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      Random Studio creates “giant fragments of a woman's body” for Mugler pop-up

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      Dutch design studio Random Studio has created Bodyscape, a “futuristic” pop-up store, to celebrate the 30th anniversary of French fashion brand Mugler’s fragrances.

      The Mugler installation, which was designed for luxury department store Selfridges, includes sculptural, chrome-effect fragments designed to evoke a woman’s body. These were organised across the ground floor of the Corner Shop, an ever-changing retail pop-up space.
      The pop-up was created to celebrate the 30th anniversary of Mugler’s fragrance”For Mugler, we had dreamt up Bodyscape; a giant sculptural installation of a woman reclining, fragments of her body parts breaking the space up into a cluster of retail experiences,” said Random Studio.
      “Amplifying the brand’s surreal fascination with the female body, the hyper-feminised curves, crevices and folds of the installation were to be accentuated by a futuristic reflective material.”
      Sculptural fragments of a woman’s body were installed in the Corner ShopThroughout the space, sculptural fragments were used as walls, partitions and display areas that aim to take visitors on a journey through the chrome-effect-finished body. The interior walls of the shell-like fragments were painted in Mugler’s signature blue hue.

      Pieces of the sculptural body, which Random Studio explained mimicked the form of a woman reclining, were displayed in full view along the street-facing windows of the Corner Shop.
      It was constructed in collaboration with Xylotek”Seen from the street, the sculptural installation forms an abstract side view of a woman elegantly reclining,” said the studio.
      “The curves, crevices and folds of the body are rendered in a reflective material that mirrors the viewer’s gaze, throwing back a distorted image – a nod to Mugler’s sense of humour and seduction.”

      Jacquemus creates surrealist interpretation of his own bathroom for Selfridges pop-up

      Instead of opting to use easily manufactured but less sustainable materials such as fibreglass or metal, Random Studio collaborated with Bristol-based timber company Xylotek to construct the installation using wood.
      Xylotek manufactured the shell-like structures, which were painted across the exterior and interior with a metal-effect finish rather than “higly-toxic” chrome.
      This was done so that the paint could eventually be stripped off and the wood recycled.
      The structures were painted blue and silverThe centrepiece of the installation, encased by the chest and buttocks of the fragmented body, is a drop-shaped object that releases a cloud of fragrance and triggers starry lighting as visitors near it.
      “A polyphonic soundscape of siren-esque voices coaxes visitors into the space and towards a scent sculpture, illuminated by undulating lights,” said Random Studio.
      “As the visitor approaches the drop-like structure, the lights intensify and the sculpture emits a short burst of fragrance whilst a projection lights up the space with stars which slowly transforms into the abstract shapes of heavenly bodies.”
      The curving walls guide visitors through the pop-upEarlier this year, Random Studio designed a series of surrealist pop-up installations at Selfridges for fashion brand Jacquemus that included a luxury-bag vending machine and a swimming-pool changing room.
      Also at Selfridges, trainer brand Axel Arigato created an “upside-down” office-themed pop-up with wall-mounted trainers and polystyrene ceiling tiles across the floor.
      The photography is by Jasper Fry.

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      Yinka Ilori draws on “unapologetic” architecture of Burkina Faso for debut pop-up shop

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      Modular display stands modelled on buildings in Burkina Faso feature in the first brick-and-mortar shop that London-based designer Yinka Ilori has created for his self-titled homeware brand.

      Taking over a compact retail space in Shoreditch in the leadup to Christmas, the pop-up shop features a colour-block interior designed to match the products on sale, as slime-green walls clash with pink and orange flooring.
      Yinka Ilori has opened a pop-up shop in LondonThis “more is more” philosophy to colour also extends onto the store’s glossy lacquered product displays, designed by Ilori to reference the construction of mosques and homes in Burkina Faso.
      “I am really obsessed with their design language which is very African, very rich and very unapologetic,” he told Dezeen.
      “There is a recurring use of squares and triangles and you sometimes also see poles sticking out of the structures. I found these poles fascinating. They are structural but also used to make it easy for people to climb up and repair the building.”

      Products are displayed in modular colour-block storage unitsIn the store, these shapes are reflected in the modular storage units, which are constructed from medium-density fibreboard (MDF) and each topped with a stepped pyramid.
      Strategically placed holes can be used much like those on a pegboard to add poles of different sizes and provide storage for a changing array of products.
      Longer rails can be slotted in to hang T-shirts and throws, while smaller pegs can hold umbrellas or prop up shelves for presenting mugs, notebooks and other lifestyle items.
      The units end in stepped pyramidsBulkier items such as the designer’s collection of tableware and limited-edition basketballs are displayed on counters panelled in ribbed MDF that is sprayed in a gradient of colours to emphasise their sinuous shapes.
      At the store’s entrance, six of Ilori’s hand-painted Square Stools are arranged into a towering window display that shows off their stackability.

      “I use colour as a way of starting a conversation” says designer Yinka Ilori

      The opening of the pop-up also coincides with Ilori’s latest product drop. Themed around “memory-making, togetherness and play”, this includes everything from notebooks and basketballs finished in sunny, childlike patterns to a collectible version of the traditional Yoruban strategy game Ayo.
      In line with this idea, the shop will also host different events for the local community, from an Ayo tournament to a tasting of Nigerian palm wine.
      The counters have slatted legs painted in a gradient of coloursOpening his first physical store is “an absolute dream come true”, Ilori said.
      “My public projects are all about interaction both between audiences and with the work itself but I don’t often get to interact directly with people and I feel it’s time for me to do that,” he added.
      “Through the store, I’m able to get their feedback on my work and also see how they interact with each of the products and the stories I’m trying to tell through these pieces.”
      The shop’s floor was finished in a vibrant colourIlori started his homeware brand in 2020 with the aim of reworking “unexpected, functional household items as artworks” by imbuing them with bold colours and patterns that reference his British-Nigerian heritage.
      The products feature many of the same patterns he previously developed for his large-scale installations, such as The Colour Palace pavilion he created for the London Festival of Architecture together with local studio Pricegore.

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      Finnish Design Shop creates forest-set logistics centre to enable “a more sustainable future”

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      Avanto Architects and Joanna Laajisto have designed a logistics centre for retailer Finnish Design Shop that features warm timber, a foraged-food restaurant for staff and visitors, and views of the surrounding forest.

      Located on the outskirts of Turku, west of Helsinki, the logistics centre is the hub for storage, management and dispatch of products from the Finnish Design Shop, which says it is the world’s largest online store for Nordic design.
      The company needed a new logistics centre after a period of high growth, but founder and CEO Teemu Kiiski also aimed for it to be a meaningful place for employees and visitors.
      The Finnish Design Shop logistics centre is located in the Pomponrahka nature reserve in Turku. Photo is by KuvioEmployees of the logistics centre can enjoy plenty of light and forest views as well as warm timber environments and a restaurant run by Sami Tallberg, an award-winning chef who specialises in foraging.
      The Finnish Design Shop had first explored whether it could convert an existing building in the Turku area, but, finding nothing suitable, chose to build on a site in the Pomponrahka nature reserve, where the surrounding forest would provide a calming work environment and reflect the appreciation for wood in Nordic design.

      To undertake construction there responsibly, the Finnish Design Shop says the builders saved as many trees as possible and landscaped the area with natural forest undergrowth and stones excavated from the site.
      The entrance features glass curtain walls that connect the interior and exterior. Photo by KuvioAvanto Architects designed the 12,000-square-metre building to blend into the forest as much as possible — a challenge given its massing, a product of the warehouse layout.
      The layout was created beforehand by specialist consultants to maximise the efficiency of operations, which are carried out by robots in an automated system.
      The centre includes a showroom. Photo by Mikko RyhänenThe architects opted for a dark facade with a vertical relief pattern that becomes visible on approach and echoes the tree trunks in the surrounding woodlands.
      “The pattern forms a more human scale to the large facade surfaces,” Avanto Architects co-founder Anu Puustinen told Dezeen. “We also used warm wooden accents in the main entrance vestibule, balcony and windows.”
      There is also a restaurant that specialises in foraged food. Photo by Mikko RyhänenThe architects gave the office spaces large windows so the employees could enjoy frequent views of the forest and lots of light, and included a balcony for access to the outdoors on the first floor.
      The entrance to the centre is through the showroom, which features glass curtain walls that showcase the use of the building and a long, straight staircase made from two massive glulam beams.
      The first-floor offices have a view of the warehouse floor. Photo by KuvioThe interior was designed by Laajisto and her studio, who aimed to make the space feel well-proportioned and comfortable despite its size and to create a good acoustic environment by liberally applying sound-absorbing materials.
      She kept the colour and material palette neutral and natural, with lots of solid pine and ash wood to continue the forest connection, but used furniture from the Finnish Design Shop in bright colours to punctuate the space.

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      “The aim was that every aspect in the interior should be done well and beautifully,” Laajisto told Dezeen. “Attention to detail was embraced in things that typically are overlooked, such as doors, plumbing fixtures and electrical hardware selections and applications, acoustic ceiling panels and ceramic tiles.”
      The project is the first logistics building in Finland to be certified BREEAM Excellent, the second highest level.
      Special attention has been paid to creating a good acoustic environment with sound-dampening materials. Photo by Mikko RyhänenKiiski, who positions the company as the opposite of multinational e-commerce players such as Amazon, aimed for the new centre to be the most socially and environmentally sustainable online store.
      “The values that life in the Nordic countries is based on include transparency, equality and respect for nature,” said Kiiski. “It would have been impossible to create this company and our new logistics centre without unwavering respect for these values.”
      Wood is featured throughout the interiorHe believes that global online shopping can be socially and environmentally sustainable when issues in supply chains, logistics and operations are addressed.
      “Many studies show that online shopping can have a lower carbon footprint as compared to in-store shopping,” said Kiiski. “This is due to the more efficient logistics in e-commerce and the fact that in-store shopping usually involves private transport.”
      “We want to push the whole industry towards a more sustainable future,” he continued.
      The hub is meant to offer employees a healthy and humane working environment. Photo by Mikko RyhänenPast work by Avanto Architects includes the Löyly waterfront sauna in Helsinki, which has a multifaceted exterior that visitors can climb, and the Villa Lumi, a house with a sculptural white staircase.
      Laajisto’s previous projects include office interiors for service design company Fjord and the Airisto furniture collection for Made by Choice, which was inspired by Scandinavian holiday culture.

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      AMO experiments with materials for Stone Island store in Chicago

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      Fashion brand Stone Island has debuted a retail concept by Dutch studio AMO, which includes surfaces made from compressed shredded paper, burnt cork and sand-coated steel.

      The research studio, affiliated with architecture firm OMA, created the store concept to celebrate Stone Island’s 40th anniversary.
      Stone Island’s Chicago store features a digital chandelier at its entranceAs well as an update to the look and feel of the interiors, AMO has designed the spaces to host a program of public presentations, salons, workshops and private events beyond store opening hours.
      For the store’s architecture, the studio referenced the “innovative” approach taken by the Italian brand to transforming materials for its products, particularly outwear.
      The interior was designed by AMO to reflect the brand’s experimental approach to materials”Research and innovation are at the core of Stone Island,” said AMO director Samir Bantal, who worked with Natalie Konopelski, Giulio Margheri and Mateusz Kiercz on the project.

      “The space, materiality, and program of the stores underpin the brand’s ethos, and reinforce a sense of belonging of its community of like-minded people,” he continued.
      Walls are lined in cork that has been burnt, sandblasted and coatedThe inaugural store to be designed based on this direction is the 180-square-metre space in Chicago, Stone Island’s first in the city.
      The space features altar-like niches for displaying archival pieces and prototypes to highlight Stone Island’s focus on technology and development.
      A niche at the back of the store displays archival products and prototypesSurfaces throughout the store are intended to look like stone, though none are actually made from it. Instead, off-the-shelf materials have been treated in a variety of ways to replicate the same visual qualities.
      Shredded paper and resin were compressed under high pressure to produce durable panels that mimic concrete, and used to create sculptural displays for products.
      Sculptural display stands are formed from shredded paper and resin that’s compressed to look like concreteCork – which is a staple in existing Stone Island stores – was burnt, sandblasted and coated to create a dark texture. Applied to the walls, the material helps to both absorb sound and control humidity, while the ceiling is covered with a sawtooth arrangement of translucent light boxes.
      Corrugated steel panels were sand-coated to create a softer finish and used to form a curved partition around the fitting rooms.
      The fitting rooms are surrounded by sand-coated corrugated steelAt the store’s entrance, which has a bright orange floor, a digital chandelier is suspended from the ceiling and broadcasts messages to shoppers.
      Following the opening of the Chicago store in October 2022, plans are in place to roll out the concept at locations including Seoul, Munich and Stockholm.

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      “Stone Island and AMO share values of innovation, functionality, and passion,” said Stone Island creative director and president Carlo Rivetti.
      “I am very happy to begin this important partnership, a new visual approach for our stores, to speak to our communities.”
      Stone Island’s research is explained through displaysAMO was founded as the research arm of OMA, and has developed long-standing relationships with several fashion brands.
      One of its most frequent collaborators is Prada – the studio has designed a number of environments for the Italian brand’s runways shows over the years.
      The Chicago store is the first iteration of the concept by AMOMost recently, AMO worked with French brand Jacquemus to create a Paris boutique with a “bedroom-like” interior and a terracruda-clad shop-in-shop at London’s Selfridges.
      The photography is by Marco Cappelletti, courtesy of Stone Island and OMA/AMO.

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      Axel Arigato rejects “McDonald's approach” to interiors with Berlin flagship store

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      Travertine displays that double as DJ podiums feature alongside glistening butter-yellow columns in Axel Arigato’s Berlin outpost, which the streetwear label has designed together with longtime collaborator Halleroed.

      The brand’s flagship boutique is set in the central Scheunenviertel neighbourhood, across the ground floor of a prefabricated concrete Plattenbau building typical of post-war East Germany.
      Axel Arigato has opened a flagship store in BerlinStockholm design studio Halleroed was tasked with conceiving the interior scheme for the space, reviving some of the key visual themes the practice has established across all of Axel Arigato’s other stores.
      Rather than simply copy-and-pasting these elements, Halleroed mixed and matched them to create something new.
      Travertine was used to cover the floors and form chunky shelvesThis is illustrated in the store’s pale yellow columns, which effectively merge the glossy lacquered-metal surfaces seen in the London boutique with a muted version of the distinctive yellow accents that were used in the pop-up Stockholm shop.

      “We don’t have a McDonald’s approach where each store looks the same,” explained Axel Arigato’s creative director Max Svärdh.
      “We treat them as contemporary galleries and focus less on the transactional element, whilst staying true to our blueprint that keeps coming back in new shapes and materials.”
      Yellow-lacquered metal was used to envelop columns and form clothes railsRoman travertine, which features heavily across the brand’s Paris boutique, was used to cover the entire expanse of the floor, as well as forming chunky shelves and the plinths that encircle the interior columns.
      Rendered in various shapes, sizes and textures, these sculptural plinths can be used to display different trainers or act as counters and curved seating nooks when Axel Arigato is hosting an event in the store, which can comfortably accommodate up to 250 people.
      “The podiums – and in a way all the surfaces – are multipurpose in that we use them for displaying the weekly rotation of product drops, DJ decks at parties or pop-up merchandise when we hand over the space to other creatives,” Svärdh told Dezeen.

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      The raw natural texture of the travertine is contrasted against the lacquered metal, which was used to envelop the pillars and form a series of clothing rails curved around the perimeter of the room.
      “The glossy finish lends a highly visual element to our spaces and creates a nice contrast to the very organic materials and softer characters of the stone and the store’s generally muted character,” Svärdh explained.
      Mirrored pillars bookend a huge LED screenTogether with the floor-to-ceiling mirrors flanking a huge LED display, the shiny metal surfaces also help to reflect the illumination that is provided by the rows of strip lights running all the way across the ceiling.
      The flagship is Axel Arigato’s second bricks-and-mortar store in Germany, following the opening of its Munich outpost last November.
      Axel Arigato joins Hay, Acne Studios and a growing number of international brands that have moved into the Scheunenviertel in recent years. The area is rapidly being expanded into an alternative shopping destination tucked away behind the more touristy destinations of Berlin’s central Alexander Platz.
      Other businesses in the Scheunenviertel neighbourhood include Sofi – a bakery set in the courtyard of a restored brick factory.

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      Perron-Roettinger clads Kim Kardashian SKKN pop-up store in raw plaster and cement

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      Design studio Perron-Roettinger has created a pop-up shop for Kim Kardashian’s skincare and homeware brand SKKN in Los Angeles that showcases its products in a physical space for the first time.

      The minimalist pop-up store, which is located inside Los Angeles shopping mall Westfield Century City, was designed using a limited material palette in a nod to the brand’s pared-back design.
      Perron-Roettinger has created a pop-up shop for Skkn”The SKKN [store] is about raw materials – bold, big blocks of stacked raw material – which is inspired from an inactive quarry that I visited once,” Perron-Roettinger cofounder Willo Perron told Dezeen.
      “All different plaster and cement finishes echo the emphasis on the raw natural materials.”
      The walls and counters are made from concrete and plasterIn the 1,330-square-foot (123 square-metre) space, homeware and skincare products are presented within curved wall alcoves or on top of sculptural counters made from grey concrete and plaster. The room is framed by two large portrait photos of reality television star Kardashian.

      “Just in time for the holiday season, the pop-up will offer customers a luxurious in-person shopping experience with the entire SKKN By Kim collection – from skincare to home decor,” said the brand.
      Skincare items are displayed in alcovesThe use of raw materials references Perron’s partner Brian Roettinger’s packaging for SKKN products, as well as Kardashian’s recently launched concrete homeware collection called Home Accessories Collection.
      All the materials come in varying shades of Kardashian’s signature beige and grey colour palette, which she has used in her home and her shapewear collections.

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      According to Perron, the brand’s packaging and the store interior are united in their reliance on simple shapes and raw materials.
      “The throughline idea is materials untouched, most primary and elemental state,” he explained. “Simple geometry is important to add a recognizable component to both the space and the packaging.”
      Perron–Roettinger was also responsible for SKKN’s creative direction, brand identity and art direction.
      The store mirrors the brand’s minimalist packagingThe SKKN pop-up shop is open until the end of the year in Westfield Century City, Los Angeles.
      The longtime collaboration between designer Willo Perron and Kim Kardashian has seen Perron design other pop-up stores for the American reality star’s brands.
      For Kardashian’s shapewear company Skims, Perron created a beige coloured pop-up shop in Paris with chunky display units and partitions.
      Los-Angeles based Perron-Roettinger has also completed other pop-up shops for brands including Stüssy.
      The photography is by Gray Hamner.

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      Nina + Co brings biomaterials into MONC eyewear store in London

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      Cornstarch-foam shelves meet mycelium display plinths in this London store that Nina + Co has designed for bioplastic eyewear brand MONC.

      Nestled among a parade of high-end shops in Marylebone, MONC sells glasses made from bio-acetate – an acetate produced completely without fossil fuels – which are packaged using recycled leather cases and compostable cornstarch foam.
      The first MONC eyewear location sits along a row of shops in MaryleboneWhen local studio Nina + Co was brought in to design MONC’s debut store, the team was keen to incorporate biomaterials throughout the interior, while also taking the brand’s short-term lease of the retail unit into account.
      “Circularity was key,” said the studio. “Almost everything we brought into that building was entirely bio-based or recycled.”
      “The furniture is expertly built to last but can be disassembled for re-use, recycling or return to the earth as nourishment.”

      The store features a ceiling installation made from cornstarch foamUpon entering the store, visitors find themselves under an undulating ceiling installation crafted from corrugated panels of cornstarch foam.
      Thicker blocks of the material were used to create rows of squishy-looking shelves, which can be used for packaging or simply dissolved in water when they eventually start to show signs of wear and tear.
      The foam was also used to form small shelvesDisplay plinths made out of mycelium – the vegetative part of a fungus – were dotted across the store to showcase different eyewear models.
      In between the shelves, a couple of long mirrors are balanced on hunks of concrete that were salvaged from roadworks nearby.
      A recycled PET island sits at the centre of the store beside mycelium display plinthsThe craggy concrete was chosen as a subtle nod to the rugged Dolomite mountains, which can be seen from the Italian town where all MONC eyewear is produced.
      Nina + Co worked closely alongside Welsh manufacturers Smile Plastics and London joiner EJ Ryder to design the store’s recycled PET island and bench seat, which are an apricot-orange hue.

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      As both furniture pieces were joined with mechanical bolts rather than glues, they can easily be taken apart, flat packed and transported to a different MONC store for reuse.
      Walls throughout the interior were finished with VOC-free clay paint while the unit’s existing floor was covered with a water-based sealant.
      The plastic was also used to form a bench seat”Previous tenants had ripped up their floor to leave a plywood subfloor, with markings of the adhesive still evident and some paint bucket outlines,” the studio explained.
      “After a test patch, we were convinced that a simple water-based sealant would give it a beautiful depth and sheen with the industrial feel of concrete [while being] kinder to the planet and the budget.”
      Walls were washed with a calming clay paintMONC is one of five projects shortlisted in the small retail interior category of this year’s Dezeen Awards.
      It’s going head-to-head with the Durat showroom by Linda Bergroth, which is decked out in an unusual mix of colours, and Aesop’s Yorkville store by Odami with its oxblood-red balusters.
      The photography is by Handover.

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      AIA Estúdio designs cave-like interior for clothing store in Rio de Janeiro

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      Organic shapes and stone-like surfaces characterise the interior of the Haight clothing store in Rio de Janeiro, which was designed by interior and landscaping design practice AIA Estúdio.

      A large pillar with a rough, textured surface dominates the 110-square-metre shop interior, expanding as it ascends before merging into the ceiling to create a cave-like space.
      A pillar transforms into a cave-like structure”Its height starts small and in the back part it ends higher in a nonlinear form, just like a cave,” AIA Estúdio founder Alice Tepedino told Dezeen.
      “The infinite and diverse processes of erosion that form cliffs, caves, stalactites, sands, stones and the movements of water with its tracks and shapes led to our creative process being part of the concept developed for the store’s spatiality.”
      Stone slabs around the pillar are used to display objectsRather than being a cumbersome obstacle, the pillar helps organise the shop’s circulation and movement of shoppers, according to the studio.

      “It is from the occupation around the pillar that the space fluidity is achieved. This disposition is enhanced by curved lines that define the path inside the store,” said Tepedino.
      Curved stone plates balance on rocksSlabs of soapstone and Bahia beige marble encircle the pillar at different heights and are propped up by Bahia beige marble rocks that create a display surface and a place for shoppers to sit.
      On the perimeter walls, niches with stainless steel bases display Haight’s clothing on brushed-brass rails.

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      The metallic surfaces and straight edges of the niches contrast with the organic shapes and materials in the centre of the shop, which is located in the Shopping Leblon retail centre.
      Tepedino used indirect lighting in the niches to illuminate the space, mimicking cracks in cave walls where sunlight can seep through.
      Clothing is displayed on brushed-brass rails”The exhibition interspace was thought of as a cut in the walls, an operation emphasised by the transition of materiality,” said Tepedino.
      “Inside, there are exhibition racks in brushed brass, which, with their more solar aspect, contribute to subtly warming up the store’s ambience, together with the soapstone and its greyer tone.”
      The bottoms of wall niches are lined with steelTepedino’s design is the first of Haight’s stores to be located inside a shopping centre, which prompted the designer to approach the project in a different way.
      The entrance to the shop is a large opening that provides open access from the shopping centre to the nature-inspired shop interior.
      It is the first Haight store to be located in a mall”The design adopted a contrasting strategy between the store and mall, which, despite the rigid and controlled environment, offers opportunities such as the possibility of not having a door,” said Tepedino.
      “The brand’s conceptual basis is related to natural landscapes but when you are inside the mall, you find a language that is the opposite of Haight’s conceptual basis, with artificial elements and cold materiality.”
      Natural materials and surfaces were used throughout the shop interior”Once you’re inside the store you get disconnected from the artificial atmosphere of the rest of the building,” Tepedino continued.
      The project has been shortlisted in the small retail interiors category of Dezeen Awards 2022, alongside a surfaces showroom in Helsinki with colourful terrazzo-like walls and an oxblood red shop interior with walls decorated with Victorian-style balusters.
      The photography is by Maira Acayaba.

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