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      Michael Hsu outfits self-designed Austin studio with “humble materials”

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      Michael Hsu Office of Architecture has adorned its studio with wood-and-fabric lined walls and industrial details in Austin in order to create a material “representation” of its work.

      Located in Austin’s Rosedale neighbourhood, the 10,750-square-foot (1,000-square metre) studio combines elements of residential and warehouse architecture.
      Michael Hsu Office for Architecture has completed its self-designed Austin studio”The new studio provides us with the additional space we needed and is a physical representation of our process. The spaces are designed to facilitate how we work now – allowing for different modes, sizes, and shapes of collaboration.” founder Michael Hsu said.
      “We wanted to design a space for our team to develop curiosity and creativity while being surrounded by a community of talented people.”
      The project features bespoke touchesIt was completed in July 2022 for its growing team. Michael Hsu Office of Architecture occupies the first and third floors of the three-storey building.

      The exterior is wrapped in locally crafted terracotta block along the base and dark-coloured horizontal cladding around the top floors that is punctured by large windows.
      Exposed steel trusses add an atmosphere of industry to the spaceThe rectangular plan is bisected by a large pale green exterior staircase with a slatted roof to shade it from the Texas sun. Wooden soffits warm the exterior material with subtle blade signs directing circulation.
      Inside, exposed steel trusses – painted white – add an atmosphere of industry to the space, while the thin black window frames and mullions provide delicate contrast.
      Scarlet-hued velvet furniture contrasts with various industrial accents”The spaces allow for different modes, sizes and shapes of collaboration across a larger footprint,” the team said. “Humble materials were used in beautiful and unexpected ways.”
      “Bespoke furnishings and curated artwork throughout the space reflect a commitment to collaboration with MHOA’s favorite fabricators and artists.”
      A painting by Patrick Puckett decorates the entry loungeThe ground floor – with conference rooms designated for entertaining clients scattered within the buzz of the office – prioritizes finish and formality with bold monochromatic colours.
      The entry lounge is wrapped in light grey routed wooden wall panels and adorned with a vibrant painting by Patrick Puckett and a custom light fixture by Warbach Lighting in collaboration with artist Brandon Mike.
      The casual workspace is juxtaposed by more “formal” conference roomsGrey drapes and scarlet-coloured velvet furniture serve as a plush alternative to the clean lines of the custom spalted maple and polished aluminium reception desk.
      The open-plan workspace is full of light with Calacatta Gold Borghini marble and soft white details set off by raw white oak flooring and walnut desktops and millwork.
      These rooms are draped in sapphire silk and mohair wall coveringsThe casual workspace is juxtaposed with the “formal dining space” of the conference rooms. Draped in sapphire silk and mohair wall coverings, the conference rooms have custom tables by Michael Wilson and Drophouse, vintage chairs and suspended metallic light fixtures.
      Upstairs, the light-filled elevator lobby has playful art inclusions like Shawn Smith’s pixelated deer head sculpture and Hsu’s vintage Ducati motorcycle.

      Ten self-designed studios by architects and designers

      The third floor serves as a collaborative space for the designers with “a hands-on material lab and a generous lounge and kitchen designed to support social connection”.
      A custom mint-green and chrome Litmus Industries cabinet divides the space and serves as an intimate moment within the open space full of combined white desks.
      A mint-green and chrome Litmus Industries cabinet divides the space”It was important to the team to represent expertise and show exceptional hospitality to clients while being inclusive and accommodating to MHOA’s designers,” the studio said.
      The office’s affinity for soft jewel-toned furniture placed in large industrial spaces is evident in its 2019 design of Shake Shack’s headquarters in New York and the recent conversion of a 1930s church for Argodesign’s Austin office.
      The photography is by Chase Daniel.
      Project credits:
      Architecture + interiors, FFE selection and procurement: Michael Hsu Office of ArchitectureCustom light fixture: designed in collaboration with Warbach Lighting and artist Brandon MikeCustom tables: Michael Wilson and DrophouseCustom millwork and reception desk: Litmus IndustriesArtists: Patrick Puckett, Denise Prince, Clare Grill, Seung Yul Oh, Dorota Jedrusik, Hugo Pernet and Paolo Arao

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      Camille Walala takes colourful aesthetic to the max in self-designed studio

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      London designer Camille Walala has worked with carpentry workshop Our Department to fit out her own studio with a no-holds-barred version of her colourful design style.

      Electric blue floors, graphically patterned cabinetry and a kitchenette with cartoon-like proportions feature in the space, which is located in the Regent Studios building off Broadway Market in East London.
      Camille Walala designed her studio to include a kitchen with exaggerated proportionsThe seventh-floor space attracted Walala and her studio manager Julia Jomaa with its sweeping views.
      Knowing they would be in no hurry to vacate, the duo took their time with the design, working side by side in the studio for over a year while adjusting the position of their space-dividing furniture until they arrived at a layout with the perfect functionality for them.
      The studio chose to embrace colour in the designOnce they decided to embark on the interior design, it was not a given that they would embrace Walala’s signature bold colour palette, as they worried about it potentially clashing with future work.

      “We were like, how colourful should we go?” Walala told Dezeen. “Should we keep it quite simple or should we actually go for it?”
      But ultimately, she says the desire to feel inspired by their workspace and “inhabit the aesthetic fully” won out.
      The studio is divided into two rooms including one for “clean” computer-based workThe studio is divided into two rooms – one for “clean” computer-based work and the other for “messy” activities such as painting and model making.
      Walala and Jomaa created a 3D model of the interior in SketchUp before bringing in their favourite carpenters” Our Department – a studio specialising in design and fabrication for the creative industries – to realise the design.
      The duo of Simon Sawyer and Gustave Andre built all of the elements in the space with a focus on achieving clean lines and pure block colours along with maximum functionality.
      Our Department achieved clean lines by sticking coloured shapes onto MDF doorsFor the cabinetry, they used doors made of melamine-faced medium-density fibreboard (MDF) and applied a decorative technique they had used on previous Walala projects.
      This involved CNC-cutting shapes out of thin MDF, before spraypainting and precisely glueing them onto the doors to create a graphic pattern while avoiding the fuzzy lines that can sometimes come from painting directly onto surfaces.
      In the kitchen, the group worked together to exaggerate proportions as much as possible, with Walala saying she dreamed of achieving a “Bart Simpson kitchen” through elements such as chunky handles and bold grout.

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      “We designed the Lego House a few years ago, this really colourful house,” she explained. “Especially the kitchen in that space was really quite bold and almost like a cartoon, and we thought we should do something similar in our studio.”
      By contrast, a more subtle feature is the double sliding door between the studio’s two rooms, which consists of a transparent fluted screen set within a black frame.
      While it may be less attention-grabbing, Jomaa says the mesmeric effect of the fluted panels sliding against each other is like a “little animation of colour”.
      The workspace also includes natural details like custom tulipwood desk legsThere are also a few natural wood elements throughout the interior such as tulipwood desk legs to balance the liberal use of colour.
      As with all residents of Regent Studios, Walala will need to return the rented space to its original condition when her studio eventually leaves, so there are no permanent fixtures and everything is designed to be dismantled.
      Even the central “wall”, which contains floor-to-ceiling storage on one side, is freestanding. But the team used kitchen-unit feet to wedge it against the ceiling for stability.
      Everything is designed to be dismantled when the studio one day moves outWalala and Jamaa have been working together for eight years and started off sharing a desk in a basement studio. Their recent projects have included murals, installations and a proposal for a car-free Oxford Street.
      Walala is often seen as being part of the New London Fabulous wave of maximalist designers, alongside Yinka Ilori, Morag Myerscough and Adam Nathaniel Furman.
      The photography is by Taran Wilkhu.

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      Office S&M unveils its own colourful office with plastic-bottle-wall enclosed meeting room

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      Architecture practice Office S&M has completed its own office inside a former paint-making workshop in Hackney, London.

      With an entire wall of material samples and areas for modelling and sketching, Office S&M’s workspace aims to act as a laboratory to support its ongoing exploration of materials “that are both practical and fun.”
      Material samples are loosely placed to allow experimentation in the officeThe studio, headed by architects Catrina Stewart and Hugh McEwen, frequently experiments with materials and colour.
      For its own office, complementary shades such as electric blue, yellow, red and green, were combined.
      The office combines bold colours”For this workspace, we particularly used an electric blue and a bright yellow to contrast with each other and make the space larger,” McEwen told Dezeen.

      “At the same time, because the workspace is south facing, we used the blue to cool the light and even out the warmth of the sun when looking at samples or drawings.”
      The space has been broken into spaces for different usesThe office features a separate meeting room acoustically isolated with sheets of recycled plastic bottles.
      The plastic-bottle wall also works as a point of light thanks to the bulbs it contains inside.
      According to the architects, the recycled-plastic-bottle “provides excellent acoustic insulation””For our own office, we decided to use another common waste material, plastic bottles, but reimagined, to build a soundproofed meeting room,” said Stewart.
      “The recycled plastic insulation is easy to work with, and irritation free, compared to traditional insulation.”
      The studio also includes ergonomic workstationsThe space was divided into areas focused on collaboration, discussion and making to reflect Office S&M’s commitment to community-led design.
      “We live in east London, and do much of our work in the areas near where we live and work,” said McEwen. “This gives us really local knowledge, so we can make sure projects have the most impact and can give back to the area.”
      The building is owned by Bootstrap, a charity that supports emerging businesses in HackneyAdditionally, Office S&M added plants, air purifiers and ergonomic workstations that intend to maintain the well-being of its occupants.
      Other projects by the studio include a rental home for a young property developer that aims to offer a solution to London’s rental market, and the renovation of the Mo-tel House, a residence that features pale colours and bathroom counters made of discarded milk bottles and chopping boards.
      The photography is by Ellen Christina Hancock.

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      Luca Nichetto transforms Swedish villa into his own studio and showroom

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      Luca Nichetto has converted a 1940s villa in Stockholm into a studio to display his designs in a domestic setting and provide a comfortable working environment for his team.

      The Italian designer’s studio was previously based out of an apartment in the city’s Midsommarkransen neighbourhood. But when the landlord wanted to raise the rent, Nichetto decided to relocate to a larger property in a nearby suburb.
      Luca Nichetto has turned a 1940s villa into his own studio”I didn’t really need to look for another space in the city centre because it’s not that important for us as we work globally,” Nichetto explained.
      “A week after beginning to search, I saw on the real estate market what is now the Pink Villa. It was simply perfect and I made the offer.”
      A blush-pink staircase leads up to the first floorThe Pink Villa is a typical 1940s wooden house with a gabled roof and a large garden. Nichetto bought the property in 2021 and began adapting the interior to make it suitable for use as a studio.

      “I didn’t want a conventional studio space but rather a space that could be a studio, a showroom and a domestic property to be used on the weekends by my family and during the week by my team,” the designer told Dezeen.
      Nichetto’s Banah sofa for Arflex sits in the living areaThe villa takes its name from its distinctive pink exterior, which was given a fresh coat of bubblegum-pink paint to maintain its characterful presence on the street.
      The property’s existing three bedrooms were transformed into a private office for Nichetto on the first floor and a meeting room and tailor’s workshop on the ground floor, which his wife uses on the weekends.
      La Manufacture’s Soufflé mirror helps to bring character to the spaceA corridor leads from the entrance to a bright living room that looks onto the garden. An opening beyond the stairs up to the first floor connects with the simple custom-built kitchen.
      Along with Nichetto’s office, the upper floor contains a second bathroom and a large open workspace that facilitates flexible use rather than incorporating dedicated workstations.
      Bright and bold colours were used throughout the interiorThe interior features a pared-back palette of materials and colours that provide a neutral backdrop for a selection of products and furniture designed by Nichetto for brands including Offecct, Cassina, Arflex and Bernhardt Design.
      “I wanted to give a touch of warmth and I did that using colour and volumes,” the designer said. “I particularly chose materials culturally connected with the south of Europe and very deliberately mixed them with Scandinavian features.”

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      In the living area, pale-pink walls and white-painted floors contribute to the light and airy feel. Nichetto’s Banah sofa for Arflex and Soufflé mirror for La Manufacture are among the playful designs that bring character to this space.
      Upstairs, the main office spaces feature furniture such as Nichetto’s Torei low table for Cassina and Nico armchair for Bernhardt Design. His office contains the Railway table for De Padova and Robo chairs by Offecct.
      Walls in the living area were painted a light pinkOne of the key qualities that attracted Nichetto to the property is the spacious garden, which includes a terrace furnished with his Esedra table and Pluvia chairs for Ethimo.
      The basement garage was converted into a self-contained guest suite called the Chalet, which includes a living room, bedroom and bathroom with a Swedish sauna.
      The house also has a self-contained guest suiteSince the renovation was completed in April 2022, the Chalet has hosted international visitors including art directors, photographers and designers.
      The property’s location close to a park and to the water was another reason it appealed to Nichetto, who said he enjoys the proximity to nature and the good relationship he has established with his neighbours.
      Ceramic tiles provide a pop of colourA housekeeper was hired to look after the studio and to prepare meals for the team, adding to the sense of it hybrid space that is both domestic and designed for work.
      “It’s like being in a family: we all have lunch together and there are no fixed workstations to work,” he explained. “Moreover, whoever comes to visit us, if he wants, can stay and sleep. The idea is to create a sense of community.”
      Ethimo’s Esedra table and Pluvia chairs decorate the terraceLuca Nichetto established his multidisciplinary practice in Venice, Italy, in 2006 and continues to run a studio there alongside his main office in Stockholm. Nichetto Studio specialises in industrial and product design as well as art direction for design brands.
      Nichetto’s recent work includes a series of home fragrances for Ginori 1735 and his first foray into fashion accessories in the form of the apple-leather Malala handbag.
      The photography is by Max Rommel.

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      Alexander & Co maintains residential feel inside self-designed Sydney office

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      Australian architecture practice Alexander & Co has created its own office inside a Victorian-era property in Sydney.

      Situated a stone’s throw from Bondi Beach, Alexander House acts as a “design laboratory” where Alexander & Co’s team can meet, collaborate and find space to work independently.
      Alexander & Co’s self-designed office has a double-height kitchenThe homely office occupies a semi-detached property that dates back to the Victorian period. Though the practice decided to preserve the building’s original facade, its interior was completely remodelled to function as a modern workspace.
      Staff enter the office via a ground-level vestibule with rammed-earth walls before climbing a flight of stairs to reach the open-plan living and dining area on the first floor.
      A “cafe-style” area provides seating for staffOne half of the space is dressed with an angular olive-green sofa, a glossy coffee table and a puffy grape-coloured armchair.

      The other half of the room is occupied by a double-height kitchen. At its centre is a chunky breakfast island crafted from pink-hued concrete, around which the team can congregate for meals, client catch-ups or company events.
      Construction waste was used to make furnishings in the courtyardAdditional seating is provided in a “cafe-style” area at the edge of the room, which features a custom leather seating banquette, cane chairs and a couple of tables.
      Concertina glass doors at the rear of the kitchen open up onto a courtyard. This houses a pool and an ice bath alongside a collection of mottled stools and side tables that were custom-made out of waste generated from the building’s renovation.
      A cosy library can be found on the building’s mezzanine level”Beauty can be found in the irregularities and developing patinas that have resulted from incorporating handmade and natural materials throughout our new space,” explained the practice.
      “Blemishes, cracks and connections – they are all magic and inform our storytelling through scale and detail.”

      Ten self-designed studios by architects and designers

      Directly above the ground floor is a generous mezzanine level that accommodates a cosy library space where Alexander & Co can host more intimate meetings.
      The room’s bookshelves and kidney-shaped table are crafted from walnut wood, while chocolatey leather curtains are suspended in front of the doorway.
      Visiting team members from other offices can stay over in the bedroom suiteThe narrower end of the mezzanine was turned into a quiet work area for up to five people, finished with a thickset concrete ledge for laptops.
      The upper floor of the building was made into a bright loft-esque space. Here there’s an events room and a bedroom suite, where visiting team members from other offices can stay.
      Down in the basement is the practice’s materials libraryTraditional workstations can be found down in the basement along with Alexander & Co’s materials library.
      From this level of the building, you can also access the landscaped back garden, which will be used during the summer for alfresco gatherings.
      A concrete staircase runs through all four levels of the buildingAll four levels of the building are connected by a concrete staircase with brass balustrading and a dramatic seven-metre-long pendant light dangling through its central void.
      Alexander House is one of six projects shortlisted in the small workspace interior category of this year’s Dezeen Awards.
      Others in the running include F.Forest Office by Atelier Boter, which sits within a glass-fronted building in a Tawainese fishing village, and Samsen Atelier by Note Design Studio, which also serves as a wine bar.
      The photography is by Anson Smart.

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      Form Us With Love designs perforated steel furniture for its Stockholm studio

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      As part of Stockholm Design Week, Swedish design firm Form Us With Love has opened the doors to its new studio space featuring modular furniture informed by pegboard walls.

      Perforated steel units are dotted throughout Form Us With Love’s (FUWL) Stockholm studio, which is housed in a former travel agency.
      Form Us With Love’s Stockholm studio has furniture made from perforated steel”We’ve been dealing with this space for a good year and a half, and thinking about it for a good ten years,” FUWL co-founder John Löfgren told Dezeen.
      “It’s definitely a place that is a catalyst for what we’re doing – and we’re doing quite a lot of different things, so we need a really flexible space and we need a mobile space,” he added. “We tried to be smart about how you store things and logistics in general, really being economical with each square metre.”
      Large hangar doors can be used to divide the interiorThe 200-square metre studio space, which was created in collaboration with architecture studio Förstberg Ling and branding studio Figur, was designed to suit the needs of the FUWL team.

      Large floor-to-ceiling hangar doors hide an office area, workshop and kitchen while allowing the front of the studio to be sectioned off from the remainder of the space.
      The studio is showcasing material experiments on wheeled cabinetsThis allows the area to be used as an exhibition space, where FUWL is displaying some of its ongoing projects during Stockholm Design Week.
      Among these is a project that explores how toxic glass – a waste material from the glass industry – can be treated to separate the toxins from the glass.
      Five low, wheeled cabinets made from perforated steel were used to display the projects.
      FUWL has created multiple different storage unitsThese are just some of the storage units and room dividers that FUWL has made for the studio, drawing on materials found in its own workshop.
      “We have these boxes that were derived from the workshop, like ones you would have in the garage,” Löfgren said.
      “We started wondering what would happen if we move these things out in the open,” he added. “It started off as dividers and walls, but add some wheels and all of a sudden we are in the open space.”

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      The studio is currently using the modular units as a material library, a tool wall and storage for personal and studio use, as well as experimenting with new functionalities.
      Produced by Tunnplåt – a company that normally supplies lockers to schools, gyms and other public-sector interiors – the containers have a pattern of symmetrical holes.
      A material library is housed in their drawersThis was designed to make the reference to pegboard walls immediately recognisable.
      “We definitely experimented with patterns,” Löfgren said. “We still wanted people to have a smile on their face like: I can see where it derives from.”
      The pegboard-style furniture was informed by tool wallsRealising that the perforated steel units could be used to create a flexible interior was just a coincidence, Löfgren said.
      “I think it’s definitely a tool that incorporates how we want to work in the interior,” he said. “And I think that’s just been a coincidence.”
      “We were always looking for something that would help us have this kind of full flexibility, and still be able to do something both fun and functional,” he added.
      The studio was designed to be both practical and flexibleIn the future, the studio said it might also create the units in other colours. For its own office, soft grey tones were chosen to aid concentration.
      “We worked with tones of grey as a backdrop throughout the space to put focus on the creative processes taking place within,” architecture studio Förstberg Ling said.
      Form Us With Love has previously launched products such as Forgo, a soap designed to minimise carbon emissions and an IKEA chair made from recycled wood.
      The photography is by Jonas Lindström Studio.
      Form Us With Love’s studio is open to the public between 5 September and 9 September 2022 as part of  Stockholm Design Week. See Dezeen Events Guide for an up-to-date list of architecture and design events taking place around the world.

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      Nivek Remas renovates founder's home to serve as its office space

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      Toronto studio Nivek Remas has renovated its founder’s home to create an office for the studio based on changes in working conditions due to the coronavirus pandemic.

      Early in 2020, the Canadian interior design studio led by Kevin Chan and Samer Shaath was poised to lease new office space for its expanding business. However, these plans were halted by pandemic restrictions.
      Nivek Remas renovated one of its founder’s home for the studio officesThroughout the lockdowns that impacted Canadians and the subsequent work-from-home standards, the office sought ways to work together in the future, without going to an office full-time.
      “[We] quickly recognized the shift in what defines an office and the culture that was evolving from those blurred lines,” Nivek Remas’ Kevin Chan told Dezeen.
      The home was converted to have spaces for work and leisureThe duo decided to renovate one of their homes to serve as an office for the young firm, which was established in 2016.

      The new studio was completed in 2021 and is located in an area of Toronto called Cabbagetown, just east of the city centre.
      The studio plays into the work-from-home trendIt occupies 1,250 square feet (116 square metres) of a standalone house in a residential neighbourhood.
      The completed studio has a main office area, conference rooms, as well a kitchen and a dining nook.
      The ground floor has eight workstationsVisitors enter the office along a green hallway accented with glass wall sconces. By the entrance, there is a powder room and a coat closet.
      The ground floor has eight workstations laid in an open-concept configuration. Most of the furniture is black, including the desktops and chairs.
      The space functions as a workstation for the interior design studioAt the front of the house, a kitchenette and breakfast nook look out onto the street. The designers used a darker palette of greens and olive tones in the kitchenette area to contrast the workstations, which are painted white and filled with light and plants.
      An open staircase leads to the upper floor, where the team included a new conference room that offers some privacy from the main work area. It includes a long table and a couch, for more informal gatherings.
      Dark greens were used for some walls and detailsOther amenities of this home-and-office combination include a gym and bike storage for commuters located in the basement.
      The founders of Nivek Remas said that although the new office space helps collaboration, they balance out the time spent there with remote work.

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      The studio said that it has embraced a fully hybrid model and that the office space allows for “creative gathering”.
      “We see this as our studio for at least another five years or until we outgrow the space,” Chan said. “It’s a true representation of our studio work and ethos but also a true representation of the times and how casually defined offices are now.
      “Corporate offices are trying to become more WFH and more casual with coffee bars, and table tennis or gaming break out areas, but we’re approaching it from the other direction and making a residential space more studio,” he added.

      Many architects and designers embraced the work-from-home trend, building out new spaces for themselves during the pandemic.
      Other examples include a coastal Maine cabin that 30X40 Design Workshop completed as its office, and the Beverly Hills home of Gerhard Heusch, who built himself an underground office using concrete.
      The photography is by Scott Norsworthy.
      Project credits:Interior design: Nivek RemasConstruction: Shape Building GroupMillwork: Ell-Rod Architectural Millwork

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      Mind Manifestation lines self-designed studio in Pune with perforated bricks

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      Indian practice Mind Manifestation has set up its studio in a converted apartment in Pune and designed the interior to reflect how the local landscape changes colour from season to season.

      Pale green lime plaster and perforated bricks transform the 120-square-metre flat into a workspace that is both compatible with Pune’s tropical climate and reflective of the grassy hillside on which it is set.
      Perforated bricks line the reception area of Mind Manifestation’s studio”The material palette has been tastefully chosen so as to match with the different shades of the hill throughout the year,” Mind Manifestation explained.
      “Thus nature flows through to the indoors and the space becomes part of nature.”
      Seating in the reception area is crafted from recycled cardboard tubesThe office is fronted by a small reception area, where both the floor and desk are lined with perforated bricks.

      Here, visitors can sit and wait on a bench that curves around one corner of the space, fronted by recycled cardboard tubes.
      Just behind the reception desk is a door that leads onto a small terrace, which is also floored with bricks to foster a seamless connection between the studio and the outdoors.
      The window seat looks out across a hillsideBeyond the studio’s entrance area are a few rows of oakwood desks with cane-backed office chairs. There’s also a deep-set window seat that offers views over the sunny eastern side of the hill.
      Walls here and throughout the rest of the office are washed with lime plaster, specifically selected by Mind Manifestation for its breathability. The floors, on the other hand, were poured over with terracotta-coloured concrete to match the bricks.

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      To one side of the plan is a large meeting room centred by a wooden table. The same cardboard tubes that feature in the reception were used here to clad the table’s cylindrical base and to create a textured wall feature.
      At the back of the space is a chunky concrete ledge where staff can recline as well as a shuttered window.
      Green lime plaster covers the meeting room’s wallsAdditional work areas can be found towards the rear of the floor plan, along with a more casual meeting room where staff can gather for brainstorming sessions or team lunches.
      This room is fronted by a series of perforated brick screens that allow cooling winds to pass into the interior. Bricks were also used to build a block of tiered seating at the back of the room.
      Perforated bricks also create screens in a secondary meeting roomArchitecture and design studios often take on the responsibility of creating their own offices.
      In London, the couple behind local practice 2LG Studio established a workspace in their four-bedroom home, while Esrawe Studio set up its Mexico City office inside a former dance hall, taking care to preserve the building’s weathered ceiling trusses.
      The photography is by Hemant Patil.
      Project credits:
      Architecture: Mind ManifestationLead architects: Anand Deshmukh, Chetan LahotiDesign team: Pranjali Ekre, Dipti Kanade, Vidisha Paltewar

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