Shops

Subterms

    More stories

    • 88 Shares129 Views

      in Rooms

      Dezeen's top 10 shop interiors of 2022

      by

      A fashion store filled with pillows and a furniture showroom that looks more like a luxury apartment are among our pick of the best shop interiors of the year, in the next instalment of Dezeen’s review of 2022.

      Designers continued to play with retail conventions this year, and 2022’s roundup of shop interiors also featuring a supermarket-style second-hand book store and a cosmetics brand outlet modelled on a 1970s office.
      Read on for Dezeen’s top 10 shop interiors of 2022:
      Photo by Michael RygaardGarde Hvalsøe Aarhus, Denmark, by Bunn Studio
      This showroom, for Danish cabinet maker Garde Hvalsøe, was designed by New York practice Bunn Studio to look more like a grand apartment than a retail space.

      Housed in a majestic Renaissance building in Aarhus, the interior showcases the brand’s signature handcrafted kitchens and walk-in wardrobes alongside other domestic furniture.
      The idea was to help customers visualise how the cabinets would look in their own homes.
      Find out more about Garde Hvalsøe Aarhus ›
      Photo by Hu YanyunDeja Vu Recycle Store, China, by Offhand Practice
      Dezeen’s most-viewed retail interior of 2022 is a store in Shanghai that puts a new spin on second-hand shopping.
      Intending to counter the “shabby” image associated with flea markets, local studio Offhand Practice created an interior featuring supermarket-style crates and minimalist railings, displaying pre-owned books and fashion.
      The design was named large retail interior of the year at Dezeen Awards 2022.
      Find out more about Deja Vu Recycle Store ›
      Photo by Benoit FlorençonJacquemus Shop-in-Shop, France, by AMO
      French accessories brand Jacquemus unveiled one of its most playful retail interiors to date in 2022, designed by OMA’s design and research studio, AMO.
      Pillows form everything from wall coverings to display stands in this 60-square-metre boutique, located in department store Galeries Lafayette Haussmann.
      OMA partner Ellen van Loon told Dezeen she wanted to create “a cocooning and relaxed atmosphere, inviting customers to lounge and browse for as long as they want”.
      Find out more about Jacquemus Shop-in-Shop ›
      Photo by Alex LysakowskiThe Annex, Canada, by Superette
      Marijuana retailer Superette opened another of its retro-style stores in 2022, this time in the Annex neighbourhood of Toronto.
      Superette, which is French for “mini supermarket”, has created a nostalgic feel in all of its shops. Here, the brand’s in-house team modelled the design on an Italian deli, with chequerboard flooring, vintage-style posters and tiled surfaces.
      Find out more about The Annex ›
      Photo by Maris MezulisCowboy, France, by Ciguë
      French design studio Ciguë had a car-free future in mind when designing this retail outlet for electric bicycle brand Cowboy.
      Located in Paris department store Le Bon Marché Rive Gauche, the shop features a winding concrete walkway reminiscent of a cycle path, surrounded by areas of crushed earth.
      Roughly hewn limestone provides seating, while the walls are covered in raw earth.
      Find out more about Cowboy ›
      Photo by HandoverMONC, UK, by Nina+Co
      Sustainable materials play an important role inside this debut store for eyewear brand MONC, designed by Nina+Co.
      The entire interior is formed of either bio-based or recycled materials, on the basis that the brand only had the London retail space on a short-term lease. These include cornstarch foam, which forms the undulating ceiling and display shelves.
      This circular design ethos led to the project being named small retail interior of the year at Dezeen Awards 2022.
      Find out more about MONC ›
      Photo courtesy of DuratDurat Showroom, Finland, by Linda Bergroth
      Finnish designer Linda Bergroth chose bold colour combinations in her design for the Helsinki showroom of tile manufacturer Durat.
      Almost every element in the 100-square-metre showroom is formed of Durat’s terrazzo-like surface material, which is made from plastic waste and is 100 per cent recyclable.
      The most eye-catching colour pairings include salmon-pink and mustard, and apple-green with bright orange.
      Find out more about Durat Showroom ›
      Photo courtesy of HarmayHarmay Hangzhou, China, by AIM Architecture
      Chinese office AIM Architecture has designed a series of interiors for cosmetics brand Harmay, but the most imaginative so far is this one in Hangzhou, which is modelled on a 1970s office.
      The design draws on its setting in the Renzo Piano-designed OōEli business park. The space features a wool carpet and suspended ceiling tiles, with products displayed on desks, meeting tables and bookshelves.
      Find out more about Harmay Hangzhou ›
      Photo by Felix SpellerCubitts Leeds, UK, by Child Studio
      Different design periods combine in this store in Leeds, designed by Child Studio for British eyewear brand Cubitts.
      Set in a historic shopping mall that boasts pink marble columns and mosaic ceilings, the shop features Victorian-style joinery, a mid-century counter, an Eileen Gray-designed modernist lamp and an art-deco-style bakelite clock.
      Find out more about Cubitts Leeds ›
      Photo by Sharon RadischJonathan Simkhai, USA, by Aruliden
      Irregular, overlapping arches wrapped in soft-toned fabric defined shopping areas in this temporary installation for fashion brand Jonathan Simkhai in New York City.
      Created by design agency Aruliden, the interior drew on the geometric shapes and signature cut-outs of the brand’s clothing.
      Find out more about Jonathan Simkhai ›

      Read more: More

    • 163 Shares159 Views

      in Rooms

      Yinka Ilori draws on “unapologetic” architecture of Burkina Faso for debut pop-up shop

      by

      Modular display stands modelled on buildings in Burkina Faso feature in the first brick-and-mortar shop that London-based designer Yinka Ilori has created for his self-titled homeware brand.

      Taking over a compact retail space in Shoreditch in the leadup to Christmas, the pop-up shop features a colour-block interior designed to match the products on sale, as slime-green walls clash with pink and orange flooring.
      Yinka Ilori has opened a pop-up shop in LondonThis “more is more” philosophy to colour also extends onto the store’s glossy lacquered product displays, designed by Ilori to reference the construction of mosques and homes in Burkina Faso.
      “I am really obsessed with their design language which is very African, very rich and very unapologetic,” he told Dezeen.
      “There is a recurring use of squares and triangles and you sometimes also see poles sticking out of the structures. I found these poles fascinating. They are structural but also used to make it easy for people to climb up and repair the building.”

      Products are displayed in modular colour-block storage unitsIn the store, these shapes are reflected in the modular storage units, which are constructed from medium-density fibreboard (MDF) and each topped with a stepped pyramid.
      Strategically placed holes can be used much like those on a pegboard to add poles of different sizes and provide storage for a changing array of products.
      Longer rails can be slotted in to hang T-shirts and throws, while smaller pegs can hold umbrellas or prop up shelves for presenting mugs, notebooks and other lifestyle items.
      The units end in stepped pyramidsBulkier items such as the designer’s collection of tableware and limited-edition basketballs are displayed on counters panelled in ribbed MDF that is sprayed in a gradient of colours to emphasise their sinuous shapes.
      At the store’s entrance, six of Ilori’s hand-painted Square Stools are arranged into a towering window display that shows off their stackability.

      “I use colour as a way of starting a conversation” says designer Yinka Ilori

      The opening of the pop-up also coincides with Ilori’s latest product drop. Themed around “memory-making, togetherness and play”, this includes everything from notebooks and basketballs finished in sunny, childlike patterns to a collectible version of the traditional Yoruban strategy game Ayo.
      In line with this idea, the shop will also host different events for the local community, from an Ayo tournament to a tasting of Nigerian palm wine.
      The counters have slatted legs painted in a gradient of coloursOpening his first physical store is “an absolute dream come true”, Ilori said.
      “My public projects are all about interaction both between audiences and with the work itself but I don’t often get to interact directly with people and I feel it’s time for me to do that,” he added.
      “Through the store, I’m able to get their feedback on my work and also see how they interact with each of the products and the stories I’m trying to tell through these pieces.”
      The shop’s floor was finished in a vibrant colourIlori started his homeware brand in 2020 with the aim of reworking “unexpected, functional household items as artworks” by imbuing them with bold colours and patterns that reference his British-Nigerian heritage.
      The products feature many of the same patterns he previously developed for his large-scale installations, such as The Colour Palace pavilion he created for the London Festival of Architecture together with local studio Pricegore.

      Read more: More

    • 125 Shares149 Views

      in Rooms

      AMO experiments with materials for Stone Island store in Chicago

      by

      Fashion brand Stone Island has debuted a retail concept by Dutch studio AMO, which includes surfaces made from compressed shredded paper, burnt cork and sand-coated steel.

      The research studio, affiliated with architecture firm OMA, created the store concept to celebrate Stone Island’s 40th anniversary.
      Stone Island’s Chicago store features a digital chandelier at its entranceAs well as an update to the look and feel of the interiors, AMO has designed the spaces to host a program of public presentations, salons, workshops and private events beyond store opening hours.
      For the store’s architecture, the studio referenced the “innovative” approach taken by the Italian brand to transforming materials for its products, particularly outwear.
      The interior was designed by AMO to reflect the brand’s experimental approach to materials”Research and innovation are at the core of Stone Island,” said AMO director Samir Bantal, who worked with Natalie Konopelski, Giulio Margheri and Mateusz Kiercz on the project.

      “The space, materiality, and program of the stores underpin the brand’s ethos, and reinforce a sense of belonging of its community of like-minded people,” he continued.
      Walls are lined in cork that has been burnt, sandblasted and coatedThe inaugural store to be designed based on this direction is the 180-square-metre space in Chicago, Stone Island’s first in the city.
      The space features altar-like niches for displaying archival pieces and prototypes to highlight Stone Island’s focus on technology and development.
      A niche at the back of the store displays archival products and prototypesSurfaces throughout the store are intended to look like stone, though none are actually made from it. Instead, off-the-shelf materials have been treated in a variety of ways to replicate the same visual qualities.
      Shredded paper and resin were compressed under high pressure to produce durable panels that mimic concrete, and used to create sculptural displays for products.
      Sculptural display stands are formed from shredded paper and resin that’s compressed to look like concreteCork – which is a staple in existing Stone Island stores – was burnt, sandblasted and coated to create a dark texture. Applied to the walls, the material helps to both absorb sound and control humidity, while the ceiling is covered with a sawtooth arrangement of translucent light boxes.
      Corrugated steel panels were sand-coated to create a softer finish and used to form a curved partition around the fitting rooms.
      The fitting rooms are surrounded by sand-coated corrugated steelAt the store’s entrance, which has a bright orange floor, a digital chandelier is suspended from the ceiling and broadcasts messages to shoppers.
      Following the opening of the Chicago store in October 2022, plans are in place to roll out the concept at locations including Seoul, Munich and Stockholm.

      AMO cocoons Jacquemus store in pillows to create “bedroom-like” interior

      “Stone Island and AMO share values of innovation, functionality, and passion,” said Stone Island creative director and president Carlo Rivetti.
      “I am very happy to begin this important partnership, a new visual approach for our stores, to speak to our communities.”
      Stone Island’s research is explained through displaysAMO was founded as the research arm of OMA, and has developed long-standing relationships with several fashion brands.
      One of its most frequent collaborators is Prada – the studio has designed a number of environments for the Italian brand’s runways shows over the years.
      The Chicago store is the first iteration of the concept by AMOMost recently, AMO worked with French brand Jacquemus to create a Paris boutique with a “bedroom-like” interior and a terracruda-clad shop-in-shop at London’s Selfridges.
      The photography is by Marco Cappelletti, courtesy of Stone Island and OMA/AMO.

      Read more: More

    • 138 Shares199 Views

      in Rooms

      Axel Arigato rejects “McDonald's approach” to interiors with Berlin flagship store

      by

      Travertine displays that double as DJ podiums feature alongside glistening butter-yellow columns in Axel Arigato’s Berlin outpost, which the streetwear label has designed together with longtime collaborator Halleroed.

      The brand’s flagship boutique is set in the central Scheunenviertel neighbourhood, across the ground floor of a prefabricated concrete Plattenbau building typical of post-war East Germany.
      Axel Arigato has opened a flagship store in BerlinStockholm design studio Halleroed was tasked with conceiving the interior scheme for the space, reviving some of the key visual themes the practice has established across all of Axel Arigato’s other stores.
      Rather than simply copy-and-pasting these elements, Halleroed mixed and matched them to create something new.
      Travertine was used to cover the floors and form chunky shelvesThis is illustrated in the store’s pale yellow columns, which effectively merge the glossy lacquered-metal surfaces seen in the London boutique with a muted version of the distinctive yellow accents that were used in the pop-up Stockholm shop.

      “We don’t have a McDonald’s approach where each store looks the same,” explained Axel Arigato’s creative director Max Svärdh.
      “We treat them as contemporary galleries and focus less on the transactional element, whilst staying true to our blueprint that keeps coming back in new shapes and materials.”
      Yellow-lacquered metal was used to envelop columns and form clothes railsRoman travertine, which features heavily across the brand’s Paris boutique, was used to cover the entire expanse of the floor, as well as forming chunky shelves and the plinths that encircle the interior columns.
      Rendered in various shapes, sizes and textures, these sculptural plinths can be used to display different trainers or act as counters and curved seating nooks when Axel Arigato is hosting an event in the store, which can comfortably accommodate up to 250 people.
      “The podiums – and in a way all the surfaces – are multipurpose in that we use them for displaying the weekly rotation of product drops, DJ decks at parties or pop-up merchandise when we hand over the space to other creatives,” Svärdh told Dezeen.

      Axel Arigato opens “upside-down” pop-up sneaker shop in Selfridges

      The raw natural texture of the travertine is contrasted against the lacquered metal, which was used to envelop the pillars and form a series of clothing rails curved around the perimeter of the room.
      “The glossy finish lends a highly visual element to our spaces and creates a nice contrast to the very organic materials and softer characters of the stone and the store’s generally muted character,” Svärdh explained.
      Mirrored pillars bookend a huge LED screenTogether with the floor-to-ceiling mirrors flanking a huge LED display, the shiny metal surfaces also help to reflect the illumination that is provided by the rows of strip lights running all the way across the ceiling.
      The flagship is Axel Arigato’s second bricks-and-mortar store in Germany, following the opening of its Munich outpost last November.
      Axel Arigato joins Hay, Acne Studios and a growing number of international brands that have moved into the Scheunenviertel in recent years. The area is rapidly being expanded into an alternative shopping destination tucked away behind the more touristy destinations of Berlin’s central Alexander Platz.
      Other businesses in the Scheunenviertel neighbourhood include Sofi – a bakery set in the courtyard of a restored brick factory.

      Read more: More

    • 150 Shares159 Views

      in Rooms

      Perron-Roettinger clads Kim Kardashian SKKN pop-up store in raw plaster and cement

      by

      Design studio Perron-Roettinger has created a pop-up shop for Kim Kardashian’s skincare and homeware brand SKKN in Los Angeles that showcases its products in a physical space for the first time.

      The minimalist pop-up store, which is located inside Los Angeles shopping mall Westfield Century City, was designed using a limited material palette in a nod to the brand’s pared-back design.
      Perron-Roettinger has created a pop-up shop for Skkn”The SKKN [store] is about raw materials – bold, big blocks of stacked raw material – which is inspired from an inactive quarry that I visited once,” Perron-Roettinger cofounder Willo Perron told Dezeen.
      “All different plaster and cement finishes echo the emphasis on the raw natural materials.”
      The walls and counters are made from concrete and plasterIn the 1,330-square-foot (123 square-metre) space, homeware and skincare products are presented within curved wall alcoves or on top of sculptural counters made from grey concrete and plaster. The room is framed by two large portrait photos of reality television star Kardashian.

      “Just in time for the holiday season, the pop-up will offer customers a luxurious in-person shopping experience with the entire SKKN By Kim collection – from skincare to home decor,” said the brand.
      Skincare items are displayed in alcovesThe use of raw materials references Perron’s partner Brian Roettinger’s packaging for SKKN products, as well as Kardashian’s recently launched concrete homeware collection called Home Accessories Collection.
      All the materials come in varying shades of Kardashian’s signature beige and grey colour palette, which she has used in her home and her shapewear collections.

      Kim Kardashian launches first pop-up SKIMS store in Paris

      According to Perron, the brand’s packaging and the store interior are united in their reliance on simple shapes and raw materials.
      “The throughline idea is materials untouched, most primary and elemental state,” he explained. “Simple geometry is important to add a recognizable component to both the space and the packaging.”
      Perron–Roettinger was also responsible for SKKN’s creative direction, brand identity and art direction.
      The store mirrors the brand’s minimalist packagingThe SKKN pop-up shop is open until the end of the year in Westfield Century City, Los Angeles.
      The longtime collaboration between designer Willo Perron and Kim Kardashian has seen Perron design other pop-up stores for the American reality star’s brands.
      For Kardashian’s shapewear company Skims, Perron created a beige coloured pop-up shop in Paris with chunky display units and partitions.
      Los-Angeles based Perron-Roettinger has also completed other pop-up shops for brands including Stüssy.
      The photography is by Gray Hamner.

      Read more: More

    • 138 Shares199 Views

      in Rooms

      Nina + Co brings biomaterials into MONC eyewear store in London

      by

      Cornstarch-foam shelves meet mycelium display plinths in this London store that Nina + Co has designed for bioplastic eyewear brand MONC.

      Nestled among a parade of high-end shops in Marylebone, MONC sells glasses made from bio-acetate – an acetate produced completely without fossil fuels – which are packaged using recycled leather cases and compostable cornstarch foam.
      The first MONC eyewear location sits along a row of shops in MaryleboneWhen local studio Nina + Co was brought in to design MONC’s debut store, the team was keen to incorporate biomaterials throughout the interior, while also taking the brand’s short-term lease of the retail unit into account.
      “Circularity was key,” said the studio. “Almost everything we brought into that building was entirely bio-based or recycled.”
      “The furniture is expertly built to last but can be disassembled for re-use, recycling or return to the earth as nourishment.”

      The store features a ceiling installation made from cornstarch foamUpon entering the store, visitors find themselves under an undulating ceiling installation crafted from corrugated panels of cornstarch foam.
      Thicker blocks of the material were used to create rows of squishy-looking shelves, which can be used for packaging or simply dissolved in water when they eventually start to show signs of wear and tear.
      The foam was also used to form small shelvesDisplay plinths made out of mycelium – the vegetative part of a fungus – were dotted across the store to showcase different eyewear models.
      In between the shelves, a couple of long mirrors are balanced on hunks of concrete that were salvaged from roadworks nearby.
      A recycled PET island sits at the centre of the store beside mycelium display plinthsThe craggy concrete was chosen as a subtle nod to the rugged Dolomite mountains, which can be seen from the Italian town where all MONC eyewear is produced.
      Nina + Co worked closely alongside Welsh manufacturers Smile Plastics and London joiner EJ Ryder to design the store’s recycled PET island and bench seat, which are an apricot-orange hue.

      Biomaterial companies see “explosion in interest” as sales double in a year

      As both furniture pieces were joined with mechanical bolts rather than glues, they can easily be taken apart, flat packed and transported to a different MONC store for reuse.
      Walls throughout the interior were finished with VOC-free clay paint while the unit’s existing floor was covered with a water-based sealant.
      The plastic was also used to form a bench seat”Previous tenants had ripped up their floor to leave a plywood subfloor, with markings of the adhesive still evident and some paint bucket outlines,” the studio explained.
      “After a test patch, we were convinced that a simple water-based sealant would give it a beautiful depth and sheen with the industrial feel of concrete [while being] kinder to the planet and the budget.”
      Walls were washed with a calming clay paintMONC is one of five projects shortlisted in the small retail interior category of this year’s Dezeen Awards.
      It’s going head-to-head with the Durat showroom by Linda Bergroth, which is decked out in an unusual mix of colours, and Aesop’s Yorkville store by Odami with its oxblood-red balusters.
      The photography is by Handover.

      Read more: More

    • 150 Shares169 Views

      in Rooms

      AIA Estúdio designs cave-like interior for clothing store in Rio de Janeiro

      by

      Organic shapes and stone-like surfaces characterise the interior of the Haight clothing store in Rio de Janeiro, which was designed by interior and landscaping design practice AIA Estúdio.

      A large pillar with a rough, textured surface dominates the 110-square-metre shop interior, expanding as it ascends before merging into the ceiling to create a cave-like space.
      A pillar transforms into a cave-like structure”Its height starts small and in the back part it ends higher in a nonlinear form, just like a cave,” AIA Estúdio founder Alice Tepedino told Dezeen.
      “The infinite and diverse processes of erosion that form cliffs, caves, stalactites, sands, stones and the movements of water with its tracks and shapes led to our creative process being part of the concept developed for the store’s spatiality.”
      Stone slabs around the pillar are used to display objectsRather than being a cumbersome obstacle, the pillar helps organise the shop’s circulation and movement of shoppers, according to the studio.

      “It is from the occupation around the pillar that the space fluidity is achieved. This disposition is enhanced by curved lines that define the path inside the store,” said Tepedino.
      Curved stone plates balance on rocksSlabs of soapstone and Bahia beige marble encircle the pillar at different heights and are propped up by Bahia beige marble rocks that create a display surface and a place for shoppers to sit.
      On the perimeter walls, niches with stainless steel bases display Haight’s clothing on brushed-brass rails.

      Fabric arches divide Jonathan Simkhai store in SoHo by Aruliden

      The metallic surfaces and straight edges of the niches contrast with the organic shapes and materials in the centre of the shop, which is located in the Shopping Leblon retail centre.
      Tepedino used indirect lighting in the niches to illuminate the space, mimicking cracks in cave walls where sunlight can seep through.
      Clothing is displayed on brushed-brass rails”The exhibition interspace was thought of as a cut in the walls, an operation emphasised by the transition of materiality,” said Tepedino.
      “Inside, there are exhibition racks in brushed brass, which, with their more solar aspect, contribute to subtly warming up the store’s ambience, together with the soapstone and its greyer tone.”
      The bottoms of wall niches are lined with steelTepedino’s design is the first of Haight’s stores to be located inside a shopping centre, which prompted the designer to approach the project in a different way.
      The entrance to the shop is a large opening that provides open access from the shopping centre to the nature-inspired shop interior.
      It is the first Haight store to be located in a mall”The design adopted a contrasting strategy between the store and mall, which, despite the rigid and controlled environment, offers opportunities such as the possibility of not having a door,” said Tepedino.
      “The brand’s conceptual basis is related to natural landscapes but when you are inside the mall, you find a language that is the opposite of Haight’s conceptual basis, with artificial elements and cold materiality.”
      Natural materials and surfaces were used throughout the shop interior”Once you’re inside the store you get disconnected from the artificial atmosphere of the rest of the building,” Tepedino continued.
      The project has been shortlisted in the small retail interiors category of Dezeen Awards 2022, alongside a surfaces showroom in Helsinki with colourful terrazzo-like walls and an oxblood red shop interior with walls decorated with Victorian-style balusters.
      The photography is by Maira Acayaba.

      Read more: More

    • 163 Shares179 Views

      in Rooms

      ASA Studio Albanese references mid-century offices for Thom Browne store in San Francisco

      by

      American fashion label Thom Browne has opened its first retail location in San Francisco, designed by ASA Studio Albanese to feature dramatic marble against white slatted blinds.

      The flagship store is situated at 432 Jackson Street in the historic Yeon Building, which dates back to 1855, in the heart of the city’s luxury shopping district.
      Thom Browne’s San Francisco store pairs decorative marble walls with white slatted blindsIts interior is the latest collaboration between Thom Browne’s eponymous founder and architect Flavio Albanese of Italy-based ASA Studio Albanese, who has designed over a dozen stores for the brand since 2017.
      Like its counterparts around the world, the 1,250-square-foot (116-square-metre) space is outfitted to look like a Mad Men-era workplace.
      A selection of mid-century furniture pieces was curated for the spaceThis is achieved by pairing highly decorative marble surfaces with strips of white slatted blinds and tube lighting.

      “Behind Thom Browne’s signature slat blind-covered windows is a minimalist mid-century style office with rows of fluorescent tube lighting, polished with white Calcutta and Carrara marble floors, and banker grey Bardiglio and Carrara marble walls,” said the Thom Browne team.
      The store’s desaturated colour palette is reflective of the brand’s clothingAmong the furniture pieces curated to embellish the theme are a glass-topped desk placed in the centre of the room at one end and chairs that form a small seating area at the other.
      “Thom continues to outfit this space with mid-century furniture by American and French designers — including seating and lamps by Jacques Adnet, a desk by TH Robsjohn-Gibbings, office chairs by Knoll, benches by McCobb, coffee tables by Mathieu Mategot, and display etagere’s by Maison Jansen,” the team said.
      Accessories are displayed on minimalist shelving unitsThe largely desaturated colour palette – reflective of the brand’s clothing – is interrupted by brass accessories and details on the furniture, as well as a few camel-toned garments.
      A black band wraps around the rooms at floor level, separating the grey marble on the walls from the lighter toned stone underfoot.

      Thom Browne holds “teddy talk” for toy-inspired Autumn Winter 2022 collection

      Clothes are presented on metal rails mounted on wheels, while bags, shoes, eyewear and fragrances are displayed on minimalist freestanding shelves.
      The fitting rooms are hidden behind doors covered in the same material as the walls so that they blend in seamlessly when closed.
      The store is located in the historic Yeon Building on Jackson SquareThom Browne founded his label in 2001 with five suits in a small by-appointment shop in New York City’s West Village, and eventually expanded to include ready-to-wear and accessories lines for both men and women.
      Browne’s Autumn Winter 2022 collection was an ode to toys and featured sculptural tailoring, presented at New York Fashion Week in front of an audience of 500 teddy bears.
      The photography is courtesy of Thom Browne.

      Read more: More