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    Eight kitchens with floor-to-ceiling cabinets that cleverly conceal clutter

    Kitchens can often be difficult to keep tidy, but this lookbook demonstrates how floor-to-ceiling cabinets are an effective way to streamline and create clutter-free backdrops for food prep.

    Traditionally, kitchens are designed with floor and wall cabinets dropped below the ceiling to ensure they are reachable. However, today many architects and interior designers are opting for full-height solutions instead to maximise storage space.
    The examples in this lookbook show that floor-to-ceiling storage solutions are suited to kitchens of any size and style, and can be used to conceal clutter, appliances and even doorways.
    A bonus is that these cupboards also minimise areas for dust to gather, requiring less time spent on cleaning and leaving more for cooking.
    This is the latest in our lookbooks series, which provides visual inspiration from Dezeen’s archive. For more inspiration see previous lookbooks featuring homes with net floors, mid-century modern furniture and perforated brick walls.

    TS-H_01, Switzerland, by Tom Strala
    This minimalist kitchen, belonging to a home near Bern, features floor-to-ceiling storage concealing not only clutter but also a doorway to a garage.
    The white wall of cabinets is dotted by circular handles lined with smooth timber and forms a slick backdrop to the chunky prep counter, raw plaster walls and pale wooden floorboards.
    Find out more about TS-H_01 ›
    Photo by Fionn McCannChurchtown, Ireland, by Scullion Architects
    Oak-panelled cabinetry runs through the light-filled kitchen of Churchtown, a residential extension in Dublin informed by Victorian conservatories.
    While maximising storage, the cupboards are designed to conceal appliances and a pantry. The warmth of the oak is complemented by cool-toned white terrazzo on the floor and worktops.
    Find out more about Churchtown ›

    Sacha, France, by SABO Project
    Full-height birch plywood joinery is used to store the contents of this kitchen, designed by SABO Project within a Parisian apartment.
    The cupboards are almost disguised as a solid block, with small arched cut-outs subtly demarcating each door. One of the panels features a larger arched opening, which opens into a cosy nook for the owner’s cat.
    Find out more about Sacha ›
    Photo by Eric PetschekThe Amagansett Beach House, USA, by Starling Architecture and Emily Lindberg Design
    The floor-to-ceiling units in this kitchen help draw attention to more playful design details in the room, including a sculptural custom island animated by exaggerated forms.
    Finished with wood and a lack of handles, the cabinets also blend into the floors and ceilings, disguising them as walls and creating a pared-back aesthetic for the room.
    Find out more about The Amagansett Beach House ›
    Photo by Eric PetschekBarbican Apartment, UK, by John Pawson
    Designer John Pawson used full-height storage in the compact kitchen of this London apartment to help achieve his signature minimalist aesthetic.
    The abundance of storage ensures the space is uncluttered, while a lack of handles on the cabinetry allows them to blend into the background. The rest of the home, which is located in the brutalist Barbican Estate in London, is designed with the same pared-back aesthetic.
    Find out more about Barbican Apartment ›
    Photo by Johan DehlinThe Parchment Works, UK, by Will Gamble Architects
    Matte-black cabinets with brass handles define the kitchen of The Parchment Works, which Will Gamble Architects created from the shell of an old cattle shed in Northamptonshire.
    Stretching from floor to ceiling, the kitchen units slot in beneath rows of timber joists belonging to the original structure. Their dark colour ensures focus retains on the tactile wooden surfaces above, as well as the adjacent whitewashed masonry walls.
    Find out more about The Parchment Works ›
    Photo by Pion StudioBotaniczna Apartment, Poland, by Agnieszka Owsiany Studio
    Polish studio Agnieszka Owsiany Studio married wood and marble throughout the interior of this apartment in Poznań.
    In the kitchen, full-height oak cabinetry lines one wall, punctured by a marble-lined recess containing a stove. The cabinets are finished with long handles in matching oak.
    Find out more about Botaniczna Apartment ›
    Photo by Kevin ScottPortage Bay Float Home, USA, by Studio DIAA
    These storage units follow the gabled roofscape of The Portage Bay Float Home, which Studio DIAA co-founder Suzanne Stefan created for herself in Seattle.
    The wooden cabinetry sits flush with a cooker hood above the stove, which is finished with juxtaposing stainless steel that has a brushed look.
    Find out more about Portage Bay Float Home › 
    This is the latest in our lookbooks series, which provides visual inspiration from Dezeen’s archive. For more inspiration see previous lookbooks featuring homes with net floors, mid-century modern furniture and perforated brick walls. 

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    Ten homes with net floors for relaxation and play

    In this lookbook, we collect 10 residential interiors where net floors provide an unusual place to sit, recline or jump about.

    Nets can be a fun way to link two storeys in the home. Featured below are examples from a New York apartment, a skinny house in Rotterdam and a small family residence in rural Vietnam, among others.
    This is the latest in our lookbooks series, which provides visual inspiration from Dezeen’s archive. For more inspiration see previous lookbooks featuring homes with dividing lattice screens, split-level living areas and stylish children’s bedrooms.
    Photo by Marcus RohrbacherHaus L, Austria, by Dunkelschwarz
    Timber-lined living spaces create a soothing atmosphere inside this house in the Austrian Alps, designed by local architecture studio Dunkelschwarz.

    To encourage relaxation, a void above the dining area was covered with netting that can be used for lounging, while an adjacent walkway leads directly to a large balcony.
    Find out more about Haus L ›
    Photo by Marcos Zegers (also top)Primeriza House, Chile, by Stanaćev Granados
    Chilean architecture studio Stanaćev Granados put two large cargo nets at the centre of this seaside house in Chorrillos overlooking the Pacific.
    As well as providing an easily visible children’s play space above the open-plan living area, the net allows for a subtle transition between the darker wood cladding of the ground floor and the white-painted timber of the upper level.
    Find out more about Primeriza House ›
    Photo courtesy of No ArchitectureUrban Tree House, USA, by No Architecture
    To make the vast living space of this apartment in New York’s West Village feel less chasmic, No Architecture constructed two “treehouses” from a series of timber beams.
    Black netting strung between the beams creates an elevated chill-out space, accessed by a spiral staircase whose balustrade is made of the same mesh material.
    Find out more about Urban Tree House ›
    Photo by Le Minh HoangHOUSE, Vietnam, by H&P Architects
    In this house in Vietnam designed by H&P Architects, a net floor contributes to the humble aesthetic created by its compact, open-plan layout and rough-and-ready materials like exposed brick and corrugated metal.
    The net allows air to move freely through the home, helps to instil a sense of spaciousness and creates additional usable floor space.
    Find out more about HOUSE ›
    Photo by Adrien WilliamsAtrium Townhome, Canada, by Robitaille Curtis
    Canadian studio Robitaille Curtis procured the expertise of famous circus company Cirque du Soleil to rig a trapeze-style net atop the high atrium inside this Montreal home.
    The aim was to emphasise the drama of the space, with a tall bookcase accessed by a 5.5-metre ladder and vertical wooden slats also helping to direct the gaze upwards.
    Find out more about Atrium Townhome ›
    Photo by FRAM FotografíaCasa Bosque Sereno, Mexico, by Fábrica de Espacios
    At Casa Bosque Sereno, residents can use the net floor as a place to watch movies thanks to a projector mounted opposite a white-painted brick wall.
    The net also contributes to the pared-back, open-plan design chosen for the house by architecture office Fábrica de Espacios.
    Find out more about Casa Bosque Sereno ›
    Photo courtesy of Gwendolyn Huisman and Marijn BotermanSkinnyScar, Netherlands, by Gwendolyn Huisman and Marijn Boterman
    Dutch architects Gwendolyn Huisman and Marijn Boterman wanted to avoid “harsh boundaries” between living spaces in this skinny house in Rotterdam that they designed for themselves to live in.
    To that end, they strung a modestly sized net next to a large window overlooking the garden, to act as a kind of static hammock next to the first-floor living room and above the dining room.
    Find out more about SkinnyScar ›
    Photo by Marc GoodwinMK5, Finland, by Ortraum Architects
    This family house in a forest near Helsinki features a number of child-friendly elements including a climbing wall, gymnastic apparatus and, of course, a net floor.
    Local studio Ortraum Architects placed the net in a cut-out next to the first-floor landing, allowing light to filter down into the basement stairwell.
    Find out more about MK5 ›
    Photo by Derek SwalwellKing Bill, Australia, by Austin Maynard Architects
    Austin Maynard Architects installed a netted platform with a view out of a large window and into the bathroom as part of its renovation of this formerly dilapidated stable in Melbourne.
    The black mesh contrasts with the white corrugated metal of the window awning, the grey tiles of the bathroom and the orange carpet on the adjacent floor.
    Find out more about King Bill ›
    Photo by Quang TranSaigon House, Vietnam, by a21studio
    The large net in this Ho Chi Minh City house, designed by Vietnamese architecture office A21studio, is visible from almost everywhere in the four-storey building.
    In addition to serving as a children’s play area, it helps create an impression of the ground floor as an outdoor courtyard – particularly as a tree bursts through the textile.
    Find out more about Saigon House ›
    This is the latest in our lookbooks series, which provides visual inspiration from Dezeen’s archive. For more inspiration see previous lookbooks featuring homes with dividing lattice screens, split-level living areas and stylish children’s bedrooms.

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    Monolithic green marble forms “majestic wall” in Milan apartment

    Italian studio AIM has designed a compact, multi-level apartment interior in Milan organised around a floor-to-ceiling Verde Alpi marble partition.

    Created in collaboration with local marble artisans Bianco67, AIM Studio used the wall to divide the various functions of Green Nest, aiming to create an elegant backdrop for a dynamic domestic experience.
    Monolithic green marble carves apartment interior by AIM Studio in Milan”The design challenge [for] Green Nest was to combine the compact size of the dwelling with the desire to create inviting, functional and representative spaces pleasant to live in at all times of the day,” AIM Studio told Dezeen.
    “We were looking for a single gesture to characterise the apartment [and were] inspired by the idea of a majestic wall [running] through the heart of the house,” the studio continued. “This massive element, both because of its solid presence and its intrinsic beauty, is the focal point on which the entire design revolves.”
    The fluid living spaces can be divided by an operable ribbed glass doorThe marble partition was constructed as a permeable threshold between the apartment’s lower level living spaces and a staircase leading to the habitable roof terrace above.

    Designed as a single, fluid area, the main living room and bedroom can be separated by full-height ribbed glass doors. 
    The studio used the marble wall system to host functional storage and compartment spacesAIM Studio sought to meet the practical requirements of small-footprint living by using the Alpi marble to conceal a series of deep storage compartments.
    “More than a monolith, the volume is an inhabited wall whose thickness is continuously perforated, crossed and interrupted to host the different functions of living,” AIM Studio said.
    “[It] was designed as a precious shell but [leaves] nothing to chance in terms of containment and management of the space. Every compartment, every opening, has been designed [for utility].”

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    Behind the marble partition, the staircase to the rooftop terrace was completed with a central lightwell to draw natural light into the space below.
    The studio also integrated large windows into the main living area to encourage an interplay of light on the reflective marble surface and to evoke a chiaroscuro-like effect.
    The compact kitchen was formed by suspended travertine joineryTucked into a corner of the living room, the kitchen was demarcated by suspended travertine joinery and an embossed mirror feature wall.
    Neutral-toned fixtures and restrained furniture pieces were selected to balance the apartment’s modern aesthetic and emphasise the drama of the green marble.
    An embossed mirror feature wall was connected to the kitchen nook”We conceived this project as a search for authenticity; a minimal but at the same time welcoming and functional design created through natural, precious [and] timeless materials.”
    “We hope that this search for authenticity will be perceived by those who will inhabit these spaces and that it will translate into family atmospheres and elegant, but convivial, environments.”
    The studio selected a neutral material palette to emphasise the green marble gestureFounded in 2012 by Claudio Tognacca in Milan, AIM Studio has projects spanning across architecture, interior design and product development both in Italy and internationally.
    Other recently completed projects in Italy include Antonino Cardillo’s design for “a miniature palazzo” residence near Lake Garda and Humbert & Poyet’s interior conversion of a 16th-century Milanese chapel into a Beefbar restaurant.
    The photography is by Simone Bossi

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    PL Studio applies Moroccan-inspired palette to London townhouse

    Interior design office PL Studio has transformed an east London townhouse using colours and graphics that take cues from the Jardin Majorelle in Marrakesh.

    The three-storey, new-build house features similar shades of blue, green and yellow to the Morrocan villa that was once home to artist Jacques Majorelle.
    The home’s colour palette draws from the Jardin Majorelle in MarrakeshFurther green tones allude to the villa’s verdant garden, while soft pink hues bring a sense of overall “warmth and joy” to the palette.
    PL Studio designed the scheme for creative couple Tom Lalande and Julian-Pascal Saadi, who live in the house with their chihuahua puppy, Sasha-Lee.
    A green shade was applied to the main bedroomThe studio founders, couple Sabrina Panizza and Aude Lerin, felt the design should reflect their clients’ love of colour.

    “Although we admired the architecture and loved how the townhouse was beautifully filled with natural light, we felt that overall, the property was lacking character and positivity,” said the pair.
    “We wanted to create a home that reflected our clients’ personalities and joyful spirit, a home filled with positive energy.”
    The reception room features cobalt blue walls and arch graphicsLalande and Saadi had recently returned from a trip to Marrakesh, which led this to becoming the starting point for the design.
    The reference is most evident in a reception room at the house’s entrance, which features cobalt blue walls, a colour-block rug, plants and a Tom Dixon Etch pendant light in gold-toned brass.
    The arch graphics feature on both walls and doorwaysThe effect is heightened by paint graphics that include arched openings – both real and illusionary – and stepped blocks that create the suggestion of extra staircases.
    As Saadi works as a psychologist, this room primarily serves as a waiting room for his clients.
    Picture-frame-style graphics provide a backdrop to the dining tableThe couple’s main living space occupies the uppermost floor, where an L-shaped room gives the pair a combined kitchen, dining area and lounge.
    Geometric wall graphics tie these three spaces together but also highlight the divides between them. The most striking of these is a triptych of picture-frame-style blocks that frame the dining table.

    Familien Kvistad brings colour to 1950s house in Oslo

    “Our clients didn’t have a clear idea of what they wanted, but they had a strong desire to be surrounded by pieces of art, colours and objects that would give them good energy, which is so powerful,” said Panizza and Lerin.
    “They were not afraid of mixing different shades and colour combinations, so we went for bright, bold, and fearless!”
    A guest bedroom features a striped ceiling akin to a market stall awningThe main bedroom, located on the middle floor, uses subtly different shades of green to create colour depth. This is offset with monochrome stripes and pops of pink and blue.
    Also on this floor is a guest bedroom that doubles as a dressing room, featuring a striped ceiling that looks like a market stall awning and a pink bathroom framed by black linear details.
    Arches feature throughout these spaces, in the form of mirrors and wardrobes as well as wall graphics.
    A pink bathroom is framed by black linear detailsSaadi’s ground-floor office takes the place of a third bedroom. This room has a different character from the rest of the house, with details inspired by surrealist art.
    Key features include a sculptural table in the shape of a hand and ceiling wallpaper depicting a cloudy sky.
    A ground-floor office takes cues from surrealist art. Photo is by Aude LerinPanizza hopes the “kaleidoscopic” project can serve to inspire people who see London’s new-build homes as characterless compared with the city’s older properties.
    “We want to show it is absolutely possible to create a home with lots of personality and character. It just takes a bit of courage,” she told Dezeen.
    The photography is by Taran Wilkhu unless otherwise indicated. Top image is by Aude Lerin

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    Neuhäusl Hunal divides Sculptor’s Apartment in Prague using curved glass partitions

    Czech architecture studio Neuhäusl Hunal has renovated a prefabricated apartment in Prague, turning it into an open-plan home and workspace for sculptor and glassworker Vladimír Bachorík.

    Neuhäusl Hunal opted for curved translucent glass partitions in place of doors to divide the interior spaces and create a sense of openness and fluidity.
    U-profiled glass partitions divide the interior spacesIn order to maximise floor space, the studio removed all non-load-bearing elements, leaving just a single load-bearing concrete wall that cuts through the living and workspaces.
    Three U-profiled glass partitions were then used to enclose a cloakroom, storage space and kitchen, while the remaining floor space can be used flexibly.
    An existing load-bearing concrete wall separates the living and work spacesA centralised, curved bathroom, raised by a small platform for waste management, is similarly enclosed by translucent glass panels and protrudes into the main space.

    The bathroom interior was lined extensively with white ceramic tiles and features a walk-in shower.
    Meanwhile, matching ceramic tiles were also used in the kitchen, which doubles as a work area for the artist.
    White mosaic tiles line the kitchen and bathroom”To design the maximally open and flowing space without doors, infrastructure, besides statics, was a key constraint, which defines the location of the single-almost-enclosed space: the bathroom,” studio architect and founder David Neuhäusl told Dezeen.
    “Therefore we emphasized [the bathroom] as the most prominent element in the apartment to create a strong spatial experience,” Neuhäusl continued.

    Akin Atelier houses Gallery Shop at Sydney Modern in “translucent bubble”

    The interior material palette was defined by the stripped concrete wall as well as the translucent panels and ceramic tiles, set on a background of white plaster walls and grey-toned rubber flooring.
    Metal furniture and shelving was used throughout the minimalist interior, with cubic plinths used to display Bachorík’s glasswork around the space.
    Existing windows draw daylight into the interior spacesDaylight shines through the existing windows at either end of the apartment and penetrates the glass partitions to create a brightly lit interior, while carefully positioned strip lights and spotlights provide artificial lighting.
    “These translucent glass blocks of high order ensure the penetration of light and create identity of the apartment,” Neuhäusl explained.
    “Their materiality and character naturally refer to the client’s lifelong work. They can be naturally composed in curves to formulate the softly shaped partitions.”
    Metal furniture is used throughout the spaceNeuhäusl Hunal is an architecture studio founded by David Neuhäusl and Matěj Hunal in the Czech Republic.
    Other projects recently completed in the Czech Republic include a winery topped with a sweeping concrete roof and an angular black extension to a neo-gothic church.
    The photography is by Radek Úlehla.

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    Video reveals Michael Hsu’s organic approach to interiors of Austin high-rise

    Texas studio Michael Hsu Office of Architecture has designed the common areas for a 50-storey residential high-rise building in Austin, as shown in this exclusive video captured by Dezeen.

    Called 44 East, the building is located east of downtown Austin in the Rainey Street Historic district. The firm designed the interiors of the building’s common areas, which take cues from its natural surroundings, particularly the neighbouring Colorado River.

    Michael Hsu Office of Architecture has designed the interiors of 44 East
    The practice enhanced the space using colour and texture, layering vintage and custom furnishings to create a relaxed and inviting ambience.
    Curved surfaces and light colours are incorporated throughout the space, with poured concrete terrazzo floors incorporated to pay homage to the gravel of the nearby riverside trail.
    Curved surfaces and light colours are incorporated into the lobby area of 44 EastThe interior is characterised by the use of soft shapes and natural materials throughout the various spaces, including on the eleventh floor, where pastel hues complement subtle architectural details.
    The outdoor swimming pool features a series of pebble-shaped islands, with a partially-covered patio inviting guests to relax outside and enjoy the views of the river.
    The eleventh floor features a circular outdoor swimming poolOn the thirty-seventh floor, a large moon-like pendant light is suspended above a plush circular sofa.
    The higher vantage point offers scenic views of downtown Austin, and features jewel tones and darker materials intended to complement the Texas skyline at dusk.
    The thirty-seventh floor features darker tones to complement views of the Texas skyline44 East was developed by Intracorp, while the tower and unit interiors were designed by Page and landscapes designed by DWG.
    The interior design of the common spaces is one of the latest projects by Michael Hsu Office of Architecture, which is based in Austin and Houston.
    The company recently completed its self-designed Austin studio, which is adorned in wood-and-fabric lined walls and industrial details, to accommodate its growing team.
    The photography is by Chase Daniel.
    Partnership content
    This video was produced by Dezeen for Michael Hsu Office of Architecture as part of a partnership. Find out more about Dezeen partnership content here.

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    Ductus coats blocky apartment complex with red plaster in Switzerland

    Architecture studio Ductus has designed an apartment complex coated with a monochrome red plaster facade into a sloping site in Schwarzenburg, Switzerland.

    Located on the outskirts of the village of Schwarzenburg in eastern Switzerland, the complex was designed by Ductus to have the appearance of a series of intersecting blocks of various heights that protrude and recede throughout the design.
    The red plaster-covered block was has a blocky appearanceAccommodating 16 apartments, the complex comprises two buildings sat perpendicular to one another that are connected by a shared garden.
    Balconies constructed from pressure-impregnated white fir and green columns contrast with the red plaster facade and overlook the garden and neighbouring buildings.
    Adjoining balconies are constructed from pressure-impregnated white fir, which contrast with the red facadeFlat roofs lined with untreated copper top the apartment complex, which distinguishing it from the surrounding more traditional pitched-roof buildings.

    On the exterior, untreated copper was also used for downpipes, while red-toned window frames and mechanical shutters match the plaster’s colour.

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    Within the apartments, textured white walls were set off by wooden flooring, while stylish bathrooms were characterised by red-toned fittings and decorative tiles to match the facade.
    Bright living spaces are lit by floor-to-ceiling doors that also provide access to the adjacent balconies.
    The complex contains 16 apartments split across two buildings”All 17 apartments were designed as condominiums,” Ductus partner Marcel Hauert told Dezeen.
    “The client’s desire was for all buyers to determine the interior finishes themselves. We provided a basic concept that could be adapted virtually without restrictions.”
    Red-toned fittings and tiles feature in the bathroomDuctus is an architecture studio operating between Sweden and Switzerland.
    Elsewhere in Switzerland, BE Architektur recently used intersecting sculptural blocks to form a barn-like house and Enrico Sassi has transformed a wood store into a micro home.
    The photography is by Rasmus Norlander.

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    La Balsanera house aims to revive “tradition of living on the river” in Ecuador

    Architecture studio Natura Futura Arquitectura and architect Juan Carlos Bamba have created a floating house along the Babahoyo River in Ecuador.

    Situated within a centuries-old floating village at risk of disappearing, La Balsanera is designed as a model for the preservation and sustainable redevelopment of the river’s depleting community.
    La Balsanera is a floating house along the Babahoyo RiverFollowing the river’s current closure as a commercial fluvial route, the community saw the number of floating structures decrease from 200 to 25.
    La Balsanera is hoped to help revive “the tradition of living on the river”, according to Natura Futura Arquitectura and Bamba.
    It has a terrace with a colourful hammockBuilt for a family of three, whose livelihoods include selling food to the local community and repairing wooden boats, the 70-square-metre design highlights the river as a vital socio-economic resource.

    A two-metre-wide extension to an existing platform provides terraces for them to use as “productive environments”, such as a cafe seating area or anchor point for tourist boats.
    Slatted openings provide ventilation”La Balsanera explores possible floating solutions that recover local artisan techniques while promoting the active and productive participation of the occupants in vulnerable communities,” Bamba told Dezeen.
    The home is built from wooden porticos constructed every two metres to form a gabled truss structure. This is topped by a corrugated roof that shelters the outdoor terraces and a colourful hammock.

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    A central space hosts a shared living room, dining area and kitchen along with two bedrooms, while two external strips at either end provide a toilet, shower, laundry space and boat workshop.
    Slatted openings, known locally as “chazas”, have been made from recycled wood and help naturally ventilate and cool the interior.
    A bridge made from bamboo and wood connect the home to the mainlandA bridge made from bamboo and planks of wood provides a walkway between the floating home and the mainland.
    Meanwhile, shutter doors used throughout the design link the living spaces to the surrounding terraces.
    A seating area is provided on the river-facing terraceNatura Futura Arquitectura and Bamba are based in Ecuador and Spain respectively.
    Other projects completed by Natura Futura Arquitectura include a fitness centre featuring giant shutters and a mirrored viewing platform in the Ecuadorean countryside.
    The photography is by Francesco Russo.

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