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      Twisting bamboo installation weaves through Barcelona's Casa Loewe

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      Spanish fashion brand Loewe has reopened its Barcelona flagship, which it has transformed into a gallery-like space with an undulating bamboo installation that winds across its surfaces.

      Casa Loewe is set inside Casa Lléo Morera, a modernist building created by Catalan architect Lluís Domènech i Montaner off one of the Spanish city’s major shopping streets.
      Loewe has reopened its flagship store in BarcelonaThe flagship was renovated to create a gallery-like space and restored to highlight the 19th-century building’s original features, including gold-leaf detailing that adorns the ceilings.
      Loewe creative director Jonathan Anderson interspersed art collections and curated furniture across the store’s interior, alongside the luxury fashion brand’s ready-to-wear collections, accessories and fragrances.
      Casa Loewe features a bamboo installation by Tanabe Chikuunsai IVAs craft is an integral element of Loewe’s identity, a key goal for Casa Loewe’s interior scheme was to showcase various artists and artwork.

      Anderson filled the store with installations and objects that the brand explained epitomised innovation and craftsmanship, including sculptures by winners and finalists in the brand’s Craft Prize.
      The store was designed to look like a galleryA centrepiece of the interior is a twisting bamboo installation by Japanese artist Tanabe Chikuunsai IV, which weaves across the store’s ceiling, walls and structural columns.
      The installation, titled Yūgo, was crafted from 6,000 pieces of tiger bamboo woven together to create the winding tubular forms.

      Hedi Slimane uses “French elegance” to define Celine store in London

      “It was important for me to express Loewe’s tradition and innovation while creating a work that merges the building and the bamboo installation together,” Chikuunsai IV told Dezeen.
      “[Anderson’s] essence is his passion for materials and creating innovation while maintaining tradition,” he said. “Thus, I wanted to create something that fuses art, fashion, and nature together in order to form a futuristic and creative universe.”
      It incorporates decorative furniture and artwork. Photo is courtesy of LoeweAlongside Chikuunsai IV’s bamboo installation is a macramé structure by Catalan artist Aurèlia Muñoz. It is suspended from the ceiling of the ground floor in front of a blue tile-clad wall, which was created by Ceràmica Cumella.
      Ceràmica Cumella also erected ceramic-clad columns across the store in varying shades of white and blue to reference the Mediterranean Sea.
      Chikuunsai IV’s installation was crafted from 6,000 pieces of bambooIconic furniture pieces are dotted throughout Casa Loewe on top of its concrete floors, including Gerrit Thomas Reitveld’s Utrecht chairs and an oak arts and crafts armchair by William Birch.
      Other recent projects by Loewe include the costume design for an immersive installation at London’s Tate Britain in 2018, developed in collaboration with Anthea Hamilton.
      Tiles in shades of white and blue reference the sea. Photo is courtesy of LoeweCeline creative director Hedi Slimane recently employed a similar interior scheme across his London flagship store for the French fashion house – balancing historic Edwardian features with contemporary art and furniture.
      Other retail spaces recently featured on Dezeen include a Balenciaga store clad in pink faux fur, which is featured in our roundup of ten weird and wonderful shop interiors.
      The photography is by Adrià Cañameras unless stated otherwise.

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      Attitude of “permanent renewal” drives retail success says Colette co-founder Sarah Andelman in Liganova talk

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      Promotion: Sarah Andelman, co-founder of Parisian concept store Colette, has discussed the unexpected approaches needed to succeed in the future retail landscape in a talk hosted by Dezeen and brand retail experts Liganova during Milan design week.

      Andelman was in conversation with Dezeen’s chief content officer Benedict Hobson at brand and retail experience company Liganova’s Salone Club, a live event held in a lounge overlooking the rooftops of Milan.
      The event explored the topic of the future of retail and how brands can create relevant and meaningful experiences in stores through curation and collaboration, with Andelman drawing on her decades of experience helming Colette alongside her mother, Colette Roussaux.
      The talk included Mathias Ullrich, Ben Hobson and Sarah AndelmanThe Paris boutique – opened in 1997 and widely considered one of the most influential stores in the world – brought together fashion, streetwear and beauty products. The space also included a gallery, bookshop, cafe and “water bar” serving more than 100 varieties of bottled water.
      Mother and daughter kept things fresh by changing the windows and displays every week, and Andelman said that it was the fact that they would always “renew ourselves” that meant people would come back to see what’s new.

      “We would always push and try to introduce things we haven’t seen yet, and this permanent renewal,” she said. “It was a mix of brands and mix of events. I think this energy helped create what Colette was.”
      Andelman is the co-founder of Parisian concept store ColetteColette closed in late 2017 when it was almost at the height of its popularity and Andelman says going out on a high when the time felt right was “the best decision we took”.
      The next year she founded her consulting agency, Just an Idea, which has worked with brands including Valentino and Nike to produce unique and tailored retail experiences.
      Andelman considers collaboration one of the keys to current and future retail success but says it has become harder than ever to make an impression in the space.
      Sarah Andelman was in conversation with Ben Hobson at Liganova’s Salone Club at Milan design week 2022″Now there are so many unexpected collaborations that you’re not surprised anymore,” she said. “It’s really everywhere.”
      “We had so many collaborations of brands with artists, brands with brands, I think now maybe we’ll talk to writers, to architects, to hospitality, to find new ways of developing a new format of collaboration to bring a new dimension to the classic collaboration,” she continued.
      Curation is also key according to Andelman, who urges curators to embrace their idiosyncracies without fear. It is something she and Roussaux were known for at Colette, which presented high-end labels alongside undiscovered emerging designers.
      Andelman spoke in front of an audience of Liganova partners, clients and friends”For a good curator I think you need knowledge, you need to know what exists, you need to be super curious, to have to go to multiple trade shows, showrooms, anything,” she said. “You hear, you read, you follow information, you really just follow your instinct, to not try to duplicate something you have seen somewhere else.”
      In the future, she believes the real world and metaverse will come to intersect in the retail space, requiring continuity of approach from brands.
      At the same time, there will continue to be a place for bricks-and-mortar stores, especially “retail experiences” that capture the senses and are almost museum-like in their approach.
      The live talk took place in a rooftop lounge looking out over Milan”I think bricks and mortar are here to stay if there is this extra touch to make it the opposite of the internet, this human service, maybe a drink, this extra service that you won’t find online,” she said.
      “I think it’s fantastic for brands like Jacquemus to have a concept like its pop-up at Selfridges,” she said. “It’s a focus on one bag. You feel the water, you hear the sound.”
      “In an experience, I think you need all of these: the sound, the smell, the touch and the fact that it’s not a system that they will duplicate in Tokyo, New York, but they really take the time to design something different for each market,” she continued. “The challenge is to keep it short and to renew and do something completely different next time.”
      To learn more about Liganova, visit its website.
      Milan design week 2022
      Salone Club took place on 8 June as part of Milan design week 2022. See Dezeen Events Guide for an up-to-date list of architecture and design events taking place around the world.
      Partnership content
      This article was written by Dezeen for Liganova as part of a partnership. Find out more about Dezeen partnership content here.

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      Geometric metal fixtures feature in Wuhan's QYF fashion boutique

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      Chinese design studio Sun Concepts Office has accented the pale interior of the QYF boutique in Wuhan with straight, curved and squiggly metal fixtures.

      The interior’s clean, geometric look is meant to reflect the modern womenswear on offer in the store, which occupies two storeys on a prominent corner plot of Wuhan’s Tianyuan Street.
      The store features creamy walls and matching stone floorsAs customers come through QYF’s entrance, they’re welcomed into a large open room.
      Here, the floor is lined with cream-coloured stone tiles while a matching shade of paint was applied to the store’s walls, ceilings and chunky structural columns.
      A curved bench sits at the centre of the floor planAt the heart of the plan is an arced bench, comprised of a shiny metal base and seating cushions upholstered in burnt-orange velvet.

      Nearby, a cream-coloured sideboard is outfitted with a built-in bench and a small stool.
      Clothes are hung from linear metal railsOtherwise, Sun Concepts Office left the store free of bulky display solutions so as to “protect the integrity of the space”.
      Garments are showcased on metal rails at the periphery of the store, some of which are finished with squiggly crossbars. A couple of clothing rails were also concealed behind alcoves in the walls.

      Atmosphere Architects creates optical illusion in Chengdu jewellery store

      Accessories are presented on tiered platforms that run along the outer edge of the store, or on circular metal stands that are affixed to the central bench.
      Extra rows of metal shelves can be seen on the store’s rear wall, positioned beneath an illuminated sign that reads QYF’s French brand slogan.
      Several rectangular mirrors were added to enhance the interior’s sense of depth.
      Curved stairs lead to the second floorA curved set of stairs leads up to the store’s second floor, which was finished in the same style.
      Sun Concepts Office also updated QYF’s facade, installing a huge metal door and several expansive glass windows to tempt passing pedestrians inside.
      Mirrored panels help give the room a sense of depthOther striking retail spaces in China include KVK, an all-black jewellery boutique that plays with customers’ spatial perception, and Harmay, a cosmetics shop designed to resemble a 1970s office.
      The photography is by Liu Zheng and Wang Minjie.
      Project credits:
      Design team: Sun Concepts OfficeChief designer: Liu ZhengLighting: Wuhan Lighting Design

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      Atmosphere Architects creates optical illusion in Chengdu jewellery store

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      Geometric grids cover most of the surfaces in this futuristic jewellery store in Chengdu, China, designed by local studio Atmosphere Architects to play with customers’ spacial perception.

      Located in the Jingronghui shopping centre in Chegdu’s Jinjiang district, the 180-square-metre concept store belongs to jewellery brand Kill Via Kindness, abbreviated as KVK.
      KVK is a jewellery store in Chendu’s Jingronghui shopping centreThe store features a dimly-lit entrance lined with green resin panels, which leads through to a windowless display space where the walls are clad in matt black tiles.
      A gridded black framework is installed across the interior’s luminous, frosted acrylic ceiling and matched below by white floor tiles. At one end of the room, a mirrored wall creates the impression that the interior stretches on to infinity.
      Glossy black tiles cover the store’s modular display units”The core concept behind KVK is ‘the reorganised philosophy of art’,” Atmosphere Architects told Dezeen. “Therefore, the client wanted a space that is flexible and easy to reorganise with flexible and adaptable modules.”

      In response, the studio created display units clad in glossy black tiles, which can be divided and joined together to form different modular configurations.
      Drawers hidden in the walls illuminate when openedDrawers integrated into the shop’s tiled walls provide additional storage and double up as adaptable lighting features.
      “When the drawers are pulled out, the light turns on immediately,” said Atmosphere Architects, which is led by designer Tommy Yu.

      Linehouse designs space-themed cafe in Shanghai for creator of “Australia’s most Instagrammed dessert”

      Spiders are a reoccurring motif in KVK’s jewellery. The brand’s concept store nods to this idea via the spindly legs jutting out from the entrance and the black gridded framework that covers the floors and ceilings like a web.
      “There are many elements about conflict, consciousness awakening, aggression and sharpness in KVK’s product concept,” the studio said.
      “In the space, materials and colours with different lights and shades, depths and textures are selected to express the ideology and beauty of collision.”
      The entranced is lined with green resin panelsOther futuristic monochrome interiors featured on Dezeen include a space-themed cafe in central Shanghai by design studio Linehouse.
      The photography is by Chuan He of Here Space.

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      Natuzzi's Fabio Novembre-designed concept store celebrates the brand's Puglian roots

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      Promotion: designer Fabio Novembre’s concept store for Italian furniture brand Natuzzi celebrates the brand’s Puglian roots with an interior that reflects the culture, colours and traditions of the southern Italian region.

      Novembre, who was born in the Puglian city of Lecce, has created a “new retail concept” for Natuzzi at its Milan flagship store that will be launched during Milan design week next month.
      Designed to make the furnishings stand out, the renovated store interior is anchored by a square-shaped central lounge area that sits at its heart. This piazza-like space is lined with lights and arches that recall traditional Apulian architecture.
      Natuzzi is an Italian furniture brandThe central space is used for meetings with customers and also provides an area where they can try out the brand’s virtual 3D shopping experience.
      Arranged around the central space, various room sets can be accessed through the arches, creating easy and free-flowing pathways through the space.

      Four of the room sets are dedicated to the living area while another three spaces set out total living proposals. The Apulian landscape – which is characterised by farms, olive trees and a particular warm light – is conveyed through the soft colour choices and tactile materials that create a relaxed mood.
      Natuzzi creates a range of high quality furniture”There is a deep connection between Fabio and Natuzzi: we share the love for our roots, for what Apulia taught us,” said chief creative officer of Natuzzi Italia, Pasquale Junior Natuzzi.
      “When we decided to rethink the concept of our showrooms we immediately thought he would be the right choice, as he has a unique ability to translate into architecture those values we share: hospitality, warmth, Mediterranean beauty.”
      “Natuzzi is the perfect interpreter to narrate Apulia to an international audience,” commented Novembre. “Places have a soul, and Apulia has always been a crossroads of different cultures that live together in harmony. We are a symbolic bridge over the Mediterranean.”
      The concept will be launched during Milan design week next monthDuring Milan design week, the courtyard spaces adjacent to the showroom in Palazzo Durini Caproni di Taliedo will host an installation called Germogli, which translates as sprouts or shoots in English.
      Conceived by Italian artist and designer Marcantonio, a series of gigantic golden olive tree sprouts, almost four metres tall, will appear as if they are emerging from the earth.
      The golden olive tree sprouts intended to explore humanity’s connection to natureThe installation explores the idea of rebirth and our connection to nature.
      “The sprouts I have represented are the olive, the symbolic tree of Puglia,” said Marcantonio. “Its wood is precious, it is strong, its fruit is an emblem of fertility and memory for all towns dotted across the Mediterranean, and it provides a unique cultural connection between them”.
      Giampaolo Sgura’s photographic exhibition called TRE(E)PIDATION will also be on showThe brand hopes that the installation will also throw the spotlight on an urgent problem facing olive groves in Puglia where a bacterial disease called Xylella is causing substantial problems in the olive groves and risks compromising crops across Europe.
      Also on show is Giampaolo Sgura’s photographic exhibition called TRE(E)PIDATION.
      The exhibition will present three photographs of olive trees that showcase a landscape that “risks disappearing forever” due to the Xylella epidemic and was created to promote public awareness of the issue and support scientific research.
      Fabio Novembre has collaborated with Pj NatuzziIn 2019, the Italian furniture brand embarked on what it called “a new era of advanced, white-glove customer service” by launching a virtual-reality shopping experience.
      Natuzzi’s showroom takes place from 10 am to 8.30 pm from 7 to 12 June 2022.
      To learn more about the brand, visit its website.
      Partnership content
      This article was written by Dezeen for Natuzzi as part of a partnership. Find out more about Dezeen partnership content here.

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      Bunn Studio designs Garde Hvalsøe showroom to resemble grand apartment

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      New York practice Bunn Studio has revamped a furniture showroom set in a Renaissance building in Aarhus, Denmark, to look more like an apartment than a store.

      Designed for Danish cabinet maker Garde Hvalsøe, the showroom houses the brand’s signature handcrafted kitchens and walk-in wardrobes alongside a selection of furnishings.
      Garde Hvalsøe’s Aarhus showroom is set in a Renaissance buildingThe 600-square-metre space is split over two levels and six different rooms, including a bathroom and a kitchen set-up much like a real residence.
      Although not typically included in a cabinet maker’s showroom, these spaces are designed to help customers visualise the furniture in their own homes.
      The store is split across six rooms including a kitchen”The layout is built with elements from a classic American high-end apartment including an entrance slash kitchen, lounge area, and a bedroom slash self-care area,” Bunn Studio explained.

      The Renaissance building dates back to 1898 and features high ceilings, slender proportions and large windows that admit a warm ambient light.
      Modern furnishings are contrasted against hand-painted glass ceilingsBunn Studio, led by Louise Sigvardt and Marcus Hannibal, wanted to create a mellow and laid-back atmosphere in the space using this natural light as the starting point.
      “The aim of the design was to create a place where visitors can spend their entire day comfortably and that invites guests to slow down and become aware of the details that characterise Garde Hvalsøe furniture,” the practice said.
      A large vanity mirror sits at the end of the first floorNo doors separate the different rooms, enabling visitors to see straight from the first-floor entrance to the mirror at the opposite end of the showroom in one long, unbroken line.
      Garde Hvalsøe’s minimalist and contemporary designs, including beds and bathtubs, sit in contrast with the building’s original features such as ornamented columns, mouldings and hand-painted glass ceilings.

      Brdr Krüger’s first showroom features soft colours and rococo references

      Bunn Studio selected a colour scheme to honour the existing features of the space, with the top of the walls painted in a dark chocolate brown.
      This makes the ceilings seem lower and creates a more intimate, cosy and domestic atmosphere, according to the practice.
      The top of the walls is painted in a dark chocolate brownThe earthy, natural colours of the columns and the walls are contrasted with lighter hues such as the shirting blue pinstripe of the bedding, the red Verona Rossa stone on the vanity table and the bright yellow lampshade that tops the floor lamp in the lounge.
      “We launched our first flagship showroom in Copenhagen in 2019 and opening our redesigned secondary space in Aarhus is an exciting progression for us,” commented Garde Hvalsøe founder Søren Hvalsøe Garde.
      “Bunn Studio has designed a bright and beautiful space where we can truly showcase our craftsmanship, our holistic approach to design and our quest for exquisite quality.”
      The showroom also features a bathroom set-upBunn Studio was also responsible for the design of the first standalone Copenhagen showroom from Danish furniture brand Brdr Krüger, which references the history of both the company and the location.
      The photography is by Michael Rygaard.

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      Burdifilek creates “zen-like ambience” in Seoul shopping mall

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      Indoor trees, natural light and a sculptural 12-metre-high waterfall help to create a calming shopping experience inside the Hyundai Seoul department store in Seoul, with interiors designed by Canadian studio Burdifilek.

      Hyundai Seoul, which opened last year, is the largest shopping centre in the South Korean capital and spans 89,100 square metres – the equivalent of around 13 football fields.
      Raised platforms integrate trees and waterfalls into Hyundai Seoul’s atriumToronto-based Burdifilek was responsible for designing three of the 12 floors including a central atrium topped with a lightwell. This extends through the core of the building to funnel sun into the expansive floorplan.
      All of the retail spaces are organised around the atrium, which doubles up as a green belt to provide tranquil views of greenery and water from every vantage point.
      The platforms are held up by skinny columnsBurdifilek achieved its “zen-like ambience” through the addition of stilted platforms housing trees and waterfalls that cascade into shallow pools from a height of up to 12 metres.

      “Hyundai’s vision was to allocate 50 per cent of this floor plate to create public spaces where people can socialise in a much more experiential environment than the typical mall experience has to offer,” said Diego Burdi, co-founder and creative director of Burdifilek.
      “In the end, our solution was inspired by Seoul’s surrounding nature. We chose to bring the outside in and create something unexpected that plays with scale.”
      The second floor houses high-end womenswearThe studio designed each floor to have a distinct visual language.
      The second floor, housing high-end womenswear, is a neutral gallery-like space with a subdued tonal palette.
      Instead of flashy colours, Burdifilek created interest through the use of flowing forms, contrasting textures and layers of reflective and translucent materials.
      Rippled ceiling panels create the impression of looking up at a reflective pondMirrored panels installed along the inner edges of the ceiling are rippled like water and create the effect of glancing up at a reflecting pond.
      Custom hanging fixtures were installed to create a feeling of lightness while indirect lighting emphasises the sinuous lines of the building.

      Drone video showcases exterior of 1,000 Trees by Heatherwick Studio

      The third floor features similar sculptural elements to those used on the second floor. But here, forms are bolder, colours are darker and natural materials are juxtaposed with more industrial ones.
      Cobalt-blue ribbons are used to suspend clothing racks from an unfinished ceiling, while custom-built mirrored display cases allow the featured brands to take centre stage.
      Ceilings are left unfinished on the third floor”Our philosophy was to create environments on each floor that would speak to a specific demographic, with a different design language while evoking nature in the spaces in various ways,” Burdi said.
      “We also strived to create some commonality through sculptural elements that will resonate with the guests and give a physical experience of wandering and exploring.”
      Mirrored display cases allow products to take centre stageBurdifilek was co-founded by Burdi and Paul Filek in 1993.
      Previous projects by the Toronto-based firm include the flagship for Canadian jacket brand Moose Knuckles, where dimly lit interiors evoke winter’s frigid darkness.
      The photography is by Yongjoon Choi.

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      Nika Zupanc brings “Alice in Wonderland ambience” to Morela eyewear store in Ljubljana

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      Massive lamps, rotating mirrors and a legion of drawers feature inside the Morela eyewear store, which Slovenian designer Nika Zupanc has completed in Ljubljana.

      Morela has been offering optician services in the Slovenian capital since the early 2000s and went on to launch its own line of glasses in 2019.
      Locally based Zupanc was brought in to design both the brand’s debut eyewear collection and now the retail space to match.
      Powder-blue drawers appear throughout the Morela eyewear storeSet in Ljubljana’s Citypark shopping centre, the store is defined by the slim powder-blue drawers with brass knobs, which appear everywhere from the cash desk to the base of the freestanding counters and low-lying sideboards.
      “The client had a clear idea of how many glasses they wanted to display on the shelves, how many they wanted to put in the drawers and how many they wanted to display on the tables,” explained Zupanc.

      “Thus a drawer became a unit of measurement and served as a building block, from which the entire interior was created.”
      Brass-edged mirrors can be turned to show different angles of the storeThe abundant storage is also a nod to one of Zupanc’s earlier designs – a 140-drawer cylindrical cabinet she created for Milan’s Rossana Orlandi Gallery in 2017.
      Eyewear models are displayed along the sides of the room inside brass-framed shelves that mirror the proportions of the drawers.
      A curtain hides treatment rooms at the back of the storeTo enhance the “Alice in Wonderland ambience” of the space, Zupanc introduced two huge floor lamps with pleated white shades, both handmade in Italy.
      One towers above the cash desk while the other pokes out through a blush-coloured velvet pouf to provide both lighting and seating. Alternatively, customers can sit on velvet-upholstered high chairs that are dotted across the room.

      Nika Zupanc designs a tower of drawers for storing keepsakes

      Mirrors are suspended from a thin brass picture rail that runs along the perimeter of the room. Each is housed in a circular brass frame and can be rotated to reflect different angles of the room.
      The rail also holds heavy powder-blue curtains that separate the main shop floor from a treatment area and repair room at the rear of the plan.
      A brass pipe runs along the upper edge of the roomOther striking eyewear stores include Vision Studio in Melbourne, which hides behind a perforated aluminium facade, and the Cubitts shop in London’s Soho, which nods to the sex shops and adult cinemas found in the notorious neighbourhood.
      The photography is by Saša Hess.

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