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      Yana Molodykh refurbishes attic apartment with views over Kyiv

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      Ukrainian designer Yana Molodykh has renovated a compact apartment in Kyiv, creating a light-filled space with storage fitted around the building’s existing structural framework.

      The 50-square-metre apartment, which was christened with a housewarming party a few days before the start of the Ukraine war, is a pied-à-terre for a couple that lives in one of the capital’s suburbs and likes to spend weekends in the city centre.
      Yana Molodykh has renovated an attic apartment in KyivThe apartment is located on the attic level of a modern eight-storey building in the historic Podil district, which the owners chose because it reminds them of their home city of Kherson.
      The existing interior was divided by a series of metal columns and partition walls, with small windows, zinc-profiled flooring and steel roof beams making the rooms feel dark and cluttered.
      The apartment was redesigned to let in more daylightMolodykh completely reorganised the space, removing internal walls, adding effective soundproofing and enlarging the windows to let in more sunlight.

      The designer wanted to create a bright and eclectic space reminiscent of Kherson’s resort atmosphere, with materials chosen to bring natural warmth and texture into the daylit interior.
      Wooden joinery adds warmth and texture to the interior space”I aimed to create a true atmosphere of living under the roof,” the designer told Dezeen. “When you are at the top of a building every action occurs below you, so you can observe and enjoy the view. Also, I wanted there to be no obstacles to daylight.”
      The main requests from the client were for a cosy living area and a comfortable and functional kitchen where the couple can cook and entertain.
      Some of the home’s steel structure was left exposedWooden flooring and joinery contribute to the warm and relaxing atmosphere, Molodykh said, with details such as the sheer curtains and paper Akari floor lamp from Vitra adding “airy” accents.
      Some of the building’s steel structure was left exposed while other parts were concealed behind shelves in the living room and the closets in the bedroom.
      Built-in storage that extends all the way to the ceiling optimises the apartment’s available height. And in the dining area, storage for tableware is cleverly integrated behind one of the columns.

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      The smallest room in the apartment is the 6.4-square-metre bedroom, which features a bed raised on a podium and a wardrobe set into a niche behind a column.
      A large beam that crosses the space was boxed in to prevent the uncomfortable feeling of a heavy metal structure overhead, while built-in shelves by the bed help to free up floor space.
      The steel beam in the bedroom was boxed inThe apartment’s compact entrance area features a tiled floor and a blue accent door, creating a visual buffer between the interior and exterior.
      A small dressing area is slotted in between the beams and columns next to the entrance, hidden behind sliding doors with mirrored panels.
      Geometric patterned tiles also feature in the bathroom, which contains a freestanding bathtub and shower cubicle along with terracotta ceramic sconces by Ukrainian designer Julia Kononenko.
      Geometric floor tiles define the apartment’s entranceMolodykh mixed tiles from four different brands to create a layered effect influenced by her appreciation of Ukrainian constructivist architecture, much of which is currently falling victim to Russian shelling.
      “I wanted to link the apartment’s interior with important buildings nearby including the Zhytniy market and Zhovten cinema,” the designer explained.
      “I admire their architecture, lines, proportions and ideas, so I wanted to pay my tribute. That is why the bathroom looks slightly different from the rest of the apartment. It makes the project more eclectic and more corresponding to its surroundings.”
      The tiling in the bathroom was informed by Ukrainian constructivist architecturePodil is one of Kyiv’s oldest districts and today, its early-20th-century buildings are neighboured by modern constructions and high-rise hotels.
      These diverse architectural styles contribute to the cosmopolitan feel of the neighbourhood, which has not escaped the Ukraine war unscathed. In March 2022, a missile destroyed a building in the district some distance away from the apartment.
      But Molodykh said that despite everything, people in the area still look to their homes as havens amidst the ongoing war.
      The apartment is located in Kyiv’s historic Podil district”Even these days, people enjoy their cosy interiors and warm home atmosphere where they can spend time with families and close friends supporting each other,” she said.
      Molodykh currently lives between here and Krakow in Poland, as it is easier for her to work on projects from outside of Ukraine.
      Other projects in Kyiv that were completed just before the war and are just starting to be published in recent months include an all-beige home in the city’s outskirts by architect Sergey Makhno and the HQ of fashion label Sleeper, which is housed in a former shoe factory.
      The photography is by Yevhenii Avramenko.

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      Dezeen Debate features a “clean” and “simple” revamp of a 1920s house in Prague

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      The latest edition of our weekly Dezeen Debate newsletter features No Architects’ “seamless” renovation and extension of a 1920s house in Prague. Subscribe to Dezeen Debate now.

      No Architects’ extensive revamp aimed to retain the character of the house, which was built in the 1920s in a romantic style that references arts and crafts-style English villas.
      “Our addition refers to the original facade details and is hardly recognisable as separate to the original house,” the studio’s co-founder Jakub Filip Novák told Dezeen.
      Commenters had nothing but praise for the project.

      “Love the clean lines, the simple gestures, the quiet flourishes,” wrote one. “With the historic muted greens and blues complementing the wood, it reminds me of Shaker modernism here in the States. Really beautiful spaces.”
      Sumu Yakushima is a co-operative housing project that supports humans and nature Other stories in this week’s newsletter include a “superbly configured” co-operative housing project in Japan, a roundup of the architecture projects not to miss in 2023 and a Zaha Hadid Architects-designed modular tent classroom for refugees.
      Dezeen Debate
      Dezeen Debate is a curated newsletter sent every Thursday containing highlights from Dezeen. Read the latest edition of Dezeen Debate or subscribe here.
      You can also subscribe to Dezeen Agenda, which is sent every Tuesday and contains a selection of the most important news highlights from the week, as well as Dezeen Daily, our daily bulletin that contains every story published in the preceding 24 hours.

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      Atelier Fréderic Louis adds new curves to art-deco house in Antwerp

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      The rounded details of an art-deco-style facade are repeated throughout the interior of this house in Antwerp, which has been renovated by Atelier Fréderic Louis.

      Belgian architect Fréderic Louis has modernised the layout of House Mellinet, replacing the previously separate kitchen and living room with a large, open family room that opens out to the rear garden.
      The design – created in collaboration with interior designer Sarah De Pauw – celebrates the building’s existing curved details.
      The art-deco house has a brick facade with various curved detailsAccording to Louis, it was these details that first attracted the owners to the 145-square-metre property.
      “They bought the home because they fell in love with the original art-deco-style elements,” he told Dezeen.

      Extra curved details have also been added in, including a new fireplace and two focal staircase treads.
      The renovation created a more open layout for the ground floorThe ambition behind the renovation was to create a more open-plan ground floor layout, increasing natural light and making the living spaces feel more generous in size.
      Achieving this layout involved stripping the building back to its structure and installing new steelwork.
      An original arched opening was reinstated”Our starting point was trying to figure out how we could open the rooms to each other, as these were all closed off from each other by thick load-bearing walls,” explained Louis.
      “The structural elements we used for this were key for the design of the house, as they stayed partly visible.”
      New steelwork was required, although only some of the beams are left exposedWhen builders started stripping the interior back to its structure, they discovered hidden details such as a large arched wall frame. This fuelled Louis’ decision to make curves the key design motif.
      The new layout creates a circular route through the ground-floor spaces, defining a lobby space, a lounge area, a dining area and a kitchen, while a small office sits off to one side.
      The junction between floor surfaces is one of many new curved detailsTwo different floor surfaces feature here: a chevron-patterned oak parquet, and a speckled white terrazzo.
      The junction between these surfaces integrates another curved detail.

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      This is echoed by the shape of the kitchen island counter, which is made from a marble that matches the tones of the terrazzo floor.
      “The end of the wall was also curved, not only as a reference to the original style elements, but also to ease the circulation around the kitchen island and the spaces next to it,” said Louis.
      Other curves feature on the kitchen counter and the fireplaceNew windows were installed in place of the previous PVC frames, with slender aluminium details that look more akin to the steel designs that would have been on the building originally.
      Heating, plumbing and electrical systems have also been upgraded to bring them up to modern standards.
      Focal staircase treads repeat the curve themeGhent-based Louis has run his own studio since 2014, but he also works for Graux & Baeyens Architecten, where he has led projects including the blocky House J-VC.
      House Mellinet is one of several historically sensitive renovations the architect has undertaken. He believes the design has returned the building “to its former grandeur”.
      The renovated first-floor bathroom features a similar terrazzo to the kitchen”The living areas have evolved from closed, dark spaces, to a vivid, daylight-rich living space with a great view over the green garden,” he said.
      “The kitchen has become a point of attraction, while the new and restored art-deco elements have restored the original feel of the house.”
      The photography is by Tim Van de Velde.

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      No Architects completes “seamless” revamp of 1920s house in Prague

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      Czech studio No Architects has renovated and extended a 1920s villa in a Prague suburb, adding bespoke joinery and modern details that complement the original architecture.

      The studio headed by artist Daniela Baráčková and architect Jakub Filip Novák oversaw the modernisation of the property in the Smíchov district on the left bank of the Vltava river.
      The joinery on the ground floor was painted duck-egg blueThe extensive remodelling and extension aimed to retain the character of the house, which was built in the 1920s in a romantic style that references the steep-pitched roofs and brick cladding of arts and crafts-style English villas.

      No Architects removed all of the existing floors, ceilings and non-load-bearing walls of the semi-detached property and added a side extension to accommodate containing a ground-floor guest suite and a bedroom on the first floor.
      Bespoke joinery was added throughout the interiorThe extension utilises the same palette of clay roof tiles, painted brick and a pumice stone plinth in order to produce a timeless aesthetic that is in keeping with the original architecture.

      “Other contemporary extensions in this neighbourhood got very old very quickly and don’t fit in well anymore,” Jakub Filip Novák told Dezeen.
      “Our addition refers to the original facade details and is hardly recognisable as separate to the original house. The connection between the new and old parts is not just via design, but it seems seamless even by structure and same ageing of material.”
      The interior layout was reconfigured to modernise the villaThe revamped interior has a contemporary layout, with an open living and dining area linked to the adjacent kitchen. A new doorway in the rear elevation provides direct access from the kitchen to the garden.
      A custom-built unit next to the back door discreetly conceals a pantry and toilet, along with plenty of storage and space for the refrigerator.

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      No Architects designed bespoke joinery added throughout the house to make optimal use of the available space and to create a sense of aesthetic consistency between the various rooms.
      “The living space consists of many details and we like to frame them because it helps connect plenty of technology and infrastructure which surround us in any house,” said Novák.
      “It’s also an economic decision,” he added, “because every square metre of living space in Prague is expensive so it is rational to use it sensibly. We see joinery as part of such thinking, uniting architecture, construction and technology.”
      Green woodwork adds a splash of colour to the staircaseSome of the interventions were painted in pastel shades that add a distinctive character to the spaces. The upper floor and staircase feature green woodwork, while the ground-floor joinery is painted a shade of duck-egg blue.
      The clients spent part of their lives working in Japan and the United Kingdom, so some of the colours and details reference these experiences.
      The decorative panelling and exposed radiators on the first floor recall traditional British houses, while the minimal bench seating in the living room and the tiled porch evoke Japanese living.
      The studio designed built-in seating in the living roomA small door on the first-floor landing provides access to a previously unused space above the entrance that now contains a private play area accessible only by the children.
      Throughout the project, No Architects adapted existing features to give them a new purpose or to enhance the character of the building while ensuring it meets the client’s requirements.
      The bespoke joinery was designed to optimise space in the home”We work with intuitive ‘memory of architecture’ and aesthetics which belongs to the original era but we don’t follow it directly,” Novák added, “we just use it to make a nice place that makes the most of the potential which is in the atmosphere of the house.”
      No Architects’ founders met while studying at the Academy of Arts, Architecture and Design in Prague. The studio combines the disciplines of art and architecture to produce detailed-oriented solutions that reflect their clients’ requirements and personalities.
      The photography is by Studio Flusser.

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      Parramon + Tahull adds tiled floors and bespoke joinery to refurbished Barcelona apartment

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      Barcelona studio Parramon + Tahull has renovated a traditional apartment in the city’s Gracia neighbourhood, adding birch plywood joinery and ceramic tiling to complement the building’s original features.

      The apartment is home to a family of four, which has lived there for several years and wanted to carry out a significant overhaul of the outdated interior.
      Parramon + Tahull has renovated an apartment in BarcelonaThe clients asked local architects Lluís Parramon and Emma Tahull to oversee the transformation of the space to provide an open living area and kitchen, along with separate bedrooms for each of their two daughters.
      The apartment is located on the upper floor of a five-storey building dating from the 1900s. A previous renovation undertaken around 20 years ago had altered the layout and destroyed most of the original features.
      The studio added bespoke joinery including a small built-in deskParramon + Tahull began by removing all of the existing partition walls in order to create a brighter and more practical series of spaces within the compact floor plan.

      The rearranged interior also provides plenty of usable storage and restores some of the original details, including wooden beams that had been painted white by the previous owners.
      Terracotta tiles cover floors throughout the apartment”We wanted to bring natural light into all the spaces and to achieve a sense of flowing, continuous space despite the limited surface area,” Tahull told Dezeen.
      “We were interested in working with natural materials and returning some of the original spirit of the building to the apartment.”
      Bespoke joinery is also provides storage in the bedroomsDue to its small size, the architects paid close attention to the choice of materials and layout in order to create a serene, spacious feel.
      “To achieve all the client’s goals, we had to work on a very precise scale of detail, designing all of the furniture to measure in order to take advantage of every square centimetre,” Tahull explained.

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      The interior utilises a palette of predominantly natural materials, chosen to complement the wooden beams while providing an element of tonal and textural contrast.
      Parramon + Tahull chose ceramic tiles from Spanish manufacturer Wow to create a continuous flooring surface throughout the entire apartment, including the kitchen and bathroom.
      Glossy white tiles clad the walls in the bathroom”We were looking for a small-format tile so the feeling of space would be bigger,” Tahull added. “We also wanted to play with a tapestry-like colour scheme that included white, because white gives a great luminosity and echoes the white of other elements.”
      The white and terracotta-coloured tiles include different formats, textures and surface finishes ranging from glossy to matte.
      White grout is used for the floors throughout the rooms, while the bathroom walls are clad in white tiles with contrasting reddish grout.
      Reddish grout provides a visual contrastBespoke fitted cabinetry made from birch plywood provides practical storage in every room, as well as in the hallway. Along with the tiles, the wood forms a consistent element that unites the spaces.
      Lluís Parramon and Emma Tahull founded their studio in 1997. The office focuses on delivering comfortable, contextual and energy-efficient architectural projects for private and commercial clients.
      The photography is by Judith Casas Sayós.

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      Casa Olivar is a Madrid apartment designed as a “sensorial refuge”

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      Designers Matteo Ferrari and Carlota Gallo have transformed a traditional two-storey apartment in Madrid, Spain, into a tranquil home for themselves featuring a pared-back palette of natural materials and crafted details.

      Casa Olivar is located in a typical corrala – a type of apartment building found in the old parts of Madrid, where housing units are accessed from external covered corridors.
      Matteo Ferrari and Carlota Gallo have designed their own apartment in MadridThe apartment’s interior was in poor condition when Ferrari and Gallo purchased the property, and decided to convert it into a contemporary home.
      The design retains some of the building’s historical features while reorganising the compact interior to create a series of light and bright interconnected spaces.
      Its living room is flooded with light via two huge windowsFerrari and Gallo describe the apartment as a “non-urban place, a sensorial refuge to reconnect with ourselves, regulate our emotions and disconnect from the hustle and bustle of the outside world”.

      The couple used a pared-back material palette to create a warm and comfortable atmosphere, making the most of the daylight that enters the interior through two large windows in the living room.
      Arched openings separate the dining area from the living room”The intervention is characterised by a spatial continuity and a warm minimalism,” the duo explained. “It seeks to elevate natural light and encourage the use of local craft materials, generating a close dialogue between light and materiality.”
      A central partition dividing the dining area from the living room was altered by adding a pair of lowered arches that echo the proportions of the facade openings.
      Aluminium kitchen fronts provide a counterpoint to the muted colour paletteLight from the windows passes through the openings to reach the kitchen, while the bedroom downstairs receives indirect illumination from a pair of openings in the floor above.
      Throughout the interior, the designers chose to use simple and authentic materials, featuring predominantly earthy tones.
      “The approach is to be honest with the materials, respecting their authentic appearance and textures while prioritising natural resources and local craftsmanship,” Ferrari and Gallo explained.

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      The apartment’s entrance opens directly into the kitchen and dining area, which is arranged around a sculptural table designed by the couple that features a textural Tadelakt plaster finish.
      Floors are covered with handmade terracotta tiles to create consistency between the spaces. The same tiles are used in the bathroom, with their varying dimensions giving each space a unique quality.
      The bedroom receives indirect illumination from openings in the floor aboveTables and display stands were created using stone salvaged during the renovation process, while the kitchen’s aluminium storage units provide a contemporary counterpoint to the natural tones and textures.
      Gallo designed the textiles used within the apartment to add texture and dynamism to the spaces. These include a draped nylon curtain that echoes the warm tones used in the bathroom.
      Draped nylon fabric acts as a shower curtain in the bathroomOther works of art and craft bring personality to the apartment, such as the washbasin made by designer María Lázaro and a hammock woven in Colombia using traditional techniques.
      Ferrari moved from Italy to Madrid in 2008 after completing his architecture studies at the University of Ferrara. He founded his own studio in 2015, which focuses on using simple gestures to create timeless and familiar spaces.
      The photography is by Asier Rua.

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      Aurelien Chen retains references to China's “Red Era” in renovated cultural centre

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      Architect Aurelien Chen has transformed a former miners’ canteen in Handan, China, into a multipurpose cultural centre featuring interventions that respond to the building’s communist heritage.

      The canteen was built in the 1970s to serve workers at the Jinxing coal mine in China’s Hebei Province.
      It is surrounded by office buildings dating back to 1912 that were built by German architects and feature a distinctly Western aesthetic.
      The canteen was built to serve coal mine workersThe local government engaged China State Construction Engineering Corporation (CSCEC) to oversee the sustainable renovation of the site, with Beijing-based Chen asked to head up the design team.
      The site is designated as a tourist destination with a focus on representing China’s evolution during the “Red Era”, beginning with the founding of the Chinese Communist Party (CCP) in 1921 and culminating in the Cultural Revolution that took place from 1966-1976.

      Following a historical survey of the site, it was determined that the early 20th-century buildings should be restored to their original condition.
      It was renovated and refurbished by CSCEC and Aurelien ChenChen told Dezeen that he felt the canteen building should also be preserved as it complements the masterplan and style of the earlier structures.
      He explained that the brief for the refurbishment was to emphasise and recreate architectural elements that had been lost over time or were in need of significant restoration.
      The interior was developed around existing historical features”Instead of recreating a fake Red Era atmosphere, I preferred to keep the few historical traces that already existed within the building,” said Chen.
      “I developed the design and the space around them, attempting to subtly evoke the colours, materials and furniture of that time.”
      Vaults in the building were preservedOne of the most significant interventions is a flower-shaped, multipurpose furniture element located at the centre of the main hall.
      The outline of this space, which can be used as an information desk, exhibition space, stage or relaxation area, evokes a typical Red Era pattern that was painted on the original ceiling.

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      Other furniture in the versatile central hall includes wave-shaped benches and circular reading booths that are intended to provide a sense of fluidity and flexibility of use.
      The circular reading spaces are inspired by the hall’s original ceiling lights and incorporate integrated bookshelves to minimise their visual impact on the space.
      A flower-shaped multipurpose furniture piece sits in the middleExisting dilapidated internal walls were retained and became key features within the renovated spaces. A linear partition wall that was once the canteen’s serving counter was transformed into a reading desk with lamps and high stools.
      The bar area is located in a corner of the space and flanked by a concrete wall displaying Communist slogans painted in Chinese characters.
      The canteen serving counter is now a reading deskChen wanted to incorporate arches into the design to echo details found on a neighbouring historic building. This was achieved by adding a row of booths with arched canopies to the restaurant area.
      The booths also reference arched brick openings uncovered during the renovation process, as well as stone vaults discovered in the basement.
      A glass floor connects the vaults with the public areas aboveThe vaults were preserved in their original state, with minimal interventions helping to transform them into reading corners and exhibition areas. A glass floor maintains a visual connection between these spaces and the public areas above.
      Stairs leading to the basement were moved into an arch-shaped, metal-clad volume added to the facade. The external window openings were reshaped into arches that reference details found on the historic buildings nearby.
      Booths were given miniature arches in a nod to surrounding buildingsChen explained that, although the number of significant heritage details within the building were limited, each one was carefully restored and used as the basis for additions that enhance the link to the past.
      “I would say that new interventions tend to blend with the existing conditions, sometimes in a very immaterial way,” the architect added. “Their shape and space derive directly from original elements, revealing them; the materials, however, are more in contrast.”
      The interior also features undulating seatingOther recent cultural and leisure projects in China include a visitor centre with spiralling tiled roofs and the country’s biggest library, which was designed by Danish studio Schmidt Hammer Lassen Architects.

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      OHLAB celebrates historical details at Can Santacilia apartments in Palma de Mallorca

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      Architecture office OHLAB has renovated a historical apartment building in Palma de Mallorca introducing contemporary elements including a meandering wooden walkway that contrast with the original features.

      Can Santacilia is a 3,300-square-metre residential development containing 15 apartments and common areas distributed across two adjoining buildings in the heart of Palma de Mallorca’s old town.
      A main central courtyard is included at Can SantaciliaParts of the existing building appear to date back as far as the 12th or 13th century, although the main building as it stands was erected in the 17th century and was subsequently modified in the 18th and 20th centuries.
      Local architecture and design office OHLAB was tasked with overseeing a modernisation project involving repairs to the existing structure, as well as the sensitive restoration of key original features including the main central courtyard.
      OHLAB oversaw a sensitive restoration process”The building was abandoned and in a really bad shape with some parts about to collapse, while the best parts did not meet the most basic living conditions,” OHLAB directors Paloma Hernaiz and Jaime Oliver told Dezeen.

      A carefully conducted restoration process placed emphasis on maintaining the historical integrity of the building whilst adapting it to meet the needs of its new occupants.
      A wooden coffered ceiling was uncovered during the renovation”We had to do a thorough and intensive renovation of the whole building,” the OHLAB architects explained.
      “The distribution was changed and reorganised, new partition walls and layouts were added to accommodate the housing proposal and new installations were required to adapt the apartments to contemporary comfort and energy-efficient standards.”
      An indoor pool is framed by arched openingsThe project preserves the original features that make the building unique, such as the wrought-iron balustrades, stone columns, traditional courtyard and a wooden coffered ceiling that was uncovered during the restoration.
      The courtyard was enclosed in the 20th century, with blank walls used to conceal a parking area. Based on other traditional buildings in the city, the architecture studio restored this space to how it might have looked in the early Baroque period.
      The courtyard’s typical staircase and porched gallery were retained and two arched openings were added – one alongside a new indoor pool and the other in front of the entrance, supported by a pair of ionic columns.
      A meandering wooden walkway contrasts with the original featuresInternally, the common areas of the two buildings are connected by a wooden walkway that mitigates a height difference of approximately 90 centimetres.
      The studio said the walkway was designed to take users on a journey, “as if discovering an archaeological ruin”, leading them past some of the building’s key historic features, including a fireplace, a stone arch, a tiled floor and ornate plaster mouldings on the ceiling.
      The same light oak forms a staircase elsewhereArchitectural interventions were implemented using a material palette that clearly separates them from the existing structure. The walkway was made from light oak that was also used for other circulation areas including a staircase and the lift interiors.
      “We added pieces that are always clearly new and contemporary,” explained Hernaiz and Oliver, “with shapes and materials that in no case want to imitate or hide the ancient ones.”
      Sculptural mirrored boxes act as partitions in the apartmentsThe contrast between old and new is also evident in the apartments, some of which feature modern mirrored volumes used to partition the existing spaces whilst maintaining their overall proportions.
      The mirrored boxes never reach all the way to the ceilings, ensuring the original wood-beam construction or decorative mouldings remain visible and uninterrupted.
      Wooden beams and decorative ceilings are left uninterrupted”The mirror box disappears in its reflection, giving back the space stolen by its presence and returning a complete image of the room,” the OHLAB architects added.
      “Only when you get closer, do you realise it’s a contemporary partition that lets you enter into another space, made of stone.”
      High-quality fixtures give the apartments a premium feelOne of the most surprising discoveries made while stripping back the dilapidated interiors was an ornate medieval ceiling made from painted wooden beams and coffers, supported by a central stone pillar.
      OHLAB claimed that this find prompted the redesign of 40 per cent of the total project, including six of the 15 apartments, in order to persevere the integrity of the coffered ceiling and incorporate it into one of the living spaces.
      The palette used throughout the public and private spaces favours natural, local materials chosen to emphasise the building’s history and Mediterranean character.

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      Stone and timber structural elements was combined with plaster and wood mouldings, mortar and lime coatings and floors in ceramic and wood finishes.
      High-quality fixtures and details in local stone, bronze, porcelain and textiles including local linen and cotton enhance the premium feel across the interior spaces.
      A palette of natural, local materials permeates throughoutHernaiz and Oliver originally founded OHLAB in Shanghai in 2007 before moving to Madrid and eventually settling in Palma de Mallorca, where they head up a team of 18 architects, interior designers and engineers.
      OHLAB’s previous projects include an apartment block in Palma de Mallorca covered with thin wooden slats that shade the interiors, and a standalone villa at a hotel on the island with a window designed to frame a panoramic view of the landscape.
      The photography is by José Hevia. 

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