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      Halleroed mixes French and Japandi influences inside L/Uniform’s Paris boutique

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      In the arty Paris district of Saint-Germain-des-Prés, Stockholm design studio Halleroed has designed a new boutique for French bag and luggage brand L/Uniform.

      Taking cues from the brand’s simple, rational approach to design, Halleroed design lead Ruxandra Halleröd created a series of backdrops that allow the products to “pop out in a beautiful way”.
      Halleroed has designed a boutique for L/Uniform in ParisThe boutique is comprised of two rooms that drawing on L/Uniform’s French heritage alongside a mixture of Japanese and Scandinavian design traditions – also known as Japandi.
      The first room was designed to nod to the vernacular of the traditional French marketplace, with stepped display furniture and rustic materials, such as walls papered in woven raffia.
      In the first room, bags are hung from integrated wooden hooks”It reminds us of L/Uniform’s use of French canvas on its more functional bags, but on a bigger scale,” Halleröd told Dezeen.

      “We used a Shaker-inspired approach where bags are hung from hooks. There’s an association with everyday market life because some of these bags are specifically made for bringing to the market.”
      To create a striking visual contrast with the natural textures of this space, Halleroed added a monolithic display table in deep burgundy with a high-gloss finish.
      Glossy red details feature throughout the store in finishes and furnishingsThe second room is more “elegant and eclectic”, according to Halleröd. Here, L/Uniform’s leather handbags are displayed against a palette of soft pink and green, featuring an olive-coloured velvet sofa and pistachio display cabinet alongside tactile elements like the handwoven jute-and-wool carpet.
      The same glossy red finish from the first room is also reprised – in this case applied to two exposed pipes, around which Halleroed has constructed a low timber cabinet.
      Pistachio display cabinets provide additional storage”We worked with colour, texture and material as one entity, creating contrast and also unity,” said Halleröd.
      Around the counter, Halleroed added cedar cladding “for a Japanese look and feel”.

      Halleroed combines futuristic and primitive for Acne Studios store in Chengdu

      This is mirrored across the shop with details such as a rice-paper pendant light by Isamu Noguchi and chairs by George Nakashima, as well as cedar table lamps with rice-paper shades created by a Japanese cabinetmaker.
      Gallic influences are reflected in the lighting by Pierre Chareau and Charlotte Perriand and the bush-hammered limestone floor, which according to Halleröd has a “calm, vintage touch that for us is very French”.
      Travertine floors and stone counters bring a sense of refinement to the spaceHalleroed also brought Swedish elements into the mix, reflecting the studio’s own approach.
      “With our minimalist Scandinavian mindset, we prefer to work with fewer elements and materials but in a conscious and precise way,” said Halleröd.
      “Working with wood and craft is something that I think is common for both Japan and Sweden, while we think of the warm tones here as being both French and Japanese.”
      Timber joinery nods to Japanese and Scandinavian craft traditions”Many of the items in the store were handmade specifically for the space, which was important for us since we believe that this reflects the L/Uniform mentality and approach,” she added.
      Since it was founded in 1998, Halleroed has completed a number of high-end boutiques around the world.
      Among them are an Acne Studios store in Chengdu and various outposts for Swedish streetwear brand Axel Arigato in Berlin, Paris, Copenhagen and London.
      The photography is by Ludovic Balay

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      Hollie Bowden converts London pub into pared-back jewellery showroom

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      Lime-washed walls meet aluminium display fixtures in this minimalist studio and showroom that designer Hollie Bowden has devised for London brand Completedworks.

      Set over two floors of a former pub in Marylebone, it provides space for Completedworks to design and display its jewellery and ceramics, as well as to host an array of craft-focused classes.
      Hollie Bowden has designed a studio and showroom for CompletedworksThe brand was established in 2013 and up until now, has largely been sold via high-end department stores such as Dover Street Market and Liberty. But founder Anna Jewsbury felt it was time for Completedworks to have its own brick-and-mortar space.
      “We increasingly had clients asking to come and see our pieces in person but felt that we didn’t have a space that felt considered and reflected our vision,” she said. “We wanted people to be able to enter our world and get to know us, and for us to get to know them.”
      Display shelving was crafted from lustrous aluminiumFor the design of the showroom, Jewsbury worked with London-based designer Hollie Bowden, who naturally looked to the brand’s jewellery for inspiration.

      This can be seen for example in the hammered-metal door handles that appear throughout the studio and directly reference the creased design of the gold Cohesion earrings.
      A modular display system in the showroom is clad in lilac linen”[Completedworks] is known for the beauty of the textural surfaces and flowing almost baroque forms,” Bowden explained. “We developed a display language that played off that, with minimal details and strict lines.”
      Almost every surface throughout the studio is washed in beige-toned lime paint, with only a few slivers of the original brick walls and a worn metal column left exposed near the central staircase.

      Hollie Bowden channels the ambience of dimly lit gentlemen’s clubs for London office

      Bowden used brushed aluminium to create a range of display fixtures, including chunky plinths and super-slender shelving units supported by floor-to-ceiling poles.
      The space also houses a couple of angular aluminium counters for packing orders that include discrete storage for boxes and subtle openings, through which tissue paper or bubble wrap can be pulled.
      Shoji-style storage cabinets can be seen in the officeA slightly more playful selection of colours and materials was used for the studio’s custom furnishings.
      In the main showroom, there’s a modular display island sheathed in lilac linen. Meanwhile in the office, designer Byron Pritchard – who is also Bowden’s partner – created a gridded wooden cabinet inlaid with translucent sheets of paper, intended to resemble a traditional Japanese shoji screen.
      Hammered-metal door handles in the studio resemble Completedworks’ earringsThis isn’t Bowden’s first project in London’s affluent Marylebone neighbourhood.
      Previously, the designer created an office for real estate company Schönhaus, decking the space out with dark-stained oak and aged leather to emulate the feel of a gentleman’s club.
      The photography is by Genevieve Lutkin.

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      MRDK creates a “journey through nature” at Attitude boutique in Montreal

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      Blocks of granite among planted beds are used to display plastic-free beauty products at this Montreal store, designed by local architecture firm MRDK.

      MRDK, also known as Ménard Dworkind, designed the interiors of the Attitude boutique to reflect the sustainable focus of the cosmetics for sale.
      Planted beds are surrounded by a raised ceramic floor at the Attitude store”From the moment you step inside, the design of the space reflects their commitment to sustainability and a connection to nature,” said the studio.
      Located on Saint Denis Street in the Plateau Mont-Royal neighbourhood, the 1,000-square-foot (93-square-metre) shop is laid out to evoke a “journey through nature” according to MRDK.
      A large granite block at the centre has two sinks carved into its topPlanted beds in the store window and around the space overspill with greenery, and a raised ceramic floor creates the impression of traversing a boardwalk between them.

      “This subtle elevation change immediately transports you into a new space, a forest floor full of life and colour,” MRDK said.
      The brand’s plastic-free beauty products are display on oak shelves that emerge from the greeneryChunks of granite are used as pedestals for displaying products in the window, while a much larger block in the centre has a pair of sinks carved into its flat top.
      “The boulder-like shape and texture of the island suggest a natural element, as if it has been carved by the forces of nature over time,” said MRDK.

      Ménard Dworkind fills Tiramisu restaurant in Montreal with plants and mirrors

      “This centerpiece perfectly complements the natural theme of the space, giving customers the sense of being in a nature surrounded by rock formations.”
      The majority of Attitude’s products are presented on white oak shelves that emerge from the plant beds on both sides of the store.
      The raised floor is designed to create a boardwalk between the planted bedsSuspended on white poles and backed by fritted glass, these shelves match the rectangular cashier’s desk at the back, into which the brand’s name is hewn.
      There’s also a refill station that customers can use to replenish the aluminium bottles, further promoting sustainability.
      Smaller blocks of granite are used as plinths to showcase the products in the storefrontMRDK was founded by partners Guillaume Ménard and David Dworkind in 2010, and has completed a wide variety of projects in and around Montreal.
      These include a 1970s-themes pizza restaurant, a colossal Chinese brasserie and a wine bar that takes cues from bottle labels, as well as a renovated 1980s home and a cedar-clad hideaway.
      The photography is by David Dworkind.
      Project credits:
      Architecture: MRDKTeam: David Dworkind, Benjamin Lavoie LarocheContractor: Groupe STLC

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      Ringo Studio completes colourful cookware store for Our Place in Los Angeles

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      Brooklyn-based Ringo Studio designed a store for kitchenware brand Our Place that features colourful tile displays and expressive drapery that hangs from the ceiling.

      The Our Place Melrose store is the brand’s second location in Los Angeles, following the inaugural shop in Venice, and is situated in West Hollywood’s busy shopping district.
      The Our Place store is designed to showcase the brand’s colourful cookwareThe interiors by Ringo Studio are based on the identifiable colour palette of Our Place cookware sets, which are known for in a variety of pastel, neutral and jewel-toned hues.
      “It retains the warmth and intricacy of Our Place’s first store in Venice, concepted by Mythology, while also taking Our Place’s design ethos into new and unique expressions,” said the team.
      Many of the surfaces are covered in long rectangular tiles laid in a straight stack patternElements derived from classical architecture were included, from fluted columns that support a wavy-topped table to arches that curve over shelving units and form punctured openings for showcasing small items.

      Storage cabinets have rounded corners, as do the doors that front them, and many of the built-in elements also feature filleted edges.
      At the back is a space coloured entirely terracotta, which features a table displaying the brand’s productsLong rectangular tiles laid in straight stack patterns cover several of the walls and display stands.
      Each tiled block or surface is a different colour, with large panels including terracotta, lilac and cream, and smaller sections in pale blue and green.

      Bala’s SoHo store by Ringo Studio features oversized fitness equipment

      An area towards the back is decorated entirely in terracotta, which covers the floor and walls, as well as matching strips of fabric hung in rows from the ceiling.
      There’s also a side room where Our Place products are laid out on a dining table with mirrors on three sides, creating infinite reflections intended to “welcome everyone to have a seat at the table”.
      A side room features mirrors on three sides to create infinite reflections of a dining table setupCovered in mosaic tiles and with an undulating front, the table is accompanied by a pair of purple velvet chairs, and from the ceiling hangs purple drapery.
      “Infused with the cozy feeling of home, the streamlined suite of products are artfully displayed throughout the store, making them feel like chic, sculptural objects,” said the Our Place team.
      Our Place Melrose is located in West Hollywood’s busy shopping district and is the brand’s second location in LARingo Studio was founded by architectural designer Madelynn Ringo, who has created retail experiences for companies such as Glossier, Studs and Funny Face Bakery.
      Last year, the studio completed a store for fitness brand Bala in New York City, which includes scaled-up versions of its products.
      The photography is by Jenna Peffley.

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      BoND uses pink scaffolding at New York “embassy” for fashion brand PatBo

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      Architecture studio BoND has designed the New York headquarters for Brazilian fashion brand PatBo, which features pink scaffolding and rugs based on drawings by Roberto Burle Marx.

      The office and showroom for PatBo occupies a 7,000-square-foot (650-square-metre) loft, which spans the entire seventh floor of a historic building on Fifth Avenue.
      The PatBo showroom is located in a light-filled loft in New York’s Flatiron DistrictAs the brand’s global headquarters, this space serves multiple purposes: showcasing the brand’s apparel; providing office space for staff; hosting buyers and events.
      “Our biggest challenge was to divide the space according to the showroom’s new program while keeping its loft-like openness,” said BoND co-founder Noam Dvir.
      To divide the open space, BoND used pink-painted scaffolding that doubles as clothing railsTo create partitions that double as displays, the designers chose scaffolding elements on which clothing can be hung and shelving can be installed.

      “They are so readily available, so New York in their character, and very easy to adapt to different conditions,” said Daniel Rauchwerger, BoND’s other co-founder. “Moreover, they’re inexpensive and have a younger, fresher feel that works so well with the spirit of a PatBo studio.”
      The showroom also serves as an office space for the PatBo teamScaffolding has been used in a variety of retail environments for its versatility and ease of installation, including a bright yellow Calvin Klein store transformed by Raf Simons and Sterling Ruby, and a boutique for Wardrobe NYC designed by Jordana Maisie.
      Painted pale pink in the PatBo showroom, the industrial scaffolding takes on a more feminine appearance, which sets the tone for the rest of the showroom.
      Feminine touches like pleated pendant lights align with the brand’s aestheticCurved couches, pleated pendant lamps and tambour panelling all add to the soft aesthetic and further align with PatBo’s brand expression.
      Circular fitting rooms surrounded by curtains allow clients to try on the colourful clothing in the main showrooom.
      Private offices feature tambour panelling and a mix of furnitureA second showroom area for hosting buyer appointments and casting calls includes minimal clothing racks with brass rails and oak frames.
      This space is closed off from the reception, but still visible through large glass panels that allow light from the exterior windows to pass through.
      The historic building overlooks Fifth AvenuePrivate offices along the far side of the loft also feature glass doors for the same purpose, and add to the feeling of openness and transparency throughout the showroom.
      “It’s not meant to be too precious or delicate, but rather a place where a group of creative professionals can feel encouraged to move things around and make it their own,” said Dvir.

      Raf Simons and Sterling Ruby transform Calvin Klein store with yellow scaffolding

      Atop the wooden floors are rugs based on the drawings of Brazilian modernist and landscape architect Roberto Burle Marx, designed in collaboration with São Paulo-based Punto e Filo.
      Colourful furniture and potted plants also contribute to the Brazilian vibe in the space, and complement PatBo’s vibrant garments.
      Rugs throughout the space are based on the drawings of Brazilian modernist Roberto Burle MarxAt the back of the showroom is a bar area, featuring a pink stone counter with rounded corners, and a sink placed within a curved niche that has mirrored sides.
      “This is a space that combines elements of office, retail, and hospitality,” said Rauchwerger. “With that, it is able to serve as a real embassy for PatBo as a brand.”
      A bar area with pink stone counters is used for hosting eventsRauchwerger and Dvir, both former journalists, founded BoND in 2019 after working as architects at OMA, WeWork and more.
      Their studio’s previous projects have included the renovation of a dark Chelsea apartment into a light-filled home.
      The photography is by Blaine Davis.
      Project credits:
      Project team: Daniel Rauchwerger, Noam Dvir, Liza Tedeschi

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      Kooo Architects creates Shanghai Freitag store in 1970s textile factory

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      Japanese studio Kooo Architects has converted a 1970s textile factory in Shanghai into a store that aims to capture the ethos of messenger bag manufacturer Freitag.

      Located on an alley in the Xian-Suo district in central Shanghai, the store was designed to retain elements of the former state-run factory while incorporating reused material.
      Kooo Architects aimed to create a pared-back aesthetic utilising few finishes to reduce the fit-out’s carbon impact. Like its previous Kyoto store, the look was partly informed by Freitag’s Zurich warehouse.
      Freitag has opened a store in Shanghai”In order to reduce CO2 emission as much as possible, the building interior does not use any decorational material, and all surfaces and conduits are exposed,” Kooo Architects told Dezeen.
      “In order to achieve a connected, inclusive and transparent environment, nothing is hidden, and there are no interior partition walls either,” it said.

      “Even the storage space is positioned in front of the visitors across all three floors. These spatial characters are highly relevant to the factory spirit of Freitag, and the space is a natural reflection of that.”
      It has a pared-back aesthetic enlivened with pops of yellowWithin the three-storey store, the upper floors contain display areas featuring industrial-looking units and storage spaces, while a large repair shop occupies the entire ground floor.
      The raw atheistic was broken by pops of bright yellow – one of the brand’s signature colours, which was used for the feature stair as well as ladders and a gantry.
      “In order to create an interior space fit for retail purposes, we adopted the white colour for the walls and ceiling and introduced a new skylight above the void space,” said Kooo Architects.

      Freitag store in Kyoto is designed to resemble the brand’s own warehouse

      “Traffic yellow was used for elements related to vertical movement, including staircases, the cargo lift and the ladder,” it continued.
      “The bright factory color not only introduces some playfulness to the architecture but also simply reminds visitors and staff of safety when using these elements.”
      The ground floor was opened up to the alleyTo create the store, the studio opened up the ground and part of the first floor by removing the walls, which are supported on a steel structure.
      While the studio retained many of the bricks, the rest of the waste was ground up to make “rebirth bricks”, which were used for the ground floor paving.
      The store was overclad in steel, which was also used as the hoarding required to enclose the building during the demolition phase of the works.
      The construction hoarding was reused as cladding”We saw the material similarity between the hoarding and our designed deck plate facade, so we decided to use the deck plate as the hoarding material,” said Kooo Architects.
      “In later stages of construction, the deck plate was removed from the hoarding, trimmed to size and reinstalled as a permanent facade material,” it continued.
      “The steel deck plate was galvanised to protect the building against the weather and with a matte finish to avoid harsh reflection of sunlight.”
      A repair shop occupies the entire ground floorThroughout, the design studio and Freitag aimed to reduce carbon emissions by reusing materials and sourcing new materials from within a 100 kilometre radius of the store.
      In total, Freitag and the architects estimated that the measures they undertook reduced its carbon impact by 144 tonnes of CO2 equivalent compared to a standard redevelopment.
      Founded in 1993, Swiss brand Freitag started by creating bags from reused tarpaulins. It recently opened a “micro-factory” where customers could help make their own bags out of recycled tarpaulins.
      The photography is by Studio Fang.
      Project credits:
      Store design: Freitag / Kooo ArchitectsDeveloper: Chengjun FanConstructor: HengpinConcept rooftop: Jody WongGreening rooftop: Forest City StudioFreitag bench design: Leandro Destefani (Zauber Aller Art)

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      Glossier Boston store features pastel green mouldings

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      Decorative architectural mouldings are recreated in pastel green to frame openings at the Boston store for the cosmetics brand Glossier.

      Designed by the company’s in-house team, the permanent Glossier Boston location on the city’s bustling Newbury Street follows a pop-up at the Seaport in 2019.
      Mirrors positioned to face one another create infinite reflections at the Glossier Boston storeFor the space, the designers took influences from historic local architecture and Boston’s status as a college student hub, with Harvard University and MIT located just over the Charles River in Cambridge.
      “With our 10th Glossier location, we wanted to bring something special to the city that honors its metropolitan and scholastic personality,” said the team. “Our influences for Glossier Boston’s design include collegiate fashion and the decorative characteristics of Boston’s local architecture.”
      The brand’s signature pink hue covers the wallsThey also cited the “blush pink stucco, verdant green stone and verdant plant life” of the nearby Isabella Stewart Gardner Museum, which is modelled on a Venetian palazzo, as a source of inspiration for the store interior.

      Glossier’s signature Millennial pink shade covers the walls, while cased openings are framed with stylised versions of architectural mouldings found on neighbouring buildings.
      Products are displayed on wavy traysMirrors are positioned to face one another in order to create infinite reflections of customers testing makeup and skincare products.
      The merchandise is displayed on the wavy trays, cylindrical displays and rectangular tables found in many of Glossier’s stores.
      The store is Glossier’s 10th permanent retail locationPale wood floors contribute to the soft colour palette, while bright lighting is designed to be flattering.
      On the exterior, the tall windows and brass doors are surrounded by marble panels and bronze detailing.

      Glossier’s Los Angeles store takes cues from Hollywood studios

      These details contrast the pale hues inside.
      “There is also a large step-back from the curbside, filled with lush trees that invite visitors to connect and hang out,” the team said.
      Stylised versions of historic architectural mouldings frame cased openingsWhen Glossier launched in 2014, it became known for its pop-up stores that opened across the US.
      The temporary spot that the company installed in Seattle, which was filled with plant-covered mounds, was named small retail interior of the year at the 2020 Dezeen Awards.
      The store’s marble and bronze exterior contrasts the interior colour schemeThe brand has since opened permanent locations in cities including Seattle, Los Angeles and London.
      All of these share a similar aesthetic and colour scheme, with subtle differences that nod to the specific location and context.
      The photography is by Brian W Ferry.

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      Glass blocks divide Eye Eye optical store by Best Practice Architecture

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      Local studio Best Practice Architecture has used punchy colours, glass bricks and dichroic glass inside an optometry store in Seattle’s Leschi neighbourhood.

      For Eye Eye’s second location, founder Will Pentecost got back in touch with Best Practice Architecture, which had completed the brand’s first brick-and-mortar store back in 2015.
      Cutouts in the low ceiling add extra height to the Eye Eye retail spaceUnlike the inaugural space, the new store does not benefit from tall ceilings and a strong street presence.
      So the architects had to get creative to turn the “drab” commercial building into a fun and inviting environment.
      Glass block partitions are angled to create a more dynamic space”The client gave Best Practice free range to transform the interior with only three requests: include glass blocks, use lit signage, and incorporate design language from the original location without being too repetitive,” said the studio.

      The retail area is situated at the front of the space, facing the street through large windows, while the examination rooms and staff facilities can be found at the back.
      Niches in the partitions contain mirrors and product displaysThe specified glass blocks are used to divide the store, forming angled walls with openings that feature mirrors, product displays and furniture that spans both sides.
      “Carefully placed to create an interesting circulation flow and contrast with the orthogonal layout, the clever design provides both form and function, welcoming filtered daylight deep into the space while accommodating basic retail needs,” said Best Practice.
      A purple banquette is tucked in a corner for casual consultationsCutouts in the low ceiling add extra height and expose ductwork that is painted purple – a hue that’s repeated in the upholstery of a banquette tucked in the corner for consultations.
      More purple covers the walls in the examination reception area, which is separated from the store by a screen of dichroic glass that changes colour depending on the angle from which it’s viewed.

      Seattle eyewear store by Best Practice Architecture is designed to “toy with perception”

      The glass blocks appear again as a partition between the clinic reception and the exam rooms behind, which are outfitted with custom medical equipment and wood cabinetry.
      Signage that echoes the original Eye Eye branding is also installed in the retail space, including a concentric circle that echoes vintage eye tests and two large “E” letterforms.
      A dichroic glass screen separates the retail space from the examination area”With this new space, Best Practice brings Eye Eye’s vision to life once again through an exploration of materiality, the patient experience, and a fresh take on a commercial space,” said the studio. “It’s an eye care clinic reimagined.”
      Founded in 2011 by Ian Butcher, Best Practice Architecture has completed a variety of projects in and around its home city of Seattle.
      Exam rooms are outfitted with custom medical equipment and wood cabinetryThese range from updating a historic bungalow and transforming a storage shed into backyard studio, to designing a men’s footwear store.
      The photography is by Rafael Soldi.
      Project credits:
      Architect: Best Practice ArchitectureDesign team: partner in charge: Kailin Gregga; partner/principal architect: Ian Butcher; lead designer/project architect: Sarah SmithContractor: Metis ConstructionGraphics and branding: Drew HamletCustom signage: Western NeonCustom casework: Creoworks

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