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      Ten modern homes with interiors informed by biophilic design

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      Biophilic design, which aims to create spaces in which humans are more connected to nature, is becoming increasingly popular. In this lookbook, we’ve gathered 10 interiors with soothing biophilic designs.

      The design principle can be used in architecture and interior design through the use of natural materials, as well as the integration of more natural light and green plants.
      The 10 projects in this lookbook, which range from a Japanese home with decorative scaffolding to an Italian house with an indoor Ficus tree, show how biophilic design has been used in projects all over the globe.
      This is the latest in our lookbooks series, which provides visual inspiration from Dezeen’s archive. For more inspiration see previous lookbooks featuring colorful 1970s interiors, innovative stone furniture and interiors designed using the Color of the Year.
      Photo by Murray FredericksWelcome to the Jungle, Australia, by CplusC Architectural Workshop 

      The Welcome to the Jungle house in Sydney was designed by architecture studio CplusC Architectural Workshop for its director, Clinton Cole.
      Made partly from recycled materials, the building was designed as an experiment in sustainable urban living and has a rooftop vegetable garden as well as an aquaponics system containing edible fish, allowing its inhabitants to live in close connection to nature even in the city.
      Find out more about Welcome to the Jungle ›
      Photo courtesy of Suzuko YamadaDaita2019, Japan, by Suzuko Yamada
      This Japanese home may look industrial with its unusual permanent scaffolding. But designer Suzuko Yamada effectively brought its inhabitants closer to the environment by creating the steel structure, which allows them to step straight out to the garden on the first floor.
      On the second floor, two steel platforms form balconies filled with green plants, while the house’s 34 windows in different sizes let in plenty of natural light.
      Find out more about Daita2019 ›
      Photo by Hiroyuki OkiWall House, Vietnam, by CTA
      Vietnam’s Wall House was made from hole-punctured bricks and has a central atrium that gives the home a courtyard-like feel. Ho Chi Minh City-based CTA added leafy green plants and trees around the periphery of the room to make it feel almost like a garden.
      By using the hole-punctured bricks and adding plenty of light and green plants, the studio hoped to create a house that would be able to “‘breathe’ 24/7 by itself”, it said, thereby improving the home’s air quality.
      Find out more about Wall House ›
      Photo by Leonardo FinottiRibeirão Preto residence, Brazil, by Perkins+Will
      Perkins+Will’s drew on biophilic design principles when creating this house in Ribeirão Preto, a city in southeastern Brazil.
      It features retractable glass walls that open the interior up to the outside, as well as tactile wooden screens and a verdant green roof.
      Find out more about Ribeirão Preto residence ›
      Photo by ​Hiroyuki OkiBat Trang House, Vietnam, by Vo Trong Nghia Architects
      A series of elevated gardens function as a natural cooling system in Bat Trang House, which has an exterior made from ceramic bricks that was designed to function as a perforated skin.
      Gaps in the ceramic shell function as air vents. These circulate air thorough the home, which also has trees, bushes and other plants peeking out through the gaps and creating a second layer “buffer zone” that cools the interior.
      Find out more about Bat Trang House ›
      Photo courtesy of Tsukasa OnoSumu Yakushima, Japan, by Tsukasa Ono
      This co-operative housing project was designed by architect Tsukasa Ono to have a positive impact on its natural setting. Ono used a principle that he calls “regenerative architecture” to reframe the relationship between human habitation and nature.
      Sumu Yakushima was built using wooden piles with charred surfaces that promote the growth of mycelium (fungal threads), encouraging tree root growth and helping to strengthen the soil.
      Find out more about Sumu Yakushima ›
      Photo by Delfino Sisto Legnani and Alessandro Saletta from DSL StudioThe Greenary, Italy, by Carlo Ratti Associati and Italo Rota
      The Greenary’s living space centres around a 10-metre-tall Ficus tree, which designers Carlo Ratti and Italo Rota added to help “blur the boundaries between the natural and artificial”.
      The home, located in the countryside outside Parma, was designed as a “forever home” in a farmhouse and granary. A fully-glazed southern wall lets plenty of light into the interior and showcases the tree from the outside.
      Find out more about The Greenary ›
      Photo by Barton TaylorPepper Tree Passive House, Australia, by Alexander Symes
      This home in Unanderra, Australia, was given an angular addition by architect Alexander Symes. Featuring wood-lined living spaces, it opens onto a terrace that is perched in the canopy of a large tree.
      Green plants and a brown and tan colour palette enhance the feeling of being close to nature in the living area.
      “Sustainability is at the core of the project – embodied between the natural material palette, high performance design and strong biophilic connection,” said Symes.
      Find out more about Pepper Tree Passive House ›
      Photo by Hirouyki OkiThe Drawers House, Vietnam, by MIA Design Studio
      The Drawers House was designed to maximise the connection to the outdoors while maintaining privacy for its inhabitants and features multiple plant-lined courtyards.
      Its white rendered walls have also been covered in plants to enhance the feel of being immersed in nature, while a hallway was decorated with a wall of creeper plants that extend the length of the site.
      Find out more about The Drawers House ›
      Photo by Lenny CoddThe Cork Studio, UK, by Studio Bark
      Studio Bark constructed The Cork Studio almost entirely from cork, a natural material that can be completely recycled, reused or composted.
      Made using discarded granules from a wine cork manufacturer, the building was erected around an existing sycamore tree that was growing on the site, giving its interior a cosy treehouse-feel.
      Find out more about The Cork Studio ›
      This is the latest in our lookbooks series, which provides visual inspiration from Dezeen’s archive. For more inspiration see previous lookbooks featuring colorful 1970s interiors, innovative stone furniture and interiors designed using the Color of the Year.

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      Falken Reynolds applies beach-toned palette to Cadboro Bay House interiors

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      Bringing the ocean inside was the primary goal of interiors studio Falken Reynolds when designing this waterfront home on Vancouver Island.

      The modern house at the southern tip of the island in British Columbia, Canada was completed by architect Chris Foyd of local firm Bo Form for an active couple with three sons.
      Maximising views of the ocean was Falken Reynold’s principal focus for the interiorsThe family relocated to Cadboro Bay from prairie city Edmonton, and wanted to maximise their coastal location after living so far from the sea.
      “The client had a clear vision for the house – a very pared back, durable and minimalist interior but with warmth and subtle sophistication,” said Falken Reynolds principal Chad Falkenberg, who led the design of the interiors.
      Low furniture helps to prevent blocking sightlines to the outdoorsMeasuring 5,400 square feet (501 square metres), the house appears like a bungalow from the street, while its lower level is tucked underneath and faces the ocean.

      Upstairs is an open-plan kitchen, dining and living room, a primary suite and two more bedrooms, as well as a study, powder room and mudroom.
      A selection of Danish and Italian midcentury pieces are placed throughout the homeDownstairs, at pool and beach level, are two further bedrooms, a large home gym, a media room and a rec room.
      The expansive views of the bay through huge floor-to-ceiling windows on both floors are the focus of every space.
      The neutral colours and materials echo the tones of the beach”We wanted to bring the peacefulness of the natural environment inside,” Falkenberg said. “When it came to the detailing we drew a lot of inspiration from modern Belgian architects who are masters at warm minimalism.”
      Low furniture, neutral tones and natural textures together create a casual and serene mood in harmony with the scenery outside.
      The primary suite is located on the upper level and overlooks the water”The palette is an extension of the beach: grays, whites and wood – light and desaturated for the oak millwork and hemlock ceilings – including the oak furniture in the dining room, living room and bedroom,” said Falkenberg.
      The pared-back materials, most of which were sourced locally, also help to highlight the family’s collection of mid-century Canadian art.

      Falken Reynolds gives Saint George House in Vancouver a “Canadian Nordic” feel

      Paintings displayed throughout the home add bold splashes of colour, along with pieces like a glass chandelier by Bocci over the dining table and green marble in the bathroom.
      Along with a selection of Danish and Italian modernist furniture designs, these details help to give the spacious home a more intimate feel.
      Green marble adds colour in the bathroom”The large open spaces and expansive views could easily have felt vacuous with the minimalist approach,” Falkenberg said.
      “The trick was to balance the clean lines with subtle details that add just the right layer of warmth to the spaces.”
      The house was designed by Bo Form and is positioned on the southern tip of Vancouver IslandBased in Vancouver, Falken Reynolds has completed several minimal residential interiors in and around its home city.
      They include a historic townhouse renovation, a house with 11 skylights and a loft apartment with a hidden sleeping nook.
      The photography is by Ema Peter Photography.
      Project credits:
      Interior design: Falken ReynoldsArchitect: Bo Form Architecture, Christian FoydLandscape design: Demitasse Garden Design

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      Atelier Fréderic Louis adds new curves to art-deco house in Antwerp

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      The rounded details of an art-deco-style facade are repeated throughout the interior of this house in Antwerp, which has been renovated by Atelier Fréderic Louis.

      Belgian architect Fréderic Louis has modernised the layout of House Mellinet, replacing the previously separate kitchen and living room with a large, open family room that opens out to the rear garden.
      The design – created in collaboration with interior designer Sarah De Pauw – celebrates the building’s existing curved details.
      The art-deco house has a brick facade with various curved detailsAccording to Louis, it was these details that first attracted the owners to the 145-square-metre property.
      “They bought the home because they fell in love with the original art-deco-style elements,” he told Dezeen.

      Extra curved details have also been added in, including a new fireplace and two focal staircase treads.
      The renovation created a more open layout for the ground floorThe ambition behind the renovation was to create a more open-plan ground floor layout, increasing natural light and making the living spaces feel more generous in size.
      Achieving this layout involved stripping the building back to its structure and installing new steelwork.
      An original arched opening was reinstated”Our starting point was trying to figure out how we could open the rooms to each other, as these were all closed off from each other by thick load-bearing walls,” explained Louis.
      “The structural elements we used for this were key for the design of the house, as they stayed partly visible.”
      New steelwork was required, although only some of the beams are left exposedWhen builders started stripping the interior back to its structure, they discovered hidden details such as a large arched wall frame. This fuelled Louis’ decision to make curves the key design motif.
      The new layout creates a circular route through the ground-floor spaces, defining a lobby space, a lounge area, a dining area and a kitchen, while a small office sits off to one side.
      The junction between floor surfaces is one of many new curved detailsTwo different floor surfaces feature here: a chevron-patterned oak parquet, and a speckled white terrazzo.
      The junction between these surfaces integrates another curved detail.

      Graux & Baeyens designs three brick volumes to form Belgian house with wetland views

      This is echoed by the shape of the kitchen island counter, which is made from a marble that matches the tones of the terrazzo floor.
      “The end of the wall was also curved, not only as a reference to the original style elements, but also to ease the circulation around the kitchen island and the spaces next to it,” said Louis.
      Other curves feature on the kitchen counter and the fireplaceNew windows were installed in place of the previous PVC frames, with slender aluminium details that look more akin to the steel designs that would have been on the building originally.
      Heating, plumbing and electrical systems have also been upgraded to bring them up to modern standards.
      Focal staircase treads repeat the curve themeGhent-based Louis has run his own studio since 2014, but he also works for Graux & Baeyens Architecten, where he has led projects including the blocky House J-VC.
      House Mellinet is one of several historically sensitive renovations the architect has undertaken. He believes the design has returned the building “to its former grandeur”.
      The renovated first-floor bathroom features a similar terrazzo to the kitchen”The living areas have evolved from closed, dark spaces, to a vivid, daylight-rich living space with a great view over the green garden,” he said.
      “The kitchen has become a point of attraction, while the new and restored art-deco elements have restored the original feel of the house.”
      The photography is by Tim Van de Velde.

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      No Architects completes “seamless” revamp of 1920s house in Prague

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      Czech studio No Architects has renovated and extended a 1920s villa in a Prague suburb, adding bespoke joinery and modern details that complement the original architecture.

      The studio headed by artist Daniela Baráčková and architect Jakub Filip Novák oversaw the modernisation of the property in the Smíchov district on the left bank of the Vltava river.
      The joinery on the ground floor was painted duck-egg blueThe extensive remodelling and extension aimed to retain the character of the house, which was built in the 1920s in a romantic style that references the steep-pitched roofs and brick cladding of arts and crafts-style English villas.

      No Architects removed all of the existing floors, ceilings and non-load-bearing walls of the semi-detached property and added a side extension to accommodate containing a ground-floor guest suite and a bedroom on the first floor.
      Bespoke joinery was added throughout the interiorThe extension utilises the same palette of clay roof tiles, painted brick and a pumice stone plinth in order to produce a timeless aesthetic that is in keeping with the original architecture.

      “Other contemporary extensions in this neighbourhood got very old very quickly and don’t fit in well anymore,” Jakub Filip Novák told Dezeen.
      “Our addition refers to the original facade details and is hardly recognisable as separate to the original house. The connection between the new and old parts is not just via design, but it seems seamless even by structure and same ageing of material.”
      The interior layout was reconfigured to modernise the villaThe revamped interior has a contemporary layout, with an open living and dining area linked to the adjacent kitchen. A new doorway in the rear elevation provides direct access from the kitchen to the garden.
      A custom-built unit next to the back door discreetly conceals a pantry and toilet, along with plenty of storage and space for the refrigerator.

      Butterfly House renovation contrasts traditional features with modern materials

      No Architects designed bespoke joinery added throughout the house to make optimal use of the available space and to create a sense of aesthetic consistency between the various rooms.
      “The living space consists of many details and we like to frame them because it helps connect plenty of technology and infrastructure which surround us in any house,” said Novák.
      “It’s also an economic decision,” he added, “because every square metre of living space in Prague is expensive so it is rational to use it sensibly. We see joinery as part of such thinking, uniting architecture, construction and technology.”
      Green woodwork adds a splash of colour to the staircaseSome of the interventions were painted in pastel shades that add a distinctive character to the spaces. The upper floor and staircase feature green woodwork, while the ground-floor joinery is painted a shade of duck-egg blue.
      The clients spent part of their lives working in Japan and the United Kingdom, so some of the colours and details reference these experiences.
      The decorative panelling and exposed radiators on the first floor recall traditional British houses, while the minimal bench seating in the living room and the tiled porch evoke Japanese living.
      The studio designed built-in seating in the living roomA small door on the first-floor landing provides access to a previously unused space above the entrance that now contains a private play area accessible only by the children.
      Throughout the project, No Architects adapted existing features to give them a new purpose or to enhance the character of the building while ensuring it meets the client’s requirements.
      The bespoke joinery was designed to optimise space in the home”We work with intuitive ‘memory of architecture’ and aesthetics which belongs to the original era but we don’t follow it directly,” Novák added, “we just use it to make a nice place that makes the most of the potential which is in the atmosphere of the house.”
      No Architects’ founders met while studying at the Academy of Arts, Architecture and Design in Prague. The studio combines the disciplines of art and architecture to produce detailed-oriented solutions that reflect their clients’ requirements and personalities.
      The photography is by Studio Flusser.

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      Tala Fustok fills Hyde Park apartment with contemporary art and vintage furniture

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      Tala Fustok Studio has transformed the interior of an apartment in west London into a “calm sanctuary” containing carefully chosen artworks and furnishings influenced by the travels of its owner.

      The Palace Gate apartment is located on the fourth floor of a Victorian mansion block neighbouring Hyde Park in the Royal Borough of Kensington and Chelsea.
      Tala Fustok has designed the The Palace Gate apartment in LondonLocal interior designer Tala Fustok set out to turn the four-bedroom property into a relaxing pied-a-terre containing a collection of contemporary artworks.
      “I wanted to create a calm sanctuary to balance the hustle and bustle of the city and the owner’s lifestyle,” Fustok told Dezeen.
      “Our client is an ardent traveller, frequenting North Africa and copious European cities,” she added. “We wanted to ensure this was reflected in the design, as a sort of escapism and bringing a dose or reminder of those settings to their London home.”

      Integrated storage conceals steel beams in the living roomThe interior features a palette of soft colours intended to evoke a sunset, with textures of stone and earthy fabrics adding to the nomadic and natural feel.
      The 252-square-metre interior was reorganised through several structural interventions that opened up the living and dining area, as well as combining two bedrooms to form a large principal bedroom and dressing area.
      A woven chair and a vase from east London’s M.A.H Gallery stand in the entrance hallIn the main living space, steel beams are concealed within a room divider featuring curved surfaces and open shelves that allow light and views throughout, while providing spaces for displaying artwork.
      Deep hues and textures including plastered walls and velvet upholstery add richness and variety to the scheme, making the most of the light that floods into the southwest-facing spaces.
      Wooden cabinetry contrasts with brass details in the kitchenA monochromatic colour scheme forms a simple backdrop for the artworks, vintage furniture and bespoke elements created to enhance the home’s restful atmosphere.
      Fustok’s studio was involved in selecting the unique furnishings and art for the home in order to elevate the spaces and create consistency throughout the different rooms.

      Tala Fustok Studio layers different metals to create calm ambience in Manhattan loft apartment

      A pared-back entrance hall – containing a Venetian mirror, a woven chair and a vase from east London’s M.A.H Gallery – leads through to the dining room where a mirror from The Antique Mirror Company hangs above a painted brick fireplace.
      A 1970s Italian travertine table combines with a curved sofa to create a space for informal dining. On top of the table is a centrepiece from London’s Vessel gallery and beneath sits a shaggy rug by designer Tim Page.
      A huge pink-velvet bed is the centrepiece of the bedroomFustok added double arched doors to connect the dining room with the adjacent kitchen, where wooden cabinetry contrasts with brass details including the cooker hood.
      The living room features a travertine fireplace along with a mirror and rug that match those used in the dining room. Bespoke furnishings made of bleached plywood, brass and timber contribute to the space’s relaxed, rustic character.
      The same pink tones carry over into the bathroomIn the main bedroom, a 1960s-style bed upholstered in dusty pink velvet provides a bold centrepiece.
      The tapestry above the bed is from London gallery Schmid McDonagh, while a bespoke mirror by French artist Christophe Gaignon is positioned above the stone fireplace.
      A dressing area alongside the main bedroom is arranged around a bespoke storage island wrapped in leather and plywood, which is illuminated from above by a pendant light from British design studio Pinch.
      The dressing room is arranged around a bespoke storage islandThe Moroccan-informed en-suite bathroom contains a bespoke travertine sink and zellige tiles in the shower. The design of this space encapsulates the nomadic inspirations seen throughout the residence.
      Tala Fustok studied at the Architectural Association before setting up her studio in west London.
      Her previous projects include a Manhattan loft with a calm ambience and an office for game developer Ninja Theory in Cambridge, which features a blood-red bar and an all-blue cinema room.
      The styling is by Sania Pell and photography by Michael Sinclair.

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      Parramon + Tahull adds tiled floors and bespoke joinery to refurbished Barcelona apartment

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      Barcelona studio Parramon + Tahull has renovated a traditional apartment in the city’s Gracia neighbourhood, adding birch plywood joinery and ceramic tiling to complement the building’s original features.

      The apartment is home to a family of four, which has lived there for several years and wanted to carry out a significant overhaul of the outdated interior.
      Parramon + Tahull has renovated an apartment in BarcelonaThe clients asked local architects Lluís Parramon and Emma Tahull to oversee the transformation of the space to provide an open living area and kitchen, along with separate bedrooms for each of their two daughters.
      The apartment is located on the upper floor of a five-storey building dating from the 1900s. A previous renovation undertaken around 20 years ago had altered the layout and destroyed most of the original features.
      The studio added bespoke joinery including a small built-in deskParramon + Tahull began by removing all of the existing partition walls in order to create a brighter and more practical series of spaces within the compact floor plan.

      The rearranged interior also provides plenty of usable storage and restores some of the original details, including wooden beams that had been painted white by the previous owners.
      Terracotta tiles cover floors throughout the apartment”We wanted to bring natural light into all the spaces and to achieve a sense of flowing, continuous space despite the limited surface area,” Tahull told Dezeen.
      “We were interested in working with natural materials and returning some of the original spirit of the building to the apartment.”
      Bespoke joinery is also provides storage in the bedroomsDue to its small size, the architects paid close attention to the choice of materials and layout in order to create a serene, spacious feel.
      “To achieve all the client’s goals, we had to work on a very precise scale of detail, designing all of the furniture to measure in order to take advantage of every square centimetre,” Tahull explained.

      NeuronaLab reorganises Barcelona loft with blue stair storage unit

      The interior utilises a palette of predominantly natural materials, chosen to complement the wooden beams while providing an element of tonal and textural contrast.
      Parramon + Tahull chose ceramic tiles from Spanish manufacturer Wow to create a continuous flooring surface throughout the entire apartment, including the kitchen and bathroom.
      Glossy white tiles clad the walls in the bathroom”We were looking for a small-format tile so the feeling of space would be bigger,” Tahull added. “We also wanted to play with a tapestry-like colour scheme that included white, because white gives a great luminosity and echoes the white of other elements.”
      The white and terracotta-coloured tiles include different formats, textures and surface finishes ranging from glossy to matte.
      White grout is used for the floors throughout the rooms, while the bathroom walls are clad in white tiles with contrasting reddish grout.
      Reddish grout provides a visual contrastBespoke fitted cabinetry made from birch plywood provides practical storage in every room, as well as in the hallway. Along with the tiles, the wood forms a consistent element that unites the spaces.
      Lluís Parramon and Emma Tahull founded their studio in 1997. The office focuses on delivering comfortable, contextual and energy-efficient architectural projects for private and commercial clients.
      The photography is by Judith Casas Sayós.

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      Casa Olivar is a Madrid apartment designed as a “sensorial refuge”

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      Designers Matteo Ferrari and Carlota Gallo have transformed a traditional two-storey apartment in Madrid, Spain, into a tranquil home for themselves featuring a pared-back palette of natural materials and crafted details.

      Casa Olivar is located in a typical corrala – a type of apartment building found in the old parts of Madrid, where housing units are accessed from external covered corridors.
      Matteo Ferrari and Carlota Gallo have designed their own apartment in MadridThe apartment’s interior was in poor condition when Ferrari and Gallo purchased the property, and decided to convert it into a contemporary home.
      The design retains some of the building’s historical features while reorganising the compact interior to create a series of light and bright interconnected spaces.
      Its living room is flooded with light via two huge windowsFerrari and Gallo describe the apartment as a “non-urban place, a sensorial refuge to reconnect with ourselves, regulate our emotions and disconnect from the hustle and bustle of the outside world”.

      The couple used a pared-back material palette to create a warm and comfortable atmosphere, making the most of the daylight that enters the interior through two large windows in the living room.
      Arched openings separate the dining area from the living room”The intervention is characterised by a spatial continuity and a warm minimalism,” the duo explained. “It seeks to elevate natural light and encourage the use of local craft materials, generating a close dialogue between light and materiality.”
      A central partition dividing the dining area from the living room was altered by adding a pair of lowered arches that echo the proportions of the facade openings.
      Aluminium kitchen fronts provide a counterpoint to the muted colour paletteLight from the windows passes through the openings to reach the kitchen, while the bedroom downstairs receives indirect illumination from a pair of openings in the floor above.
      Throughout the interior, the designers chose to use simple and authentic materials, featuring predominantly earthy tones.
      “The approach is to be honest with the materials, respecting their authentic appearance and textures while prioritising natural resources and local craftsmanship,” Ferrari and Gallo explained.

      Vibrant glazed tiles divvy up Madrid apartment by Sierra + De La Higuera

      The apartment’s entrance opens directly into the kitchen and dining area, which is arranged around a sculptural table designed by the couple that features a textural Tadelakt plaster finish.
      Floors are covered with handmade terracotta tiles to create consistency between the spaces. The same tiles are used in the bathroom, with their varying dimensions giving each space a unique quality.
      The bedroom receives indirect illumination from openings in the floor aboveTables and display stands were created using stone salvaged during the renovation process, while the kitchen’s aluminium storage units provide a contemporary counterpoint to the natural tones and textures.
      Gallo designed the textiles used within the apartment to add texture and dynamism to the spaces. These include a draped nylon curtain that echoes the warm tones used in the bathroom.
      Draped nylon fabric acts as a shower curtain in the bathroomOther works of art and craft bring personality to the apartment, such as the washbasin made by designer María Lázaro and a hammock woven in Colombia using traditional techniques.
      Ferrari moved from Italy to Madrid in 2008 after completing his architecture studies at the University of Ferrara. He founded his own studio in 2015, which focuses on using simple gestures to create timeless and familiar spaces.
      The photography is by Asier Rua.

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      OHLAB celebrates historical details at Can Santacilia apartments in Palma de Mallorca

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      Architecture office OHLAB has renovated a historical apartment building in Palma de Mallorca introducing contemporary elements including a meandering wooden walkway that contrast with the original features.

      Can Santacilia is a 3,300-square-metre residential development containing 15 apartments and common areas distributed across two adjoining buildings in the heart of Palma de Mallorca’s old town.
      A main central courtyard is included at Can SantaciliaParts of the existing building appear to date back as far as the 12th or 13th century, although the main building as it stands was erected in the 17th century and was subsequently modified in the 18th and 20th centuries.
      Local architecture and design office OHLAB was tasked with overseeing a modernisation project involving repairs to the existing structure, as well as the sensitive restoration of key original features including the main central courtyard.
      OHLAB oversaw a sensitive restoration process”The building was abandoned and in a really bad shape with some parts about to collapse, while the best parts did not meet the most basic living conditions,” OHLAB directors Paloma Hernaiz and Jaime Oliver told Dezeen.

      A carefully conducted restoration process placed emphasis on maintaining the historical integrity of the building whilst adapting it to meet the needs of its new occupants.
      A wooden coffered ceiling was uncovered during the renovation”We had to do a thorough and intensive renovation of the whole building,” the OHLAB architects explained.
      “The distribution was changed and reorganised, new partition walls and layouts were added to accommodate the housing proposal and new installations were required to adapt the apartments to contemporary comfort and energy-efficient standards.”
      An indoor pool is framed by arched openingsThe project preserves the original features that make the building unique, such as the wrought-iron balustrades, stone columns, traditional courtyard and a wooden coffered ceiling that was uncovered during the restoration.
      The courtyard was enclosed in the 20th century, with blank walls used to conceal a parking area. Based on other traditional buildings in the city, the architecture studio restored this space to how it might have looked in the early Baroque period.
      The courtyard’s typical staircase and porched gallery were retained and two arched openings were added – one alongside a new indoor pool and the other in front of the entrance, supported by a pair of ionic columns.
      A meandering wooden walkway contrasts with the original featuresInternally, the common areas of the two buildings are connected by a wooden walkway that mitigates a height difference of approximately 90 centimetres.
      The studio said the walkway was designed to take users on a journey, “as if discovering an archaeological ruin”, leading them past some of the building’s key historic features, including a fireplace, a stone arch, a tiled floor and ornate plaster mouldings on the ceiling.
      The same light oak forms a staircase elsewhereArchitectural interventions were implemented using a material palette that clearly separates them from the existing structure. The walkway was made from light oak that was also used for other circulation areas including a staircase and the lift interiors.
      “We added pieces that are always clearly new and contemporary,” explained Hernaiz and Oliver, “with shapes and materials that in no case want to imitate or hide the ancient ones.”
      Sculptural mirrored boxes act as partitions in the apartmentsThe contrast between old and new is also evident in the apartments, some of which feature modern mirrored volumes used to partition the existing spaces whilst maintaining their overall proportions.
      The mirrored boxes never reach all the way to the ceilings, ensuring the original wood-beam construction or decorative mouldings remain visible and uninterrupted.
      Wooden beams and decorative ceilings are left uninterrupted”The mirror box disappears in its reflection, giving back the space stolen by its presence and returning a complete image of the room,” the OHLAB architects added.
      “Only when you get closer, do you realise it’s a contemporary partition that lets you enter into another space, made of stone.”
      High-quality fixtures give the apartments a premium feelOne of the most surprising discoveries made while stripping back the dilapidated interiors was an ornate medieval ceiling made from painted wooden beams and coffers, supported by a central stone pillar.
      OHLAB claimed that this find prompted the redesign of 40 per cent of the total project, including six of the 15 apartments, in order to persevere the integrity of the coffered ceiling and incorporate it into one of the living spaces.
      The palette used throughout the public and private spaces favours natural, local materials chosen to emphasise the building’s history and Mediterranean character.

      White cut-out panels create displays at Miami boutique by OHLAB

      Stone and timber structural elements was combined with plaster and wood mouldings, mortar and lime coatings and floors in ceramic and wood finishes.
      High-quality fixtures and details in local stone, bronze, porcelain and textiles including local linen and cotton enhance the premium feel across the interior spaces.
      A palette of natural, local materials permeates throughoutHernaiz and Oliver originally founded OHLAB in Shanghai in 2007 before moving to Madrid and eventually settling in Palma de Mallorca, where they head up a team of 18 architects, interior designers and engineers.
      OHLAB’s previous projects include an apartment block in Palma de Mallorca covered with thin wooden slats that shade the interiors, and a standalone villa at a hotel on the island with a window designed to frame a panoramic view of the landscape.
      The photography is by José Hevia. 

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