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      Studio Hallett Ike expands ER Residence in London with charred larch extension

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      Minimal white living spaces lie behind the blackened timber facade of this extension that Studio Hallett Ike has added to a Victorian flat in north London.The flat, which has been titled ER Residence, occupies the ground floor of a Victorian terrace. Studio Hallett Ike said that, prior to its intervention, the flat had a well-proportioned layout, but unfortunately was only able to accommodate a single bedroom.
      Now, thanks to a rear extension, the flat contains a second bedroom – which doubles up as a study – and a dining room.

      Beams of charred larch clad ER Residence’s extension

      “Essentially we wanted to create a property that would work for a young family living in London that wants an aspirational, clean, minimal design whilst retaining a realistic project budget,” the studio’s co-founder, Madeleine Ike, told Dezeen.
      “The idea being that it could act as a case study for other London residents in the same situation without a huge budget.”

      The extension contains an additional bedroom
      The extension is rectilinear in form and clad with beams of blackened English larch, which were charred by hand on-site.
      “Doing this, rather than painting or staining, allows the texture and grain of the larch to feel very present, and to age and patina over time,” the studio explained.
      “The colour changes depending on the weather and time of year; during the winter months it has silvery hues, but evolves to appear warmer in the summer.”

      A desk in the bedroom offers a place for inhabitants to work
      Two different-sized windows also punctuate the extension’s exterior, which are both framed with aluminium.
      The slightly wider window looks through to the bedroom-cum-study, which has been finished with clean white walls.

      The extension also plays host to a dining room
      A wide panel of Douglas fir wood has been set at the rear of the room, serving as a headboard for the bed. To the side of the room is a three-tier shelving unit and a desk where inhabitants can sit and work.

      Burnt House is a charred wood extension that looks like a Japanese tea house

      The narrower window in the extension offers a view of the dining room.
      Douglas fir has been used here again to create a seating bench – a cut-out in the shape of a cat’s head has been made in the bottom corner, through which the owners’ feline companion can crawl to access a cosy cubby.

      The dining room table is accompanied by a Douglas fir bench
      Studio Hallett Ike has continued the colour and material palette of the extension through to the rest of the home. The updated kitchen, for example, boasts Douglas-fir cabinetry and a white terrazzo splashback.
      Grey terrazzo has then been used to line surfaces in the bathroom.

      Terrazzo appears in the flat’s kitchen, and the bathroom
      Walls in the living area have been coated with a pale grey plaster that stops just beneath the room’s original plaster cornicing. The existing wooden floorboards here were also preserved and sanded down to expose more of their natural grain.
      Black-metal furnishings such as the coffee table and overhead lighting fixture were included to “give weight and depth” to the space.

      Pale grey plaster coats walls in the living room
      “The overarching design approach was to carry out a small number of strong but simple moves that are consistently applied, sitting at the heart of every design consideration,” added the studio.
      “These come together to create an overall impression that is minimal and timeless, exuding an assured and understated elegance.”

      The living room also features the flat’s original wooden floorboards
      Studio Hallet Ike was founded by Madeleine Ike and Jonty Hallett in 2018. The studio’s ER Residence isn’t the only London property to feature a charred-wood extension – Rider Stirland Architects added a blackened timber volume to a house in Ladywell.
      Will Gamble Architects also used scorched wood to create a Japanese tea house-style extension for a home in Fulham.
      Photography is by Ståle Eriksen.

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      Ben Allen completes overhaul of his own home in east London

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      Artworks by Olafur Eliasson informed architect Ben Allen’s revamp of his two-storey maisonette in London’s Bethnal Green, which features mirrored furniture elements.The maisonette is set inside Keeling House, a 16-storey residential block that was designed by English architect Denys Lasdun in 1957.

      Reflective artworks by Olafur Eliasson are presented in the home’s stairwell
      The founder of Studio Ben Allen and his wife decorated their home’s interior with an array of personal possessions so that it looks like a cabinet of curiosities.
      Amongst these possessions are a number of optical artworks gifted by Danish-Icelandic artist Olafur Eliasson, whom Allen worked for over a 10-year period.

      Oval mirrored side tables have been placed beside the bed

      Several of the artworks are crafted from glass or mirror, and this prompted Allen to incorporate reflective elements in other spaces throughout the home.
      The architect was also inspired by the round convex mirrors that appear in London’s Sir John Soane Museum, which playfully skew how visitors perceive the exhibition rooms.

      The bedroom’s vanity table is also mirrored
      A pair of oval mirrored side tables feature in the bedroom that’s located on the maisonette’s upper floor.
      Another mirrored panel has been mounted on the wall to form the backing of a vanity table, which boasts a semi-circular brass ledge where jewellery, perfume bottles and other trinkets can be displayed.
      The bedroom has otherwise been simply finished with white-painted walls, larch wardrobes and exposed-wired lighting fixtures.

      More mirrors have been affixed to the bathroom’s cabinet and walls
      In the bathroom, half-moon-shaped mirrors have been affixed to the doors of a storage cabinet, which sits directly above a bespoke green-concrete sink.
      The image of the sink is repeated in an arched mirror on an adjacent wall.

      The bathroom’s hardware is made from gold-hued brass
      Surfaces are clad with jade-green tiles, while taps, spouts and the tubular shower head are made from brass. Perforated shutters have also been installed in front of the windows to allow just a little amount of natural light to seep through from the outdoors.
      “We wanted the bathroom to be purposefully darker to contrast with the brightness of the rest of the flat and to imbue it with a sense of refuge,” Allen explained.

      Studio Ben Allen makes Room for One More inside Barbican flat

      At this level of the house, there’s additionally a study that has a green cushioned daybed and a larch work table.

      A study with larch-wood joinery is on the home’s upper floor
      Most of Eliasson’s art pieces can be seen in the maisonette’s stairwell, displayed alongside arched mirror shelves that hold candles or tiny architectural models.
      Steps lead down to the lower floor, where Allen has exclusively applied a selection of “robust” materials which are meant to age well over time.
      “[Materials] have also been chosen to give a sense of tactile warmth both when the flat is flooded with daylight, as well as on overcast days and at night,” added Allen.

      Downstairs is the kitchen, which features a green-concrete counter
      The kitchen, for example, has oak cupboards and a green-concrete countertop. A grey-tile splashback is dotted with brass pegs where crockery or cooking utensils can be hung.
      Just opposite there’s a book-lined sitting room complete with a black leather sofa and a cosy oak seating nook that doubles-up as a storage box.

      A tall shelving unit separates the kitchen from the sitting room
      To loosely divide these two spaces, Allen and his team have erected a trellis-style shelving unit that stretches from floor to ceiling. A small work desk can be pulled out from the blue fibreboard drawers that sit at the unit’s base.
      The presence of the unit acts as a small homage to architect Lasdun, who had originally designed the flats inside Keeling House with galley kitchens that were separate from the sitting rooms.
      This was changed in the 1990s when, at risk of demolition, the building was completely revamped to feature minimal, open-plan living areas.

      The sitting room includes a cosy window nook
      Expansive panels of glazing look through to the maisonette’s balcony, where Allen has added a planter filled with wild grass and a Rhus Typhina tree. Beyond lies views of Hampstead Heath park and the city of London.
      Allen established his self-titled studio in 2014 and has since gone on to complete a number of projects. Just last year, the studio created an artichoke-shaped garden room for a home in southwest London, and renovated a Barbican flat to include colourful fold-out furniture.
      Photography is by French + Tye.
      Project credits:
      Architects: Studio Ben Allen (Team: Ben Allen and Marco Nicastro)Main contractor: Sullivan and CompanyBalcony and window planting scheme design: Todd Longstaffe-Gowan

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      Dezeen's top 10 home interiors of 2020

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      Continuing our yearly review, Dezeen has selected the top 10 home interiors of 2020 – including a rustic home in rural France and a multicoloured Tokyo apartment.

      MA House, France, by Timothee Mercier
      This dwelling, which architect Timothee Mercier built for his parents, is meant to be aesthetically harmonious with the rural landscape of Vaucluse, France.
      Inside there’s whitewashed walls and just a smattering of rustic furnishings, which Mercier either found in Parisian flea markets or had custom made.
      “I decided early-on to infuse the house with the monastic qualities of its surroundings,” he told Dezeen. “[The house] had to be a spectacle, but a discrete one.”
      Find out more about MA House ›

      House V, Slovakia, by Martin Skoček
      Bricks salvaged from the ruins of an 80-year-old property now line the interior of House V, which is situated in the Slovakian capital of Bratislava.
      The time-worn bricks cover walls in the living room, bedroom and even the master bathroom, where a freestanding tub has been placed beneath the peak of the home’s pitched roof.
      Find out more about House V ›

      EGR Apartment, Ukraine, by Ater Architects
      To open up the constricted floor plan of this Kyiv apartment, Ater Architects demolished partition walls and replaced them with cobalt-blue curtains.
      The curtains – and the pink grouting between the kitchen tiles – offer a shock of colour amongst the otherwise monotone interior, which has white-painted walls running throughout.
      Find out more about the EGR Apartment ›

      Edinburgh apartment, UK, by Luke and Joanne McClelland
      Having lived in a poky London flat for eight years, architects Joanne and Luke McClelland set about making the rooms inside their Edinburgh apartment as bright and spacious as possible.
      The pair painted surfaces white, widened doorways to let in more sunlight and opened up the kitchen to include a dining area. Commenters were particularly impressed with the high-end look of the kitchen’s wooden cabinetry, which was actually sourced from IKEA.
      Find out more about the Edinburgh apartment ›

      Imperfect Residence, Hong Kong, by NC Design & Architecture
      Naturally flawed materials feature inside this Hong Kong apartment, which draws on the values of wabi-sabi – a Japanese philosophy that encourages finding beauty in imperfection and transience.
      Jagged offcuts of marble have been set into the floor, while oxidised copper has been used to make custom lights or decorative panels. Beige plaster also gives the walls a slightly uneven surface finish.
      Find out more about Imperfect Residence ›

      Kew Residence, Australia, by John Wardle
      Commenters loved the personal feel of architect John Wardle’s Melbourne home, which he decided to revamp after his three children grew up and moved out.
      At the heart of the plan is now a “cocoon”-like study where Wardle displays books and ceramic ornaments that he’s collected over the years. The architect also made sure that his favourite type of wood, Victorian ash, was used for all of the home’s joinery.
      Find out more about Kew Residence ›

      Urban Cabin, Italy, by Francesca Perani
      A daybed that doubles up as a storage box and a wardrobe that hides a washing machine are some of the handy space-saving elements that feature inside this tiny guest cabin, which occupies the porch of a home in Bergamo.
      Architect Francesca Perani made the unusual decision to line the 25-square-metre interior with OSB – a material she had previously only seen used on construction sites.
      “I love its textural irregularity, random organic composure and recycled properties,” she explained.
      Find out more about Urban Cabin ›

      Nagatachō Apartment, Japan, by Adam Nathaniel Furman
      Tasked with turning this lack-lustre Tokyo apartment into “a place of happiness, joy and lightness”, designer Adam Nathaniel Furman applied vivid, food-inspired colours to its interior.
      The kitchen has watermelon-green floors, while the dining area has lilac carpet that looks like icing. “Zesty” lemon-yellow taps and milky orange tiles also appear in the bathroom.
      “The colour scheme became a matter of choosing ingredients for a beautifully calibrated visual feast,” Furman explained.
      Find out more about the Nagatachō Apartment ›

      Flat House, UK, by Practice Architecture
      Prefabricated panels made from hempcrete – a mixture of hemp and lime – were used to construct the structural shell of this zero-carbon house in Cambridgeshire.
      Practice Architecture left these panels exposed on the interior to create warm, textured surfaces. Wooden furnishings and an assortment of woven rugs further amplify the home’s cosy feel.
      Find out more about Flat House ›

      Casa A690, Mexico, by Delfino Lozano
      Architect Delfino Lozano fashioned what he describes as a “Mexiterrean” aesthetic for this 1970s property in Zapopan.
      Lozano says that whilst the home’s architecture is traditionally Mexican, the interiors appear more Mediterranean because of his use of “simple and pure” materials. Almost every room boasts plain, white-painted walls and built-in wooden furniture.
      Find out more about Casa A690 ›

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      Freadman White completes Napier Street apartments in Melbourne

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      Architecture practice Freadman White has created an apartment block in Melbourne’s Fitzroy neighbourhood, finishing its interiors with gleaming brass accents.The Napier Street apartments were designed by Freadman White for property developers Milieu. It is situated directly beside Whitlam Place, another residential block designed by the practice.

      The Napier Street apartment block has a simple off-white facade
      Whilst Whitlam Place has a green-hued exterior clad with corrugated panels of oxidised copper, Napier Street features a plain off-white facade punctuated by wide windows.

      Freadman White creates new layout for extended 1930s house in Melbourne

      Freadman White says the building’s pared-back aesthetic draws inspiration from Heide II – a modernist Melbourne home designed in 1963 by Australian architects David McGlashan and Neil Everist, which has masonry walls and expansive panels of glazing.

      Rooms feature concrete ceilings and oak floors

      An equally refined material palette has been applied throughout the interiors of Napier Street’s 14 apartment units. Each home boasts oak flooring and exposed concrete ceilings, which rise up to 2.9 metres in height.
      Kitchens have been finished with wooden cabinetry, white-tile splashbacks and countertops crafted from pale Elba stone.

      Brass shelving and door handles have been incorporated throughout
      There are some decadent touches in the apartments – for example, some of the bedrooms are closed off by glossy, full-height black doors.
      Golden-hued brass has also been used to create door handles, shelves and vanity units inside the bathrooms, which are otherwise lined with grey terrazzo tiles.

      Glossy black doors conceal the apartments’ bedrooms
      Elements in the apartment block’s communal areas such as the front gate and mailboxes are also made out of brass.
      “Napier Street is a symphony of robust materiality displaying organic, muted beauty carried from the exterior through to the interior experience,” concluded the practice, which is led by Ilana Freadman and Michael White.

      More brass detailing appears in the terrazzo-lined bathrooms
      Freadman White’s Napier Street and Whitlam Place projects both made it to the longlist of this year’s Dezeen Awards. The practice has previously renovated a 1930s home in Melbourne’s Elsternwick neighbourhood to include an angular grey-brick extension.
      Photography is by Gavin Green.
      Project credits:
      Client: Milieu PropertyBuilder: Atelier ProjectsStyling: Hub Furniture

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      Archmongers uses primary colours to revive a home in the modernist Golden Lane Estate

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      London studio Archmongers has renovated a duplex flat in one of the city’s most influential housing estates, using shades of red, yellow and blue to complement the modernist materials palette.The three-bedroom home is located within Hatfield House on the Golden Lane Estate, a complex designed and built in the 1950s by Chamberlin, Powell and Bon, the same architects responsible for the Barbican.

      The renovation celebrates the original design of the Golden Lane flat
      Archmongers’ refurbishment is designed to celebrate the flat’s key features – the bright and open living spaces, the efficient organisation of spaces, and material details like the terrazzo stairs and tiled surfaces.
      Referencing historic photos of original Golden Lane flats, architects Margaret Bursa and Johan Hybschmann sought to reinstate details that had been removed or covered over in an earlier remodelling, which they described as “mundanely neutral”.

      Wooden frames create subtle separation between kitchen and living spaces

      The architects added chunky wooden frames to recreate separation between the kitchen and lounge space, without losing the visual connection.
      Bespoke steel storage cabinets were installed, while original hardwood window frames and parquet flooring were uncovered.

      Details are picked out in primary colours
      “The biggest change was, in many ways, bringing it back to what it once was,” Hybschmann told Dezeen. “Not because we had to, but because it made a lot of sense.”
      “The original palette of materials felt very modern and we wanted any new element or surface to be as relevant for many years to come.”

      These bright colours also feature in the bedrooms
      Bursa and Hybschmann chose to apply primary colours to various details in the renovated flat, referencing some of the historic exterior details on the Golden Lane Estate.
      Shades of red and yellow highlight the front door and entrance area. The same hues feature in the first floor bedrooms and bathroom, along with blue tones – the idea was to give every room its own colour, in a high-gloss finish.

      Each bedroom has its own colour
      “We’ve tried as best as possible to colour match the red, yellow, blue and dark blue exterior panels of each of the blocks making up the estate,” explained Hybschmann.
      “They work very well together and it’s a nice reference to bring into the interiors of the building.”

      The colours reference details on the building’s exterior
      Other material details also help to tie spaces together. The granite surfaces in the kitchen echo the terrazzo of the staircase, while the new black quarry tiles in the kitchen match up with those in the external hallways.

      Studio Ben Allen makes Room for One More inside Barbican flat

      The bathroom was given an upgrade too, to make it more suitable for modern living. It now includes a Japanese-style bath and a walk-in shower, with a new internal window that allows more daylight in.
      The home is brought to life by the addition of the clients’ midcentury furniture and large book collection.

      The bathroom was updated with a Japanese-style bath and walk-in shower
      Archmongers has previously worked on other modernist refurbishments, in the Barbican and The Ryde in Hertfordshire, along with various council houses in London. The architects’ ongoing aim is to show the inherent potential in these midcentury buildings.
      “Being able to work on another of London’s iconic modernist estates was a privilege,” added Bursa.
      “Our experience helped us to deliver spaces sympathetic to the original vision while also creating a home that will intrigue, invite exploration, and provide opportunities for people to discover, enjoy, and deepen their engagement with modernist architecture.”
      Photography is by French + Tye.

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      Warm beige hues update Résidence Esplanade in Montreal

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      Design pair Michael Godmer and Catherine Lavallée created a sequence of meditative, beige-tone spaces in the partial renovation of this home in Montreal. Résidence Esplanade is situated in Mile End, a trendy area of Montreal host to various eateries, coffee bars and vintage stores.
      The property was originally built as two separate apartments, but five years ago was converted into the two-floor house it stands as today.

      The colour beige has been applied throughout Résidence Esplanade

      Much of the property’s unique decor details were eliminated during the renovation works. Its new owner, a young professional who collects furniture and works of art, tasked Michael Godmer and Catherine Lavallée with designing a slightly more distinctive interior.
      “We wanted to add identity to the house’s soul,” Godmer told Dezeen.

      Michael Godmer and Mathieu Turgeon renovate their Montreal design studio and home

      He and Lavallée have, for now, overhauled the home’s upstairs landing, study and one of its bedrooms – the rest of the rooms will be worked on at a later date.

      Walls in the bedroom have been loosely limewashed
      The three revamped areas have been completed in various shades of beige, a colour that the design pair says is “reminiscent of the soft winter light” that they saw on the first day they visited Résidence Esplanade.
      In the bedroom, walls have been loosely rendered with lime paint that leaves behind an eggshell-coloured finish.
      A tall wardrobe inlaid with cane panels has been set towards the rear of the room, while a white-oak sideboard has been set beneath the window so that the owner can display personal trinkets or ornaments.
      In the corner of the room is also a blush-pink slouch chair.

      In the study, a work desk has been set into a niche in the wall
      Limewashed surfaces continue into the home’s study. An oak work desk has been built within a niche in the wall, accompanied by a simple black tub chair and a spherical pendant lamp that dangles from the ceiling.
      Textural interest is added by the corrugated panelling that has been set at the back of the niche.
      Finally, fluted glass doors with buttermilk-coloured framing have been fitted in front of each of the rooms on the first floor.

      The back wall of the niche is corrugated
      Godmer and Lavallée say they plan to apply a similarly calming aesthetic throughout the rest of the home when they start the second phase of the renovation.
      “We are also looking at adding a mezzanine and a rooftop terrace for [the owner] to enjoy summer days having views of Mont-Royal mountain,” added Godmer.

      Fluted glass doors have been installed on the home’s first floor
      Résidence Esplanade is one of several homes that Michael Godmer has designed in his home city of Montreal. Others include Elmwood Residence, a Victorian-era townhouse in the Outremont neighbourhood which Godmer updated by creating a sequence of monochromatic living spaces.
      Earlier this year, Godmer also made over the Montreal home that he shares with his partner, Mathieu Turgeon and their two poodles. Inside, it boasts fresh white walls and an array of wooden fixtures and furnishings.
      Photography is courtesy of Catherine Lavallée.
      Project credits:
      Design: Michael Godmer and Catherine LavalléeConstruction: Frédéric LalondeCabinetmaking: Il Fabrique

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      Eight comfortable living rooms with inviting interiors

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      With winter approaching in the northern hemisphere, Dezeen has selected eight snug living rooms with cosy features including fireplaces and wood-lined walls.This is the latest roundup in a series providing visual inspiration for the home. Previous articles in the series showcased colourful kitchens, bedrooms with statement walls and domestic bathrooms designed by architects.

      Villa Weinberg, Denmark, by Mette and Martin Weinberg
      The inviting living room inside this 1940s cottage in Aarhus is almost entirely lined with oiled oak boards.
      Although it is devoid of sofas, the seating bench that runs around the room’s periphery has been topped with comforting tan-leather cushions and woolly throws. There are also a couple of beanbags for inhabitants to relax on.
      Find out more about Villa Weinberg ›

      Ocean House, Australia, by Rob Mills
      Concrete isn’t typically associated with cosiness – but architect Rob Mills has applied it throughout the living room of this house on Australia’s Great Ocean Road, adding homely details like a plump sofa, a shaggy rug and a fireplace.
      “I don’t see the design as being stark,” Mills said. “The interior is organic and tactile, and incorporates neutral fabrics.”
      Find out more about Ocean House ›

      Carriage House, USA, by Workstead
      Exposed-brick walls smattered with remnants of paint and plaster lend a cosy, lived-in quality to this lounge, which sits inside a Charleston home that dates back to the 1800s.
      Cane cabinetry, red-leather armchairs and an olive-green sofa provide extra touches of warmth.
      Find out more about Carriage House ›

      Avalanche House, New Zealand, by Intuitive Architects
      Pitched ceilings and plywood-lined walls make this holiday home in Wanaka feel much more like an intimate cabin.
      Intuitive Architects have finished its lounge with more cosy decor elements like fluffy cushions, a wood burner and even a trio of tree branches, which have been stood in the room’s corner.
      Find out more about Avalanche House ›

      North Bank, UK, by Elliott Architects
      Walls washed with pale-brown plaster give a rustic warmth to this living area, despite its lofty proportions and large windows which look out to the countryside of Northumberland.
      Tucked in the corner of the space is a daybed dressed with a patchwork blanket, fur throws and plush cushions, forming a perfect spot for inhabitants to snuggle up.
      Find out more about North Bank ›

      Central Park Road Residence, Australia, by Studio Four
      Studio Four orientated the design scheme of this Melbourne home around the concept of hygge – a Danish term used to describe feelings of cosiness, comfort and general contentment.
      Its living area rather aptly features a warm mix of blackened timber surfaces, copper light fixtures and tan-leather armchairs. The focal point of the room is a huge fireplace topped with a five-metre-high steel flue, where inhabitants can gather on chilly winter evenings.
      Find out more about Central Park Road Residence ›

      Cottage in Hai Zhen, China, by Sun Min and Christian Taeubert
      The creative pair behind the renovation of this cottage on the rural outskirts of Beijing opted to retain the property’s rustic features, while introducing slick contemporary elements.
      In the lounge, cracked plaster walls, worn ceiling beams and an old wood burner have contrastingly been paired with wire-frame chairs and steel cabinetry, forming a cosy yet balanced space.
      Find out more about the cottage ›

      Seaside Abode, Denmark, by Norm Architects
      Weathered beams of dark-stained timber clad the central gabled wall of this living room. Just in front are a couple of marble side tables, a thick fringed rug and taupe-coloured sofas.
      These earthy, tactile details are meant to foster a sense of warmth within the space, but also reflect the rugged coastal landscape of Denmark’s North Zealand region, which can be seen through the home’s expansive windows.
      Find out more about Seaside Abode ›

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      Project #13 is an office for Studio Wills + Architects that doubles up as a home

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      Studio Wills + Architects has reconfigured an apartment in Serangoon, Singapore so that it accommodates the studio’s own office and a snug home for its founder.The home and office, which Studio Wills + Architects has named Project #13, is shortlisted in the small interior category of this year’s Dezeen Awards. It measures 64 square metres and takes over a 30-year-old apartment inside one of Singapore’s public housing blocks.
      Throughout the day it functions as a workspace, while in the evenings it serves as a home to the studio’s founder, William Ng.

      The office is on the left-hand side of the apartment

      “The design really started just as two distinct and autonomous spaces under one roof that can be used independently and/or interchangeably,” Ng told Dezeen.
      “One part eventually evolved as a home for me, as it minimises time spent commuting between work.”

      At the rear of the office is a tiled bathroom
      Although there wasn’t an abundance of space in the apartment, Ng and his studio first decided to section off part of the floor plan and turn it into a foyer.
      “It creates a ‘buffer zone’ between the public and private domains, and at the same time enables two separate entry points, allowing the spaces within to operate independently,” explained the studio.

      The foyer leads through into the right-hand side of the apartment, which includes a relaxed break-out area
      A door to the left of the foyer leads through the studio’s office, at the centre of which are two long work desks for staff.
      Set to the side of the room is a tall wooden volume that is integrated with storage and a tea-making station. There’s additionally a couple of shelving units for presenting architectural models.
      Towards the rear of the office is a kitchenette and a bathroom – complete with a shower – that is entirely clad with square blue-grey tiles.

      A wooden volume with in-built stairs leads to a mezzanine level
      During office hours, staff can spill over into the right-hand side of the apartment to work.
      It plays host to a relaxing lounge dressed with a plush, cream-coloured chaise longue and a lantern-style lamp that emits a warm glow.

      Up on the mezzanine, there is a contemplative tea room
      There’s another tall wooden volume, inbuilt with stairs that lead up to a mezzanine-level tea room where staff can escape for “quiet and contemplation”.
      They can also get a bird’s-eye-view of the office through an opening that has been inserted in the wall up here.
      Beyond the volume, there is an additional table and set of chairs which are used for meetings and another toilet.

      A wall opening by the tea room provides elevated views over the office
      These turn into domestic spaces for Ng after staff leave. Dinner can be enjoyed at the meeting table, the break-out area becomes a living room and the tea room serves as sleeping quarters once the seat cushions are replaced with a roll-out bed.
      Directly beneath the mezzanine there is also built-in storage for Ng’s clothes and dressing room.

      On the other side of the wooden volume is a meeting room, which can also serve as a dining area
      Ng told Dezeen that having work and home so closely interlinked has been particularly useful during the coronavirus pandemic when there have been national lockdowns, more commonly referred to as “circuit breakers” in Singapore.

      KCC Design creates monochrome office for own studio in former factory space

      “Before the circuit breaker, home was felt to be more within an office, but during the circuit breaker, it felt more like an office in the home; this was probably because the boundaries between the two shift and change with use,” he explained.
      “The dining/meeting room was a space for zoom meetings without interference from adjacent spaces; also, the foyer became a space where food deliveries and material samples could be left with no physical contact.”

      At night, the tea room transforms into a bedroom
      Studio Wills + Architects’ Project #13 is one of five small interiors shortlisted in the 2020 Dezeen Awards. Others include Single Person, a design gallery in Shanghai that’s designed to resemble a cave, and Smart Zendo, a family home in Hong Kong that’s fitted with voice-activated technology and space-saving furniture.
      Photography is by Khoo Guo Jie and Finbarr Fallon.
      Project credits:
      Architect: Studio Wills + ArchitectDesign team: Ng William, Kho KeguangC&S engineer: CAGA Consultants PteFitting-out contractor: Sin Hiap Chuan Wood WorksGeneral contractor: Wah Sheng Construction Pte

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