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    Destudio inverts day and night zones at redesigned Casa Inversa apartment

    Architecture office Destudio has remodelled an apartment in Valencia for a couple of empty nesters, swapping the positions of the living and sleeping areas so they perform better for the owners’ lifestyles.

    The clients, who recently worked with Destudio to design their pharmacy in the Spanish city, invited the studio to oversee the renovation of the 150-square-metre apartment that had been their home for two decades.
    The couple’s grown-up children no longer live with them and Destudio saw this change in circumstances as an opportunity to create an entirely new and more appropriate layout.
    Destudio swapped the positions of living and sleeping areas in Casa Inversa”We worked with the owners to convince them to make a ‘tabula rasa’ of how they lived in this house for the last 20 years and find a better distribution for their actual needs,” Destudio creative director Gabi Ladaria told Dezeen.
    “It was tough for the family to recognise that every wall had to be demolished,” he added, “but when they saw the first plans and 3Ds they realised there were better ways to live in their house, being more honest with their needs in the coming years.”

    An initial survey of how the existing spaces were used informed the decision to switch the position of the private and communal areas so the main living space receives the best of the available sunlight. This act gave the project its name, Casa Inversa.
    The dining area was positioned in the corner of the living roomConversations with the clients revealed that they wanted the kitchen to be the heart of the house as this is where they spend a lot of time preparing and eating meals throughout the day.
    This informed the decision to reduce the size of the dedicated dining area by incorporating it into a corner of the living room.
    The kitchen was designed as the heart of the homeA cantilevered bench minimises the floor area used so the adjacent lounge feels more generous.
    “We use this strategy in our restaurant projects to maximise the number of diners,” Ladaria pointed out, “but here it is used to maximise the space in the other part of the corner bench where the living room is located.”

    Tactile materials “accentuate the value of shadows” in Bolívar House

    The studio added that the table is likely to be used infrequently, mostly when friends or family come to visit, so it was designed like a restaurant booth to make the dining experience feel like eating out.
    The kitchen opens onto a terrace with outdoor seating, while on the opposite wall a wine display backed with semi-opaque glass provides a visual connection with the adjoining utility space. Sliding glass doors can be closed to separate the kitchen and the adjacent sitting room if required.
    Sliding glass doors separate the living area and kitchenThe apartment’s three bedrooms were relocated to the opposite end of the floor plan, where they overlook the building’s internal courtyards.
    The principal bedroom and one of the guest rooms are accommodated in an angular corner that previously housed the living room. The main bedroom’s dressing area features cupboards that extend along one wall, making the most of the space.
    A material palette consisting of clay-rendered walls, oak joinery and porcelain tiles acts as a warm backdrop for the clients’ art collection.
    Clay render covers the wallsWhere possible, Destudio specified furniture from local brands, including the sofa, armchairs and the living room’s library shelving.
    Destudio was founded in 2014 by architects Gabi Ladaria and Nacho Díaz, who studied together at Valencia’s Polytechnic University.
    Other recent residential projects in Valencia include the renovation of a former fisherman’s house using geometric blue-and-white tiling and a copper-toned home in an olive grove.
    The photography is courtesy of Destudio.

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    Portal House by Svima features brass details and curved oak ribbons

    Brass ribbons line the asymmetric portals that connect the kitchen and dining room of this Toronto residence, renovated by local architecture and art studio Svima.

    The Portal House was designed for a couple who had wanted to refresh their home for 10 years, but have very different aesthetic tastes.
    Two portals connect the renovated kitchen and dining areas of this Toronto homeToronto-based studio Svima found a compromise by combining his desire for “tenebrous minimalism” and her love of “bright French country kitchens” into the design.
    The resulting “denlike cosiness” pairs dark oak across the lower half of the ground-floor spaces and clean white surfaces on the upper half.
    The curved, asymmetric portal over the deep counter acts as a pass-throughThe snaked kitchen layout is tight, so Svima curved the corners of cabinetry and counter surfaces to steal extra space for circulation.

    This theme continues to the living room millwork: a bookcase is filleted at the corner and meets the wall at an angle, while a built-in sofa beneath the window also softly angles inward.
    The other portal, mirrored in shape, forms a doorway between the two spaces”The design hinges on ‘ribbons’ flowing through the space, guiding the motion through the rooms,” said Svima.
    “The ribbons curve in areas where sharp corners would not fit, or would stop the flow of movement.”
    Brass edges around the portals were artfully installed to perfectly fit the curved drywallIn the kitchen, the curved oak doors were handmade by a cabinetmaker who created a special jig to kerf-bend the oak into a radius.
    Tiles that offer a contemporary take on Dutch Delft porcelain form the backsplash, adding small touches of blue to the otherwise neutral space.
    To add touches of colour to the dark oak and bright white palette, tiles influenced by Delft porcelain were added to the backsplashTwo portals provide connections between the kitchen and adjacent dining room, both with a mirrored asymmetric shape and edged in brass.
    One acts as a doorway, while the other over the deep counter is used as a pass-through for food, drinks and tableware.

    Studio Vaaro reconfigures House M using built-in storage volumes

    “It was an artful process for the contractor to lay the brass into the wall, as it had to fit into the curved drywall perfectly with no tolerance for error,” the architects said.
    The living room, located at the front of the house, was furnished with mid-century pieces such as a chair, a coffee table and a media console.
    Dark oak flooring throughout the home’s ground floor matches the other millworkThe closed and open shelving unit organises the family’s books and possessions, and its shape allows more light to enter from a side window.
    Opposite, the built-in sofa helps to resolve an awkward space under a bay window and orients the sitter towards the TV to one side.
    In the living room, the curved kitchen cabinetry is translated as a storage unit with a filleted side”The custom sofa sweeps into the space to provide seating at precisely the right sideways angle for viewing the media unit, for lounge reading, and for gathering,” Svima said.
    The floors throughout the home match the other millwork, grounding the spaces with a rich dark hue.
    A built-in sofa under the living room’s bay window similarly features softly curved anglesSvima, founded by architects Anamarija Korolj and Leon Lai, is not the only studio that’s had to get creative with a tight Toronto floor plan.
    When Studio Vaaro overhauled a house in the city, the firm created a series of volumes with minimally detailed millwork to form kitchen cabinetry, the staircase and a feature bookcase in the living room.
    The photography is by Scott Norsworthy.

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    Eight chocolate-brown interiors that look good enough to eat

    In memoriam of the many chocolate eggs that will be consumed this Easter, our latest lookbook rounds up eight homes with tasteful cocoa-coloured interiors.

    Chocolatey brown might be the unofficial colour of Easter as the biggest driver of chocolate sales – second only to Christmas.
    But the rich, earthy hue is also proving increasingly popular among interior designers for its unique function as both a colour and a natural, able to bring a sense of warmth to otherwise minimalist spaces.
    Below are eight mouth-watering examples to feast your eyes on, including a rammed-earth house in Brazil and the renovation of a Shigeru Ban loft conversion in New York.
    This is the latest in our lookbooks series, which provides visual inspiration from Dezeen’s archive. For more inspiration, see previous lookbooks featuring minimalist bathrooms, breakfast nooks and compact garden studios with neat storage solutions.

    Photo by Jack LovelShadow House, Australia, by Grotto Studio
    Almost all of the surfaces in this Perth cottage extension by Grotto Studio are lined in sumptuous brown timber, from the walls and floors in the bedroom to the entire bathroom counter.
    “The choice of dark timber for the interior was motivated by a desire to create a rich, intimate and immersive atmosphere,” studio founder Craig Nener told Dezeen.
    “The dark tones add depth and character to the spaces, creating a warm and inviting ambience.”
    Find out more about Shadow House ›
    Photo by Syam SreesylamChuzhi house, India, by Wallmakers
    Soil, waste and debris were used to form the spiralling walls of Chuzhi house in Shoolagiri, India, giving the interiors a rustic, earthy feeling.
    To keep the focus on the architecture, the rooms themselves are finished in matching colours with reclaimed timber floors complemented by woven and wooden furniture.
    Find out more about Chuzhi house ›
    Photo by Fabian MartinezColonia Condesa house, Mexico, by Chloé Mason Gray
    Interior designer Chloé Mason Gray sought to embrace the lack of natural light in this bachelor pad in Mexico City’s Condesa neighbourhood, shaded by large trees from the avenue outside.
    Embracing the dark and moody atmosphere, the designer chose colours and textures that would make the spaces feel “masculine, rich, and interesting” including leather, linen and textured chocolate-brown plaster.
    Find out more about Colonia Condesa house ›
    Photo by Felix SpellerMayfair pied-à-terre, UK, by Child Studio
    Adolf Loos’s modernist Villa Muller informed the dining area in this London mews house, where mahogany joinery is backed by veiny dark red marble.
    Soft light filters into the space from a glass-brick partition, blocking out the kitchen and rounding off the intimate atmosphere created by Child Studio.
    Find out more about this Mayfair pied-à-terre ›
    Photo by Gareth HackerHighbury House, UK, by Daytrip
    A more pared-back take on the theme comes in the form of this vintage 1970s Gilda sofa by Michel Ducaroy, composed of multiple segments reminiscent of a Chocolate Orange.
    It serves as a focal point in the otherwise muted living room of London’s Highbury House, paired with a blackened oak armchair by EBBA Architects founder Benni Allan and one of David Horan’s delicate Paper lights.
    Find out more about Highbury House ›
    Photo by Federico CairoliCasa em Cunha, Brazil, by Arquipélago Arquitetos
    The rammed-earth construction of this house in Brazil’s mountainous Cunha region is left exposed on the interior, creating an organic striped finish across the walls.
    Matching brown finishes feature heavily throughout the rest of the home, where ceilings are covered in wooden slats while the bathroom is defined by coppery hardware and tiles the colour of bitter chocolate.
    Find out more about Casa em Cunha ›
    Photo by César Béjar StudioCasa Los Tigres, Mexico, by César Béjar Studio and Fernando Sánchez Zepeda
    Dark wood panelling helps to hide doors and storage inside the Casa Los Tigres beach house on Mexico’s Pacific Coast, designed by César Béjar Studio and Fernando Sánchez Zepeda.
    It encircles the lower portion of the living spaces and develops the bedrooms almost entirely, paired with pale stone flooring and pared-back accessories to create a calm refuge.
    Find out more about Casa Los Tigres ›
    Photo by David MitchellTribeca loft renovation, USA, by Timothy Godbold
    New York interior designer Timothy Godbold was responsible for renovating this loft in a historic Tribeca textile factory, originally converted by Pritzker Architecture Prize-winning Japanese architect Shigeru Ban in 2019.
    The former TV room now functions as a home office and bar, with a low-slung chestnut-brown sofa helping to warm up the otherwise neutral colour palette while wall reliefs informed by 1970s sci-fi spice up the walls.
    Find out more about this Tribeca loft renovation ›
    This is the latest in our lookbooks series, which provides visual inspiration from Dezeen’s archive. For more inspiration, see previous lookbooks featuring minimalist bathrooms, breakfast nooks and compact garden studios with neat storage solutions.

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    Multipurpose rooms optimise space at Ulli Heckmann’s Rotterdam apartment

    A bedroom incorporating a bathtub and a window bench is one of several versatile spaces architect Ulli Heckmann created when renovating this compact apartment in Rotterdam, the Netherlands.

    Heckmann and his partner, the designer Nienke Bongers, bought the apartment in the Delfshaven neighbourhood in 2020 with the aim of refurbishing it to suit their personal tastes.
    Multipurpose rooms were used to optimise space at Ulli Heckmann’s Rotterdam apartmentThe 100-square-metre property is spread across the ground floor and basement of a brick apartment building dating from 1935 that stretches along a dike on the river Schie.
    Previous renovations in the 1980s had stripped away all of the interior’s original features, so the couple decided to completely gut the spaces and rebuild them using a modern and affordable material palette.
    The open-plan kitchen and living area receive daylight from the gardenThe existing layout did not make the best use of the garden access, so Heckmann moved the bedrooms upstairs and created a large living space below with direct access to the outdoors.

    “The original downstairs plan showed one room facing the garden and one towards the street, which was quite gloomy and dark,” the architect told Dezeen.
    “Since the new downstairs is basically mono-orientated, an open layout with the kitchen cupboard as a room divider seemed the best solution in terms of space with an option for privacy.”
    Heckmann completely rebuilt the interior spaces using affordable materials. Photo is by Yuta SawamuraThe largely open-plan configuration creates a space for cooking, eating and socialising that receives plenty of daylight from the large windows at one end.
    Freestanding cupboards screen a small private space that Heckmann explained can be used for “reading a book, inviting friends to stay over or simply drying the laundry without putting it in the middle of the living room.”
    The kitchen is divided by a wooden cupboard unit for privacy. Photo is by Yuta SawamuraThroughout the property, built-in storage helps to optimise and organise space, allowing the interior to be used in different ways at different times. Examples include a hidden desk in the children’s bedroom and a window bench in the main bedroom.
    “Most of the rooms are not limited to only one purpose throughout the day and night,” said Heckmann, “which helps tremendously for the use of the space – especially as a family.”

    Amsterdam apartment block features cupboard bedrooms

    The layout of the upper floor is more compartmentalised than the basement level; however, a full-height mirrored door at the end of the hall can be left open to ensure the spaces feel connected.
    The two bedrooms at either end of the plan are separated by a walk-in wardrobe and a shower room hidden behind cupboard-like doors.
    The main bedroom integrates a bathtub that can be hidden behind a curtainIn addition to the bed and window bench, the main bedroom contains a bathtub set on wooden blocks that can be screened off using a curtain.
    “The need to create multifunctional spaces is one of the reasons why we decided to have the bathtub in the bedroom,” Heckmann explained. “Also, we quite like that it becomes an object in our daily life instead of hiding it away.”
    Most of the furniture was built by Heckmann and Bongers with stained or dyed plywood and MDFThe couple had wanted to use natural materials where possible to completely revamp the interior, but the onset of the Covid-19 pandemic caused prices to soar and subsequent lockdowns made commissioning specialist trades much more difficult.
    Heckmann and Bongers therefore designed and built most of the furniture themselves, using plywood or MDF that they stained or dyed to give the materials a more unique finish.
    The bedroom shelf and the hall cupboards are made from eucalyptus plywood tinted with an earl-grey mixture, while the bedhead is MDF with a hardwax finish.
    The bedhead unit is made from MDF with a warm-toned hardwax finishLime plaster was used on the walls throughout the apartment. The downstairs spaces were left raw and natural, while the bedroom has green pigment added to give it a subtle hint of colour.
    For the kitchen, Heckmann used MDF boards with oak veneer and a countertop with a dark Forbo linoleum surface. The cupboard under the stairs features an oak frame surrounding polycarbonate panels, while the staircase podium is made from painted MDF.
    A hidden desk in the children’s bedroom helps to optimise space usageUlli Heckmann completed his Diploma studies at the Technical University of Darmstadt, Germany, in 2006 and worked for several years for agencies in Germany and France, including Maison Edouard François.
    He founded his architecture and design studio in Paris in 2013 and now works on projects across Europe, ranging from object and interior design to private housing and architectural competitions.
    Other recent Rotterdam projects featured on Dezeen include a floating cross-laminated timber office and a multi-faceted auditorium designed using computer modelling.
    The photography is by Ulli Heckmann unless otherwise stated.

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    Timothy Godbold adorns Tribeca loft with modernist relief panels

    New York interior designer Timothy Godbold has renovated an apartment in a historic Tribeca building, adding various relief treatments across its neutral walls including panels influenced by a 1970s sci-fi series.

    The spacious loft is located in an 1881 cast-iron building on Franklin Street, which was formerly a textile factory and was overhauled by Pritzker Prize-winning Japanese architect Shigeru Ban in 2019.
    The most dramatic space in the loft is a double-height living room surrounded by windows”The homeowners, a young family with two children, set out with the objective of creating a great home for entertaining that simultaneously utilized space efficiently to create a comfortable family living space,” said Godbold’s team.
    The designer helped to organise the layout so that it functioned optimally for the family, and despite opting for a neutral colour palette, Godbold upped the drama through the scale of the furniture and artwork.
    Rather than disguise a structural column, Timothy Godbold used it as an anchor for the dining tableA double-height living room occupies a corner flooded with light from windows on two sides, which can be diffused by drawing the sheer curtains.

    To work around a large structural column disrupting the view to the living room, Godbold used the column to anchor a stone dining table to turn it into a focal feature.
    The kitchen is intentionally minimal, benefitting from the absence of cabinet and drawer pullsThe table references a 1930s design by Hans and Wassili Luckhardt and Alfons Anker, in keeping with the industrial style of the building.
    The kitchen is very minimal, thanks to the omission of cabinet and drawer pulls, and includes an island with a waterfall stone top that creates space for a breakfast bar.
    An area behind the kitchen was converted into a flexible office and bar spaceHidden behind the kitchen is a former TV room converted into a bar room and an office “to maximise the versatility of the space and meet multiple needs”.
    The walls in this flexible room are covered in geometric plaster-relief panels, which add shadows and texture, while the furniture is darker and more masculine.
    Plaster relief panels based on a 1970s sci-fi series cover the wallsA Reprise pendant light from New York design studio Apparatus hangs in a corner that has been curved to accentuate the modernist-style wall panelling.
    “The wall details in this Tribeca space are inspired by a classic 1970s sci-fi series that showcases an all-Italian modern aesthetic within a futuristic environment,” said the team.
    A feature wall behind the bed in the primary bedroom is fluted across its full widthA row of plastered arched niches separates the formal entertaining areas from a more casual seating area, where a large pale grey sofa shifts the tone from the warm whites found elsewhere.
    In the primary bedroom, the built-in bed and nightstands are installed below a tufted upholstered headboard that runs the full width of the room, and a fluted wall feature that extends to the ceiling.
    The bedroom also features a sculptural sofa, large planters and a huge artwork by Etienne MoyatOpposite the bed is a sculptural sofa surrounded by oversized planters and a large, carved relief artwork by French sculptor Etienne Moyat on the wall.
    Godbold custom-designed many of the pieces throughout the home, including most of the furniture and decorative elements.

    Timothy Godbold turns his Hamptons home into a “villain’s hideout”

    His references included mid-century Italian designers like Joe Colombo, whose space-age shapes are echoed in the dining chairs, sofas, and smaller lighting and decor items.
    Godbold also played with proportion to add drama, as seen in the living room’s custom stone sofas that are upholstered in a “brutalist” fabric made in England, and the coffee table with an integrated planter.
    A variety of space-age shapes and materials can be found throughout the loftThe rugs also feature custom designs that outline the furniture in the same space.
    Overall, the goal was to “marry the industrial, the art deco and the more surreal aspects of 1970s noir cult cinema for a glamorous and intriguing end product.”
    The home’s neutral colour palette continues through to the nurseryOriginally from Australia, Godbold is currently based in the Hamptons, where he renovated his mid-century home to resemble a “villain’s hideout”.
    He also aims to preserve other modernist dwellings built across the area through the nonprofit organisation Hamptons 20th Century Modern.
    The photography is by David Mitchell.

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    Eight minimalist bathrooms with peaceful pared-back interiors

    For our latest lookbook, we have collected eight minimalist bathrooms that combine tactile materials and organic details to create a relaxing and tranquil environment.

    Next to the bedroom, the bathroom is often the place in the home that is reserved for relaxation and pampering. Keeping interiors here free of unnecessary clutter while adding organic materials such as wood and stone can help to create a tranquil feel.
    Below, we’ve showcased minimalist bathrooms in eight homes from around the world from Mexico to Belgium that show creative and beautiful solutions for this important room.
    This is the latest in our lookbooks series, which provides visual inspiration from Dezeen’s archive. For more inspiration, see previous lookbooks featuring Mexican holiday homes, interiors with dramatic full-length curtains and living spaces with swings.
    Photo by by Jonas Bjerre-PoulsenHeatherhill Beach House, Denmark, by Norm Architects

    This beach house on the Danish coast was created as “a getaway from everyday life in Copenhagen”, according to its designers Norm Architects.
    The home’s two minimalist bathrooms were informed by Japanese traditions and feature simple wooden details and brick floors.
    “The spaces are rather small and should still feel comfortable and spacious,” architect Sophie Bak told Dezeen.
    Find out more about Heatherhill Beach House ›
    Photo by Radek ÚlehlaSculptor’s Apartment, Czech Republic, by Neuhäusl Hunal
    Translucent glass panels were used throughout this apartment in Prague, designed by Czech architecture studio Neuhäusl Hunal as a workspace for a sculptor.
    A centralised, curved bathroom features a walk-in shower that is raised on a small platform and clad in white ceramic tiles.
    Find out more about Sculptor’s Apartment ›
    Photo by Givlio AristideCloister House, Australia, by MORQ
    Architecture studio MORQ designed this rammed-concrete house in Perth, Australia, to surround a plant-filled courtyard.
    The interiors also feature visible rammed concrete combined with red hardwood ceilings. In the bathroom, these materials create textural interest and are contrasted with steel fixtures and a wooden floor.
    Find out more about Cloister House ›
    Photo by Mariell Lind HansenCanyon House, UK, by Studio Hagen Hall
    The minimalist bathroom in Canyon House was given a warm feel through the use of cork tiles, which clad both the floor and the bathtub.
    Like the rest of the house, the interior was informed by 1970s California modernism. Pale lavender-coloured curtains and globe-shaped bathroom lamps add simple decorative touches to the space.
    Find out more about Canyon House ›
    Photo by Fabián MartinezLoma Residence, Mexico, by Esrawe Studio
    Local firm Esrawe Studio wrapped the whole interior of this Mexico City apartment in an oak “skin” – save for the stone-clad bathroom.
    Here, the all-stone walls and floor create a striking interior with their natural patterns, while an oval washbasin and built-in shower add interesting geometries.
    Find out more about Loma Residence ›
    Photo by Salva LópezCasolare Scarani, Italy, by Studio Andrew Trotter
    This 19th-century school in Puglia, Italy, was turned into a home by architecture practice Studio Andrew Trotter, which aimed to “bring it back to life without destroying its essence”.
    In the bathroom, the studio kept the traditional stone flooring and added calming lime-plaster walls. Geometric glass lamps, a jute rug and a copper tap and soap holder give the minimalist bathroom a rustic touch.
    Find out more about Casolare Scarani ›
    Photo by Tim Van de VeldeKarper, Belgium, by Hé!
    Clay plaster clads the walls of the bathroom in this Brussels home (above and main image) designed by Belgian studio Hé! While the colour palette was kept simple – held mostly in pale beige and white – plenty of green plants give the space life.
    The apartment is located in a former industrial building on Karperstraat, to which the studio added a timber-framed rooftop extension.
    Find out more about Karper ›
    Photo by Lorenzo ZandriNelson Terrace, UK, by Paolo Cossu Architects
    This minimalist apartment in London, which local studio Paolo Cossu Architects designed “almost like a blank canvas”, features an equally minimalist bathroom.
    Here, a chunky white bathtub sits next to a geometric steel stool – a decorative piece that functions almost like an artwork in the pared-back space. A fabric shower curtain and wooded towel rack give the room a more organic feel.
    Find out more about Nelson Terrace ›
    This is the latest in our lookbooks series, which provides visual inspiration from Dezeen’s archive. For more inspiration, see previous lookbooks featuring Mexican holiday homes, interiors with dramatic full-length curtains and living spaces with swings.

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    Eight compact garden studios with neat storage solutions

    From cantilevered shelves to customisable pegboards, our latest lookbook rounds up eight examples of garden studios with storage designed to make the most of limited space.

    Garden studios are becoming increasingly popular in homes around the world, prompted largely by the evergrowing trend of remote work.
    Often slotted into small spaces, these structures typically have compact footprints and require efficient storage solutions to keep them clutter-free.
    The examples in this lookbook demonstrate some of the ways storage can be suitably integrated within a garden studio, helping save valuable space within their small footprints.
    This is the latest in our lookbooks series, which provides visual inspiration from Dezeen’s archive. For more inspiration, see previous lookbooks featuring Mexican holiday homes, full-length curtains and living spaces with swings.

    Photo by Wai Ming NgCork Study, UK, by Surman Weston
    Birch shelves and twin desks cantilever from the walls of Cork Study, which Surman Weston created in the narrow garden of a home in north London.
    The set-up was designed to help maximise space within the compact studio, which measures just 13 square metres and was created as a workspace for a musician and a seamstress.
    The two desks, complete with their own cubby holes, are broken by a long vertical window in the rear wall, illuminating the workspaces with natural light.
    Find out more about Cork Study ›
    Photo by Nancy ZhouNightlight, New Zealand, by Fabric
    Green storage boxes on wheels slot neatly below the workbench of this outbuilding in New Zealand, which occupies the future garden of a home being developed on the site.
    There are also slender slats mounted to the wooden framework of the 10-square-metre structure, forming minimalist shelves from which tools can be hung.
    Find out more about Nightlight ›
    Photo by Ashlea WesselThe Garden Studio, Canada, by Six Four Five A
    The founder of architecture studio Six Four Five A built storage into the wooden shell of his tiny studio, which he created in the garden of his Toronto home.
    Exposed vertical studs double as supports for shelves and a large standing desk made from birch plywood along one side, preventing cluttering up the 9.3-square-metre space.
    Find out more about The Garden Studio ›
    Photo by Jonas AdolfsenWriter’s Cottage, Norway, by Jarmund/Vigsnæs Architects
    This cabin-like studio sits at the end of a garden in Oslo, where it acts as a compact and secluded workspace for the owner who is a writer.
    Among its storage solutions is a plywood staircase that incorporates a shelving system beneath it, leading up to a mezzanine sleeping area that tucks beneath its pitched roof.
    Find out more about Writer’s Cottage ›
    Photo by Wai Ming NgWriter’s Shed, UK, by Surman Weston
    Another project by Surman Weston on the list is the Writer’s Shed, a shingle-clad garden studio designed as a writing retreat for an author.
    Inside, a cluster of shelves has been built around the chimney of the wood-burning stove, which is used to heat the compact structure. While providing valuable storage space, they are also intended as “a centrepiece for the client to store his library of books”, Surman Weston said.
    Find out more about Writer’s Shed ›
    Photo by Sarah BurtonTerrazzo Studio, UK, by Sonn
    In east London, architect Tim Robinson designed and built himself a little studio and workshop at the end of his garden.
    The narrow workshop contains a line of storage units raised above the floor, alongside a large pegboard for storing tools. Next door in the studio space, a rear wall of cabinets incorporates a concealed fold-down bed, enabling the space to become a guest bedroom.
    Find out more about Terrazzo Studio ›
    Photo courtesy of Boano PrišmontasMy Room in the Garden, UK, by Boano Prišmontas
    This modular pod is a prototype for a garden studio, developed by London studio Boano Prišmontas in response to an increase in people working from home prompted by the Covid-19 pandemic.
    Inside, the plywood structure can be fitted out with customisable elements including pegboards from which desks, shelves and storage can be hung.
    “My Room in the Garden was created with comfort and customisability in mind,” said the studio. “We wanted to allow people to be able to decide what their interior would look like or how much storage they would have, and we do that by creating a system of interchangeable elements.”
    Find out more about My Room in the Garden ›
    Photo by Shannon McGrathWriter’s Shed, Australia, by Matt Gibson
    This deceptively spacious garden studio that architect Matt Gibson created in Melbourne is hidden behind ivy-covered walls.
    An angular desk slots into one corner, with one side nestled below two generous high-level shelving units on the walls. Plywood was used across all of the surfaces, giving the interior a unified look that adds to the sense of spaciousness.
    Find out more about Writer’s Shed ›
    This is the latest in our lookbooks series, which provides visual inspiration from Dezeen’s archive. For more inspiration, see previous lookbooks featuring Mexican holiday homes, full-length curtains and living spaces with swings.

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    Fala Atelier designs Lisbon home with “very Portuguese” materials

    Architecture studio Fala Atelier decked out the angular spaces of the 087 house in Lisbon with oversized spots and stripes, which also feature on its bold marble facade.

    Designed by Porto-based studio Fala Atelier, 087 is a three-storey home in the Portuguese capital with a rectilinear facade decorated with chunky marble shapes.
    The 087 house features a facade decorated with chunky marble shapesThe studio, known for its playful use of geometry, created custom carpentry from locally sourced materials to accommodate the home’s curved and staggered walls and the sloping ceilings within the building.
    A garden-facing kitchen on the ground floor includes terrazzo flooring and stepped timber cabinetry decorated with bold black and white stripes and topped with marble slabs.
    A funnel-shaped extractor fan adds an eclectic touchUnusual features such as a funnel-shaped, teal-hued extractor fan add an eclectic touch. This Fala Atelier-designed piece can also be found in a windowless garage in Lisbon that the studio converted for a couple.

    “There are no elegant extractors on the market,” Fala Atelier partner Filipe Magalhães told Dezeen.
    “All of them look like nasty appliances. With the kitchen in the way of the window, we knew we would have to integrate the fan. Since we couldn’t make it disappear, we celebrated the piece,” he added.
    The open-plan kitchen is connected to the living spaceThe open-plan kitchen connects to the living area, which is characterised by pinewood flooring dotted with geometric walnut accents.
    “The colours of the stripes and the dots on the floor really try to be noble,” said Magalhães.
    Bespoke Fala Atelier-designed doors and window frames match the kitchen cabinetsThe space also features doors designed by the studio and caramel-coloured Ligne Roset Togo sofas – a quilted and low-slung design classic created by Michel Ducaroy in 1973.
    This seating was positioned next to a boxy fireplace clad with gleaming white ceramic tiles and a squat display plinth finished in veiny black marble.
    Custom cabinetry also features on the upper floors”We tried to diversify the material palette as much as possible while still making it quite banal,” explained Magalhães.
    “The choices are very Portuguese, but the mixture aims at being more than just that,” added the architect.
    Board-formed concrete ceilings were included throughoutUpstairs, the same bespoke cabinetry as in the kitchen was used to form larger cupboards across the curved and angular private spaces of the two upper floors.
    Board-formed concrete ceilings, which also feature downstairs, were paired with oversized rounded mirrors in the bathrooms and a mixture of timber and marble flooring.

    Fala Atelier nestles “very tiny palazzo” in garden of Porto home

    The garden-facing facade follows the same geometry as its street-facing component, also featuring circular and rectilinear decorative shapes.
    “This house is a lot about the relationship with the garden,” said Magalhães, noting the floor-to-ceiling glazing that connects the indoor and outdoor spaces.
    087 focuses on “the relationship with the garden”Fala Atelier has designed several homes in a similar style, including six micro-houses in Porto with geometric forms and concrete finishes and another Porto property topped with a striped concrete roof.
    The photography is by Francisco Ascensao and Giulietta Margot.

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