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      Aston Martin collaborates with S3 Architecture to design first residential project

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      US studio S3 Architecture worked with luxury carmaker Aston Martin’s architectural design service to create Sylvan Rock, an angular black-cedar home in Hudson Valley, New York.With building works set to start in early 2021, Sylvan Rock by S3 Architecture will be the first property to be fully realised under Aston Martin’s Automotive Galleries and Lairs service, which launched last year.

      The form of Sylvan Rock house will mimic jagged rock formations nearby
      The service sees the carmaker team up with architecture practices across the world to design bespoke spaces where its clients can show off their most cherished motors.

      Sylvan Rock will be situated two hours away from Manhattan, hidden amongst a 55-acre plot of forested land in Hudson Valley that will allow inhabitants to “reconnect with nature”.

      Luxury cars will be displayed in a glass gallery-style room
      A sweeping driveway that spans 2,000 feet (609 metres) will lead up to the front door of the house. The facade will be composed of expansive panels of glazing and blackened cedar.
      Its dark metal roof will be faceted to emulate the jagged shape of surrounding rock formations, at one point dramatically dipping downwards to form a covered entryway.

      The house will also include a subterranean office
      “When designing, we always let the land speak first and respond to it,” said Christopher Dierig, partner at S3 Architecture.
      “It’s as if the home is born of and launching from the landscape. The resulting design blends our modernist aesthetic with the privacy and context of the rural location to create a unique luxury experience.”

      Parquet flooring and dark-wood joinery will feature throughout living spaces on the ground floor
      Cars will be displayed in a subterranean gallery-style room that’s completely enclosed by panels of glass.
      It will look through to a wine lounge where bottles are kept in floor-to-ceiling latticed shelves that subtly nod to the intersecting lines seen in Aston Martin’s logo.

      Lounge areas will overlook the green landscape
      At this level there will also be an office where the inhabitants can escape to do work without interruption. It will feature a huge window that offers an up-close glimpse of the craggy rocks outdoors.
      From here guests can head upstairs to the ground floor where there will be a kitchen, cosy den, dining room, formal sitting area and an array of other shared living spaces that look out across the home’s decked pool area and verdant landscape.

      Other rooms will have views of the home’s pool
      Aston Martin – which will be responsible for the home’s interiors – imagines each room to be finished with parquet flooring and rich chocolate-brown storage cabinetry.
      Marble-topped tables and plush, leather-trimmed soft furnishings will further enhance the opulent feel of the home.

      The first-floor master bedroom will cantilever towards the Catskill mountains
      Elevated views across the treetops and towards the nearby Catskill Mountains will be available up in the first-floor master bedroom, which will cantilever over the house’s ground floor.

      Aston Martin launches architectural service to design homes focused around your car

      “Our architecture and design team was immediately in sync with the Aston Martin design team, both emphasizing clean lines and the luxury of natural materials and textures,” the studio’s partner, Doug Maxwell, told Dezeen.
      “Working with them we evolved our creative process to view the residence in a similar way as designing an Aston Martin car – by designing in 360 degrees, where no specific angle or facade took precedence or dominates.”

      Sylvan Rock will also include three pods where guests can stay
      The grounds of Sylvan Rock will additionally accommodate three gabled guest pods that will stagger down a grassy embankment towards a pond.
      They will enable visiting friends and family to have a sense of privacy when they come to stay but, when not in use, can alternatively serve as a health and fitness space or a quiet area for homeschooling.
      There will also be a small produce garden where fruit and vegetables can be grown, as well as a pitched-roof treehouse where inhabitants or guests can choose to spend a night under the stars, closer to the site’s wildlife.

      There will also be a treehouse on site
      Aston Martin’s Automotive Galleries and Lairs service is not the brand’s first venture outside of carmaking. Last year it unveiled its inaugural motorcycle model, AMB 001, which features a 180-horsepower turbocharged engine and a carbon-fibre body.
      Images are by S3 Architecture, courtesy of Corcoran Country Living.

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      Torrado Arquitectos carries out subtle renovation of 1930s Buenos Aires house

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      Argentinian studio Torrado Arquitectos has used material that match the original home for its renovation of House in Barrio Parque in Buenos AiresThe local studio renovated and reconfigured the property, which was completed in 1938 by architect Alberto Rodriguez Etchetoc, but aimed to change the appearance as little as possible.

      Top: The house is on a corner plot in the city. Above: House in Barrio Parque has fresh white walls.
      “The aesthetic concept of imitating is known as mimesis, in which the imitation cannot be compared to the original, on the contrary, it becomes its equivalent,” said Torrado Arquitectos.

      “It is within this frame of work that the renovation and extension of the House in Barrio Parque was planned,” it continued.
      “The addition of new bedrooms, the new circulation and the relocation of service areas blend with the original project, at times completely disappearing.”

      Arched opening leads to garden
      The house is one of two properties built on a corner plot in the Argentinian capital city, giving it an unusual triangular footprint. Two spiral staircases lead up its three floors: one has stone steps while the other has wooden treads.
      Reddish brick forms the exterior, while inside its tall walls are updated with fresh white paint coating tiles and prominent skirting and cornice moulding.

      The main intervention is wood cabinets
      Decorative details include the insertion of glass that is cut to match the ceiling trim so it is difficult to see, and also allows natural light between spaces.
      New materials, including wood veneer and marble flooring, were also chosen to match the existing finishes.

      Windows meet the ornate ceiling detail
      “There is almost no difference in the materials chosen for the renovation,” the studio added.
      “Few new materials were used, the veneer chosen for the furniture and divisions and the travertino marble with a rustic finish for the floors, all blend with the white stucco and the Slavonian oak wooden floor already existent.”

      Modernist furniture alludes to the house’s history
      Torrado Arquitectos said it did make two big interventions in the project: “only two sectors in the kitchen and the dressing room, completely built with wooden panels, are a proper renovation, the rest is a work of invisible conservation and restoration, mimesis of a longed past”.

      Estudio Nu retrofits creative studios in former Buenos Aires workshop

      Wood kitchen cabinetry is paired with marble splashback and limestone flooring in the kitchen. An arched window with doors that open onto the back garden where there is a seating deck and a small pool.

      Wooden herringbone flooring on an upper level
      Storage in the dressing room is also paired with the limestone, which extends to form walls of the bathroom and shower.
      In the adjoining living room and dining room wood herringbone flooring offsets white walls, while modernist furniture allude to the building’s history.

      Wood cabinets are paired with limestone flooring in the dressing room
      Other recently completed residential projects in Buenos Aires include the extension of a courtyard house designed by Hernan Landolfo and Marcos Asa and a small apartment that IR Arquitectura created from a leftover corner of a 1950s building.
      Photography is by Javier Agustin Rojas.
      Project credits:
      Project and design: Torrado ArquitectosProject team: Martin Torrado, Architect Ligia Gaffuri, Architect Gonzalo Yerba, Architect Leandro Valdivieso, Architect Mora Linares

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      Minimal Fantasy holiday apartment in Madrid is almost completely pink

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      Patricia Bustos Studio channelled “aesthetic madness” to create the striking bright-pink interior of this rentable apartment at the heart of Madrid, Spain.Locally-based Patricia Bustos Studio applied 12 different shades of pink throughout the Minimal Fantasy apartment, which is meant to offer a bolder take on the typical holiday rental.
      “We wanted to do something eye-catching and not go unnoticed, since in Madrid the offer of vacation rentals is enormous and you have to differentiate yourself if you want to have a recurrence in the rentals,” the studio told Dezeen.

      Surfaces throughout the apartment are bright pink
      The 55-square-metre apartment is set inside a 1950s residential building that’s a stone’s throw away from Madrid’s lively Puerta del Sol square.

      It formerly played host to just one bedroom and one bathroom, but Patricia Bustos Studio reconfigured the floor plan so that it can comfortably accommodate slightly larger groups of holiday goers.

      An arched doorway looks through to the kitchen
      There are now two bedrooms and an additional bathroom. The kitchen has also been separated from the living area so that, if necessary, it can sleep another two guests.
      With structural changes out the way, the studio set about creating the apartment’s stand-out interior – which is almost exclusively pink.

      Cabinetry in the kitchen is a mix of blue, pink and gold
      “Except for the distribution, which had to be practical, the rest of the project has been an aesthetic madness to take the visitor out of their comfort zone and make them dream,” explained the studio.
      “Pink is already the colour of a whole generation… the generation of the brave, those who are not afraid of change,” it continued.
      “Pink vindicates the fall of stereotypes – everything is possible, nothing is planned or established and that’s the beauty of it. There are no rules, or rather that everyone has their own.”

      Pink cushions and faux-fur throws dress the beds
      In the living area, bubblegum-pink paint has been applied across the walls and ceiling. A flecked pink laminate covers the floor and a chunky L-shaped plinth that winds around the corner of the room, topped with plush pink sofa cushions.
      Guests can gather for meals around the oval-shaped pink dining table, which is surrounded by dining chairs upholstered in metallic pink fabric with an iridescent finish.

      One of the beds is supported by a pink-tile platform
      The monochromatic colour scheme is interrupted in the adjacent kitchen, where the cabinets are covered in a mixture of blue, pink and gold geometric shapes.
      Worktops are lined with glazed, blush-pink tiles.

      Child Studio looks to worker’s cafes for pink interiors of London’s Humble Pizza

      These same tiles have been used to clad the side tables and supporting mattress base in one of the apartment’s bedrooms.
      In the other bedroom, the mattress is pushed up against a scalloped pink headboard. Textural interest is added throughout by baby-pink lamé soft cushions and faux-fur throws.
      Arched sliding doors can be drawn back to reveal pink-tile bathrooms, complete with pink-frame vanity mirrors and shiny pink shower curtains.

      Bathrooms lie behind arched sliding screens
      Other than a few spherical pendant lights, trailing ivy plants and neon art piece, Patricia Bustos Studio hasn’t incorporated a lot of decoration in the apartment.
      Some elements, like the stepped blocks which display books and other trinkets, are meant to riff off La Muralla Roja – a housing development designed by Spanish architect Ricardo Bofill in 1968, distinguished by its maze of interlocking stairways.
      “[Bofill] creates a mysterious and infinite space with the perfect transformation between 2D and 3D, and with several elements that play with the optical illusion,” added the studio.

      Shiny pink curtains and pink-frame mirrors complete the bathrooms
      Several other architects and designers haven’t shied away from making extensive use of the colour pink – last year, Child Studio covered the interior of a vegan pizza restaurant in London with candy-pink Formica.
      Mar Plus Ask also washed the walls of a cave-like guesthouse in Spain with blush-pink stucco.
      Photography is by JC de Marcos.

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    • 125 Shares119 Views

      Apartment on the Belgian coast balances natural and industrial materials

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      A steel staircase offsets seaweed-coloured joinery and marble surfaces inside this Belgian apartment designed by local architects Carmine Van Der Linden and Thomas Geldof.Van Der Linden and Geldof thought using natural materials and colours would reflect the calming coastal location of the two-floor apartment, which is encircled by sand dunes and grassy banks.

      The kitchen in the apartment features seaweed-coloured cabinetry
      In the apartment’s kitchen, the splashback, shelving and panelled birch-wood cabinets have been stained a murky shade of green.

      “The colour choice of the wood subtly brings in the seaweed colour from the adjacent sea and the marram grasses in the surrounding dunes,” said the architects.

      The same green stain has been applied across the apartment’s wood-panelled walls
      This green hue continues across a handful of wood-lined walls in the apartment and into the guest toilet, which is fitted with a Gris Violet marble basin.
      Alga Marina marble has then been used to craft the kitchen countertops and the surface of a central prep table. It’s supported underneath by interlocking silver-metal poles.

      The guest toilet includes a marble sink
      The architects blanketed the remaining surfaces throughout the apartment in white paint that leaves a clay-like textural finish, in hopes of fostering an “unconscious sense of silence and serenity”.
      Dark-grey terrazzo also runs across the floor.

      Atelier Dialect places mirrored tub in minty green bathroom of Apartment A

      One wall of the living room features a sequence of shelves extending up across both floors of the apartment, offering a spot for the owner to display books or cherished ornaments.

      A galvanised-steel staircase connects the apartment’s two floors
      The shelves also serve as a backdrop to an open-tread spiral staircase that’s made from galvanised steel. This material was specifically chosen by Van Der Linden and Geldof as they felt it has an almost pearlescent quality.
      “With its extremely logical and pragmatic construction method, this object stands as a ‘pièce unique’ in the open living space,” they explained.

      Pale white joinery dominates the master bedroom
      Panelled joinery, similar to the kitchen, appears again in the master bedroom upstairs, but this time in a whitish colour.
      At this level of the apartment, there is also an almost-black sauna room that’s fronted by a panel of glazing, providing views out across the beachy landscape.

      The apartment also includes a sauna that has views of the outdoors
      This is the first collaborative interiors project from Van Der Linden and Geldof, who are based respectively Ghent and Antwerp.
      Other striking Belgian homes include Apartment A by Atelier Dialect, which boasts a mint-green bathroom, and the Spinmolenplein penthouse by architect Jürgen Vandewalle, which is simply arranged around three blocks of furniture.
      Photography is by Piet-Albert Goethals.

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      Seven wooden kitchens that offer a different take on timber

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      Wood has long been used to create kitchens, but architects and designers are finding subtle ways to reimagine the material in the cooking space. Interiors reporter Natasha Levy selects seven standout examples.

      The Rye Apartments, UK, by Tikari Works

      Spruce-wood cupboards inset with subtle grooves feature in the kitchens of these apartments in south London’s Peckham neighbourhood.
      The cabinets and the surrounding cross-laminated timber walls are meant to lend the homes a cosy, domestic atmosphere. Extra warmth is provided by brass door handles and amber-flecked terrazzo that runs across the floors.
      Find out more about The Rye Apartments ›

      Ti Clara, Portugal, by Atelier Espaço P2
      Atelier Espaço P2 felt that a natural material palette offered “the most honest and true solution” for the overhaul of Ti Clara, a historic home in the Portuguese municipality of Ansião.
      The kitchen has therefore been set within a wood-lined gabled niche. Pale plywood has been used to craft its cabinets, as well as the triangular extractor hood above the stove. Contrast is offered by the grey stone countertop, splashback and floor tiles.
      Find out more about Ti Clara ›

      Southgrove Road, UK, by From Works
      A photograph of a moss-covered stone inspired the earthy green hue of this stained plywood kitchen suite, which design studio From Works incorporated into a Sheffield family home.
      “[The photo] sparked conversation about trying to create a space and a material palette that referenced Sheffield’s special position as an earthy regenerating city uniquely connected to the beautiful surrounding Peak District.”
      Find out more about Southgrove Road ›

      Urban Cabin, Italy, by Francesca Perani
      Surfaces throughout the kitchen of this 25-square-metre apartment in Albino, Italy are covered in oriented strand board (OSB) – a type of engineered timber made by compressing strands of wood in different directions.
      Although architect Francesca Perani was more accustomed to seeing OSB used on building sites, she thought its continuous pattern helped make the micro-sized kitchen appear bigger.
      “I love its textural irregularity, random organic composure and recycled properties,” she added.
      Find out more about Urban Cabin ›

      Powerscroft Road, UK, by Daytrip
      Design studio Daytrip didn’t want the interiors of this London townhouse to seem “over-designed or mass-produced”, so applied a selection of textured and patterned materials.
      In the kitchen, grainy Douglas fir wood has been used to make the cabinetry and the base of the central breakfast island. Countertops are pale Evora marble, while walls have been limewashed to leave a “painterly” finish.
      Find out more about Powerscroft Road ›

      An Attic for David, Spain, by MH.AP Studio
      The kitchen and all the storage elements of this Barcelona apartment are made from matte-finish MDF.
      While this type of engineered wood is often appreciated for being cost-friendly, MH.AP Studio also thought it would create a warm, “enveloping” ambience inside the home – especially when combined with oak parquet flooring.
      Find out more about An Attic for David ›

      Hackney House, UK, by Applied Studio
      A jet-black timber kitchen suite forms a striking focal point inside this east London home.
      “[The clients] wanted vivid contrast between the background and feature elements,” explained Applied Studio.”We worked with them to introduce natural elements to soften this, hence the visible grain in the joinery.”
      Find out more about Hackney House ›

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      Thomas Juul-Hansen opts for earthy tones in Bangkok's Scope Langsuan apartments

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      Dezeen promotion: the interiors of the Scope Langsuan residential building have been designed by Thomas Juul-Hansen, his first project in Thailand.Located in the heart of Bangkok’s city centre, the soon-to-be-completed development for Scope is situated on a piece of the most expensive freehold land in the city.

      Danish designer Thomas Juul-Hansen was behind the interior design for Scope Langsuan, which will feature a calming colour palette of warm, sandy hues and muted pastel tones.

      Juul-Hansen has selected fittings and furniture to complement this colour palette from brands such as Minotti, Walter Knoll and Poliform, as well as designing some bespoke furniture pieces for each unit in the development.
      The Copenhagen-born designer was previously responsible for the interior design of New York’s 75-story skyscraper One57, nicknamed The Billionaire Building, which reached completion in 2014.

      Global architecture firm Kohn Pedersen Fox (KPF) was design consultant for the building itself, which will accommodate 158 residences across 34 floors.
      “We’re a disruptive developer, focusing exclusively on designing and building top, international standard premium homes,” said Scope CEO Yongyutt Chaipromprasith.
      “We cater to a new generation of homeowners who seek design and build quality that match the very best available in New York or London,” he added. “So, we’ve teamed up with the best partners in the world.”

      Scheduled for completion in early 2023, the block will have one-bedroom residences sized at around 83 square metres, while two-bedroom apartments are sized at 153 to 162 square metres. Penthouse residences will be between 419 to 443 square metres.
      All apartments will have floor-to-ceiling windows and ceiling heights of 3.5 metres, with four metres for the penthouses.

      A wine cellar, cloakroom, cigar storage, piano room and 25-seat auditorium will be found on the third floor of the complex, while a fitness centre, temperature-control pool, business lounge and kids room will be located on the fourth floor.
      Thirty levels up, on the 34th floor, is a sky lounge, private kitchen and dining area and a barbecue deck.

      In the living spaces, the kitchens feature furniture by German manufacturer Bulthaup, as well as kitchen appliances from Gaggenau and Sub-Zero.
      The bedrooms also include built-in closets by Italian furniture manufacturer Lema, and luxury bathrooms designed by TOTO.

      Scope Langsuan will also offer a range of lifestyle facilities and five-star services, including maid and cleaning services, receptionists, 24-hour comprehensive security, and valet parking.
      “Scope Langsuan will be one of Thailand’s highest quality condominium developments with its clean and open simplicity, functionality, international good taste, and searingly close attention to details,” Chaipromprasith added.

      Located at the centre of the city on Lang Suan road, Scope Langsuan is 140 metres – just a two-minute walk – from the city’s BTS Skytrain and rail transit system.
      The complex will be positioned within minutes’ walk of Bangkok’s most prestigious retail avenue, Ploenchit Road, as well as the Central Embassy, Siam Center and Central Chidlom.Bangkok’s popular central Lumpini Park is also “only a straight-line jog away” at the end of Langsuan Road.
      For more information about Scope Langsuan can be found on the company’s website.

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      Ortraum Architects builds timber music studio beside house in Helsinki

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      Ortraum Architects has built an asymmetric studio called 12 in the garden of a house in Helsinki, Finland, to provide its owners with space to compose music and make ceramics.The structure was commissioned by a couple who wanted an external space to work from home, beside their existing 1960s home in the Jollas neighbourhood.
      It features two contrasting storeys that Ortraum Architects has set askew, giving rise to a sculptural form and two individual workspaces inside for the couple.

      Ortraum Architects’ 12 studio has two storeys set askew
      The 12 studio, which has been shortlisted in the Dezeen Awards in the small workspace interior category, measures 72-square-metres and is complete with a kitchen and bathroom.

      While providing individual studio space for the couple, it is designed to be easily adapted into a guest house or even become a home for the client’s children in the future.

      The studio is in the garden of a house in Helsinki
      “The client couple needed two main spaces, a ceramics workshop and a music-composing studio,” said the studio. “The massing is visually divided into two levels, reflecting the two different building functions,” it continued.
      “The plan also needed to be flexible enough to function additionally as a guest house and future home for one of the two children in the family, so bathroom and kitchen spaces were included.”

      A ceramic studio is on the ground floor
      The material palette of 12 is deliberately pared-back, with its cross-laminated-timber (CLT) structure left exposed internally and externally. On the exterior, this will turn grey with time to help the structure blend in with its surroundings.
      Its entrance is marked by large glass doors that face the existing home, sheltered by a small cantilevered corner of the second floor.

      A hidden black staircase has storage in its treads
      This entrance opens into the ceramics studio on the ground floor, which is complete with a small bathroom.
      A black wooden staircase that leads to the first floor is concealed behind a wall and features treads that double as storage units.

      The building contains a music studio upstairs
      Above, the first floor contains the music studio. Its angular form was developed to help enhance the acoustics of the space and make it suitable for recording music.
      This space is complete with two large windows that open towards a neighbouring forest, alongside a small balcony and gallery level for use as an extra lounge area.

      The music studio has an angular form to enhance its acoustics
      Ortraum Studio’s goal for 12 was for it to “be a best practice example for environmentally friendly construction and infill projects in a suburban context”.

      Saez Pedraja adds small studio to a fashion designer’s Santa Monica residence

      For this reason, its size was dictated by an existing concrete foundation from an old garage, avoiding the need for new and obtrusive groundwork, while its structure was prefabricated using CLT to avoid waste and speed up construction time.
      It has also been developed to facilitate natural ventilation and is powered by solar panels and heated using a ground source heat pump of the main home.

      A small balcony looks out to the neighbouring houses
      As part of the project, Ortraum Architects also built a small playhouse for the client’s children, which is also made of CLT and is tied to a pine tree in the garden.
      Named the Birdhouse, it features heart-shaped windows and is modelled on pictures that the children drew of their “dream house”.

      A playhouse sits next to the studio
      Ortraum architects is a small Finnish design studio headed up by architect Martin Lukasczyk. In 2017, it completed a family home in Finland that has a number of child-friendly features including a trapeze, a climbing wall and a hammock.
      Photography is by Marc Goodwin.

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      Architect John Wardle renovates his own house in Australia

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      The founder of John Wardle Architects has remodelled Kew Residence, his Melbourne home of 25 years, using Victorian ash and handmade glazed tiles from Japan.John Wardle and his wife Susan have owned the two-storey house, which has been shortlisted for Dezeen Awards 2020 house interior of the year, for a quarter of a decade and renovated it multiple times.

      Wardle has owned Kew Residence for 25 years
      “My first year of practice coincided with my first year of homeownership,” he told Dezeen.

      “I undertook the pre-purchase inspection of the house and completely missed the tell-tale sign of termite infestation throughout which required a more substantial re-build than first anticipated!” he added.
      “Three children wore out the last iteration.”

      Victorian ash lines the walls, floors and ceilings
      With the couple’s adult children now grown up and moved out, the kitchen and the first-floor study became the focal point of the house.  For this version of Kew Residence, the architect focused on creating spaces to display his art collection.
      “Of particular interest to me is the study especially during this time in lockdown, as I spend just about all my daylight hours solely in this space,” said Wardle.
      Here, built-in shelves form an informal display for the couple’s collection of ceramic art and sculpture.

      Built-in bookshelves line the study
      Victorian ash clads the floors and ceiling to create the sensation of a “cocoon” with views of the leafy garden beyond.
      “The corner window arrangement is a direct reference to a composition of the window seat in the living room of the Fisher House in Pennsylvania by Louis Kahn,” explained the architect.
      “My arrangement of five windowpanes, ventilation panel and a window seat is abstracted from the original as I’ve arranged them around my view out across Melbourne.”

      The architect collects Japanese sculptures
      The wood also forms plinths for displaying certain sculptures and acts as a neutral backdrop for the art displayed on shelves.
      “For many years I’ve had a fascination for ceramics both as objects and the process of their making and have collected many objects from many places over time,” said the architect.
      “My travels to Japan have resulted in many of my favourite pieces.”

      The staircase is also made from Victorian ash
      Concealed sliding panels, discrete hand pulls and hidden cupboards conceal storage throughout Kew Residence.
      Wardle designed the joinery, including the built-in bookcases and main staircase, himself and had it built by expert craftspeople.

      Wood and ceramic tiles in the kitchen
      His choice of timber, Victorian ash, is the main material used throughout the house.
      “I’ve always had an affinity for this beautiful primary indigenous species,” said Wardle.
      “Vast forests of this majestic tree were decimated in bushfires here in Australia earlier this year, unfortunately. It’s not something I would feel confident in specifying again until substantial regrowth occurs.”

      Grooved tiles form a tall splashback in the kitchen
      The timber features in the kitchen too, alongside dark and striking ceramic tiles made by INAX in Japan. These narrow, concave tiles have been arranged vertically to create an interestingly textured splashback that reaches to the wood-lined ceiling.
      INAX tiles also line the master bathroom, which was built in an earlier extension to Kew Residence.

      INAX tiles from Japan feature in the bathroom
      Wardle has visited Tokoname, where the makers live, and Kew Residence features five different styles of the ceramic tiles.

      Australian Institute of Architects Gold Medal winner John Wardle names 12 key projects from his career

      “Our practice has a long association with INAX, the Japanese tile manufacturer, having used their tiles in the suspended gallery in our Phoenix project, as well as 60,000 plus individual tiles embedded into the concrete facade panels of our Melbourne Conservatorium project,” said Wardle.
      “The ancestors of INAX produced the tiles so loved by Frank Lloyd Wright and his partners and used to great effect on the Imperial Hotel.”

      Five different kinds of tiles decorate the house
      Phoenix Central Park, an arts venue designed jointly by John Wardle Architects and Durbach Block Jaggers, has also been shortlisted for Dezeen Awards 2020.
      Earlier this year Wardle was awarded the Gold Medal from the Australian Institute of Architects.
      Photography is by Trevor Mein and Sharyn Cairns.
      Project credits:
      Architect: John Wardle ArchitectsProject director: John WardleModel maker and designer: Andrew WongPA: Luca VezzosiInterior Designer: Jeff Arnold, Elisabetta ZanellaConstruction: Overend ConstructionStructural Engineer: 4 Site EngineersBuilding Services Engineer: JWABuilding Surveyor: Sampson Wong

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