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    Caged wooden galleries feature in Puzzle Link apartment by Gheorghe

    Architecture and research studio Gheorghe has inserted two triangular cross-laminated timber structures into a loft in Vienna as part of its renovation of the apartment.

    Set within a historic building in Vienna’s 13th district, the top level of the apartment was designed to encourage interaction between a couple and their children.
    Two cross-laminated timber (CLT) structures, which dominate each end of the space, were designed to provide the occupants with places to work, play and look down onto the open-plan living and dining area below.
    Made up of 698 planks the structures incorporate shelves, storage space, seating areas and tables. They are both be accessed by a set of timber stairs.
    Puzzle Link is a loft apartment in a historic building in Vienna”Through the wooden structure the built-in attic becomes a place of approach by enabling visual relationships, warmth through used materials and a hybrid zone between different spatial functions,” said Gheorghe co-founder Andrei Gheorghe.

    “We wanted to create an aesthetic and practical connection, to gain additional spatial functions and to make the spacious intermediate space multifunctional and to make it a meeting place,” Gheorghe told Dezeen.
    Two wooden galleries dominate each end of the spaceThe Vienna-based studio redesigned the attic floor for the family who required a “sustainable, unique and functional” space to live. According to Gheorghe, the warm-toned timber was used for its ability to be reused if needed.
    “The inspiration for the design was marked by the fact that it needed to be sustainable, unique and functional,” Gheorghe explained.
    “This is the perfect material for us, on one hand offering the necessary structural strength and dimensions but also the possibility of being reused,” he added.
    “This is a sustainable material because all the leftovers after the milling process could be further processed towards wood pellets.”
    They are made from 698 planks of cross-laminated timberEach two-by-five plank was CNC-milled by a local carpentry company. The planks were then constructed using 3D-modelling techniques and scripting technology to give the structures their unusual, jigsaw-like shape.
    This is also what led the studio to name the project Puzzle Link.

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    While transforming the space, the studio also looked to maintain its original historical features.
    The Viennese tiles that lined the building’s original staircase, which had been saved and stored by the client, were cleaned and reused for the floor of the raised platform that runs inside alongside the terrace.
    Although the apartment has been sparsely decorated, a few key pieces of furniture that the family collected while travelling abroad are placed around the space.
    The apartment is sparsely furnishedA minimalist Shaker hearth by German fireplace manufacturer Skantherm sits underneath the timber stairs while a floor-to-ceiling bookcase can be found inside one of the timber structures.
    A black storage unit made from coated MDF, paper and acrylic resin in the open plan area provides contrast to the otherwise whitewashed wooden furnishings.
    Elsewhere, a skylight punctuates the slanted roof and along with several smaller windows, floods the space with natural light.
    Other Viennese apartments include Beletage Apartment by British architect Alex Graef, an apartment with restored oak flooring and clean white walls.
    Meanwhile, Slovenian architecture studio Kombinat renovated an apartment in the Austrian capital into a hybrid living space with room for both cooking and working.
    The photography is by Frame9.

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    Michael Hsu converts 1940s Houston church into Asian smokehouse

    US firm Michael Hsu Office of Architecture aimed to preserve the character of a gabled church in Texas while transforming it into a lively Asian smokehouse called Loro Heights.

    The project – located in Houston’s Heights neighbourhood – involved the conversion of a red-brick church dating to 1948 into a restaurant with an “active and casual atmosphere”, the team said.
    Michael Hsu has converted a gabled church into a restaurant named Loro HeightsRoughly L-shaped in plan, the building consists of gabled volumes that are set around outdoor space. Original elements included a sanctuary with a vaulted ceiling and exposed wooden trusses.
    Local firm Michael Hsu Office of Architecture wanted to honour the building’s history while incorporating features that align with Loro’s style and character.
    The building’s features include exposed wooden trusses and gabled roofs”It was important for us to preserve the existing character of the church,” said architect Michael Hsu, who founded his studio in 2005.

    “The design celebrates the vast sanctuary space and maintains the existing wooden trusses, while other elements relate directly to the Loro brand.”
    The smokehouse was informed by old Texan dance hallsIn addition to Houston, Loro restaurants are found in Austin and Dallas. The eateries offer barbecue fare with an Asian twist, such as char stew pork belly with a hoisin sauce and smoked beef brisket with Thai herbs.
    In terms of ambiance, the restaurants are designed to evoke old Texan dance halls and the “welcome feelings of socializing around a family table”, the team said.
    A lighting installation by Fibrous hangs from the ceilingWith these factors in mind, Hsu and his team re-conceived the building’s exterior and interior.
    On the front elevation, the team clad one side of the building in Western red cedar and Douglas fir, and cut away a portion of the wall to form an opening partly covered by a wooden lattice.
    Dining tables were added to the front porch and the former church sanctuaryJust behind the opening is a “front porch” with dining tables. Suspended overhead is a custom lighting installation by Fibrous, a studio in Austin.
    “The piece consists of massive ropes knotted together to form a delicate network akin to a chandelier, which grounds the high ceiling,” the team said.

    Wooden ceiling curves over restaurant in Austin by Michael Hsu

    The porch connects to the former church sanctuary, which has been transformed into a dining hall and bar.
    In addition to the vaulted celling and trusses, the space features newly added windows and skylights, which bring in daylight and brighten up the formerly dark space.
    White-oak furnishings complement the dark-stained cedar interior wallsInterior walls are clad in dark-stained cedar that mimics the appearance of charred wood. Wall pegs offer a clever spot for hanging coats and potted plants.
    Seating options include booths and long, communal tables, along with counter tables in the bar area.
    Woven chandeliers created by the architects with León León Design are suspended above the tablesThe white-oak dining furniture, along with other decor, was custom designed and fabricated for the space. Woven chandeliers were created by the architects in collaboration with Mexico City’s León León Design.
    Beyond the main dining hall, there is a kitchen, an outdoor beer garden, and a smoker yard for the preparation of meat. A portion of the building has a second level, which holds mechanical equipment.
    The studio preserved the church’s exposed wooden detailsOverall, the adaptive reuse project has provided a welcoming space for diners while also preserving the community sprit of the church building, the team said.
    “Today’s Loro restaurant serve as a space for neighbourhood gatherings and community connection,” said Hsu.
    Michael Hsu Office of Architecture is based in Austin and has an outpost in Houston. Other projects by the studio include the conversion of a former Manhattan printing house into Shake Shack’s headquarters, and a Miami sushi restaurant that embodies the “perfect contrast” between the materials, techniques and styles of Japan and Florida.
    The photography is by Chase Daniel.

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    Konishi Gaffney converts 1950s garage into artist's studio with a sense of “civic grandeur”

    Architecture studio Konishi Gaffney has overhauled a 1950s garage in an affluent Edinburgh suburb, adding a rhythmic facade made up of wooden battens.

    The Scottish studio was challenged with turning the existing concrete garage into a functional artist’s studio, while being sensitive to the existing Georgian property in The Grange.
    The converted garage sits beside the original stone Georgian houseKonishi Gaffney devised a scheme that involved filling in the existing garage door, raising the structure’s roof to match the height of the house’s ground floor and incorporating the property’s side gate into the facade.
    These changes unified the structure’s appearance from the road creating a sense of contemporary “civic grandeur”, as well as facilitating secure side access to the back garden.
    The grid of battens frame a window and conceal a side gate”As a practice we’ve been exploring ways of expressing the structure of cladding in projects,” said Konishi Gaffney.

    “We started by setting up the vertical timber battens and horizontal cladding in a rhythm of fins across the facade.”
    Windows and skylights allow plenty of natural light to enter the studioTimber was selected for its affordability, sustainability and its capacity to weather appealingly.
    The battens were carefully orientated to allow water to drain off them and prevent water from pooling, as well as to catch light and form interesting shadows across the facade.

    Konishi Gaffney repurposes church into versatile community hub

    The existing structure was insulated and the walls and ceiling punctuated by two aluminium clad windows and a skylight, providing the studio space with ample natural light for the artist to work in during all seasons.
    The creative function of the structure’s interior is referenced in the facade, which was intended to read “like a musical score,” and “continue beyond, separated from the house, like a stage-front.” according to the architects.
    Wooden elements feature in the studio’s interior as well as on its exteriorThe wooden composition of the frontage continues on into the garage’s interior, which has a ceiling clad in dark stained wood with protruding beams.
    Other garage-related projects featured on Dezeen include an orange-painted timber-framed garage extension by McCloy + Muchemwa and a garage in Amsterdam that was transformed into a family home by Barde + VanVoltt.
    The photography is by ZAC and ZAC.
    Project credits:
    Architect: Konishi Gaffney ArchitectsStructural engineer: EntuitiveJoiner: Andrew MacdonaldCladding supplier: RusswoodWindows: VelfacPhotographer: ZAC and ZAC

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    Part Office transforms Venice Beach condos into “calm” live-work units

    Los Angeles design studio Part Office has renovated two condominiums on the California coast, as part of a wider conversion of buildings into hybrid residential and office spaces.

    Sited directly on the Venice Beach boardwalk, the Venice Lofts occupy a pair of buildings that are undergoing updates to create a 44,000-square-foot (4,088-square-metre) complex of 12 live-work units.
    Part Office used a minimal material and colour palette to transform the condos into live-work unitsPhase one of the project involved the completion of two units, as well as exterior common areas, hardscaping and landscaping in collaboration with LA studio Cactus Store.
    Finished without specific tenants, the spaces were designed to be neutral and flexible, with a restrained material palette of oak, concrete, steel and tile used throughout.
    Double-height spaces were kept open and sparsely furnished”In contrast to similar programs, where trends within start-up culture favour bold and irreverent design gestures detached from their specific users or locations, our intent was to create a calm environment that reflected a nostalgic coastal experience,” said Part Office.

    Code and structural requirements meant that the building envelopes were preserved, and that units need to have an equal division of “live” and “work” spaces.
    Accordion doors allow spaces to be separated or joined as requiredDue to the shift in office culture during the pandemic, the team chose to lend the units a less formal and more residential atmosphere. Although layouts of some units vary slightly, all are organised in a similar way.
    Lower floors are designated primarily for residential use, with necessities like kitchens and bathrooms, while other adjustable spaces are separated by rows of accordion doors.
    Concealed doors under the stairs open to provide storage spaceOpen double-height areas function as living spaces but can also be used as more casual work environments, and are sparsely populated with modular pieces crafted by LA-based Michael O’Connell Furniture.
    Open workspaces can be found upstairs, furnished with custom desks that feature angular steel bases and lime-washed ash tops. Each unit also comes with its own roof deck.

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    Grooved oak panelling used across walls and concealed doors was also lime-washed “to create a more beach weathered appearance”, and guardrails were installed with a very fine mesh “to appear like window screens overlooking the beach”.
    “Attention was placed on the detail, finish, and interaction of each material in order to elevate their appearance,” said Part Office.
    Workspaces upstairs are furnished with custom desksOn the exterior, orange glazed tiles by ceramic artist Sofia Londono were added to breezeways to demarcate unit entries, and the planting evokes windswept coastal environments.
    Venice Beach, which is known for its bohemian and creative spirit, is a popular place for small businesses like design studios and architecture firms to operate from.
    Orange glazed tiles and coastal planting were used to enliven the exterior spacesFurniture company Emeco recently opened a cactus-filled brand space in a converted an old sewing factory in the neighbourhood.
    The photography is by Taiyo Watanabe and Gustav Liliequist.
    Project credits:
    Design: Part OfficeTeam: Jeff Kaplon, Kristin Korven, Israel CejaArchitect of record: Klawiter and AssociatesContractor: Barling ConstructionLandscape: Cactus StoreFurniture: Michael O’Connell Furniture

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    Buero Wagner makes inventive use of industrial materials in Munich office extension

    Curtains made from aluminium foil and furniture made from galvanised-steel gratings are just some of the novel uses of industrial materials featured in this silver-coloured office extension in Munich.

    Designed by local studio Buero Wagner, the extension was created by opening up the basement of an existing office in the backyard of a turn-of-the-century building near the Isar River in the Au district.
    Buero Wagner has extended an office in MunichNow spread across two stories, the revamped studio measures 140 square metres and is illuminated by windows that Buero Wagner extended down to the basement level.
    The revamped interior makes use of light reflective materials, such as galvanised-steel grating and aluminium foil, which would more typically be found in an industrial setting.
    The studio used industrial materials throughout. Photo is by Kim Fohmann”
The interventions were implemented from a canon of industrial materials,” said Buero Wagner.

    “These conventional, banal materials take on a new value through their processing and use in a context that is alien to them, and lend the interior an abstract, temporary character that deliberately leaves open the questions of use, appropriation, and the 
completion of the construction measure.”

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    Gratings have been used to make floors, a staircase and furniture, while the silver foil is used as a curtain that hides a kitchen, storage shelves and passages to the toilet and storage rooms.
    Other curtains are made out of bubble wrap to provide privacy while allowing light through.
    It features curtains made from silver foil. Photo is by Kim FohmannThe architects preserved the existing building’s materials as far as possible. In the basement, the concrete floor slab was exposed and on the ground floor, the oak parquet was refinished.
    The majority of the furniture is made from welded steel gratings while shelves and lighting are built from galvanized cable trays.
    The office also contains space for livingThe project is complete with an apartment unit, which the studio said was informed by the Covid-19 pandemic and is designed to make living and working in one place possible.
    Other interior projects finished with industrial materials include the office that Four23 created inside a former metal workshop and an apartment by Arhitektura d.o.o with metallic moveable furniture that allows the layout to be easily adapted.
    The photography is by Florian Holzherr unless stated otherwise.

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    Studio McW transforms London warehouse into live-work space for Earthrise Studio

    London-based architecture practice Studio McW has converted an east London warehouse into an office and living space for climate activists and filmmakers Jack Harries and Alice Aedy.

    The live-work space was renovated from a century-old shoe factory featuring steel windows, exposed concrete beams, and a double-height pitched roof. The studio took a minimalistic approach to the renovation, aiming to enhance the 1924 building’s original features.
    Studio McW converted an existing warehouse into a home office for Earthrise Studio”It was key for us to not only retain, but also celebrate the existing suspended slabs and concrete beams which tell the story of how the building was originally built,” studio co-founders Greg Walton and David McGahon told Dezeen.
    “By exposing the rawness of the existing brickwork and imperfect concrete, we were able to contrast this with softer tones and textures, be that the clay finish to the walls or the reclaimed timber boards on the floor, whilst mirroring the variation and depth inherent in such finishes.”
    The studio exposed existing textures and balanced them with soft clay-finished wallsHarries and Aedy wanted a space where they could both live and work on their media company Earthrise, which has a focus on communicating the climate crisis. The duo briefed the studio to design a multi-purpose space suitable for recording podcasts and hosting social gatherings, work meetings, and photoshoots.

    While the 100-square-metre space was made to serve various different functions, the studio wanted to maintain a sense of continuity throughout the building by keeping the design as simple as possible in all spaces.
    The existing large steel windows let light into the main office space”Whilst the joinery is highly specific to the needs of Jack and Alice, it is in essence a very simple intervention that ties together the entirety of the upper floor, and blurs the intersection between the functions required by a kitchen space, dining space, work space, and living space,” said Walton and McGahon.
    “This element of the scheme remained consistent from concept to completion and is integral to ensuring a continuity within the space.”
    A bedroom located behind a glazed wall occupies the lower floorStudio McW redesigned the entrance level, opening up the existing partitioned bedroom and dressing room to create a large aperture to draw light through the new glazed internal wall to the bathroom and utility space.
    Above, an open-plan living space is accessed by a staircase made from reclaimed Georgian pine floor boards, beside which runs a black steel balustrade.

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    Prior to the renovation, this floor was constricted by redundant overhead services and an unused concrete doorway. The studio removed these to open up the space both vertically and horizontally.
    A new concrete sideboard spans the length of the room, acting as seating and storage as well as displaying the clients’ collection of artwork, photography, and cameras. A matching concrete island sits in the centre of the kitchen.
    A staircase made from reclaimed timber leads to the main floorThe main space also features custom oak joinery, including a table, a shelving unit, and additional floating shelves. Both levels of the building were finished with toxin-absorbing matte clay walls.
    “Greg and David created a space that feels very much in the spirit of Earthrise. The apartment is a natural, flexible, and beautiful backdrop to our work and lives, and the design allows it to oscillate between functions accordingly,” Alice Aedy commented.
    Shelving units and a concrete bench offer storage and display space at the side of the kitchenAccording to the studio, the apartment remains well protected from the potential of overheating despite the age of the structure.
    “The open stair, tall ceilings to the living space and openable windows all contribute to passive stack ventilation which assist in keeping the space cool,” said McGahon and Walton. “The apartment has glazing that opens on both the east and west faces, allowing for cross-ventilation during the warmer summer months.”
    A lounge area fills the other end of the open spaceThe studio hopes additional recent and future refurbishments will improve the levels of thermal comfort.
    “The roof of the building had recently been refurbished with vast improvements made to the thermal performance,” Walton and McGahon commented.
    “All of the building occupants have contributed towards the replacement of the existing single-glazed steel Crittal windows throughout,” they continued.
    “This will provide vast improvements to the thermal performance of the glazing, whilst retaining the style akin to the original building. These works are due to take place over the next year.”
    Founded by David McGahon and Greg Walton, Studio McW is an architecture practice operating across the UK whose recent projects include a London home extension with oak joinery.
    The photography is by Lorenzo Zandri.

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    Fyra celebrates bohemian history of Helsinki's Hotel Torni in contemporary revamp

    Finnish interiors studio Fyra has fostered a “bohemian ambience” in this hotel in Helsinki by layering different styles, colours and historical references within its public spaces.

    Hotel Torni was originally built in 1931 based on designs by architects Jung & Jung, with its 14 storeys making it the tallest building in Finland at the time.
    Fyra has overhauled Hotel Torni’s public spaces including its restaurant OROver the years, it became a base for spies during world war two and a favourite meeting place for artists, journalists and other cultural figures including Finnish composer Jean Sibelius and writers Mika Waltari and Frans Eemil Sillanpää.
    Now, Finnish architecture firm Arco has undertaken a complete renovation of the building for hotel chain Sokotel. Fyra was tasked with overhauling Hotel Torni’s public spaces including its lobby, restaurant and two bars, while local Studio Joanna Laajisto tackled the guest rooms.
    Playful wallpaper and B&B Italia’s Up 50 armchair feature in the lobby”The aim was to create surprising but elegant elements that respect the building’s original architecture and historic values,” said Fyra.

    “Although most of the building’s original art deco features had been removed over the years, the marble walls and floor in the entrance, a grand fireplace in the Cupola Room and a pair of doors in the restaurant were still intact.”
    The Ateljee bar stretches across floors 12 and 13″In our design, we did a modern interpretation of that era,” Fyra told Dezeen. “But we did use some typical features of art deco.”
    This includes coloured ceilings, tubular chrome furniture and graphic floor tiles, as well as bespoke light fixtures with glass orbs in the lobby.
    Reflective surfaces dominate the bar’s interior schemeThe historic Ateljee bar on the 13th floor offers views over Helsinki’s rooftops in four different directions and was originally only accessible via a narrow spiral staircase.
    But as part of the renovation, the bar was extended onto the 12th floor with its two levels connected by an elevator to improve accessibility and expand capacity.
    Fyra’s design team, led by Emma Keränen, Silja Kantokorpi and Eva-Marie Eriksson, furnished the space using reflective surfaces such as stainless steel counters so that the interior would maximise the panoramic views instead of competing with them.

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    Hotel Torni’s restaurant OR is located at street level. Here, the design team layered different styles of furniture, bold colours and artworks to create a “bohemian ambience” that would reflect the building’s history.
    Meanwhile, tubular steel chairs and sofas with upholstered leather seats nod to the building’s 1930s roots.
    The American bar is located under the hotel’s central domeThe American Bar was restored to its original location under the hotel’s central dome. At its heart sits a circular bar counter, atmospherically lit from above, that echoes the shape of the dome.
    For this space, the designers chose a palette of dark green and marble, complemented by lamps from Finnish industrial designer Paavo Tynell.
    Original details such as marble fireplace mantels were retainedFounded in 2010, Fyra specialises in designing work environments, hotels, restaurants and retail spaces such as this stylised bright-pink parcel collection point in Helsinki.
    Last year, the studio was named interior design studio of the year at the Dezeen Awards.
    The photography is by Riikka Kantinkoski.

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    Studio Modijefsky favours clean lines in renovation of Dutch dyke house

    Amsterdam interior design firm Studio Modijefsky has created a contemporary family home inside of a local dijkhuis – a traditional Dutch dwelling set next to a dyke.

    Located in the north of Amsterdam, the house was originally built for a middle-class family in the 1800s. But the building suffered substantial fire damage while serving as a kindergarten in the 1980s and had to be completely rebuilt in the same style.
    Home Dijkhuis is a renovated dyke house in AmsterdamStudio Modijefsky was asked by the new owners to create an interior that would respect the building’s heritage while introducing modern touches.
    Spread across 260 square metres, the home features an entrance, living area and study on the same level as the dyke. A spacious kitchen, dining area and garden are set a level down at the back of the house, while four bedrooms occupy the first floor under the gabled roof.
    Its low timber-beam ceiling is left exposed in the kitchenThe Netherlands has a long history of building next to its vast network of dykes – the embankments stretching thousands of kilometres along its coastlines and riverbanks to protect the low-lying country from flooding.

    As these dykes raise the ground level, a dijkhuis is often split across storeys of different heights and lighting conditions, which creates both challenges and creative opportunities according to Studio Modijefsky.
    “To create an interior that fits the original architecture while freshening it up, the spatial qualities of each living area were assessed and the properties of height, light and each building structure and window shape were maximised,” explained the studio.
    A green corduroy sofa and a walnut cabinet dominate the loungeIn the downstairs kitchen and dining area, a low timber-beam ceiling creates an intimate space anchored by a large table, where the family can come together for meals or enjoy views over the garden through the wide French windows.
    In the kitchen, a terrazzo-topped island is complemented with dark wooden door fronts, a backlit glass display cabinet and terracotta tiles on the floor.
    Marble detailing features throughout the house in fireplaces and splashbacksUpstairs, on the level of the dyke, the house’s entrance hallway leads into a bright living room, which the design team describes as “the most lavish space in the house”.
    It features tall arched windows and a high curved ceiling with art deco ornaments, giving the room a spacious and welcoming feel.

    Rainforest foliage and mirrors feature inside Amsterdam bar by Studio Modijefsky

    The walls and ceilings are painted in three different hues of white, strategically placed to enhance the room’s architectural features.
    “In a room with so much natural light, darker colours could be used to dramatic effect such as on the dark herringbone floor,” said Studio Modijefsky. “But all eyes will here be drawn to a monolithic walnut cabinet, whose shape mirrors the windows opposite it.”
    A built-in bar is set in one corner of the loungeIn addition to the walnut cabinet, the room is furnished with an olive-green corduroy sofa and a built-in cocktail bar with a terrazzo top.
    Across the hallway is a toilet decorated with off-white tiles that are glossy on the walls and matt on the floor. Other furnishings include wooden plinths, a purple marble splashback and an oak-wood cabinet with brass details.
    The study, which doubles as a guest room, has built-in storage cabinets and an en-suite bathroom with travertine instead of marble detailing.
    The curved ceilings of the dijkhuis create a sense of being envelopedFour bedrooms, two bathrooms and a separate toilet are squeezed onto the dijkhuis’s first floor. To create enough space for these living arrangements, the design team installed two dormer windows that run along two-thirds of the roof’s length.
    The floors and walls here are lighter compared to downstairs, with parts of the original beamed roof left exposed.
    Bathrooms on this floor feature rectangular tiles arranged in a herringbone pattern, which is echoed in the parquet of the bedrooms. In the corridors, the studio switched the pattern to straight planking in order to emphasise the vertical dimensions of the house.
    Four bedrooms are housed on the first floor under the home’s gabled roofStudio Modijefsky, which was founded by interior architect Esther Stam in 2009, has completed a number of projects in the Dutch capital in recent years.
    Among them is a travel-themed eatery with swampy purple ceilings and yellow-tiled walls that recall grassy meadows, as well as the renovation of a 119-year-old restaurant.
    The photography is by Maarten Willemstein. 

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