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      Orange floors create “golden afterglow” in Aranya fashion store by Say Architects

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      Chinese studio Say Architects has designed a concept store for fashion brand Nice Rice in the seaside resort of Aranya, featuring bright-orange tiles and furniture intended to evoke the colour of a sunset.

      Having previously designed stores for Nice Rice in Shenzhen, Chengdu and Shanghai, Say Architects conceived the interior as a response to the store’s setting near the port city of Qinhuangdao, also known as the Aranya Gold Coast.
      Say Architects has designed a concept store for Nice Rice in Aranya”Due to the individuality of the site and the splendid geolocation, we hope to bring the orange sea of Aranya inside and build a gold coast that never ends by using light as expression, creating undulating volumes, intertwining lights and shadows,” the architects said.
      The 290-square-metre store is arranged over three floors, with retail spaces on the lower two storeys and a roof terrace accessible from the top floor.
      Glossy orange tiles reflect light onto white walls, creating a “golden afterglow” effectThe building’s minimalist facade features an illuminated sign with the company’s logotype over the entrance and a horizontal window above.

      A glazed entrance provides a view into the store, where bright orange surfaces create a vibrant contrast with the shop’s monochrome exterior.
      The glossy orange tiles reflect light onto the white walls, creating an effect that the architects describe as a “golden afterglow”.
      A leather bench provides a minimalist seating area on the first floorInside, a full-height void connects the shop’s three floors, with a vaulted ceiling directing light from a window on the top floor down to the levels below.
      Say Architects designed each floor with a symmetrical layout that enhances the calm and serene atmosphere within the store.
      Clothes rails in the Nice Rice store are designed to resemble breaking wavesOn the ground floor, a pair of freestanding units are used for serving customers, while changing rooms are positioned on either side of a second entrance to the rear of the space.
      Clothes rails on both sides of the room are designed to resemble breaking waves, curving outwards from the wall to create space for hanging clothes underneath.

      Tile mural fronts Cult Gaia Miami boutique by Sugarhouse

      On the first floor, a geometric leather bench provides a seating area, while a simple display podium is located close to the transparent balustrade overlooking the triple-height void.
      Throughout the store, windows of varying sizes create a play of light and shadow on the internal surfaces that changes throughout the day.
      A full-height void connects the three floorsStaircases on both sides of the building ascend to a roof terrace that is floored with the same tiles used inside the store.
      A sheltered area with matching orange benches allows this space to be used in all weather.
      The building’s staircases lead to an outdoor roof terraceSay Architects is based in Hangzhou and is led by architects Yan Zhang and Jianan Shan.
      The studio works across architecture, interior and landscape design, with previous projects including an accessories store formed almost entirely of translucent resin and a grooming salon for pets featuring a sunken cafe and a paddling pool.
      The terrace is finished in the same tiles as the interiorAranya is built on the site of a failed real estate development and aims to provide a haven for overworked young urbanites seeking a coastal escape.
      The exclusive gated community contains several architecture projects that have helped elevate its profile including an art centre designed by Neri&Hu, a monolithic concrete concert hall and a chapel raised above the beach on stilts.
      The photography is by Wen Studio.

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      Tile mural fronts Cult Gaia Miami boutique by Sugarhouse

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      A hand-painted tile mural covers the front of this Miami Design District boutique designed by New York studio Sugarhouse Design and Architecture for fashion brand Cult Gaia.

      Sugarhouse Design and Architecture designers Jess and Jonathan Nahon followed up their New York City store for Cult Gaia founder Jasmin Larian Hekmat with a flagship in Miami intended to align with the brand and the location.
      The gabled front of the Cult Gaia boutique in Miami is covered in a hand-painted tile muralThe duo “sought inspiration from temple architecture, Larian Hekmat’s Persian heritage and iconic historical archetypes” for the 1,502-square-foot (140-square-metre) retail space, and also modelled the building on local casitas.
      To cover the gabled front facade, Design and Architecture commissioned artist Michael Chandler to create a mural using ceramic tiles.
      The mural by artist Michael Chandler is titled Tree of Life and references Henri Rousseau’s painting The DreamThe resulting 1,800-piece Tree of Life mural is based on French post-impressionist artist Henri Rousseau’s painting The Dream.

      “The hand-painted ceramic mural depicts a silhouetted tree with its branches extending across the storefront, featuring stylised vegetation, birds and flower-crowned nymphs,” said Sugarhouse Design and Architecture.
      In the centre of the store’s first space is a concrete sculpture by Angela LarianPainted in blue “lapis lazuli” hues, similar to those that decorate Persian mosques, the artwork references everything from Indian textiles to botanical illustrations.
      A trio of arched openings in the facade contain windows and a larger, recessed entryway that holds wood-framed glass doors and aligns with the store’s central axis.
      The 12-foot sculpture of the Greek goddess Gaia stands below an oculusThe first in a series of interiors spaces is an open room decorated in creamy Bianco Avorio limestone and Bianco Santa Caterina travertine.
      Unlacquered brass rods, designed to mimic Cult Gaia’s jewellery, drop from behind ceiling coves to display garments and custom amorphous mirrors by New Vernacular Studio hang on the walls.

      BoND’s PatBo Miami boutique features soft curves and floral touches

      On both sides of the central axis, sandstone blocks are stacked into vertical checkerboard grids that allows accessories to be displayed in the gaps.
      These partitions enclose the fitting rooms, which can be illuminated from within so that light glows through a translucent membrane and the grid holes.
      “Designed to reference rock-cut cave temples, the structures provide privacy while also allowing merchandise to be displayed within their illuminated niches,” said the team.
      In the second space is a banyan tree that grows from a pale-green sofaA second space identical to the first is reached past the threshold created by the fitting rooms, and a bar is hidden beyond a brass door on the far wall.
      Over each of the two main rooms presides a domed ceiling and a seven-foot-wide oculus, based on the roof of the Pantheon in Rome.
      Brass rods drop from behind ceiling coves to display garments and custom amorphous mirrors hang on the wallBelow the first is a 12-foot-tall concrete sculpture of the Greek goddess Gaia – after whom the brand is named – by Larian Hekmat’s mother, artist Angela Larian.
      “An elongated, Giacometti-like female nude that soars toward the heavens, the work is a foil to the nymphs from the facade and her angularity is intentional: like the brand, this is a fully composed, confident, and in control Gaia,” said the team.
      The banyan tree also sits below a domed ceiling and oculus, which are based on the roof of the Pantheon in RomeIn the second room, a large banyan tree reminiscent of the facade decoration is planted within a serpentine sofa designed by Brandi Howe.
      “Like the sacred tree from Buddhism, it invites visitors to sit and achieve their own awakening within this temple of fashion,” the team added.
      Sandstone blocks are stacked around the fitting rooms, which glow from within, and are used to display accessoriesMiami Design District is home to a host of luxury fashion brands, which have each taken a unique approach to designing their stores both inside and out.
      Brazilian brand PatBo recently opened a flagship in the neighbourhood with a pink slatted facade by BoND, while Kengo Kuma and Associates is set to create a sculptural block of buildings nearby that will also serve as retail locations.
      The photography is by Kris Tamburello.

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      Aesop store interior references Louisiana Museum of Modern Art

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      The Danish bricks and narrow floor plan of this Aesop store in Copenhagen nod to the “humble” design of the nearby Louisiana Museum of Modern Art.

      Located on Kronprinsensgade in Copenhagen’s old town, the neutral-hued store was created by skincare brand Aesop’s in-house design team to complement its setting without “unnecessary flourishes”.
      The Aesop store is on Kronprinsensgade in CopenhagenThe interior takes cues from the architecture of the famed Louisiana Museum of Modern Art, completed in 1958 in Humlebæk, 35 kilometres north of Denmark’s capital.
      A long and low-ceilinged rectangular room makes up the store, which features a circular space at the back with a curved brick-clad basin.
      Danish red bricks feature throughout the interiorThis floor plan mirrors the museum’s “understated horizontal building” with its thin glass corridors, according to Aesop’s head of store design Marianne Lardilleux.

      “We were drawn to the Louisiana Museum because it was designed as a home for Danish, rather than international, modern art,” she told Dezeen.
      A backlit circular opening illuminates the curved basinDanish red brick tiles were laid across the floor by local stonemasons, arranged in a “radiating” pattern that recalls several Copenhagen landmarks, according to Lardilleux. These bricks replaced the store’s original painted concrete screed flooring.
      Stained oak timber was used to create sleek geometric shelving, which spans the length of one of the walls and provides a gallery-style display unit for neat rows of Aesop products.
      This material was also applied to the ceiling, characterised by slatted wood interrupted only by an oversized and backlit circular opening above the brick-clad basin with aged brass elements.

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      A smooth timber door leads to the back-of-house area, concealed behind a sandy-coloured curtain.
      “The focus is on the warmth of the materials,” explained Lardilleux.
      “At the museum, the humble materials used – bricks, wood, white paint – come together in a way that is simple yet striking. At Aesop, we hope to design spaces that are similarly direct in their approach.”
      Stained oak was used to create the slatted ceiling”Just as every work of architecture relates to its site and context, every Aesop store is sensitive to its environment,” added the designer.
      “We are not interested in rolling out identical interiors – our surroundings have always inspired us.”
      Since the first Aesop outlet was designed in St Kilda, Melbourne, in 2003, the brand has opened hundreds of global stores that respond to their settings.
      Recently, architect Jakob Sprenger installed 1920s plaster medallions above a sculptural sink as the centre of a Paris store while design studio Odami chose minty green interiors for a location in Los Angeles.
      The images are courtesy of Brian Buchard.

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      Eligo Studio creates homely Milan showroom for winemaker Masciarelli

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      A display unit wrapped in burgundy-coloured leather forms the centrepiece of this apartment-style showroom in Milan, designed by local firm Eligo Studio for Italian winemaker Masciarelli Tenute Agricole.

      The showroom on Corso Magenta was conceived by Eligo Studio as a warm and welcoming space, where visiting clients and members of the press can sample Masciarelli’s wines and experience the brand’s culture in an informal yet professional setting.
      Masciarelli has opened a showroom in Milan”We strongly believe that retail spaces should have a domestic, experiential and welcoming atmosphere,” Eligo Studio founder Alberto Nespoli told Dezeen.
      “We look to avoid cliches and fashions and instead create a timeless aesthetic.”
      A display unit wrapped in burgundy-coloured leather forms its centrepieceThe studio worked together with Masciarelli to define a brief for the project that reflects the winemaker’s passion for art, as well as ideas around local culture and tradition.

      The interior comprises different functional areas including a kitchen, dining and living room, connected by passages and unified by a consistent, tannin-rich colour palette.
      The showroom was designed to resemble an apartmentThe domestic feel results from the size of the spaces and the treatment of elements such as the exposed ceiling beams, which were sandblasted and carefully restored.
      The rooms feature rich tones and tactile materials such as the lime plaster on the walls and lacquered woods in burgundy, chocolate and cream that are complemented by furniture upholstered in soft leather.

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      At the centre of the 120-square-metre floor plan is a display unit wrapped in burgundy-coloured leather that provides functional storage as well as displaying a collection of Masciarelli bottles in backlit niches.
      Flooring throughout the showroom is made from resin, which provides a practical and neutral backdrop for the more colourful and textural surfaces.
      The kitchen features an island that functions as a chef’s table for tastings, cooking displays and presentations. Its tapered outline was designed to reference the iconic Pirelli Building designed by Milanese architect Gio Ponti.
      The kitchen features an island informed by Gio Ponti’s Pirelli BuildingIn the dining room, a large oval table and leather chairs by Mario Bellini provide a relaxed setting for hosting press events, tastings and meetings.
      The showroom also features an informal living room with a sofa, armchairs and a large artwork by painter Nicola Troilo. Eligo Studio and Masciarelli worked together to select the art in the showroom, with a focus on artists from the Abruzzo region where the winery is based.
      To maintain a minimal aesthetic throughout the spaces, bespoke joinery was crafted to conceal functional areas including workstations hidden within cabinets in the entrance hall.
      Art by Nicola Troilo hangs in the living roomA mirrored door slides open to reveal the WC, where walls are painted in a colour chosen to evoke wines from the famous Montepulciano region in Tuscany.
      Nespoli founded Eligo Studio with Domenico Rocca to offer clients an “Italian interior design couture approach”.
      Similar shop interiors that have recently been featured on Dezeen include a wine cave in Valldolid, Spain, and a Williamsburg wine bar with “soothing” interiors.

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      Halleroed contrasts colour and texture inside Boygar’s Tbilisi store

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      Design studio Halleroed has combined rustic, earthy tones with bold colours and glossy finishes for online retailer Boygar’s first store in Tbilisi, Georgia.

      Set across three floors in a historic building on Tbilisi’s Rustaveli Avenue, Halleroed worked within the framework of the building’s existing features when designing the store.
      Halleroed has designed a three-storey retail space for Boygar’s in TbilisiCharacterised by a series of tall arched doorways and openings, the ground floor space features circular bronze-toned chandeliers, decorative wall and ceiling elements and Versailles parquet flooring.
      To preserve the existing ceiling details, chandeliers designed by Cristian Miola were hung with minimal intervention.
      Bronze ring-shaped chandeliers hang from the ceiling on the ground floor”The inspiration for the chandeliers was from the Greek Orthodox Georgian churches that we visited during our stay in Tbilisi,” Halleroed told Dezeen.

      To create a striking visual contrast against the more neutral tones and materials, Halleroed added a velvet green sofa and a matching curved green screen with a high-gloss finish.
      “For the ground floor and first floor, we had a decorative, old, existing environment which we wanted to be the backdrop to the new additions,” Halleroed explained.
      A high-gloss green screen divides the ground floor spaceHalleroed also incorporated half-height curved partition walls that weave through the ground floor space. These have integrated mirrors, as well as floating shelves to display Boygar’s products.
      “The walls and ceiling of the existing building have a darker beige tone while the new, lower, curved walls are in a textured bright wallpaper to create a contrast between old and new,” said Halleroed.
      Burgandy, ochre, green and black contribute to the colour palette on the first floorA marble staircase leads up to the first floor, where the material and colour palette echo that of the ground floor.
      “The colours and fixtures are from a more earthy, in our eyes, Georgian palette with burgundy, ochre, green and black accents,” said Halleroed.
      Halleroed juxtaposed elements including oak window and door frames with a burgundy lacquered side table and a curved glossy black screen.
      Seating units by Gaetano Pesco add colour to the lower-ground floor spaceThe store’s lower level is a “more contemporary area”, according to Halleroed.
      Here, modular seating by Italian designer Gaetano Pesce stands out in bright pops of solid colour against the neutral palette used for the walls and carpet.

      Halleroed mixes French and Japandi influences inside L/Uniform’s Paris boutique

      “Downstairs we used a more modern approach since the space didn’t contain any decorative elements,” Halleroed explained.
      Work by contemporary Georgian artists including Ketuta Alexi-Meskhishvili and Shota Aptsiauri line the walls.
      Tubular lighting contained inside circular niches illuminates the spaceGarments presented on mannequins and minimal clothes rails are illuminated by tubular lighting contained in circular niches in the ceiling.
      “Tubular lighting is very typical for art galleries and we wanted that feeling downstairs but in a more interesting, spatial way,” said Halleroed.
      A coral-coloured shoe display area takes cues from paintings by Georgian artist PirosmaniA bright red archway frames a women’s shoe display area, with the same gloss finish used elsewhere.
      “The strong coral red colour was inspired by the famous Georgian artist Pirosmani’s paintings,” Halleroed explained.
      A local Georgian marble features in the bathroomsIn the bathrooms, a green-hued local Georgian marble was used, which matches the building’s facade.
      “We always try to work with local materials where possible,” Halleroed said. “We played with the stone and illuminated ceiling to create a visually intense, almost scenographical effect.”
      Other store interior projects recently published on Dezeen include a flagship store for fashion brand Totome in London and a boutique in Paris for French bag brand L/Unifirm.
      Photography is by Ludovic Balay.

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      Mexico City boutique by MYT+GLVDK features double-conical staircase

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      Mexico City studio MYT+GLVDK has designed a concept store in the south of the Mexican capital, featuring a staircase with both concave and convex portions beneath a vaulted ceiling.

      Uncommon Ground is a high-end fashion and accessories boutique situated in the Artz Pedregal shopping mall, close to the city’s southern periphery.
      The Uncommon Ground boutique is divided into a main floor and a mezzanine level at the backMYT+GLVDK, led by Andrés Mier y Terán and Regina Galvanduque, was commissioned to design the architecture, furnishings and interiors for the store that carries brands including Courrèges, Maison Kitsuné, Ami Paris, Officine Générale and Moscot.
      “The hallmark of Uncommon Ground is to display the latest tendencies in clothing and accessories based on a dedicated edition of trends and themes that capture the air du temps of the season,” said Mier y Terán and Galvanduque.
      The two levels are connected by a double-conical staircaseThe duo decided to create multiple display areas across the 246-square-metre main floor and a 40-square-metre mezzanine at the back.

      These two levels are connected by a circular staircase with concentric treads that splay outward in a semi-circle on its lower half and are set inward like an amphitheatre on the top half.
      A vaulted ceiling comprising tubes wrapped in recycled cowhide arches over the spaceBeneath the mezzanine, the conical form of the upper steps is expressed as bands of brushed brass, which are reflected in golden mirrored panels across the adjoining wall and low ceiling.
      More semi-circular steps below form a display for shoes within this back room, where other garments are hung in niches on either side.
      Beneath the mezzanine, the staircase is expressed as a series of brushed-brass bands above a stepped shoe displayThe main floor, where the ceiling is double-height, is covered by a vaulted ceiling made up of ribbed elements wrapped in recycled cowhide.
      In the centre of the space, a structural column and diagonal beam are incorporated “a focal point that continues with the rhythm of geometric shapes and lends character to the overall concept” according to the designers.

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      A colour scheme of yellow, beige and terracotta is applied across the architectural elements and the furniture, which is also designed in cylindrical and arc shapes.
      “The use of clean lines, tubular segments and curves can be seen in every direction as an organic sequence of impressive visual strength,” said MYT+GLVDK.
      Furniture throughout the store is designed in cylindrical and arc shapesThe lighting scheme includes a series of light boxes placed within display niches on both levels, to highlight the products, as well as track and spotlights that give the entire store a warm glow.
      The Uncommon Ground logo is illuminated vertically on the central column and horizontally above the fully glazed storefront.
      The boutique is located inside the Artz Pedregal shopping mall in the south of Mexico CityAlso in Artz Pedregal, MYT+GLVDK previously designed the Cocina Abierta food court that takes cues from Japanese and Mexican design traditions.
      Elsewhere in the city, the studio recently completed the interiors of fast-casual restaurant Órale Milanga, where exposed concrete walls are covered in wavy green metal mesh.
      The photography is by Alfonso de Béjar.

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      Red staircase anchors Diesel store in Miami Design District

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      Fashion brand Diesel has debuted a retail design concept at its store in the Miami Design District, featuring raw metal surfaces and a red lacquered spiral staircase.

      Designed under the creative direction of Glenn Martens, who joined the brand in 2020, the industrial-style store is intended to reflect “the brand’s signature bold attitude”.
      Diesel’s new store in Miami Design District debuts an industrial-style retail concept”Envisioned as a fresh, powerful expression of Diesel’s design edge and identity, the store is anchored by a glass facade framed in signature Diesel red with the brand’s red-and-white Biscotto logo,” said the design team.
      Red was also applied selectively to interior elements, including a statement spiral staircase and a wall behind at the back of the store.
      The store’s focal point is a red lacquered-metal spiral staircaseThe helical lacquered-metal form has solid balustrades and steps with a diamond-plate texture for added grip.

      It leads up to a second level where another red wall with floating shelves is used for product displays.
      The staircase has solid balustrades and steps with diamond-plate texture for added gripAcross the two floors, the 1,900-square-foot (177-square-metre) store presents the full Diesel collection.
      Bags, shoes, accessories and fragrances are presented on the lower level, while areas dedicated to denim, ready-to-wear apparel and footwear can be found upstairs.
      The upper level also has a red display wall that stands out against the concrete and metallic surfacesExposed concrete floors and ceilings, and walls covered in riveted raw metal panels and mirrors create a monochromatic backdrop that allows the red elements to stand out.
      “Throughout the space, minimalist red leather couches and streamlined silver fixtures create a strong sense of structure with a touch of softness,” said the team.

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      Vitrines for displaying accessories on the ground floor sit atop crinkled metal bases, though the sales counter opposite is flat and sleek.
      Both levels have floor-to-ceiling glass across the street facade, and at night, fluorescent lighting throughout the store gives off a harsh white glow.
      The ground floor features vitrines atop crinkled metal basesFollowing the Miami store unveiling, the interior concept will be rolled out to global Diesel locations.
      The brand was founded in 1978 by Italian entrepreneur Renzo Rosso, who still serves as its president.
      The Diesel store joins many luxury fashion brands in Miami Design DistrictMiami Design District is home to the stores of many luxury fashion labels, each of which has exterior and interior treatments designed to reflect its distinct brand identity.
      Other examples include Louis Vuitton’s menswear space, which Dutch studio Marcel Wanders wrapped in a patterned facade informed by the brand’s monogram, and a Christian Louboutin boutique that’s covered in tree bark.
      The photography is courtesy of Diesel.

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      Neri&Hu creates “wooden hut” and “cave-dwelling” interiors for Shanghai stores

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      Chinese studio Neri&Hu has completed two retail spaces for Shanghai fashion company Jisifang, using wood and concrete to evoke “a more primitive state of being”.

      The two adjacent stores are located at Panlong Tiandi development in Shanghai. One was designed for Jisifang Boutique and the other for its sister brand Woven Moonlight, also owned by Jisifang.
      Neri&Hu has designed two adjacent stores in ShanghaiAccording to the Shanghai-based studio, each store was tailored to its distinct brand identities and varying spatial requirements.
      A wooden house was inserted into the 110-square-metre Jisifang Boutique, the sloping roof of which takes advantage of the full height space to create a “spacious sanctuary”, the studio said.
      A wooden house structure was inserted into Jisifang Boutique”The design concept is inspired by French architecture theorist Marc-Antoine Laugier’s Primitive Hut, said to be the fundamental prototype of all architecture,” explained Neri&Hu.

      “Stripped of decoration and style, the primitive hut establishes a relationship between humans and the natural world, providing both shelter and a connection to nature,” it added.
      White oak furniture creates a warm interiorA long table and benches made of white oak are placed at the centre of the space, with fashion garments displayed at the lower end of both sides of the roof.
      Handmade ceramic floor tiles with muted colours were used throughout the space, referencing the warm and natural textures of the linen products that the brand is known for.
      Glass bricks with rustic metal lining are featured on the facadeThe facade features glass bricks lined with rustic metal elements, inviting natural light and framing views of the bustling retail street outside into the shop.
      In contrast, Neri&Hu created a cave-like shelter made of concrete for the 200-square-metre Woven Moonlight.

      Neri&Hu divides Shanghai fashion boutique with fabrics and marble screens

      Concrete walls enclose the main display area, which features carved-out display niches. These have been lined with translucent linen curtains and fitted with custom-built walnut cabinetry, contrasting the roughness of the concrete.
      A double-pitch sloped ceiling was clad with the same concrete as the walls. Skylights on the ceiling, as well as full-height glass windows on one side, fill the space with plenty of natural light.
      Linen and walnut wood contrast the concrete in Woven Moonlight”In the case of both the wooden hut and the cave-dwelling, we are exploring the original space of our humanity, harkening a return to a more primitive state of being,” said Neri&Hu.
      “We hope that when people touch the linen fabric of Jisifang, their mood and spirit may transcend the urban environment, back to nature,” it continued.
      The Wooven Moonlight store features a double-pitch sloped ceiling clad with concreteNeri&Hu was founded by architects Lyndon Neri and Rosanna Hu in 2004 in Shanghai.
      The studio also recently completed a simplicity contemporary art gallery, and a fashion boutique with fabrics and marble screens, both in Shanghai.
      The photography is by Pedro Pegenaute.
      Project credits:
      Partners-in-charge: Lyndon Neri, Rossana HuAssociate-in-charge: Siyu ChenDesign team: Greg Wu, Jinghan Li, Nicolas Fardet, Saint Xu, Shuan Wu, Yinan Zhu, Yoki YuFF&E design and procurement: Design RepublicLighting Consultant: DLX Lighting DesignContractor: Nantong Huaqiang Construction

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