far into the apartment.
    To deal with a column and create separation from the rest of the apartment in a single gesture, the studio wrapped the structural element in oak and extended low consoles from both sides — forming a cross shape.
    Oak panels wrap a structural column and extend out to form low consoles”Its sculptural expression triggers the operative relationship of the space, defining the leading gesture of the project, and becoming the element that houses books, vinyl records, and a space for a turntable,” said Esrawe Studio, which was founded by Héctor Esrawe.

    Storage cabinets at the same height are continued along a nearby wall, forming part of a much larger expanse of millwork that extends to the ceiling and wraps around the living room.
    A granite island sits in the centre of the minimalist kitchen”The oak wood skin that runs through the space embraces the perimeter of the apartment,” the studio said. “This same skin integrates all doors and entrances to the service areas, creating a visual, warm, and tactile continuity that travels all the way to the master bedroom.”
    The kitchen can also be hidden from the living area by sliding partitions in the same material.

    Chloé Mason Gray utilises “masculine” elements for Mexico City renovation

    When open, these operable panels sit flush within the millwork, which curves in on both sides to also conceal the refrigerator and the access to the pantry, linen closet and wine cellar.
    In the centre of the kitchen sits a green-toned granite island that incorporates four gas burners, and the sink faces a long window that frames the verdant landscape.
    Oak wraps the perimeter of the apartment and continues into the bedroomsSurfaces that aren’t oak are marble, to “provide the space with a sober and contemporary atmosphere” according to the design team.
    The exception is the guest bathroom, which is lined in green quartizite and features a sculptural Tikal marble washbasin designed by EWE Studio — founded by Esrawe with gallerist and curator Age Salajõe, and designer Manuel Bañó to promote Mexico’s craft heritage.
    EWE Studio designed a sculptural Tikal marble washbasin for the guest bathroomEsrawe Studio was named Interiors Studio of the Year at the 2020 Dezeen Awards, and operates from a converted dancehall with an “honest industrial aesthetic” in the Mexican capital.
    The studio’s completed interior projects have ranged from a glossy bar at the city’s Auditorio Nacional to a restaurant informed by Samurai armour and Kanji characters.
    The photography is by Fabián Martinez.
    Project credits:
    Interior design and furniture: Esrawe StudioCreative direction: Héctor EsraweDesign team: Ángel Campos, Javier García-Rivera, Raúl Araiza, Jair Rocha, Viviana Contreras.Visualizations: Madián Alvarado

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    Direccion brings sense of tranquility to Casa Tres Árboles in Valle de Bravo

    The designers at Mexican studio Direccion had “monastic sanctuary” in mind when revamping this weekend retreat in Valle de Bravo.

    The two-storey Casa Tres Árboles is designed to celebrate light and shadow contrasts, natural materials and calming colour tones.
    The double-height entrance hall features a floor of wood and black microcement”The goal of this project was to create a space in natural and warm tones, to convey a sense of refuge and retreat, of monastic sanctuary,” said designer Mariana Morales, founder of Direccion.
    Casa Tres Árboles was first built 25 years ago in the popular lakeside location, which is located two hours drive west of Mexico City, but the original design had become outdated.
    Pre-existing walls were removed to create a more open-plan living space”The client’s directive was to give the house a refreshed style, with updated finishes to accommodate more frequent visits, while maintaining the weekend getaway feel of the place,” said Morales.

    The renovation centred around opening up the interior, creating a more natural flow of light and movement through the different living spaces.
    Located below street level, the house’s entrance is a pivoting doorThis was achieved by not only removing walls, but also by adjusting the split-level floor so that the social spaces feel more connected.
    Key to the design was the entrance sequence. From the street, a staircase descends, leading around a tree and into a small sunken courtyard.
    A new wall screens the staircase, with an arched doorway leading through to a bedroomDireccion’s design enhances the sense of drama to this arrival. A former bathroom was removed to make space for a planter filled with leafy shrubs and ferns.
    From here, a pivoting door leads through to a double-height entrance hall topped by a glass dome and features a high-contrast floor-combing wood and black microcement.

    Matte-black house Las Golondrinas is a sanctuary for retirement in Valle de Bravo

    The space is framed by a new wall that hides away the previously open stairwell. An arched doorway leads through to a bedroom, while an aged wooden table presents a display of sculptural vases.
    “This decidedly sculptured hall is the prime space to pause and become surrounded by the material serenity of the house,” said Morales.
    A wooden seating bench runs alongside a 10-person dining tableThe kitchen, dining room and lounge space are all located beyond the hall, one step down, and now connect with a sundeck thanks to sliding glass doors.
    This open-plan layout was made possible by the addition of two structural columns, which take the place of load-bearing walls that previously divided the space.
    Dark walls help to create atmosphere in the bedroomsCasa Tres Árboles contains three en-suite bedrooms on the upper level, along with a small snug.
    Both these rooms and those on the ground floor are painted in dark shades that offer a natural counterpoint to the warm tones of the exposed wooden ceiling beams.
    A soft-red sofa located in the main living space is one of few splashes of colour.
    All four bedrooms have en-suite bathroomsArtworks are dotted throughout, including a painting by Mexican artist Beatriz Zamora, while dark crockery by artisanal craft makers Colectivo 1050 is displayed openly in the kitchen.
    “The colour palette integrates the flow of the elements and, with every piece and material carefully curated, creates a space for repose, meditation and balance,” added Morales.
    A snug is located on the upper levelValle de Bravo is home to some of Mexico’s best examples of housing design.
    Other memorable examples include the Y-shaped Casa de la Roca by Cadaval & Solà-Morales and the secluded Santana House by CC Arquitectos.
    The photography is by Fabian Martinez.

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    Luca Nichetto transforms Swedish villa into his own studio and showroom

    Luca Nichetto has converted a 1940s villa in Stockholm into a studio to display his designs in a domestic setting and provide a comfortable working environment for his team.

    The Italian designer’s studio was previously based out of an apartment in the city’s Midsommarkransen neighbourhood. But when the landlord wanted to raise the rent, Nichetto decided to relocate to a larger property in a nearby suburb.
    Luca Nichetto has turned a 1940s villa into his own studio”I didn’t really need to look for another space in the city centre because it’s not that important for us as we work globally,” Nichetto explained.
    “A week after beginning to search, I saw on the real estate market what is now the Pink Villa. It was simply perfect and I made the offer.”
    A blush-pink staircase leads up to the first floorThe Pink Villa is a typical 1940s wooden house with a gabled roof and a large garden. Nichetto bought the property in 2021 and began adapting the interior to make it suitable for use as a studio.

    “I didn’t want a conventional studio space but rather a space that could be a studio, a showroom and a domestic property to be used on the weekends by my family and during the week by my team,” the designer told Dezeen.
    Nichetto’s Banah sofa for Arflex sits in the living areaThe villa takes its name from its distinctive pink exterior, which was given a fresh coat of bubblegum-pink paint to maintain its characterful presence on the street.
    The property’s existing three bedrooms were transformed into a private office for Nichetto on the first floor and a meeting room and tailor’s workshop on the ground floor, which his wife uses on the weekends.
    La Manufacture’s Soufflé mirror helps to bring character to the spaceA corridor leads from the entrance to a bright living room that looks onto the garden. An opening beyond the stairs up to the first floor connects with the simple custom-built kitchen.
    Along with Nichetto’s office, the upper floor contains a second bathroom and a large open workspace that facilitates flexible use rather than incorporating dedicated workstations.
    Bright and bold colours were used throughout the interiorThe interior features a pared-back palette of materials and colours that provide a neutral backdrop for a selection of products and furniture designed by Nichetto for brands including Offecct, Cassina, Arflex and Bernhardt Design.
    “I wanted to give a touch of warmth and I did that using colour and volumes,” the designer said. “I particularly chose materials culturally connected with the south of Europe and very deliberately mixed them with Scandinavian features.”

    Watch our talk with Ginori 1735 and Luca Nichetto about their new collection of home fragrances

    In the living area, pale-pink walls and white-painted floors contribute to the light and airy feel. Nichetto’s Banah sofa for Arflex and Soufflé mirror for La Manufacture are among the playful designs that bring character to this space.
    Upstairs, the main office spaces feature furniture such as Nichetto’s Torei low table for Cassina and Nico armchair for Bernhardt Design. His office contains the Railway table for De Padova and Robo chairs by Offecct.
    Walls in the living area were painted a light pinkOne of the key qualities that attracted Nichetto to the property is the spacious garden, which includes a terrace furnished with his Esedra table and Pluvia chairs for Ethimo.
    The basement garage was converted into a self-contained guest suite called the Chalet, which includes a living room, bedroom and bathroom with a Swedish sauna.
    The house also has a self-contained guest suiteSince the renovation was completed in April 2022, the Chalet has hosted international visitors including art directors, photographers and designers.
    The property’s location close to a park and to the water was another reason it appealed to Nichetto, who said he enjoys the proximity to nature and the good relationship he has established with his neighbours.
    Ceramic tiles provide a pop of colourA housekeeper was hired to look after the studio and to prepare meals for the team, adding to the sense of it hybrid space that is both domestic and designed for work.
    “It’s like being in a family: we all have lunch together and there are no fixed workstations to work,” he explained. “Moreover, whoever comes to visit us, if he wants, can stay and sleep. The idea is to create a sense of community.”
    Ethimo’s Esedra table and Pluvia chairs decorate the terraceLuca Nichetto established his multidisciplinary practice in Venice, Italy, in 2006 and continues to run a studio there alongside his main office in Stockholm. Nichetto Studio specialises in industrial and product design as well as art direction for design brands.
    Nichetto’s recent work includes a series of home fragrances for Ginori 1735 and his first foray into fashion accessories in the form of the apple-leather Malala handbag.
    The photography is by Max Rommel.

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    Studio Noju renovates curvy apartment in brutalist Torres Blancas tower

    Local firm Studio Noju has updated a two-storey Madrid apartment within the Torres Blancas high-rise with a renovation that remains “in constant dialogue” with the original apartment design.

    Designed in 1961 by architect Francisco Javier Sáenz de Oíz, Torres Blancas is a 71-metre-high exposed concrete tower featuring cylindrical shapes that create bulbous balconies on its facade and curved rooms inside.
    Studio Noju renovated the largest apartment in Torres BlancasStudio Noju overhauled the 1040 unit – the brutalist building’s biggest apartment – to balance its history with contemporary design details, according to the firm.
    “Our interior design proposal for the apartment takes inspiration from the original ideas that the architect came up with for the building,” studio co-founder Antonio Mora told Dezeen.
    Recovered terrace space is characterised by green tilesA key part of the project involved expanding the apartment’s exterior area on the first floor from 15 to almost 80 square metres to create the amount of outdoor space that existed before multiple past renovations of the tower.

    This expansion added terraces that are characterised by curved floor-to-ceiling glazing and slatted crimson shutters. These open onto gleaming green ceramic tiles that take cues from 1960s interiors and form built-in benches, fountains and planters that follow the terraces’ meandering contours.
    Visitors enter at a semi-circular foyer”The outdoor spaces have been once again consolidated into a continuous terrace that follows the outline of the original plan,” explained Mora, who set up Studio Noju with Eduardo Tazón in 2020.
    “There is a constant dialogue between many of the solutions we have proposed in the interior design of the apartment with those proposed more than 50 years ago by Sáenz de Oiza.”
    White walls and ceilings create an airy open-plan first floorVisitors enter the apartment at a semi-circular foyer featuring Segovia black slate and wine-red panelling – the same materials used in the building’s communal areas.
    The open-plan ground floor is interrupted by snaking white structural walls, such as a partition in the living room that features repetitive circular openings.
    The kitchen was formed from a continuous countertopA continuous custom-made countertop with a subtle green hue forms the kitchen area, which includes a statement bulbous sink that echoes Torres Blancas’ cylindrical facade.
    Light reflects from the original glass-brick tinted windows and illuminates the smooth resin floor and metallic wall accents.
    Studio Noju salvaged an original brass banister for the staircaseWhite geometric treads create a floating staircase with an original polished brass banister that leads to the first floor. Upstairs, a sequence of bedrooms is characterised by oak ceilings that contrast with the bright white ceilings on the ground floor.
    Each bathroom is playfully colour-coded with individual mosaics of bright tiles, complete with sconce lights, mirrors and cabinetry that follow the rounded shapes found throughout the apartment.
    Each bathroom has colour-coded tiles”The [mosaic] material allowed us to solve all the elements of the bathroom such as shower areas, vanities, walls and floors, referencing a similar material strategy used in the original design,” said Mora.
    Adjacent to the main bedroom, the first-floor terrace includes a large green tile-clad outdoor bathtub cloaked in a sheer curtain, which is flanked by plants that were positioned to absorb the water produced by bathing.

    Casa Olivar is a Madrid apartment designed as a “sensorial refuge”

    “The element that we are most proud of is the feeling of a house-patio that has been recovered in the apartment,” reflected Mora.
    “The unit once again revolves around the exterior spaces, and these seem to blend with the interior through the curved traces of green tiles that enter and exit the living room and dining area,” added the architect.
    “Our biggest challenge was striking a balance between honouring the building, but at the same time imbuing the interior design with our language.”
    The first floor terrace features an outdoor bathtubStudio Noju showcased a similar colourful style in its debut project, which involved the renovation of an open-plan Seville apartment.
    Torres Blancas was among the buildings captured by photographer Roberto Conte in his series of brutalist buildings in Madrid.
    The photography is by José Hevia. 

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