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    Children in social housing “sleeping on a blanket on a concrete floor”

    Increasing numbers of people in social housing are living in inhospitable conditions because they are unable to afford even basic furniture and flooring, Dezeen reports as part of our Social Housing Revival series.

    In the UK, social-rented homes are usually handed over to new residents in a sparse state – lacking basic elements of decoration and furnishings, as well as essential appliances.
    As the cost of living continues to rise and the availability of crisis-support services diminishes, a growing number of people are unable to afford to furnish these homes, meaning they are sometimes forced to live in a harsh environment for months at a time.
    Top: before – many UK social-housing residents live with furniture poverty. Above: after – London charity Furnishing Futures makes new interiors for women who have fled domestic abuse”For the families who we work with, the point that is most distressing is the void condition – the homes are given and [social landlords] don’t bother painting the walls, and there’s absolutely no flooring down,” said Emily Wheeler, founder and CEO of Furnishing Futures.
    “Most people over time can manage to get some furniture together that’s gifted to them from the local church or friends or family or whatever, but it costs thousands and thousands of pounds to put flooring down, even in a one-bedroom flat.”

    London charity Furnishing Futures was recently established to address the issue among women fleeing domestic abuse, creating interiors to a high standard using furniture donated from brands.
    Emily Wheeler founded Furnishing Futures after realising that the poor condition of social housing was driving women back to abusive partners. Photo by Penny WincerDomestic-abuse survivors and people leaving care or who were previously homeless are particularly at risk of furniture poverty since they are less likely to have items to bring with them.
    Wheeler said Furnishing Futures is seeing increasing demand for its services as more people come under financial pressure.
    “Initially we were only working with women who were in receipt of benefits or experiencing severe poverty or destitution,” explained Wheeler.
    “But now we’re working with families who are using the food bank but the woman is a midwife, or she’s a teaching assistant, or she is a teacher, and that is new.”
    The charity increasingly encounters families living in destitute conditionsSometimes the conditions the charity witnesses are shocking, Wheeler told Dezeen.
    “People are experiencing real hardship,” she said. “We’ve frequently come across people who have no food, no clothes, no shoes for their children.”
    “The kids are sleeping on a blanket on a concrete floor – there’s nothing in the flat whatsoever,” she continued. “And those people might even be working as care assistants, or teaching assistants. So it’s really, really difficult at the moment for people.”
    Furnishing Futures seeks to deliver interiors that “look like show homes”. Photo by Michael BranthwaiteAccording to the campaigning charity End Furniture Poverty, more than six million people in the UK lack access to essential furniture, furnishings and appliances – including 26 per cent of those living in social housing.
    Only two per cent of social-rented homes in the UK are let as furnished or partly furnished, the charity’s research has found.
    Wheeler is a trained interior designer who formerly worked in child safeguarding.
    The charity decorated and furnished 36 homes in 2023. Photo by Michael BranthwaiteShe was prompted to set up Furnishing Futures after discovering that many women in social housing who had left dangerous homes were driven back to their abuser by poor living conditions.
    “When women were placed in new housing after having escaped really high-risk situations, they sometimes felt that they had no choice but to return because they couldn’t look after their children in those conditions – there’d be no fridge, no cooker, no washing machine, no bed, no curtains on the windows,” she explained.
    “People are expected to go to those places at a time of great trauma and distress, and recover, but those places are often not conducive to that because of the design and the environment.”
    Wheeler said the interiors industry could be doing more to have a bigger social impact. Penny WincerThe charity overhauled 36 homes in 2023, helping 99 women and children. It takes a design-led approach with an emphasis on finishing interiors to a high standard.
    “We professionally design them and they look like beautiful homes – they look like show homes when they’re finished,” Wheeler said.
    “And the reason we do that is because it’s really important that the women feel that they have a beautiful home and they feel safe there, that they feel for the first time that someone really cares about them,” she added.
    “It also supports the healing and the recovery journey for those women.”

    Social housing means “I can breathe again” say residents

    To help ensure quality, the charity only works with new or as-new furniture. It works with brands to source items that would otherwise be sent to landfill – usually press samples or items used at trade shows, in showrooms or on shoots.
    Donating partners include Soho Home, BoConcept, Romo Fabrics and House of Hackney.
    Wheeler is keen for Furnishing Futures to expand beyond London but the charity is currently held back by limited warehouse capacity and funding.
    “If we had more money and more space we could help more people, it’s as simple as that, really,” she said.
    The charity relies on donations from furniture brandsThe charity continues to seek donations from brands, particularly for bedroom furniture and pieces for children.
    As well as calling for social-housing providers to let their properties in a better state, Wheeler believes the design industry could be doing more to help people facing furniture poverty.
    “I do think that where the industry could catch up a little bit is working with organisations like ours,” she said.
    For example, charities are unable to take furniture lacking a fire tag – which tend to be removed – so imprinting this information onto the items themselves would make more usable.
    The charity is often in need of items for children’s bedrooms. Photo by Michael BranthwaiteIn addition, donating excess items as an alternative to sample sales could be a way to reduce waste with much greater social impact, she suggests.
    “There’s probably millions of people across the country living without basic items and yet there’s massive overproduction, but the waste isn’t necessarily coming to people who actually need it,” Wheeler said.
    “There are things that the industry could be doing that will create a huge social impact very easily.”
    The photography is courtesy of Furnishing Futures unless otherwise stated.
    Illustration by Jack BedfordSocial Housing Revival
    This article is part of Dezeen’s Social Housing Revival series exploring the new wave of quality social housing being built around the world, and asking whether a return to social house-building at scale can help solve affordability issues and homelessness in our major cities.

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    Ten Mexican holiday homes characterised by earthy hues

    From a brutalist dwelling nestled in a pine forest to a beachy weekend retreat with a rooftop swimming pool, our latest lookbook features 10 holiday homes across Mexico.

    While known for their often vibrant colours, Mexican interiors also include many examples of more muted designs. These earthy hues are often created through the use of natural and local materials, such as wood and stone.
    Holiday homes are located all over the country, which has a varied landscape and is famous for its escapist destinations. Here are 10 Mexican holiday homes that combine pared-back colour palettes with getaway-style luxury.
    This is the latest in our lookbooks series, which provides visual inspiration from Dezeen’s archive. For more inspiration, see previous lookbooks featuring metal furniture, breakfast nooks and living spaces with swings.
    Top and above: photos by Rory GardinerCasa Alférez, Alférez, by Ludwig Godefroy

    This holiday home is a brutalist dwelling clad in board-formed concrete and located in a pine forest in the country’s Alférez region.
    French architect Ludwig Godefroy, who is Mexico City-based, added a conversation pit to the cathedral-like living area, which features a spindly double-height fireplace.
    Find out more about Casa Alférez ›
    Photo by LGM StudioHoliday home, San Simón El Alto, by Estudio Atemporal
    Local architecture office Estudio Atemporal designed a weekend retreat in San Simón El Alto village with an oversized gabled roof.
    Inside, the studio created a statement brick wall in the angular, open-plan living space defined by timber and concrete accents. Generous glass doors lead to a covered outdoor patio.
    Find out more about this holiday home ›
    Photo by César BéjarVilla Cava, Tulum, by Espacio 18 Arquitectura
    Neutral tones and textures define this house in Tulum that was informed by cenotes – ancient sunken water-filled limestone pits and caves found across Mexico’s Yucatán Peninsula.
    Espacio 18 Arquitectura carved a circular window into one of the home’s ceilings, which reveals a rooftop swimming pool. Blue-coloured light filters through the opening, emphasising the cavernous atmosphere.
    Find out more about Villa Cava ›
    Photo by Diego Padilla MagallanesLa Extraviada, Mazunte, by Em-Estudio
    Architecture firm Em-Estudio stepped a pair of concrete residential volumes down a rocky hillside overlooking the coastal town of Mazunte, Oaxaca.
    Called La Extraviada, the holiday home includes an eclectic kitchen and dining space flanked by floor-to-ceiling timber shutters that open onto a terrace with a swimming pool.
    Regional materials, including guapinol wood and local stone obtained from nearby quarries, feature throughout the earthy-hued project.
    Find out more about La Extraviada ›
    Photo by Fabian MartinezCasa Tres Árboles, Valle de Bravo, by Direccion
    Architecture studio Direccion took cues from “monastic” sanctuaries when renovating this weekend retreat in Valle de Bravo.
    The open-plan living space includes exposed warm-toned wooden ceiling beams, which contrast against dark-painted walls. A soft-red sofa adds a rare pop of colour to the otherwise muted interiors.
    Find out more about Casa Tres Árboles ›
    Photo by Rory GardinerLos Terrenos, Monterrey, by Tatiana Bilbao
    Mexican architect Tatiana Bilbao added a multifunctional ceramic screen to the interior of Los Terrenos – a holiday home in Monterrey with mirrored glass facades that reflect the surrounding wooded site.
    “[The screen] works as solid and permeable floor, a screen partition, a structural wall, and as a semi-open wall that allows ventilation and sunlight to bathe the interior spaces,” explained Bilbao’s eponymous studio.
    Find out more about Los Terrenos ›
    Photo by AnsatzTonalli House, Jalisco, by Moises Sánchez 
    This stucco-clad holiday home was punctuated with strategic openings and takes cues from architecture commonly found in Mexican villages, according to its designer Moises Sánchez.
    Sánchez created an understated interior palette referencing the nearby architecture surrounding Lake Chapa, where the home is located. For example, the blocky terrazzo staircase doubles as a stepped plinth for sandy-coloured ornaments.
    Find out more about Tonalli House ›
    Photo by César BéjarCasa Areca, Tulum, by CO-LAB Design Office
    Local studio CO-LAB Design Office created Casa Areca to merge with its lush Tulum setting.
    The open-plan ground floor includes pivot doors and retractable glass walls, which enable the social area to flow into the jungle-like garden. Creamy walls and polished concrete floors were paired with local tzalam wood, jute accents and ceramic vases filled with hand-selected wild grasses.
    Find out more about Casa Areca ›
    Photo by Dove DopeEl Aguacate, El Barrial, by Práctica Arquitectura
    El Aguacate – or “The Avocado” – is a holiday home in El Barrial village made almost entirely out of concrete.
    Práctica Arquitectura topped the main living area with a tall pyramidal roof featuring a boxy skylight. The studio added a built-in fireplace and alter-like dining table to the space – also made from smooth concrete.
    Find out more about El Aguacate ›
    Photo by Rafael GamoCasa Cova, Puerto Escondidio, by Anonimous
    When designing Casa Cova in Puerto Escondido, Mexican studio Anonimous took cues from pre-colonial architecture.
    Inside, the central living space is kept cool by a traditional thatched roof made of dried palm leaves, called a “palapa.” Tiny square openings were also cut into some of the walls, creating “a dynamic light pattern from dusk till dawn”.
    Find out more about Casa Cova ›
    This is the latest in our lookbooks series, which provides visual inspiration from Dezeen’s archive. For more inspiration, see previous lookbooks featuring metal furniture, breakfast nooks and living spaces with swings.

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    Eight home interiors where full-length curtains add a touch of drama

    From a glitzy Parisian apartment to a converted garage in Buffalo, New York, our latest lookbook collects eight residential interiors where floor-to-ceiling curtains inject a theatrical feel.

    Curtains aren’t just for covering windows. A set of statement drapes can be an easy way to significantly change the mood of a room, particularly in apartment renovations.
    The selection below features curtains in stage-like living rooms, rough-edged bedrooms and cosy working nooks.
    This is the latest in our lookbooks series, which provides visual inspiration from Dezeen’s archive. For more inspiration, see previous lookbooks featuring interiors with statement carpets, furry walls and colourful bedrooms.
    Photo is by Luis Díaz DíazReady-made Home, Spain, by Azab

    Duck-egg blue curtains help to create a flexible open-plan layout at this apartment in Bilbao that was overhauled by architecture studio Azab, running the length of the living-dining-kitchen area to conceal storage space and a bathroom.
    “The curtains have theatrical and playful connotations and invites the inhabitant to perform with it, to change the space and to play with the mysteries, contradictions and paradoxes that privacy offers us beyond morality,” said the studio.
    Find out more about Ready-made Home ›
    Photo by Rory GardinerRuckers Hill House, Australia, by Studio Bright
    In this extension to an Edwardian family home in Melbourne, architecture practice Studio Bright raised the sitting room on a curved plinth, giving it a stage-like quality.
    Enhancing the effect is a heavy green curtain hung from the ceiling, which can be drawn across to turn the space into an impromptu theatre for the children to play in.
    Find out more about Ruckers Hill House ›
    Photo by Félix Dol MaillotAvenue Montaigne apartment, France, by Uchronia
    Sheer, rainbow-effect curtains cover the balconies of this opulent Haussman-era Parisian apartment, renovated by local studio Uchronia.
    Even the walls echo the curtains’ gradations of colour, while the brightly toned furnishings are designed to resemble pieces of jewellery.
    Find out more about this apartment ›
    Photo by Michael SinclairGas-holder apartment, UK, by Roksanda Ilincic
    Fashion designer Roksanda Ilincic brought her proclivity for bold colours and shapes to this London penthouse inside a former Victorian gas holder.
    Pale pink Kvadrat curtains over the full-height windows cast a rose-tinted hue over the rooms, where the colour palette is kept mostly neutral apart from some pops of bright yellow.
    Find out more about this apartment ›
    Photo by Florian HolzherrBig Space, Little Space, USA, by Davidson Rafailidis
    Peeling paintwork, uneven concrete floors and distressed wooden beams lend a distinctly rough-and-ready feel to this home-slash-workspace in Buffalo created out of a garage conversion by design studio Davidson Rafailidis.
    For the most part, the space is minimally furnished, apart from a set of high and wide drapes that introduce a luxurious twist.
    Find out more about Big Space, Little Space ›
    Photo by Norihito YamauchiLandscape House, Japan, by FORM/Kouichi Kimura Architects
    Upon entering Landscape House in central Japan, designed by Japanese studio FORM/Kouichi Kimura Architects, one is greeted by a lengthy corridor lined entirely on one side by a full-length silver curtain.
    The fabric echoes a raw concrete feature wall on the opposite side of the corridor, as well as referencing the extensive use of metal throughout the building.
    Find out more about Landscape House ›
    Photo by ONI StudioPops, Poland, by Furora Studio
    Furora Studio wanted the design of this holiday apartment in Kraków to be slightly more outrageous than the standard residential interior.
    A velvety, salmon-pink curtain dresses an entire wall in the open-plan kitchen and living room, adding to a plethora of sugary colours and rounded edges.
    Find out more about Pops ›
    Photo by Maxime BrouillettMaison-Boutique Coloniale, Canada, by Michael Godmer and Mathieu Turgeon
    Most of the spaces inside Maison-Boutique Coloniale in Montreal – renovated by designers Michael Godmer and Mathieu Turgeon as their own residence and studio – are pared-back and neutral.
    But in an office space on the basement level, plush orange curtains line the walls, combined with dim pendant lighting and a black table arrangement by Muuto and &tradition for an intimate effect.
    Find out more about Maison-Boutique Coloniale ›
    This is the latest in our lookbooks series, which provides visual inspiration from Dezeen’s archive. For more inspiration, see previous lookbooks featuring interiors with statement carpets, furry walls and colourful bedrooms.

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    Rafael Viñoly Architects unveils “last project” designed by Rafael Viñoly

    Architecture studio Rafael Viñoly Architects has unveiled designs for a terraced residential building in Uruguay, which is the last project designed by the studio’s founder.

    Located outside of Montevideo on a beachfront site, the Médano El Pinar apartment complex will be comprised of approximately 120 luxury, multi-family residences of one to five bedrooms. It is the last project designed by architect Rafael Viñoly, who died last year.
    Rafael Viñoly Architects has unveiled designs for a terraced residential complex in Uruguay”The last project designed by renowned architect Rafael Viñoly, Médano El Pinar is an innovative, ultra-sustainable, luxury, multi-family residential development,” said the studio.
    “The building’s long, low-slung, and sinewy shape integrates it with the organic landscape of its pristine setting to minimize its visual impact on the neighbourhood and make it completely invisible from the public beach.”
    It is the last project designed by the late architect, according to the studioSituated behind sand dunes, renderings show an undulating building with a terraced facade that mirrors the curves of its beachfront site.

    Residences will be distributed along its 1,394-foot (425-metre) length and contain glazed facades that will open onto terraces.
    The residences will contain glazed facades and private terraces”Generously proportioned interiors open to large elevated private gardens with panoramic views, creating a sense of ‘conscious luxury’,” said the studio.
    The building will be constructed from a locally sourced mass timber structure, according to the studio, with aims to be “the first nearly Zero-Energy Building”.

    Rafael Viñoly Architects unveils plans for vineyard-covered airport terminal

    Other sustainable strategies integrated into its design will include the use of solar panels, rainwater capture, a green roof and cross ventilation.
    Interior renderings show double-height living spaces with wood beams distributed throughout and capped by a wood-slated ceiling.
    The building will be made of a mass timber structureA wall of floor-to-ceiling windows and sliding glass doors open onto the accompanying terrace, which hosts a small pool or garden and additional seating areas.
    A large pool sitting in front of the building is also pictured, with ground-level entrances to the building tucked along its length.
    Uruguayan architect Viñoly, who died aged 78, designed numerous buildings around the world including 432 Park Avenue in New York and the Walkie Talkie in London.
    Architects and critics including Norman Foster and Michael Kimmelman paid tribute to Viñoly after his passing, and his son Román Viñoly, discussed his legacy in an interview with Dezeen.
    Other recent projects in Montevideo include a stacked housing block designed by MVRDV and a prefabricated multi-storey car park by MAPA.
    The images are courtesy of Rafael Viñoly Architects.

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    Seven playful living spaces where swings provide dynamic seating

    This lookbook compiles seven living spaces where swings show they have a place beyond children’s playgrounds by providing a gleeful alternative to static seating.

    Swings typically consist of a seat made from a flat piece of metal, plastic, wood or canvas, but can also be made from found materials such as tyres and sometimes feature a wraparound design for added safety.
    This seat is then suspended by sturdy lengths of rope or chain from a frame, ceiling or tree.
    Swings have been used for hundreds of years by cultures across the world for both leisure and ritual-related purposes, and are enjoyed by people of all ages, from children in play areas to older people who might have swinging benches in their gardens.
    From basic playground swings transplanted into grown-up interiors to intricately crafted bench swing seats that look out over lush courtyards, read on to view a selection of interiors on Dezeen that feature suspended seating.

    This is the latest in our lookbooks series, which provides visual inspiration from Dezeen’s archive. For more inspiration, see previous lookbooks featuring interiors animated by indoor slides, living spaces featuring metal furniture and spaces with oversized windows.
    Photo by Ishita SitwalaGujarat house, India, by Design ni Dukaan
    A wooden swing seat covered in pillows is suspended from the concrete ceiling of this house in the Indian state of Gujarat.
    The swing is situated in one of the house’s covered walkways and was positioned to allow the sitter to enjoy views of its open-air courtyard.
    Find out more about Gujarat house ›
    Photo by Jack HobhouseKenwood Lee House, UK, by Cousins & Cousins
    A cantilevered floating stair anchors a swing inside the hallway of this house in north London by local studio Cousins & Cousins.
    The wooden seat is suspended by softly frayed rope, creating a subtly rustic composition that compliments both the poured-concrete finish of the walls and the wood used on the ceiling, cabinets and front door.
    Find out more about Kenwood Lee House ›
    Photo by Yash R JainKarai, India, by Rain Studio
    Local office Rain Studio hung a polished wooden swing seat overlooking a verdant courtyard in this house near the city of Chennai in southern India.
    The seat is suspended from all four corners by ornately cast metal hooks and links, some of which feature animals such as elephants.
    Find out more about Karai ›
    Photo by Chase DanielAustin House, USA, by Melanie Raines
    Rustic Californian barns provided reference points for this house in Austin, Texas, which features a lofty double-height living space complete with multiple seating options.
    A metal-framed lounge chair flanked by integrated side tables is suspended from the ceiling’s wooden rafters by two long lengths of rope, adding to the interior’s whimsical atmosphere.
    Find out more about Austin house ›
    Photo by The Fishy ProjectThane apartment, India, by The Act of Quad
    Rigid metal uprights, each threaded with a cobalt-blue sphere, tie this swing seat in with the rest of the apartment’s blue-themed interior scheme, created by design studio Act of Quad.
    The seat is softened by a slim cushioned pad and has been attached to the ceiling with metal hardware.
    Find out more about Thane apartment ›
    Photo by Kevin ScottThe Perch, USA, by Chadbourne + Doss
    A pair of swings are strung up on the boundary between a covered entryway and a courtyard pond in this house in Seattle.
    The seats themselves were made from sheets of walnut timber and intended to provide the sitter with the experience of floating above the water.
    Find out more about The Perch ›
    Photo by BCDF studioParisian loft, France, by Isabelle Heilmann
    Hooks, carabiners and thick, knotted ropes affix this swing to the tall ceilings of this Parisian apartment’s living room.
    The suspended seat slots in comfortably with the rest of the eclectically-chosen furniture, including a mid-century cantilevered chair and a slouchy, ribbed sofa.
    Find out more about Parisian loft ›
    This is the latest in our lookbooks series, which provides visual inspiration from Dezeen’s archive. For more inspiration, see previous lookbooks featuring interiors animated by indoor slides, living spaces featuring metal furniture and spaces with oversized windows.

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    Dezeen Debate features rural Belgian home that achieves “such a clean result”

    The latest edition of our Dezeen Debate newsletter features House in the Fields, a rural home in the Belgian countryside. Subscribe to Dezeen Debate now.

    Geneva-based architect Stef Claes looked to mid-century and local architecture to create the low-lying home in Belgium. The residence, named House in the Fields, features white-painted walls and black accents.
    Readers discussed the project, with one commending the architects for achieving “such a clean result” and another agreeing, claiming that they “could quite happily live there”.
    “Forty-one per cent of architects now using AI” says RIBA reportOther stories in this week’s newsletter that fired up the comments section included the findings of a report by the Royal Insitute of British Architects which found that close to half of UK architects are now using AI for their projects, the announcement that Foster + Partners is designing a two-kilometre-high skyscraper in Saudi Arabia and an opinion piece by Catherine Slessor about architects working into their older years.
    Dezeen Debate

    Dezeen Debate is sent every Thursday and features a selection of the best reader comments and most talked-about stories. Read the latest edition of Dezeen Debate or subscribe here.
    You can also subscribe to our other newsletters; Dezeen Agenda is sent every Tuesday containing a selection of the most important news highlights from the week, Dezeen Daily is our daily bulletin that contains every story published in the preceding 24 hours and Dezeen In Depth is sent on the last Friday of every month and delves deeper into the major stories shaping architecture and design.

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    Kingston Lafferty Design includes “sensual” red quartzite kitchen in townhouse renovation

    Dublin studio Kingston Lafferty Design has transformed the architecture and interiors of this family home in Cork, Ireland, which features 1970s-style shapes and colours informed by the work of designer Verner Panton.

    Positioned on Lovers Walk hill overlooking the city of Cork, the townhouse – called Lovers Walk – was renovated by Kingston Lafferty Design.
    Kingston Lafferty Design completed the renovation in CorkThe studio originally planned to just update the interiors, but decided that a more extensive architectural transformation was needed after discovering structural instabilities in the home.
    Kingston Lafferty Design removed all of the floors, which lacked foundations and insulation in their concrete slab, and completely reconfigured the two-storey property’s layout.
    Rooms on the ground floor were designed around an oak-lined hallway”As the building was originally built in the 1970s, we wanted to return to its roots,” studio founder Róisín Lafferty told Dezeen.

    “We thrived on inspiration from Verner Panton with his use of strong clashing colour, playful shapes and oversized elements,” she added.
    One of these spaces is a “sensual” red kitchenThe ground floor was adapted to include an open-plan kitchen defined by a counter, island and splashback finished in veiny red quartzite.
    Ruby-toned timber was used to create the geometric cabinets. When layered with the quartzite, “it sounds like a disaster, but it’s a delight,” said the designer.
    The living room follows a similar design to the kitchenThe space, described by the studio as a “sensual red-toned jewel kitchen”, is one of several rooms on the ground floor of Lovers Walk that were designed around the central, oak-lined hallway.
    “We used the hallway as the core of the house, which grounded the space with pops of colour stemming from it. Each room leading from the core appears like a framed view or window of colour,” explained Lafferty.
    It includes a green feature wall that takes cues from Mies van der Rohe’s iconic Barcelona PavilionThe living room includes blue velvet sofas and a green feature wall clad in swirly book-matched marble, which was fitted with an alcove reserved for a subtle fireplace.
    When creating the polished stone wall, the studio took cues from the seminal Barcelona Pavilion, completed in 1929 by modernist architect Mies van der Rohe.
    A floor-to-ceiling headboard takes centre stage in the main bedroom”We used green as an overall thread throughout the house, inspired by the surrounding landscape,” added Lafferty.
    “Although depending on the time of year, the colours tend to change and so we were able to add in other rich colours that anchor the green such as burgundies and bright oranges,” she added.
    Stonework also defines the en-suite bathroom”One would assume this mix of colours would clash, but we choose the tones and textures of each to ensure that all of them would blend harmoniously,” Lafferty said.
    Upstairs, the main bedroom and en-suite bathroom were dressed in the same eclectic interiors as the communal spaces. A floor-to-ceiling headboard, finished in diamond-shaped green tiles originally designed by 20th-century architect Gio Ponti, frames the bed.
    A playful bed was added to the bedroom created for the occupants’ childBalloon-like coloured glass vases were positioned on two bedside tables, which were topped with the same slabs of Rosso Levanto marble as the geometric vanity desk.
    The bedroom designed for the occupants’ child features an alternative bed – a playful green structure with two stacked levels and half-moon openings that reveal a cosy sleeping area on the bottom level.

    Kingston Lafferty Design creates “otherworldly” interiors for Dublin skin clinic

    Other accents featured throughout the home include burl wood, terrazzo, plaster and brass. The repetition of 1970s-style thick pile carpets emphasises the dwelling’s textured material palette.
    Lovers Walk is the studio’s “closest nod” to the work of Panton, explained Lafferty – “down to the selection of every tile, light fitting and exquisite piece of designer furniture”.
    Deep blues characterise the guest bedroom”Although there is such an array of materiality, it is balanced by repeated colour, shape and form,” she said.
    “Every space in this house is an assault on the senses, in the best way possible.”
    Lovers Walk was informed by the work of Verner PantonFounded in 2010, Kingston Lafferty Design has completed projects ranging from a Dublin restaurant with oversized lollipop-like lamps and a co-working office in Belfast that includes a yoga studio.
    The photography is by Ruth Maria Murphy. 
    Project credits:
    Interior architecture and design: Kingston Lafferty DesignWoodwork: DFLStonework: Miller Brothers

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    Lucas y Hernández Gil adds multi-use greenhouse to Madrid bungalow

    A renovated 1970s bungalow with “kitsch character” and a greenhouse that doubles as a living room feature in Casamontesa – a weekend home designed by Spanish studio Lucas y Hernández Gil.

    The project began when a couple asked the studio to overhaul a single-storey house that was once part of a hotel complex on the outskirts of Madrid.
    The renovated bungalow and a multifunctional greenhouse (above) make up CasamontesaThe brief later expanded to include a multifunctional greenhouse that can be used as a workspace, a guest bedroom, a gym or simply as a garden room.
    Lucas y Hernández Gil, led by architects Cristina Domínguez Lucas and Fernando Hernández-Gil Ruano, developed a distinct character for each building.
    The main house is a bungalow built in the 1970sCasamontesa’s renovated bungalow has a warm, playful style that draws on the 1970s aesthetic while the garden pavilion has a more utilitarian feel.

    “The owners, a young urban couple who love design and live and work in the centre of Madrid, were looking for a functional and compact getaway within a fantastic garden,” Lucas told Dezeen.
    “They wanted a very comfortable and flexible home that would be useful for both working and getting together with friends.”
    The interior centres around a new kitchen islandThe bungalow renovation involved simplifying the interior layout to create a combined kitchen, dining room and living room, with a bedroom and bathroom off to one side.
    “The house, in addition to being small, was very compartmentalised,” explained Lucas.
    The materials palette includes pink marble and handmade tilesTo unify the newly open-plan living space, the designers installed an island that serves as a worktop, dining table and social gathering place.
    This island features a countertop made from Portuguese pink marble while its sides are covered in the same handmade burgundy tiles that line an adjacent window recess.
    An arched fireplace provides a focal point in the living room”The rest of the surfaces – Campaspero stone floors and waxed tinted plaster walls – establish a dialogue by contrast with the colourful and shiny surface of the tiles,” added Lucas.
    Key details in the living room include an arched fireplace and a tadelakt plaster coffee table, while the bedroom features semi-circular marble nightstands.

    McCloy + Muchemwa adds timber-framed “orangery” to renovated garage

    For Casamontesa’s garden room, the design team customised a prefabricated greenhouse.
    A pergola extends the building volume outwards in a bid to blur the boundary between inside and out, and is topped with wooden blinds to provide shade.
    A pergola extends the width of the greenhouseA wooden box on wheels provides an additional bedroom, described as a “small Shigeru Ban-style mobile room”.
    Other additions include thermal curtains and an automatic shading and ventilation system, which allow for versatile use of the space throughout the year.
    A “Shigeru Ban-style mobile room” provides an additional sleeping space”By complementing the programme of the original bungalow, a more complete and flexible program is achieved, overcoming the limitations of a weekend house,” added Lucas.
    Other recent projects by Lucas y Hernández Gil include a bar featuring extreme colour blocking and an apartment with a hidden closet.
    The photography is by José Hevia.

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