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      Eight living rooms where vintage furniture adds an “unknown history”

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      Our latest lookbook features living rooms where vintage furniture and accessories add interest to contemporary interiors, including a concrete apartment in São Paulo and a home in the BBC’s former London headquarters.

      Vintage furniture can create cosy interiors and add a sense of timeless style to both modern new builds and historic homes.
      Whether it’s iconic pieces by well-known designers or artisanal accessories, these eight projects all feature eye-catching vintage furnishings and show how they can be used to create inspiring interiors.
      This is the latest in our lookbook series, which provides visual inspiration from Dezeen’s archive. For more inspiration see previous lookbooks featuring burl-wood interiors, homes where ruins reveal layers of the past and well-designed sheds and outbuildings.
      Photo by Eric PetschekAmagansett Beach House, US, by Starling Architecture and Emily Lindberg Design

      Located by the beach in the Hamptons village of Amagansett, the interior of this blackened wood home was filled with a mix of vintage and contemporary furniture.
      In one corner of the living room, a modern wood desk has been complemented with a dark-wood vintage chair, while a wooden lamp and small sculpture add a decorative touch.
      Find out more about Amagansett Beach House ›
      Photo by Edmund DabneyHighbury apartment, UK, by Holloway Li
      London studio Holloway Li designed this apartment for its co-founder Alex Holloway in a converted Victorian house.
      The living room, unusually, holds a bathtub that was placed here to add an “alternative touch” to the flat. Next to it, a green vintage Eames office chair sits by a bespoke timber Holloway Li desk.
      Find out more about Highbury apartment ›
      Photo by Michael SinclairPalace Gate apartment, UK, by Tala Fustok
      Designed to be a “calm sanctuary,” this apartment in a Victorian mansion block close to London’s Hyde Park has a neutral cream, white and brown colour palette.
      In the living room, a selection of carefully chosen artworks in organic shapes match the vintage furniture and antique mirror.
      Find out more about the Palace Gate apartment ›
      Photo by Denilson MachadoDN Apartment, Brazil, by BC Arquitetos
      This 1970s São Paulo apartment (above and main image), renovated by Brazilian studio BC Arquitetos, features monolithic concrete panels and plenty of walnut panelling.
      Vintage furniture pieces by Brazilian mid-century modern designers are found throughout the flat including in the living room, where a gleaming wooden Petalas table by Jorge Zalszupin has pride of place.
      Find out more about DN Apartment ›
      Photo by Brotherton LockChestnut Plantation, US, by John Pardey Architects
      Local studio John Pardey Architects designed Chestnut Plantation as a simple backdrop to the client’s vintage furniture.
      The largely open-plan interior features a living room with floor-to-ceiling glazing and textured brick walls, which contrast nicely against the more ornate vintage chairs that were placed to have a view of the garden.
      Find out more about Chestnut Plantation ›
      Photo by Michael SinclairHelios 710, UK, by Bella Freud and Maria Speake
      The interior of this apartment, located inside the former BBC headquarters in west London, was designed to channel a 1970s vibe.
      In the living room, a glass dining table is complemented by woven-cane dining chairs and burnt-orange sofas contrast against the emerald green floor. The pieces were chosen to evoke the “bold colour, eclecticism and glamour” of the seventies.
      Find out more about Helios 710 ›
      Photo by Giulio GhirardiHaussmann apartment, France, by Rodolphe Parente
      A yellow sculptural vintage sofa decorates the living room in this apartment in a 19th-century Haussmann building in Paris, which was given a contemporary overhaul by interior designer Rodolphe Parente.
      Its colour was chosen among the other warm tones used in the apartment to “subtly enhance the classical heritage of the apartment and keep an enveloping atmosphere,” the interior designer explained.
      Find out more about the Haussmann apartment ›
      Photo by Nicole FranzenLong Island Home, US, by Athena Calderone
      New York designer Athena Calderone renovated her own mid-century home in Amagansett to brighten it up and make it feel warmer. Vintage furniture is a big part of the design as seen in the living room, which has two white vintage chairs in different designs.
      “I would say probably 80 per cent of this home has vintage furniture,” Calderone added. “I love what vintage does to the home. It adds an unknown history and a timeworn patina.”
      Find out more about the Long Island Home ›
      This is the latest in our lookbook series, which provides visual inspiration from Dezeen’s archive. For more inspiration see previous lookbooks featuring burl-wood interiors, homes where ruins reveal layers of the past and well-designed sheds and outbuildings.

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      Plus One Architects uncovers original paintwork of 100-year-old Czech apartment

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      Prague studio Plus One Architects has restored the “original splendour” of this 1902 apartment in Karlovy Vary, Czech Republic, by reinstating some of its original features.

      Located in a turn-of-the-century apartment block, the two-bedroom flat was renovated by Plus One Architects, who exposed the original paintwork present on the walls and ceilings.
      The Karlovy Vary Apartment features minimal furnishingsThe studio also streamlined the circulation inside the apartment by removing doors to open up pathways, as well as undoing dated additions that had been installed over the top of the original walls and floors.
      “We think the first renovation was probably done in the late 70s,” architect Kateřina Průchová told Dezeen. “It was full of wooden cladding on the walls, a lot of doors and carpet that covered the original floors.”
      Transom windows let light flood through the roomsThe revamped interior has a bright, airy atmosphere, as natural sunlight comes in through the large unobstructed windows and continues deeper into the rooms thanks to the addition of transom windows on some of the interior walls.

      Remnants of colourful mottled paintwork appear on the walls and ceilings alongside brown and beige sections of plaster.
      Mottled blue and yellow paintwork decorates the primary bedroomNeutral-coloured paint and plasterwork feature in the kitchen and living room, where Plus One Architects retained the apartment’s original masonry heater clad in glossy brown tiles.
      Painted details are also apparent on the ceiling, with concentric bands of red, blue and yellow delineating the perimeter of the room.
      Doors were removed to improve the flow between spacesPink paint appears in the corridor and smaller bedroom while blue paintwork can be seen in the primary bedroom, complementing the restored wooden floorboards.
      In the bathroom, white tiling lines the walls, interspersed with iridescent tiles and sections of exposed paintwork.

      Uchronia conceives Haussmann-era Paris apartment as “chromatic jewellery box”

      The rooms are sparingly furnished, allowing the paintwork to be the interior’s focal point.
      Plus One Architects brought in furniture with minimalist forms by Czech design studio Janský & Dunděra alongside decorative pieces from local design brand Todus.
      The bathroom is fitted with white flooring, tiling and fixtures”I hope we managed to return the apartment to the original splendour of the period, in which the house was built,” said Průchová.
      “You can feel how the building looks from the outside – it is an old house in the historic part of a spa town.”
      The kitchen and dining room overlook neighbouring rooftopsKateřina Průchová and Petra Ciencialová founded Plus One Architects in 2019. The studio is based in Prague and works on projects across the Czech Republic.
      Other apartment interiors that have recently been featured on Dezeen include a home in Milan centred around a monolithic green marble partition wall and a pastel-decorated apartment in Kraków.
      The photography is by Radek Úlehla.

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      Ideas of Order selects bright colours for New York apartment renovation

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      Bright hues define the different interventions that New York architecture studio Ideas of Order has made in this apartment at the northern tip of Manhattan.

      The 1,000-square-foot primary residence in Hudson Heights was partially renovated for a couple, who had been living in the space for several years before deciding to invest in making it better suited to their needs, rather than buying another apartment.
      One side of this Manhattan apartment was overhauled by Ideas of Order to make it function better for its owners”Their sons had been sharing a room, but were beginning to need their own spaces,” Ideas of Order told Dezeen.
      “They also wanted a space that could be designed for flexibility for when their children left for college.”
      In the newly created bedroom, a lime green built-in houses a bed, a desk and storageThe kitchen also needed updating, to make it more suitable for entertaining, and more efficient storage space was required in the entryway.

      So the architects reworked one side of the open living area, adding a bedroom on one side of the kitchen and refreshing the other areas.
      A new wall divides the bedroom from the kitchenThe husband is French, and the couple spent several years living together in France.
      During this period, they both became enamoured by the midcentury architecture and design in the country and wanted to apply this style to their own home.
      Raspberry and periwinkle cabinets surround the cooking area, which also features aluminium panels”Inspired by their stories and the history of how colour was used by French midcentury designers like Charlotte Perriand, we suggested a series of polychrome millwork pieces inspired by Perriand’s design language, but updated for a contemporary home,” said Ideas of Order.
      The different areas of the home were therefore given their own identities by applying bright hues.
      A porthole looks through from the bedroom into the kitchen, which has rubber flooringLime green is used in the bedroom across a full wall of built-ins that incorporate a single bed, a workstation and plenty of storage.
      Sliding doors with fritted glass panels pull across to enclose the slightly raised room, while a porthole window with double shutters looks through the new wall that separates the kitchen.
      Storage in the entryway was made more efficient by new pink and grey built-insThis adjacent space is denoted by raspberry and periwinkle millwork, which surrounds a small preparation area with an aluminium backsplash and matching panels above.
      The same metal also fronts the bar counter between an arched opening to the living area, which is topped with concrete.
      Archways between spaces throughout the apartment have curved cornersRubber flooring in the kitchen offers a practical alternative to the wood used through the rest of the apartment.
      Finally, in the entryway – which is again raised slightly higher than the living area – an L-shaped cabinet system was constructed in a corner beside the door.

      GRT Architects combines oak and mosaic tiles for East Village Apartment renovation

      Pale pink is applied to the frames, while the doors and drawer fronts are finished in light grey and walnut is used for the trim. Choosing the right hues was a challenge that took many iterations to find the right balance, according to the architects.
      “It was important that each pair of colours in the millwork work together, but that the colours also harmonise when viewed as a whole,” they said. “We wanted the colours to be bright, but not overpowering. And we wanted the colour pairings to feel timeless and not too trendy.”
      The architects went through many iterations to find the right balance of coloursAnother challenge was the budget, which was modest by New York City standards and required some conscientious spending – particularly on small details that would make a big impact.
      “We love the custom pulls for the millwork, the shutters for the circular window, and the rounded end to the partition between bedroom and kitchen, which reflects the rounded openings throughout the apartment,” the architects said.
      The couple had been living in the space for several years before deciding to invest in making it better suited to their needsIdeas of Order was founded by Jacob Esocoff and Henry Ng, who are both Fosters + Partners and WORKac alumni.
      Their renovation is one of the most colourful interiors we’ve featured in New York City of late, compared to a neutral show apartment inside the One Wall Street skyscraper and a loft in Dumbo with a subdued palette.
      The photography is by Sean Davidson.

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      Nine contemporary homes where ruins reveal layers of the past

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      In this lookbook, we feature nine residential projects that demonstrate unique ways of interacting with a site’s history by weaving existing ruins into their designs.

      Until recently, it has been common practice to hide away old structures during adaptive reuse projects.
      However, the architects in this list embrace the past by stitching domestic spaces with the remains of former buildings, creating inventive encounters with preserved architectural remains.
      This is the latest in our lookbooks series, which provides visual inspiration from Dezeen’s archive. For more inspiration see previous lookbooks featuring clever outbuilding interiors, homes with mid-century modern furniture and residential spaces with playful net floors.
      Photo by Tamás BujnovszkyNickzy Apartment, Hungary, by Béres Architects

      Carefully preserved stone walls are featured in this Hungarian guesthouse renovation by local studio Béres Architects.
      20th-century plaster finishes have been stripped back to expose the 400-year-old apartment’s original stonework, reestablishing its visual prominence against modern white-rendered walls.
      Find out more about Nickzy Apartment ›
      The photography is by José HeviaEl Priorato, Spain, by Atienza Maure Arquitectos
      The interiors of this 16th-century Spanish clergy house were restored by Atienza Maure Arquitectos to create ambiguity between the existing structure and new interventions.
      Concrete vaults, white-painted walls and limited fixtures sit alongside heritage-protected arches to create minimal differentiation between the materials and spaces.
      Find out more about El Priorato ›
      The photo is by José HeviaMediona 13, Spain, by Nua Arquitectures
      In the historic centre of Tarragona, Spain, Nua Arquitectures reinforced this home’s crumbling stone and timber structure with brightly coloured steel supporting elements.
      According to the studio, the steel insertions add another layer to the home’s visible “memory” and draw attention to the historic building fabric.
      Find out more about Mediona 13 ›
      The photo is by James MorrisCroft Lodge Studio, West Midlands, by David Connor Design and Kate Darby Architects
      David Connor Design and Kate Darby Architects enclosed the decaying remains of a 300-year-old building under a steel-framed shell in England’s West Midlands area.
      The bold new studio maintains every aspect of the heritage-listed structure within the internal living spaces, including the rotting timber, dead ivy and old birds’ nests.
      Find out more about The Parchment Works ›
      The photo is by Francesca IoveneCascina, Italy, by Jonathan Tuckey Design
      For this farmstead restoration in Italy, British studio Jonathan Tuckey Design prioritised returning the 19th-century buildings to their original state with minimal alterations.
      The existing beams and trusses of the distinctive barn roof had lost their structural integrity, leading the studio to layer a new roof atop the timber without disrupting the internal aesthetic.
      Find out more about Cascina ›
      The photo is by Simon KennedyArdoch House, Scotland, by Moxon Architects
      Moxon Architects expressed eye-catching details of 19th-century ruins within this outbuilding refurbishment in the Scottish Highlands.
      Alongside new finishes of uniform clay plaster, pieces of the crumbling masonry were preserved within the guesthouse’s renovated walls and doorways as subtle connections to the earlier building.
      Find out more about Ardoch House ›
      The photo is by Johan DehlinThe Parchment Works, Northamptonshire, by Will Gamble Architects
      The remains of a 17th-century parchment paper factory and cattle shed were brought into focus within this residential extension by Will Gamble Architects.
      New interventions were intended to be discreet, exposing original structural elements internally, while configuring glazing to look out onto uncovered ruins from the ground floor.
      Find out more about The Parchment Works ›
      The photo is by Rory GardinerRedhill Barn, Devon, by TYPE
      This 200-year-old English barn was in a state of disrepair before TYPE restored it into a modern family home.
      Aiming to distinguish between old and new, the studio lined contemporary wall finishes and wood panelling against remnant stone walls, while using existing columns to dictate the house’s layout.
      Find out more about Redhill Barn ›
      Photo by David BarbourCuddymoss, Scotland, by Ann Nisbet Studio
      Scottish architecture practice Ann Nisbet Studio inserted a timber-framed home into a stone ruin in Scotland and defined new living spaces within the surviving forms.
      To encourage layered encounters of the site, views of the landscape were also aligned with existing window apertures from the bedrooms.
      Find out more about Cuddymoss ›
      This is the latest in our lookbooks series, which provides visual inspiration from Dezeen’s archive. For more inspiration see previous lookbooks featuring homes with net floors, mid-century modern furniture and perforated brick walls. 

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      Sam Crawford Architects tops Sydney home renovation with “garden oasis”

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      A private roof terrace enclosed by greenery features in Hidden Garden House, a Sydney home reconfigured by Australian studio Sam Crawford Architects.

      Situated within a conservation zone, the home has been updated by Sam Crawford Architects to brighten its dark interior and transform it into an urban “sanctuary”.
      An open-tread staircase has been added to the hallwayAlterations to the 198-square-metre home’s interior are first seen in its entrance, where a stair with open treads and a white-steel balustrade replaces a solid timber structure that previously restricted light from a skylight above.
      Down from the entry hall is a spacious ground-floor kitchen and dining area, which is illuminated by 4.5-metre-high glass openings that lead out to a landscaped patio. The patio is paved with limestone tiles that extend out from the interior.
      A curved concrete roof features in the kitchen”By extending the ground floor finishes through the full-width doors into the rear yard, the garden and high-level green trellises at the rear of the site form the fourth wall to the rear wing,” studio director Sam Crawford told Dezeen.

      “They create a sense of enclosure that draws the occupant’s eye up to the expanse of the sky rather than surrounding suburbia.”
      Angled timber screens and greenery ensure privacy for the bathroomA concrete ceiling in Hidden Garden House’s kitchen curves upwards to help draw in the winter sun and provide summer shading, while operable clerestory windows allow natural ventilation.
      Above, this curved ceiling forms a sloped roof terrace filled with plants, which is situated off the main bedroom on the upper floor.

      John Ellway updates Brisbane cottage with staggered extension and gardens

      An ensuite bathroom, also lined with limestone floor tiles, has expansive openings offering a scenic yet private bathing experience enabled by angled timber screens and the terrace’s greenery.
      “The rolling green roof serves as a visual barrier to the surrounding suburb, whilst allowing the occupants to occupy their private garden oasis,” added Crawford.
      White walls and wooden furniture feature throughout the interiorHidden Garden House’s consistent material palette of bright white walls and wooden furniture ties its living spaces together, while decorative square tiles line both the kitchen and bathrooms.
      Curved details, such as the patio’s shape and the kitchen island and splashback, also feature throughout.
      The home aims to be an urban “sanctuary”Other alterations that were made to improve Hidden Garden House’s layout include the relocation of entrances to the ground floor laundry room and bathroom.
      Elsewhere, Sam Crawford Architects has also created a restaurant topped with an oversized steel roof and a bridge modelled on the curving shape of eels.
      The photography is by Tom Ferguson.
      Project credits:
      Architect: Sam Crawford ArchitectsBuilder: TokiStructural engineer: Cantilever EngineersCivil & hydraulic engineer: PartridgeAcoustic engineer: Acoustic LogicHeritage consultant: Damian O’Toole Town PlanningQuantity Surveyor: QS PlusLandscape design: Gabrielle Pelletier, SCARoof garden supplier: Fytogreen Australia

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      YSG brings boutique-hotel feel to family home in Sydney

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      Interiors studio YSG has upgraded a home in Sydney’s Mosman suburb to feature “lavish yet tranquil” interiors that are more akin to those of a luxury hotel.

      The three-storey house previously had drab grey walls and awkwardly placed partitions but now features more coherently connected rooms finished in a sumptuous mix of materials.
      Black Diamond is a house in Sydney’s Mosman suburb”Our clients wanted a home that felt like a boutique hotel with a lavish yet tranquil tonal intensity that was rich in substance, not excess trimmings,” YSG explained.
      “We took a deep dive, converting it into a tactile haven with nooks for respite amongst spaces that freely ebb and flow.”
      YSG expanded the home’s covered balcony to accommodate a large tableThe studio started by reconfiguring the home’s first floor to make way for more outdoor entertainment space.

      A glass alcove that used to jut into the balcony was removed, allowing room for a large table where the clients can sit and take in views of the nearby harbour.
      A custom timber table is the centrepiece of the dining areaThe expanded balcony means there is now less room on the interior. But YSG worked around this by removing the kitchen’s cumbersome bulkhead and two partition walls that once framed its breakfast island.
      The revamped kitchen now features a black counter clad with leathered marble and shimmering mosaic tiles.
      A plaster-washed stairwell leads up to the second floorBlack mosaic tiles also cover a section of the floor and the chimney breast in the living room, leading the studio to nickname the project Black Diamond.
      “Combined with the dark timber floors and ceiling, they provide sheltered respite from the brilliant glare and frenzied harbour activity, enabling the room to take an inward-looking approach,” YSG said.
      The principal bedroom is decked out in natural huesThe living room was dressed with a plump cream swivel chair and an alpaca-wool sofa finished in the same lilac colour as the flowers of the Jacaranda trees that surround the home.
      A custom timber table is the centrepiece of the dining area. It sits beside a partition made of smoked-glass blocks, which YSG constructed around three steel struts that now provide structural support in place of a solid wall.

      YSG designs playful Sydney penthouse for empty nesters

      A plaster-washed stairwell leads up to the home’s second floor and is doused in natural light via a newly installed glass-brick facade. Some of these bricks are made from yellow glass, chosen by YSG to reflect the home’s “sunny disposition”.
      The staircase’s lower steps were ebonised to complement the black tiling that appears throughout the first floor while the upper steps are crafted from a pale timber to signal a change of space.
      Striking raffia-weave wallpaper lines cupboards in the walk-in wardrobeThe home’s top floor accommodates the principal bedroom, entered via a doorway lined in Rosso travertine. The bed is positioned at the centre of the room, set against a new low-lying partition.
      Behind it, the studio installed extra storage and established a new entryway to the walk-in wardrobe, which could previously only be accessed from the en-suite.
      The bedroom’s nook now accommodates a comfy curved banquetteGeometric raffia-weave wallpaper lines the front of all the cupboards, complementing the warm, natural hues that feature throughout the rest of the room.
      The bedroom leads off to a curved nook that used to contain a jumble of furnishings but now has a wooden desk and dramatic boucle-covered banquet that winds around its outer perimeter.
      Sea-green furnishings and decor feature in the studyThe project also saw YSG decrease the size of the kids’ playroom on the home’s ground floor in order to enlarge the utility room.
      A spare bedroom at this level was converted into a study and finished with sea-green furniture.
      Pink-hued Tiberio marble covers surfaces in the first-floor powder roomOutside, the studio replaced weathered decking with “crazy paving” composed of jagged slabs of pale stone and constructed a cushioned day bed that cantilevers over the pool.
      Other fun elements of the home include the ground-level powder room, which is clad top-to-bottom in pinkish Tiberio marble, and the wine cellar door with its tangerine-orange porthole windows that provide a glimpse of the bottles inside.
      The pool area features fresh paving and a cantilevering daybedYSG is behind the design of several residences in Sydney. There’s Budge Over Dover, a tactile home decked out in brick, brass and coloured plasters, and the playful penthouse Dream Weaver, curated to suit the owner’s bolder post-lockdown aesthetic.
      The photography is by Anson Smart.
      Project credits:
      Interior design and styling: YSGBuilder: Promena Projects

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      “We must abandon the ordered, rational, learned good taste and comfort we’ve become used to”

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      Interior design must begin facing up to uncomfortable truths about our planet and health in 2024, Michelle Ogundehin writes in her annual trends report.

      This must be the year of truth. It’s no time to be distracted by talk of trends, new or latest looks. The tactic of holding facts at arm’s length has only enabled denial, obfuscation, and fakery, as well as cauterising our moral obligation to change. Mark Twain aptly summarises our current malaise with the pithy: “What gets us into trouble is not what we don’t know, it’s what we know for sure that just ain’t so.”
      Thankfully, the zeitgeist is shifting. We see it in current TV programming, ever a prescient reflection of public mood. Consider Channel 4’s punchy The Great Climate Fight, which volubly charges the British government with incompetence, to ITV’s Mr Bates vs The Post Office, dramatising the scandalous lies behind a huge miscarriage of justice.
      It’s no time to be distracted by talk of trends, new or latest looks
      The desire for unvarnished veracity is there in Netflix’s new tranche of documentaries. Think Robbie Williams: Behind the Scenes and its Jeffrey Epstein exposé. Even Disney’s Wagatha Christie vehicle was about truth-telling.

      It reflects the shattering of any persistent facade that everything’s just fine. In the face of extreme weather patterns – from tornados in Manchester in the north of England to record-breaking monsoons in Pakistan – and the escalating rates of chronic disease, anxiety, depression, loneliness epidemics, and other mental-health disorders seen worldwide, surely, finally, our eyes are opening?
      In case not, here are a couple of truths that we may need to be reminded of.

      Maximalism to make way for “quiet refinement” in 2024 say interior designers

      One: the perpetual quest for economic growth is unsustainable on a finite planet, yet it prevails because we’ve been hoodwinked into believing that better always means newer, faster, or more. We are entreated to consume for the good of the economy – the work-to-spend cycle. The implication being that if we don’t, we’re responsible for mass unemployment and the failure of honest businesses.
      Ergo, consumer-driven economies are routinely prioritised over basic citizen welfare, and material goods have become proxies for our dreams and aspirations, even our expressions of love.
      Two: the environments in which we live are increasingly toxic – physically, socially, and mentally. Yet we’re reneging on personal responsibility for our wellbeing with the misguided assumption that big industry would never create products dangerous to human health, and that our healthcare providers are there to patch us up if they do. We need to focus on causes and prevention instead of lucrative (but futile) searches for cures for diseases like cancer.
      It wasn’t so long ago that the desire to exercise, seek wellbeing, or be social were reasons to leave the home
      What’s tricky is that potential solutions to the above don’t wash well with legislators or many politicians because they appear slow, unduly restrictive, difficult, or inconvenient. Immediate results (i.e. within a single term of office) are seldom forthcoming, thus a stance of head-in-the-sand, or a default to fast fixes, becomes entrenched as the go-to action.
      And yet, research suggests that we, the people, feel differently. According to the 10th annual Life at Home report produced this year by IKEA (one of the world’s largest home surveys, encompassing the views of 37,428 people aged 18-plus across 38 countries), searches for “slow living” have doubled since 2015.
      So where does this leave us?
      We’re being pushed and pulled in many contradictory directions. It wasn’t so long ago that the desire to exercise, seek wellbeing, or be social were reasons to leave the home. Now these activities all happen within the same four walls.

      “Peach is the right colour, but for all the wrong reasons”

      This creates many tensions. Should our domestic caves be linked to the world via the latest high-tech gizmos, or be our deliberate respite from the techno-frazzle? How do we square a wish for personal privacy with the sensation of living in more open spaces? Can we work from home without feeling like we live at work?
      It was no surprise to me that Squishmallows were the hit toy of 2023. These soft, malleable cute-character cushions are acutely comforting to hold. Even the revered investor Warren Buffet now has the company in his portfolio. They are a potent symbol of a need.
      In response, the popular press touts voluminous La-Z-Boy-style recliners as the next big thing, but is an inducement to lounge ever further into denial really what’s called for?
      Our ability to thrive must become the guiding principle for all design
      Humans are the ultimate adaptors, but we require stimulus to learn and grow, if not an element of discomfort. While your genes may load the gun, your environment pulls the trigger. Currently, for many, that’s somewhere hyperconnected yet also physically disconnected, temperature-controlled and sedentary.
      Align this with the current cult of convenience – that which enhances personal comfort or advantage over everything else, and therein lies the downward spiral.
      We must abandon the ordered, rational, learned good taste and comfort that we’ve become used to in favour of something more instinctive and rugged. Less a singular design aesthetic than a profoundly sensory desire to touch, smell and feel intensely. It is the personal over the predictable. The umami in the dish. The idea that owes its genus to a singular moment of unique creative vision, or innovation.

      Dezeen readers name Casa Tres Árboles best home interior of 2023

      We must aim for a societal stability that does not rely on the continuous fetishisation of “novelty” to drive ever-increasing consumption if economic activity is to have a hope of remaining within ecological scale. Our ability to thrive must become the guiding principle for all design, if not perceptions of success.
      Most importantly, we can no longer be afraid to speak or hear these truths, starting at home – the environment over which we have the most agency.
      Here, then, are some final “home” truths that bear repeating.
      Most homes are more polluted on the inside than a busy street corner outside due to the build-up of invisible toxins therein, yet we spend 90 per cent of our time indoors. Some examples: gas hobs leak benzene, a known carcinogen, even when they’re off – this has been linked to one in eight cases of childhood asthma.
      We have been living in a time of fantastical storytelling
      Microplastics have been found in the placentas of unborn babies. Chemicals in everyday personal care products can cause chronic hormonal disruption that leads to breast cancer. Chemical flame retardants legally mandated for use on your upholstery increase smoke toxicity more than they reduce fire growth.
      And Wi-Fi may not be as benign as you think. The World Health Organisation, in association with the International Agency on Cancer, formally classified electromagnetic field radiation (as emitted by Wi-Fi connected devices) as a Class 2B human carcinogen (potentially harmful to health) over a decade ago.
      In summary, we have been living in a time of fantastical storytelling, fictions of delusional positivity that obscure the truth. Plato considered that truth is a correspondence between belief and reality. Time to wake up then if we are to stand a chance of survival, as our current reality almost beggars belief.
      Michelle Ogundehin is a thought leader on interiors, trends, style and wellbeing. Originally trained as an architect and the former editor-in-chief of ELLE Decoration UK, she is the head judge on the BBC’s Interior Design Masters, and the author of Happy Inside: How to Harness the Power of Home for Health and Happiness, a guide to living well. She is also a regular contributor to publications including Vogue Living, FT How to Spend It magazine and Dezeen.
      The photo, of a Kyiv apartment designed by Olga Fradina, is by Yevhenii Avramenko.
      Dezeen In DepthIf you enjoy reading Dezeen’s interviews, opinions and features, subscribe to Dezeen In Depth. Sent on the last Friday of each month, this newsletter provides a single place to read about the design and architecture stories behind the headlines.

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      Ome Dezin restores 1960s California residence by A Quincy Jones

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      US studio Ome Dezin has renovated a large mid-century home in Brentwood, California, using a tonal colour palette and maximising the lush hillside views.

      The six-bedroom 12221 Benmore residence was designed and constructed in 1960 by notable local architects A Quincy Jones and Frederick Emmon.
      Natural materials and neutral colours were chosen throughout the home to highlight the lush viewsWhen Jesse Rudolph and Joelle Kutner of Ome Dezin came to the project, it had undergone a 1990s remodel that had stripped away its character and style.
      The team made it their mission to revive the home’s original charm and connection to the outdoors, bringing in natural tones and materials.
      White oak and travertine are recurring materials, as seen in the bar area”We have always been fans of A Quincy Jones and familiar with his work, which is what prompted us to see the home initially,” the duo told Dezeen.

      “This one did not disappoint — it had the typical Quincy atrium-like living space centered across from the exterior which includes a 40-foot (12-metre) waterfall.”
      The main living spaces all flow together and have expansive views onto the gardenMany of the existing fixtures were retained, including the fixed windows and doors, wherever possible.
      To keep the focus on the views from the large windows, the interior was designed with “a more muted, streamlined aesthetic”.
      Custom pieces designed for the home include a dining table and chairs created in collaboration with Ben Willett”We wanted to ensure the intention of Quincy was intact, so we aimed for a bit of brutalism and connection with nature,” said Rudolph and Kutner. “We opted for a limited material and color palette in favour of natural tones.”
      The new white oak staircase designed for the three-storey atrium features rectangular forms and has an architectural presence, echoing the shape and style of the building.
      Large windows are found in almost every room, so the decor is kept minimal and sparse so as not to draw focusIt sits at the nexus of the living room, dining area, kitchen and bar, which all flow together and enjoy expansive views out the back of the house.
      A den adjacent to these open spaces is furnished with a variety of midcentury pieces, in keeping with the building’s history.
      Dramatically patterned Cipollino stone in the bathroom echoes the grey tones of the rocks outsideTwo types of stone were used throughout the home: travertine, which appears in the kitchen, bar area and powder room, and richly patterned Cipollino in the primary bathroom chosen to pick out the colours of the mountains visible through the windows.
      In the lower-floor bedrooms and around the fireplace, flagstones and cobblestones were laid to create a grounding quality and to connect the spaces to the rocky landscape outside and pavers around the swimming pool.

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      Custom pieces designed for the project include the dining table created with furniture designer Ben Willett, which allows all of the chairs to be tucked away neatly underneath.
      Two 10-foot-high (three-metre) doors were custom-built for the living space and feature Jean Prouvé-influenced circular window cutouts that allow light to shine through.
      The garden features a swimming pool and a 40-foot (12-metre) waterfall”We paid special attention to the lighting in the home, mostly sourcing vintage lights to add charm and character,” the design team said.
      “With such a large home, and lots of windows and tall ceilings, warm mood lighting really made the spaces feel intimate and magical, particularly in the evenings.”
      The home was designed and constructed in 1960 by A Quincy Jones and Frederick EmmonRudolph and Kutner founded Ome Dezin as a design and development studio focused on residential restoration in and around Los Angeles.
      California has no shortage of mid-century properties in need of revamping. Other recently completed examples include Studio Schicketanz’s renovation of modernist architect Henry Hill’s former seaside home, and Woods + Dangaran’s overhaul of a residence that once belonged to singer Bing Crosby’s manager.
      The photography is by Nils Timm.

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