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      Ciguë imagines car-free city inside Cowboy's electric bike shop in Paris

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      Limestone blocks and crushed earth feature in this electric bike shop in Paris, designed by local studio Ciguë to visualise how a car-free city of the future might look.

      The store belongs to Cowboy, an e-bike brand aimed at urban cyclists, and is located in the department store Le Bon Marché Rive Gauche.
      Ciguë has designed an e-bike store for Cowboy in ParisFor its interior, Ciguë designed a minimalist landscape that is “organic and fluid, free from the angst-inducing presence of cars”.
      Walls and ceilings throughout the space are covered in raw earth while on the floor, a winding concrete walkway reminiscent of a cycle path is surrounded by crushed earth. Roughly hewn blocks of limestone serve as seating.
      Tooled waxed concrete forms a winding pathway through the interiorOne of Cowboy’s bikes is suspended above a circular pit of crushed earth in the centre of the store, so it is visible from the street through one of the store’s three street-facing windows.

      Overhead, a screen shows footage of clouds streaking across the horizon to create the impression that the bike is “suspended between earth and sky”.
      An e-bike hangs over a pit of crushed earth in the centre of the storeAs the outpost in Le Bon Marché is Cowboy’s first shop without direct access from the street, Ciguë wanted to create an immersive interior that makes customers feel as if they are outdoors.
      “We had to reconnect the shop with the exterior,” said Ciguë founder Alphonse Sarthout.
      “Videos of the sky conjure up the idea of movement and the passage of time. Similarly, suspending the bike in mid-air contributes to the idea of speed and effortlessness associated with electric bikes.”

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      The bike is suspended using subtle wires while other models are displayed throughout the space using narrow aluminium stands, which create the impression that the bikes are standing upright of their own accord.
      These pared-back displays were intended to reflect the seamless design of Cowboy bikes.
      “The absence of visible welds and the materials used for the bike are embodied in Ciguë’s display,” said Cowboy founder Tanguy Goretti. “The interplay of textures on the walls, the benches and the aluminium rack reflects this tactile technology.”
      Blocks of limestone serve as seatingThe warm-toned earth used throughout the interior was sourced from the Oise region of northern France.
      This could become a consistent feature across other Cowboy stores in the future, according to Ciguë, with different earth tones being used for different locations.
      Other retail environments designed by the Parisian studio include a bamboo-covered boutique for Isabel Marant in Bangkok and five different Aesop shops, among them an outpost above a record store in Nottingham.
      The photography is by Maris Mezulis.

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      Unusual colour combinations make up Durat showroom in Helsinki

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      Finnish interior designer Linda Bergroth has brought together unexpected colour combinations for the Durat showroom in Helsinki, which is filled with the manufacturer’s terrazzo-like surface material made from plastic waste.

      The showroom occupies around 100 square metres of space in central Helsinki on the site of a former coffee shop.
      Durat’s showroom shows off the brand’s surfacing material across multiple displaysDurat’s speckled surface material can be used in sheets or moulded into basically any shape, so the company wanted a showroom that would convey a sense of endless possibilities.
      To this end, Bergroth made almost everything in the store out of Durat surfacing, including three display areas, a wall of colourful samples and a central kitchen-style island.
      Interior designer Linda Bergroth combined unusual coloursThe display areas were designed to show off the material’s different thicknesses, joints and mounts while using a broad selection from the brand’s range of more than 1,000 colours.

      One display features different washbasins, either integrated into a countertop or mounted on top. This area combines tones of turquoise, salmon pink and mustard with a white worktop that looks as if it was topped with a scattering of rainbow sprinkles.
      The displays showcase some of Durat’s different shapes, joints and thicknessesAnother display features a freestanding orange soaking tub set against an apple-green wall. Two shelves line the walls, holding more colourful material samples cut into contrasting shapes to invite play.
      “The showroom is mostly serving architects and designers,” Bergroth told Dezeen. “So it was easy for me to relate to the needs of the customer, who wants to understand the anatomy and possibilities of the material.”
      Material samples are displayed on floating shelves”Many of the decisions were made to communicate these possibilities and not define how someone’s compositions should look,” she continued. “Untypical colour combinations and mismatched patterns are also a way of freeing the user to find new ways of thinking.”
      Bergroth finished the showroom with minimal furnishings and fittings, including matt white Vola faucets she describes as resembling “immaterial cut-outs in the heavily patterned surfaces”.

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      There is also a storage room and a private office area, both concealed behind doors that blend into the display areas.
      The shopfront features big windows in two directions, which Bergroth and Durat used to their advantage by creating a design that could be experienced from the street as much as from the inside.
      An office and storage area are hidden behind doors in the displays”The layout is designed in a way so it can be well explored from the street, also outside office hours,” said Bergroth. “This brings a nice brand visibility and brightens up the neighbourhood during the dark months.”
      Durat surfacing is made from 30 per cent post-industrial plastics and is fully recyclable. The company aims to create a closed-loop material cycle where all Durat surfaces are repurchased at the end of their life and turned into new products.
      Durat surfacing can also be used to form furniture piecesBergroth also worked with the material in some of her previous projects, including the pop-up Zero Waste Bistro she designed for the WantedDesign Manhattan fair.
      Other projects by the interior designer include another Helsinki shop interior for the brand Cover Story, which makes plastic-free paint.

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      David Chipperfield Architects designs minimal Akris boutique in Washington DC

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      The Milan office of David Chipperfield Architects has designed a minimalist boutique for fashion brand Akris in Washington DC, featuring pleated walls and displays suspended from thin wires.

      The store in the US capital is the first execution of a new retail concept created for Akris, a family-run fashion house founded in Switzerland in 1922.
      The Akris store is located on I St NW in the US capitalBrothers Albert and Peter Kriemler, the grandchildren of founder Alice Kriemler-Schoch, collaborated with David Chipperfield Architects Milan (DCA Milan) on the concept that debuted in DC, and has since also been applied in Tokyo.
      “DCA Milan’s design intent for the project was to enhance the materiality and fine craftsmanship of Akris collections through a solid, three-dimensional architecture associated with a light display system, defining a space where carefully chosen materials take centre stage,” said the design team.
      The boutique debuts a new design concept for the brand’s retail spacesLocated downtown, a few blocks from the White House, the boutique is lined with white-painted maple panels arranged to look like fabric pleats.

      These panels wrap three walls and also cover the ceiling, giving the impression of a room within a room.
      White-painted wood panels form pleats across the walls and ceilingGrey limestone flooring, large cylindrical columns and other surfaces continue the neutral colour palette, providing a backdrop for the brand’s bright clothing and accessories.
      Shelves, clothing rails and mirrors are suspended from thin cables connected to the ceiling or high up on the wall panels.
      Mirrors and rails are suspended from thin wiresInfluenced by the work of Italian artist Bruno Munari, the taut wires form subtle lines across the pleated panels.
      “The design references Bruno Munari’s tensile spatial structures, whose fundamental nature lies in the contrast between two opposing forces: tension and compression,” DCA Milan said.

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      To partition the space, large sheets of stainless steel mesh hang from the ceiling. Anodized aluminium counters create a flow of movement around the store.
      Ivory-coloured horsehair – a material long associated with Akris – is used on the fitting rooms walls and ceiling along with grey felt furniture, while wool carpet covers the floor.
      Lighting is hidden with the shelving displaysSpotlights installed on ceiling tracks are directed at specific products and other lighting is hidden in the shelves.
      Overall, the interior is designed to be subtle and restrained, to keep focus on the items for sale.
      David Chipperfield Architects Milan collaborated on the design concept with Albert and Peter Kriemler, the grandchildren of Akris founder Alice Kriemler-SchochBritish architect David Chipperfield founded his eponymous firm in 1984, and it has become best known for cultural venues like Berlin’s Neues Museum and Mexico City’s Museo Jumex.
      But the studio, which has offices in London, Berlin, Milan and Shanghai, also has past experience in luxury retail with projects including the New York headquarters for watch brand Rolex and a minimal Montreal boutique for fashion label Ssense.
      The photography is by Alberto Parise.

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      Fabio Novembre launches first concept store in Milan dedicated to his designs

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      Italian architect and designer Fabio Novembre has opened IoNoi Gallery, a hybrid retail space and gallery in Milan with “strongly postmodern” interiors designed to showcase his work.

      Located on a street corner a few steps from Novembre’s studio, the shop sells a range of products the designer has created throughout his career for companies including Italian furnituremaker Kartell, lighting brand Lasvit and glassmaker Venini.
      IoNoi Gallery showcases Fabio Novembre’s works on a street corner in MilanNovembre designed the minimalist interior himself, conceiving it as a blank page in an architect’s sketchbook.
      This is represented through the grid pattern printed on the store’s white melamine laminate walls, which allows the bold colours and forms in his work to take centre stage.
      “The design of the interior is like a blank squared page, the perfect canvas for an architect,” Novembre told Dezeen. “It allows objects to float in space, suspended on a system of interchangeable luminous shelves.”

      Yellow plinths display the designer’s productsThe displayed items, which straddle the realms of art, design and fashion, are arranged across simple shelving with embedded LED strip lights.
      A bright yellow wall that leads to the rear of the store and three yellow display plinths provide accents of colour against the grey stone floor.
      A yellow wall leads to the far end of the storeIn keeping with his other work, Novembre describes his first dedicated concept store as “strongly postmodern”.
      The gallery’s name, IoNoi, is derived from an ongoing research project of the same name, conceived by Novembre to explore the relationship between the self and the collective, between objects and their “universe of reference”.

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      “IoNoi started as a blog in 2008,” Novembre explained. “Its point was that people and things are born from other people and other things. The research of connections, often unplanned and undeclared, helps pave the way for an inclusive and cross-cutting approach to knowledge.”
      “Today, the project evolves into IoNoi Gallery, a physical space that contains and exhibits my world made of industrial objects and art design in the continuous link between design, architecture, art and fashion.”
      Floating shelves are mounted on the wallsThe store will double up as a venue for hosting exhibitions, research projects and collaborations.
      Novembre also hinted that he is working on more ceramic products following his recent work for Italian porcelain brand Villari.
      The walls are finished in a pattern reminiscent of gridded sketchbook paper”I find it interesting to continue with the formal experimentation on porcelain, carrying on the tradition of Italian design masters such as [Ettore] Sottsass and [Alessandro] Mendini – my maestros,” he said.
      Novembre’s wide-ranging portfolio includes a number of other architecture and interior projects. Among them are the headquarters of football club AC Milan and a house on a man-made island in Abu Dhabi that is wrapped around a reflecting pool.

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      Aimé Leon Dore's London boutique homages modernist architect Adolf Loos

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      New York interior designer Sarita Posada has layered “lived-in” details and rich textures inside the first London store from fashion and lifestyle label Aimé Leon Dore.

      Located on Broadwick Street in London’s Soho, the two-storey boutique is the brand’s second outpost and first international flagship, designed in collaboration with London-based West Architecture.
      Aimé Leon Dore’s first international flagship is located in London’s SohoRather than riffing on the design of Aimé Leon Dore’s first-ever store in New York, the London flagship was designed to provide a contrasting experience.
      “We imagined the next iteration of the brand’s environment as a moodier and more intimate experience,” Posada told Dezeen. “We wanted the space to evoke the feeling of some old members’ clubs you might find around London.”
      Walnut cabinetry is used to display products on the main shop floorAs well as a retail space, the shop incorporates Café Leon Dore – an all-day cafe and eatery serving Greek-inspired fare and drinks that nod to the heritage of the brand’s founder Teddy Santis.

      The dark and atmospheric interior was designed to play with Aimé Leon Dore’s vibrant colours and patterns while paying homage to the work of Austrian architect Adolf Loos, famous for designs including the Villa Müller in Prague and the American Bar in Vienna.
      Persian rugs and marble floors help to create a richly textured interiorInformed by the architect’s richly textured interiors, Posada filled the space with dark walnut wall panelling, Cipollino marble floors, mosaic tiling and brass detailing, alongside “lived-in” details like antique Persian rugs and custom furniture with leather insets.
      “The connection to Loos was originally in the materiality and how nicely these elements complemented the brand palette,” Posada told Dezeen. “Villa Müller and Knize, a renowned tailor shop he designed in Vienna, felt particularly relevant for this project for that reason.”

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      “Although we had various historical references and wanted them to read in the space, it was important to create an environment where modern furniture such as an Achille Castigiolini’s Light Ball fixture and detailing would still feel at home,” she added.
      Customers entering the store are greeted by a series of deflated basketballs mounted in a grid on the wall – a signature work by New York artist Tyrrell Winston that serves as a tribute to Aimé Leon Dore’s New York roots.
      A grid of deflated basketballs by artist Tyrrell Winston decorates the entranceMuch like the main retail space, Café Leon Dore is wrapped in walnut panelling and features hand-cut marble flooring, a brass logo inlay, Calacatta Viola marble countertops and a leather banquette.
      A private lounge finished with fabric panelling and leather banquettes is located downstairs. This is equipped with a sound system and a DJ setup, as well as a curated vinyl collection and a bar for guests.
      A dark lounge space with a sound system is housed on the ground floorPosada is a designer specialising in interiors and furniture, who began her career working with Shawn Hausman on the design of The Standard hotels.
      Since then, she has taken on a range of residential and hospitality projects including the Palm Heights Grand Cayman hotel, where she worked with creative director Gabriella Khalil and LA designer Courtney Applebaum to create an interior styled like a 1970s Caribbean mansion.
      The photography is by Harrison Boyce.

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      OMA designs Tiffany & Co pop-up in Paris to take visitors on a “journey across time”

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      Architecture studio OMA has created a pop-up shop for Tiffany & Co in Paris that showcases an assortment of pieces from the jeweller’s 185-year history.

      The pop-up is located in the eighth arrondissement and functions as a cross between a boutique and an exhibition, spotlighting Tiffany pieces from both past and present.
      Visitors enter the Tiffany & Co pop-up in Paris through a blue rotunda”Tiffany & Co has a rich history both in making jewellery and in product design,” said OMA partner Ellen van Loon. “For us, it was important to showcase that history.”
      “More than an occasion to discover Tiffany’s latest collection, a visit to the store also becomes a journey across time.”
      The room displays archival jewellery piecesUpon entering the store, visitors walk into a deep-blue rotunda where Tiffany & Co is showcasing some of its archival jewellery designs.

      The pieces are presented within wall niches or inside pyramidal glass cases that sit on chunky plinths. Tall screens display blown-up imagery of the designs so visitors can take a look at their finer details.
      A gold-toned room showcases Tiffany’s current jewellery collectionA short corridor takes visitors through to a gold-toned room, where Tiffany & Co’s current collection is put on show. At the periphery of the space, a small seating nook provides a place to rest alongside a couple of pale-pink armchairs and poufs.
      The room is anchored by an antique stained-glass pendant light that echoes the lamps designed by Tiffany & Co’s first design director Louis Comfort Tiffany in the early 1900s.
      In keeping with this theme, faux stained-glass panelling was also added to the pop-up’s facade.
      Stained-glass lamps and pink soft furnishings decorate the spaceA velvet-lined archway looks through to the shop’s final room, where high-jewellery appointments are held.
      This smaller, more intimate space features faceted metallic walls and powder-blue carpet that, in an ombre effect, gradually deepens to a darker blue as visitors make their way back to the front of the store.
      A consultation room lies at the rear of the pop-up shopTiffany & Co’s Paris pop-up will be open until May 2023 and will be subtly updated throughout the year to reflect the brand’s new collections as they are put on display.
      OMA is also currently working on a major renovation of the jewellery brand’s flagship store on New York’s Fifth Avenue. The project will see a three-storey glass volume added to the building’s roof, providing space for exhibitions and events.
      The photography is by Benoit Florençon, courtesy of OMA.
      Project credits:
      Design: OMAPartner: Ellen van LoonProject architect: Giulio MargheriTeam: Jacopo Bellina, Sebastian Bernardy, Miguel Herreras San José, Mateusz Kiercz, Philippe Le Quellec, Mingda Zhang

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      Yuko Nagayama & Associates creates trapezoidal glasses shop and community hub

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      Tokyo studio Yuko Nagayama & Associates has completed a copper-clad eyewear store for brand JINS in Maebashi, Japan, which contains a cafe and rooftop terrace.

      Named JINS Park, the shop in Gunma Prefecture was designed to act as a space for the community to gather whether they are shopping in the store or not.
      Yuko Nagayama & Associates has created a glasses shop in Maebashi”We proactively created public spaces that are not part of the sales floor, which encourages community members to come for reasons other than shopping,” the studio explained.
      “In stores of this type, the second floor is typically not open to customers, [we] utilised it as a terrace and also included a bakery-cafe in the store.”
      The shop contains a cafeYuko Nagayama & Associates envisions the space being used as an indoor community plaza with food and coffee served along with glasses being sold.

      A large triangular staircase divides the space in two, with the glasses store located on one side and the cafe on the other.
      The large central stairs lead to a first floor terraceThe widening staircase, under which the cafe’s servery and the shop’s consultation rooms are located, leads to an additional seating area and a triangular, outdoor terrace.
      This space is intended as another community area, offering benches and a generous amount of open space where children can run around.
      Timber units were used to display glassesBroadly lit by floor-to-ceiling windows with the roof supported by angled columns, the interior is broken up by a number of freestanding timber units.
      For the eyewear shop, these are used to display the glasses on sale, while for the cafe they contain pastries and other food
      The trapezoidal building is topped with a roof terraceThe trapezoidal building is topped with a sulphurised-copper facade that was designed to mimic the reddish-brown Mount Akagi that can be seen from the shop.
      Visitors approach JINS Park through a neatly landscaped garden, before being greeted by the central fan-shaped staircase which provides seating with views of the store, garden, and street.

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      “We began by reversing the typical layout of roadside stores, with a parking lot located in front, and instead located the parking lot behind the building,” said Yuko Nagayama & Associates.
      “As the landscaping matures and the copper facade blends more fully into its surroundings, we hope the store will become part of everyday life in the neighbourhood,” said the studio.
      The ground level opens onto relaxed outdoor spacesRecent glasses shops featured on Dezeen include Stephanie Thatenhorst’s playful pattern-filled interior for a children’s opticians in Munich and a shop clad in colourful sheets of locally sourced plastic waste by sustainable materials company Plasticiet and Amsterdam eyewear company Ace & Tate.
      Other recent developments include eyewear stores by Child Studio for Cubitts, a company that asks for each shop to be designed in a unique style that reflects the history of its local neighbourhood. The studio’s Leeds store is inspired by Victorian joinery, whilst another store is based on Soho’s colourful postwar reputation.
      The photography is by Daici Ano and Tomoyuki Kusunose.

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      Child Studio transforms 19th-century London townhouse into Cubitts eyewear store

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      London practice Child Studio has created an “intimate and domestic atmosphere” inside this store by local eyewear brand Cubitts, which occupies a townhouse in Belgravia.

      Taking over the building’s basement and ground floor, the shop was designed to draw on both the modernist aesthetic of Cubitts’ frames and the history of Belgravia.
      Cubitts Belgravia has a front room with a cast iron fireplace (top and above)The central London neighbourhood was first established in the 1830s in line with plans by Georgian master builder Thomas Cubitt, who also gave the eyewear brand its name.
      “It was important for us to build a layered narrative for this project and to connect the townhouse architecture with the modernist ethos of the brand,” said Child Studio founders Alexy Kos and Che Huang.
      The store’s display stands are designed to look like room dividersThe studio reinstated many of the building’s Georgian design features, which had disappeared over years of renovation works.

      The original wooden floorboards were uncovered and restored, while the walls were painted a chalky yellow hue that was typical of the period.
      Most of the doorways were either extended to reach three metres in height or adorned with ornate architraves that complement the interior’s wall mouldings and cornices.
      Some of the doorways reach three metres in heightIn the store’s front room, the studio installed a cast iron fireplace that is meant to foster an “intimate and domestic atmosphere”.
      “We imagined a contemporary interpretation of a classic drawing room – an elegant living room where guests may be welcomed and entertained,” explained the studio.
      “We were particularly inspired by the pioneering designer Eileen Gray, who lived in this part of London in the early years of her career in the 1900s.”

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      On the other side of the space is a custom concertina display stand that’s meant to resemble a traditional room divider.
      This stand is lined with creamy linen-like wallpaper while another stand at the rear of the store was crafted from mahogany and finished with brass edging.
      Domestic decorative items like lamps and armchairs were placed throughout the storeOther homely design features like mirrors and upholstered armchairs were dotted throughout the store as decoration.
      There are also a number of antique light fixtures including Gray’s domed Jumo lamp and a golden leaf-shaped desk light by 1970s Italian designer Tommaso Barbi.
      This includes a leaf-like brass lamp by Italian designer Tommaso BarbiChild Studio has designed several of Cubitts’ eyewear stores across the UK.
      Among them is a branch in Leeds that takes cues from different design periods through history and an outpost in London’s Soho, which draws inspiration from the neighbourhood’s infamous sex shops.
      The photography is by Felix Speller.

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