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      Barde vanVoltt gives historic Haarlem house a contemporary update

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      Interiors studio Barde vanVoltt has renovated this early 1900s house in the Dutch city of Haarlem to forge a strong connection between the building’s past and present, grounding the space with warm woods and tactile textures.

      The owners – a young family of four – wanted a home that would stand the test of time while telling Dutch practice Barde vanVoltt to “surprise us”.
      Barde vanVoltt had overhauled an early 20th-century house in HaarlemIn answer, the studio worked to create an interior that fuses the past and the present.
      “Stepping into this house is a journey through time, a reminder that architecture is a dialogue between generations,” the studio told Dezeen.
      “Meticulously preserving its historical charm, the house’s design seamlessly integrates contemporary features, creating a harmonious blend that transcends eras.”

      The studio added an extension to the rear of the homeTo address the narrow footprint of the house – a typically Dutch feature – internal walls were either removed, widened or replaced with glass panel doors.
      The back of the property was transformed with an extension and concertina glass doors to maximize the sense of light and space.
      The extension houses the kitchen and dining area”With the extension on the ground floor, we wanted to create contrast with the original architecture,” said Barde vanVoltt. “The understated square modern architecture, due to its shape and angular position, blends perfectly with the past.”
      “With the historic facade at the front, we took advantage of the space at the rear, extending the kitchen and living areas into the garden.”
      A vintage sandstone table centres the living roomThe practice carefully aligned the new design elements with shapes drawn from the architectural features of the house, with the new full-height door openings echoing the proportions of the living room’s original windows.
      In the attic, a guest room doubles as a playroom. Barde vanVoltt infused this once-dark space with natural light via a skylight, “allowing guests to sleep under the stars”.
      Barde vanVoltt retained Haarlem House’s original stained glass windows”Dutch houses are noted for their sloping attic roof lines,” the studio said. “For the children’s bedrooms, we followed this structural line and created custom bunk beds that combine sleep, storage, and space for play.”
      The material palette includes a range of mid- and dark-toned timbers that bring a sense of warmth and tactility to the home.

      WillemsenU submerges house under the ground in the Netherlands

      These are complemented by natural materials including stone and linen.
      “Our colour scheme always consists of earthy colours like moss green, a faded terracotta, grey concrete and off-whites,” the studio said. “For this residence, we brought them in line with the original colours from the existing tiles and stained glass.”
      Custom bunk beds feature in the children’s bedroomsThe furniture edit features Barde vanVoltt’s favoured mix of statement pieces alongside handmade and bespoke elements.
      Selected pieces reflect the architectural style of the building such as the Lot table by Tecta in the study, as well as Gerrit Thomas Rietveld’s 1934 Zig Zag chair and his Steltman chair from 1963, which was the last chair ever created by the Dutch designer.
      The playroom, dining area and bedroom all have specially-made seating upholstered in Kvadrat fabrics, while the bedrooms and study feature bespoke beds and closets.
      Wooden blinds mirror the linear pattern of the bathroom tiles”We love creating interiors full of handmade, bespoke furniture pieces with refined details,” said Barde vanVoltt. “The headboard of the master bedroom is an art piece in itself. The walnut slats are slightly curved and give it a very sophisticated look.”
      The square coffee table in the living room – made from a single piece of sandstone – is a vintage piece from Atelier Uma.
      Barde vanVoltt created a custom headboard in the primary bedroomFor the lighting scheme, Barde vanVoltt set out to create the right balance between functional and decorative lighting, collaborating with lighting experts PSLab to create a “warm and cosy atmosphere.”
      Other Dutch homes that have recently been featured on Dezeen include a house with a hexagonal footprint in Amsterdam and a Hobbit-style residence that is partially buried underground.
      The photography is by Thomas de Bruyne.

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      Home Studios uses local materials to renovate Northern California hotel

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      Brooklyn-based Home Studios has turned a conference centre in Northern California back into a luxury hotel, as originally intended by the property’s founder: the inventor of the radio.

      The Lodge at Marconi sits on a 62-acre site next to Tomales Bay, within the picturesque Marconi State Historic Park – a 1.5-hour drive up Highway Route 1 from San Francisco.
      Home Studios created a variety of lounge areas across Lodge at Marconi to provide an informal atmosphereDesigned for Nashville-based company Oliver Hospitality, the hotel occupies a historic property that was first built by Guglielmo Marconi, an Italian physicist who invented the radio in 1896.
      “Home Studios found inspiration in the property’s storied history – particularly in the pioneering spirit of Guglielmo Marconi, who worked with a New York-based engineering company to build the property’s initial building, a luxury hotel, in 1914,” said the design team, led by Oliver Haslegrave.
      The reception counter is clad in oxblood-coloured tiles from Heath CeramicsIt took 17 months to overhaul the complex of blackened-wood buildings, which are topped with mono-pitched roofs of different heights and opposing directions.

      The architecture is similar to that of The Sea Ranch Lodge further up the coast, which reopened in 2022 after its own extensive renovation.
      The Redwood Dining Hall features brick flooring, blue-green tilework and eclectic contemporary furnitureHome Studios looked to the iconic site – famed for its modernist style and sensitive land planning – for cues when developing the Lodge at Marconi’s 45 guest rooms and suites, which occupy freestanding buildings across the wooded site.
      “Borrowing design language from Sea Ranch’s ‘living lightly on the land’ credo, the rooms blend into the environment and boast a tranquil and peaceful atmosphere,” the team said.
      Artworks in the restaurant, including a series of coloured wooden cubes, were created in collaboration with Lukas Geronimas GiniotisThe hotel complex is made up of eight indoor and outdoor spaces, laid out “like a summer camp” to accommodate different activities in each area.
      In the reception block, guests arrive to a series of lounges and other communal spaces that create a more informal setting than a traditional hotel lobby.
      The bedrooms are bright and airy, with materials and colours that subtly reflect the hotel’s natural surroundingsA check-in counter is fronted with oxblood-coloured tiles by Heath Ceramics, which was founded in nearby Sausalito.
      More of the company’s tiles, this time in blue-green hues, line the lower walls of the restaurant known as the Redwood Dining Hall.
      Three of the guest room bathrooms feature original tiles that date back to the 1960sRed bricks are laid in a basketweave pattern across the floor, contrasting with the bright blue bases of the custom dining tables, while warm cedar panels and beams cover the ceiling.
      A mural comprising four-panel linen screens and a series of wood cubes mounted on a wall was made in collaboration with California-based artist Lukas Geronimas Giniotis.

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      The guest rooms are bright and airy, with the colours of the natural surroundings subtly reflected in the furnishings.
      Some have cosy loft spaces, while larger suites feature a dedicated workspace and sitting area.
      The accommodations are split across several buildings clad in blackened wood and topped with monopitched roofs”Northern California’s rugged environment served as a design influence, and is reflected in the natural woods and earth-tone textiles that adorn each room and weave together a cohesive connection throughout the property,” Home Studios said.
      “Three guest room bathrooms feature original tile dated to the 1960s when the hotel served as a rehabilitation facility known as Synanon.”
      The property includes multiple outdoor areas for gatherings and eventsAcross the property, the indoor spaces are afforded scenic views of the forest and the water through large windows.
      A variety of gathering and event spaces are available to guests both inside and out, including wooden chairs positioned around fire pits among the landscape designed by Bay Area firm Dune Hai.
      Lodge at Marconi sits atop a hill overlooking Tomales Bay in Northern CaliforniaThis is Home Studios’ third hotel project, following the Mediterranean-influenced Alsace hotel in Los Angeles and the boutique Daunt’s Albatross motel in Montauk.
      The firm’s other recent projects include a revamped bar and restaurant on Nantucket, an Italian eatery close to Harvard University and a townhouse renovation in Fort Greene, Brooklyn.
      The photography is by Brian W Ferry.

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      Zooco Estudio resurrects “vestige of the past” for brutalist restaurant

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      Madrid-based Zooco Estudio has created a striking restaurant within the Cantabrian Maritime Museum in Santander, Spain, that celebrates the building’s brutalist architecture.

      The restaurant is set within a dramatic vault of concrete paraboloids that were unearthed during the renovation, while a slatted timber ceiling pays homage to the area’s shipbuilding legacy.
      Zooco Estudio added a restaurant to the second floor of the Cantabrian Maritime MuseumOverlooking the tranquil waters of Santander Bay, the restaurant is located on the second floor of the landmark Cantabrian Maritime Museum, which was designed in the mid-1970s by architects Vicente Roig Forner and Ángel Hernández Morales.
      The paraboloids were an original fixture of the structure and supported the roof of what was once the museum’s patio.
      Oak details were designed to contrast the restaurant’s concrete archesThe studio focused on restoring the historic fabric of the space and reviving the paraboloids, which had been concealed for around 20 years, as “a vestige of the past”.

      “In 2003, the building was renovated and as part of this intervention, the paraboloids were covered with a new roof and the space between them and the perimeter of the building was closed with glass, generating a covered space where there was previously a terrace,” Zooco Estudio co-founder Javier Guzmán told Dezeen.
      “We wanted the concrete paraboloids to be the absolute protagonists of the space and by removing the paint and the coating, the paraboloids are visible again and regain their full prominence.”
      The renovation exposed the raw concrete surface of the paraboloidsThe previous renovation also altered the dimensions of the space and reconfigured the volume as a square.
      To promote symmetry, four additional concrete triangles were added to balance out the original paraboloids in the brutalist restaurant.
      Slatted wooden ceiling panels bridge the gaps between the archesOverhead, a false ceiling of slatted timber panels frames the concrete arches.
      The studio designed theses triangular boards to reference the arrangement of timber across the hull of a boat, a nod to the museum and the area’s nautical past.

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      The panels also serve the purpose of concealing the restaurant’s mechanical systems.
      “The wooden slats bring warmth and friendliness to the space while allowing us to solve all the technical needs for air conditioning, heating and lighting, leaving them hidden,” Guzmán said.
      “In this way, we ensure that all these elements do not interfere with the dialogue of concrete and wood, which are presented as continuous and clean elements.”
      Walls of floor-to-ceiling glazing offer views across the bayThe interior layout was largely dictated by the low arches of the elliptic paraboloids that dominate the brutalist restaurant.
      “The geometry of the existing structure conditions the space, because its height in its lower part is impractical, so a large bench is arranged around the entire contour that allows us to take advantage of that space and organise the distribution of the rest of the floor plan,” added Guzmán.
      Grey porcelain floors mirror the concrete paraboloidsLike the ceiling panels, the interior finishes and furnishings allude to the maritime history that the building commemorates.
      “The use of wood and steel for all the furniture is reminiscent of the materials used in shipbuilding – the furniture has slight curvatures that are reminiscent of the aerodynamic shapes of boats,” explained Guzmán.
      “Likewise, the lamps are inspired by the masts for ship sails.”
      Zooco Estudio also designed the restaurant’s curved timber furnitureAnother key change was the replacement of the perimeter glass wall.
      The inclined glazing was swapped for vertical glass, a decision that reclaimed external space for the patio, which stretches the length of the restaurant and overlooks the harbour below.
      “When we are inside, the feeling is the same as when we are inside a boat, there is only water around, and that is why we used clean glass from floor to ceiling, generating a perimeter terrace as happens on boats,” said Guzmán.
      The terrace features green curvilinear outdoor furnitureOther projects by Zooco Estudio include a renovated house in Madrid and a co-working space with a kids’ play area in California.
      The photography is by David Zarzoso.
      Project credits:
      Architect: Zooco EstudioConstruction: Rotedama Constructora SLLighting: Zooco EstudioFurniture: Zooco Estudio

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      Historic sanatorium in Greek mountain forest transformed into Manna hotel

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      Greek architecture offices K-Studio and Monogon have converted the abandoned Manna Sanatorium in Arcadia, southern Greece, into a luxury forest hotel.

      Originally built in the 1920s to give tuberculosis patients access to the healing power of nature, the historic structure is now a five-star wellness retreat.
      Manna offers 32 rooms fitted out with natural materials and neutral tones, plus gym and spa facilities and a restaurant focused on local produce.
      Manna hotel is housed in a former sanatorium for tuberculosis patientsThe building sits within a fir forest on Mount Mainalo, the tallest peak in the mountainous region.
      The design vision set out by Athens-based K-Studio was to amplify the sense of sanctuary offered by the remote location and enhance the feeling of connection to nature.

      Manna owner Stratis Batayas, a Greek entrepreneur who had spent his childhood summers in the area, wanted to create a year-round destination that stayed true to the building’s history.
      The building is set in a fir forest in Arcadia, a mountainous region of Greece”The client’s ambition was to reinterpret the concept of a sanctuary in the mountains with contemporary terms,” reads K-Studio’s design statement.
      “The hotel would have to be a place for isolation, as well as community-making and participation in the primary activities of everyday living.”
      Design details include columns with curved corner reveals and ornate gridded ceilingsThe renovation was overseen in collaboration with Athens-based Monogon and involved significant building work, including the reconstruction of a derelict rear wing and the installation of a new roof.
      When the sanatorium closed – made obsolete following the introduction of penicillin in 1938 – the building had been emptied to prevent looting. Stone window sills were stripped out and relocated, while the original roof was removed and repurposed on a hospital in nearby Tripoli.
      Concrete was used to replace the old sills, while the new timber roof was installed over rendered brickwork.
      The bar features neatly crafted joineryA reconfigured layout provides a new entrance on the side of the building.
      This leads through into a series of elegant reception and lounge spaces where details include columns with curved corner reveals, ornate gridded ceilings and a herringbone-patterned fireplace.

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      Manna’s bar can also be found here, featuring neatly crafted joinery. Elsewhere, the restaurant run by chef Athinagoras Kostakos has a more casual feel thanks to an open kitchen.
      Art is present throughout, with works by Greek artist Nikos Kanoglou, painter Joanna Burtenshaw and ceramicist Diane Alexandre.
      Attic bedrooms feature dormer balconiesBedrooms are located on the upper floors of the main building, including a new attic level, and on all levels of the rebuilt northern wing.
      Attic rooms offer the most modern feel, extending out to balconies set within large gable-ended dormers.
      Interiors feature natural materials and neutral tonesThe materials palette combines brushed timber with earth-toned textiles. Standout features include the elaborate privacy screens that form a backdrop to the beds.
      Terrazzo flooring is inlaid with marble to define different zones, matching the stone used for wash basins. Room numbers are carved into the floor surfaces in front of each room entrance.
      “Local craftsmen were involved in all construction phases, as they bear the knowhow of stoneworks, joinery and even the characteristic engraved grouting of the exterior stonewalls,” said K-Studio.
      Terrazzo flooring is inlaid with marble to define zonesManna opened its doors in the summer of 2023 and is represented by Design Hotels, a booking company that specialises in design-led retreats.
      K-Studio co-founder Dimitris Karampataki presented the project at the 2023 edition of The Lobby, an annual hospitality conference in Copenhagen.
      Manna’s restaurant features an open kitchenHe said the design for Manna “embraces the wear and tear, embraces the natural patina”.
      “When we first arrived we saw something, which took about a century to make,” he said. “We didn’t want to clean it too much, to be selective of its heritage. It was more important for us to embrace the whole story.”
      The design aims to reconnect people with natureOther destination hotels to open recently include the Six Senses Rome, designed by Patricia Urquiola, and the Sanya Wellness Retreat in Hainan, China, designed by Neri&Hu.
      The photography is by Ana Santl.
      Project credits
      Architectural concept: K-StudioTechnical design: Monogon, CS ArchitectureOn-site supervison: Monogon, K-StudioFF&E: K-Studio, MonogonArt curation: Joanna BurtenshawBranding design: MNPSurveyor: Ioannis CharbilasStructural engineer: Niki PsillaMechanical engineer: Gerasimos Vasilatos/Alexandra Zachopoulou & PartnersLighting design: Eleftheria Deko and Associates Lighting DesignSound consultant: Alpha AcoustikiKitchen consultant: XenexLandscape architects: H Pangalou & AssociatesMain contractor: CT Construction

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      Lovers Unite revives interiors of mid-century Silver Lake home

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      California design studio Lovers Unite has reinvigorated a 1950s home with sweeping views of the Los Angeles hills, turning an unused balcony into an extension of the indoor social space.

      The wooden dwelling in LA’s Silver Lake neighbourhood belongs to production designer James Chinlund and artist Clare Crespo.
      Lovers Unite renovated the home for a creative couple in Los AngelesA “previously a boring, nondescript mid-century house”, according to Lovers Unite, the property required some imagination to bring its interiors up to par with its setting.
      Therefore, the studio “introduced a few carefully plotted architectural interventions and material shifts to completely reimagine the interior of the home and take full advantage of its prime site”.
      The house has expansive views over the city’s hillsThe most impactful of these interventions was to bring an underutilised balcony at the back of the house into the envelope, extending the open-plan living and dining area by several feet.

      Beneath the large windows that were installed to fill the gap, Lovers Unite placed built-in seating with teal-upholstered cushions for relaxing and enjoying the panoramic vista.
      Plenty of wood was used throughout the home, particularly in the kitchen”With a large window wall and generous built-in banquette, the room finally celebrates the expansive views that had always been there,” the studio said.
      In the kitchen, dark green soapstone used for counters and the backsplash contrasts with the honey-toned cabinetry, and a shiny copper range hood matches a panel installed at the back of a bar area on the opposite side of the room.
      The honey-toned wood contrasts with soapstone surfaces and a copper range hoodElsewhere, colourful furnishings, collectible design pieces and bold artworks stand out against the predominantly wood interiors.
      A timber-lined lounge area features the classic modular Togo sofa system by Michael Ducaroy, which is wrapped in yellow corduroy fabric.

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      Meanwhile, in the den, a purple armchair is positioned beside a giant chair that Chinlund used as a prop for a shoot by Italian fashion outfit Roberto Cavalli.
      Wood slats were employed to partially screen the staircase opening on the upper level, next to a central fireplace with a raised hearth.
      As part of the renovation, an unused balcony was incorporated into the social space and a long window seat was installed in its placeOther decor items like vintage rugs, embroidered cushions and plenty of art and design books add even more character to the spaces.
      “Ultimately, the mood of the home reflects the spirit and talents of the estimable homeowner,” said Lovers Unite, noting that Chinlund has worked as a production designer for the Avengers movie franchise.
      Colourful furniture and set props are scattered through the different roomsSilver Lake is home to a variety of architectural gems, many built on dramatically sloping sites, including residences designed by notable mid-century architects like Richard Neutra and Rudolph Schindler.
      Led by Karen Spector and Alan Koch, Lovers Unite is based close to the neighbourhood, and has previously wrapped a bar and restaurant in Pasadena with expressive drapery.
      The photography is by Chris Mottalini.

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      Plus One Architects uncovers original paintwork of 100-year-old Czech apartment

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      Prague studio Plus One Architects has restored the “original splendour” of this 1902 apartment in Karlovy Vary, Czech Republic, by reinstating some of its original features.

      Located in a turn-of-the-century apartment block, the two-bedroom flat was renovated by Plus One Architects, who exposed the original paintwork present on the walls and ceilings.
      The Karlovy Vary Apartment features minimal furnishingsThe studio also streamlined the circulation inside the apartment by removing doors to open up pathways, as well as undoing dated additions that had been installed over the top of the original walls and floors.
      “We think the first renovation was probably done in the late 70s,” architect Kateřina Průchová told Dezeen. “It was full of wooden cladding on the walls, a lot of doors and carpet that covered the original floors.”
      Transom windows let light flood through the roomsThe revamped interior has a bright, airy atmosphere, as natural sunlight comes in through the large unobstructed windows and continues deeper into the rooms thanks to the addition of transom windows on some of the interior walls.

      Remnants of colourful mottled paintwork appear on the walls and ceilings alongside brown and beige sections of plaster.
      Mottled blue and yellow paintwork decorates the primary bedroomNeutral-coloured paint and plasterwork feature in the kitchen and living room, where Plus One Architects retained the apartment’s original masonry heater clad in glossy brown tiles.
      Painted details are also apparent on the ceiling, with concentric bands of red, blue and yellow delineating the perimeter of the room.
      Doors were removed to improve the flow between spacesPink paint appears in the corridor and smaller bedroom while blue paintwork can be seen in the primary bedroom, complementing the restored wooden floorboards.
      In the bathroom, white tiling lines the walls, interspersed with iridescent tiles and sections of exposed paintwork.

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      The rooms are sparingly furnished, allowing the paintwork to be the interior’s focal point.
      Plus One Architects brought in furniture with minimalist forms by Czech design studio Janský & Dunděra alongside decorative pieces from local design brand Todus.
      The bathroom is fitted with white flooring, tiling and fixtures”I hope we managed to return the apartment to the original splendour of the period, in which the house was built,” said Průchová.
      “You can feel how the building looks from the outside – it is an old house in the historic part of a spa town.”
      The kitchen and dining room overlook neighbouring rooftopsKateřina Průchová and Petra Ciencialová founded Plus One Architects in 2019. The studio is based in Prague and works on projects across the Czech Republic.
      Other apartment interiors that have recently been featured on Dezeen include a home in Milan centred around a monolithic green marble partition wall and a pastel-decorated apartment in Kraków.
      The photography is by Radek Úlehla.

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      Ideas of Order selects bright colours for New York apartment renovation

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      Bright hues define the different interventions that New York architecture studio Ideas of Order has made in this apartment at the northern tip of Manhattan.

      The 1,000-square-foot primary residence in Hudson Heights was partially renovated for a couple, who had been living in the space for several years before deciding to invest in making it better suited to their needs, rather than buying another apartment.
      One side of this Manhattan apartment was overhauled by Ideas of Order to make it function better for its owners”Their sons had been sharing a room, but were beginning to need their own spaces,” Ideas of Order told Dezeen.
      “They also wanted a space that could be designed for flexibility for when their children left for college.”
      In the newly created bedroom, a lime green built-in houses a bed, a desk and storageThe kitchen also needed updating, to make it more suitable for entertaining, and more efficient storage space was required in the entryway.

      So the architects reworked one side of the open living area, adding a bedroom on one side of the kitchen and refreshing the other areas.
      A new wall divides the bedroom from the kitchenThe husband is French, and the couple spent several years living together in France.
      During this period, they both became enamoured by the midcentury architecture and design in the country and wanted to apply this style to their own home.
      Raspberry and periwinkle cabinets surround the cooking area, which also features aluminium panels”Inspired by their stories and the history of how colour was used by French midcentury designers like Charlotte Perriand, we suggested a series of polychrome millwork pieces inspired by Perriand’s design language, but updated for a contemporary home,” said Ideas of Order.
      The different areas of the home were therefore given their own identities by applying bright hues.
      A porthole looks through from the bedroom into the kitchen, which has rubber flooringLime green is used in the bedroom across a full wall of built-ins that incorporate a single bed, a workstation and plenty of storage.
      Sliding doors with fritted glass panels pull across to enclose the slightly raised room, while a porthole window with double shutters looks through the new wall that separates the kitchen.
      Storage in the entryway was made more efficient by new pink and grey built-insThis adjacent space is denoted by raspberry and periwinkle millwork, which surrounds a small preparation area with an aluminium backsplash and matching panels above.
      The same metal also fronts the bar counter between an arched opening to the living area, which is topped with concrete.
      Archways between spaces throughout the apartment have curved cornersRubber flooring in the kitchen offers a practical alternative to the wood used through the rest of the apartment.
      Finally, in the entryway – which is again raised slightly higher than the living area – an L-shaped cabinet system was constructed in a corner beside the door.

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      Pale pink is applied to the frames, while the doors and drawer fronts are finished in light grey and walnut is used for the trim. Choosing the right hues was a challenge that took many iterations to find the right balance, according to the architects.
      “It was important that each pair of colours in the millwork work together, but that the colours also harmonise when viewed as a whole,” they said. “We wanted the colours to be bright, but not overpowering. And we wanted the colour pairings to feel timeless and not too trendy.”
      The architects went through many iterations to find the right balance of coloursAnother challenge was the budget, which was modest by New York City standards and required some conscientious spending – particularly on small details that would make a big impact.
      “We love the custom pulls for the millwork, the shutters for the circular window, and the rounded end to the partition between bedroom and kitchen, which reflects the rounded openings throughout the apartment,” the architects said.
      The couple had been living in the space for several years before deciding to invest in making it better suited to their needsIdeas of Order was founded by Jacob Esocoff and Henry Ng, who are both Fosters + Partners and WORKac alumni.
      Their renovation is one of the most colourful interiors we’ve featured in New York City of late, compared to a neutral show apartment inside the One Wall Street skyscraper and a loft in Dumbo with a subdued palette.
      The photography is by Sean Davidson.

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      Sam Crawford Architects tops Sydney home renovation with “garden oasis”

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      A private roof terrace enclosed by greenery features in Hidden Garden House, a Sydney home reconfigured by Australian studio Sam Crawford Architects.

      Situated within a conservation zone, the home has been updated by Sam Crawford Architects to brighten its dark interior and transform it into an urban “sanctuary”.
      An open-tread staircase has been added to the hallwayAlterations to the 198-square-metre home’s interior are first seen in its entrance, where a stair with open treads and a white-steel balustrade replaces a solid timber structure that previously restricted light from a skylight above.
      Down from the entry hall is a spacious ground-floor kitchen and dining area, which is illuminated by 4.5-metre-high glass openings that lead out to a landscaped patio. The patio is paved with limestone tiles that extend out from the interior.
      A curved concrete roof features in the kitchen”By extending the ground floor finishes through the full-width doors into the rear yard, the garden and high-level green trellises at the rear of the site form the fourth wall to the rear wing,” studio director Sam Crawford told Dezeen.

      “They create a sense of enclosure that draws the occupant’s eye up to the expanse of the sky rather than surrounding suburbia.”
      Angled timber screens and greenery ensure privacy for the bathroomA concrete ceiling in Hidden Garden House’s kitchen curves upwards to help draw in the winter sun and provide summer shading, while operable clerestory windows allow natural ventilation.
      Above, this curved ceiling forms a sloped roof terrace filled with plants, which is situated off the main bedroom on the upper floor.

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      An ensuite bathroom, also lined with limestone floor tiles, has expansive openings offering a scenic yet private bathing experience enabled by angled timber screens and the terrace’s greenery.
      “The rolling green roof serves as a visual barrier to the surrounding suburb, whilst allowing the occupants to occupy their private garden oasis,” added Crawford.
      White walls and wooden furniture feature throughout the interiorHidden Garden House’s consistent material palette of bright white walls and wooden furniture ties its living spaces together, while decorative square tiles line both the kitchen and bathrooms.
      Curved details, such as the patio’s shape and the kitchen island and splashback, also feature throughout.
      The home aims to be an urban “sanctuary”Other alterations that were made to improve Hidden Garden House’s layout include the relocation of entrances to the ground floor laundry room and bathroom.
      Elsewhere, Sam Crawford Architects has also created a restaurant topped with an oversized steel roof and a bridge modelled on the curving shape of eels.
      The photography is by Tom Ferguson.
      Project credits:
      Architect: Sam Crawford ArchitectsBuilder: TokiStructural engineer: Cantilever EngineersCivil & hydraulic engineer: PartridgeAcoustic engineer: Acoustic LogicHeritage consultant: Damian O’Toole Town PlanningQuantity Surveyor: QS PlusLandscape design: Gabrielle Pelletier, SCARoof garden supplier: Fytogreen Australia

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