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    James Shaw’s light-filled London home is almost entirely underground

    Lumpy recycled plastic furniture and circular skylights characterise this sunken London house, which designer James Shaw concealed on a 60-square-metre plot for himself and his family.

    Located in a conservation area in east London, the two-storey dwelling was constructed by Shaw and his friend, architect Nicholas Ashby.
    James Shaw built himself a sunken but light-filled homeThe neighbourhood’s planning restrictions required the pair to build all but 2.7 metres of the building out of sight from the street level, resulting in a sunken home with a large basement invisible from the outside.
    An open-plan kitchen, living and dining area feature in this underground space, which has exposed concrete walls interrupted by large, floor-to-ceiling glass doors that open onto a small terrace with a dinky plunge pool.
    The designer squeezed a bespoke sofa into one of the irregular cornersShaw and his writer-curator wife Lou Stoppard chose eclectic interiors for the home they share with their baby daughter – a collaboration that began with the duo’s 2022 London Design Festival installation of clashing furniture, created to poke fun at the tensions that arise when couples move in together for the first time.

    Made by Shaw, the pear-shaped walnut table from the installation features in the living area, surrounded by spindly stacking chairs first designed by furniture brand Blå Station founder Börge Lindau in 1986.
    Veneered MDF defines the kitchen cabinetsA custom aluminium bookshelf stretches across the wall opposite the table, built by Shaw to fit the unusual space. The designer also squeezed a bespoke burnt orange sofa into one of the irregular corners, illuminated by a large circular skylight.
    Known for his Plastic Baroque furniture made from recycled and extruded HDPE, Shaw placed a lumpy two-tone blue lounge chair next to the sofa – another piece that featured in his previous installation.
    The bathroom features Anni Albers-style mosaic flooringOpposite the living and dining area, the rectilinear kitchen cabinets were finished in veneered MDF, while the fridge was also fitted with a knobbly plastic handle.
    Stainless steel and pale blue HIMACS make up the worktops – one of which is on wheels to allow for flexibility when hosting.
    Squiggly pear-shaped sculptures top the bedpostsAcross the basement, a combination of oak finger parquet and raised-access metal tiles were used to create contrasting flooring. The silver-hued tiles can be lifted to reveal extra storage.
    Also underground, the bathroom was designed with a playfully patterned mosaic floor informed by the work of Bauhaus artist Anni Albers, including an abstract illustration of the couple’s cat, Rupert.
    The mirrored bathtub reflects and enhances the intricate flooring, while another rounded skylight adds natural light to the space.

    WillemsenU submerges house under the ground in the Netherlands

    An extruded blue plastic bannister snakes up the staircase to the bedroom – the only street-level room in the house.
    The Shaw-designed oak and brass bed features bedposts topped with squiggly pear-shaped sculptures, while the thin timber wardrobe was hand-painted with decorative panels by artist Marie Jacotey, who completed the project on-site.
    The bedroom is the only street-level roomStoppard’s vast art collection features throughout the sunken home, including delicate paintings by emerging artists Lydia Blakely and Mary Stephenson and antique artefacts from various travels.
    Elsewhere in London, Shaw’s trademark plastic furniture has also been used for retail projects. Footwear brand Camper’s Regent Street store includes bumpy yellow shelving by the designer, and a Traid charity clothes shop in Shepherd’s Bush has a wiggly bench upholstered in unsold clothes salvaged from the Traid warehouse.
    The photography is courtesy of James Shaw and Lou Stoppard. 

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    Eight contemporary kitchens brightened by skylights

    Residential kitchens illuminated by skylights are the focus of this lookbook, which includes homes everywhere from Australia to Mexico and Japan.

    A popular feature in many contemporary kitchens, skylights are typically used to maximise natural light in rooms that sit below ground or in the depths of a plan.
    However, they are also helpful for saving valuable wall space in areas for food preparation, leaving more room for cabinets and shelving, or they can simply be installed to create a focal point.
    The eight examples below show how skylights can be made in all shapes and sizes to enhance and brighten kitchens in any style.
    This is the latest in our lookbooks series, which provides visual inspiration from Dezeen’s archive. For more inspiration, see previous lookbooks featuring exposed structural ceiling beams, clerestory windows and nightclub interiors.

    Photo by Helen CathcartThe Maker’s Barn, UK, by Hutch Design
    A square-shaped skylight casts light over the glossy tiled kitchen in The Maker’s Barn, a home that Hutch Design created on the site of a concrete pig shed near London.
    The soft light from overhead enhances the warm and tactile finish of the space, which is finished with wooden cabinetry and a mix of rough terracotta and wooden floor tiles.
    Find out more about The Maker’s Barn ›
    Photo by Peter BennettsBismarck House, Australia, by Andrew Burges Architects
    Rather than opting for a traditional square skylight, Andrew Burges Architects punctured the ceiling of the Bismarck House’s kitchen with a curved sheet of glazing.
    It follows the shape of the undulating first floor above and helps brighten the industrial aesthetic of the room, which pairs utilitarian tiles with exposed brick walls and concrete flooring.
    Find out more about Bismarck House ›
    Photo by Danny BrightMontauk House, USA, by Desciencelab
    Desciencelab slotted rectangular skylights across the pitched roof of Montauk House, maximising natural light in the teak-lined cooking and dining area below it.
    The light drawn in through the glazing bounces off the white-painted ceiling, helping to distribute it around the open-plan room, which also contains a lounge area.
    Find out more about Montauk House ›
    Photo by Rory GardinerHouse VO and House WO, Mexico, by Ludwig Godefroy
    This kitchen skylight has been carved into the sculptural concrete form of a Mexican house designed by Ludwig Godefroy.
    It helps to illuminate the kitchen counters, which would otherwise be lowly lit due to their position below ground level.
    Find out more about House VO and House WO ›
    Photo by Tololo StudioYamaguchicho House, Japan, by Slow
    Exposed concrete walls form a backdrop to this black kitchen, which is partially lit by angled, fluted skylights on one side.
    This was designed by Slow to provide the owners with ample light while cooking, due to the Japanese house having a mostly windowless exterior for privacy.
    Find out more about Yamaguchicho House ›
    Photo by Jim StephensonWalled Garden, UK, by Nimtim Architects
    Nimtim Architects placed skylights to one side of this kitchen, which sits deep in the plan of a townhouse it has extended in London.
    The square panes are framed by Douglas fir beams and filter just enough light to brighten the space while retaining the cosy, earthy quality achieved through a palette of exposed brickwork, rough plaster and concrete flooring.
    Find out more about Walled Garden ›
    Photo by Benjamin HoskingBrunswick Apartment, Australia, by Murray Barker and Esther Stewart
    Murray Barker and Esther Stewart kept it simple for the skylight in this kitchen, opting for a square-shaped design that sits above the dining table.
    It helps light up the space that would otherwise have little natural light, due to its other windows sitting close to a brick wall and reducing the amount that can filter inwards.
    Find out more about Brunswick Apartment ›
    Photo by Virtually Here StudiosMalibu beach house, USA, by Sophie Goineau
    In Malibu, Sophie Goineau has renovated a family beach house to allow more light in. In the kitchen, this involved adding skylights to its wavy roof.
    The skylights are partially obscured with ash battens that cloak the entire ceiling, letting in light but blocking out the bright overhead sun.
    Find out more about this Malibu beach house ›
    This is the latest in our lookbooks series, which provides visual inspiration from Dezeen’s archive. For more inspiration, see previous lookbooks featuring exposed structural ceiling beams, clerestory windows and nightclub interiors.

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    Eight interiors with pyramidal ceilings that create dramatic depth

    For our latest lookbook, we’ve brought together eight houses from Mexico to Norway featuring pyramidal ceilings that reveal their structure and create a sense of depth.

    Similar to domed and vaulted ceilings, pyramidal ceilings have four panes that angle upwards towards a central point. Because of their depth, they often conform to architectural elements visible on the exterior of a structure.
    The ceilings can have skylights on their apexes to bring in light and provide a sense of height to structures that are often single-storey.
    While it can be rendered in a variety of materials, the feature often conforms to the wall material used throughout the house. Sometimes a building will feature more than one pyramidal ceiling, creating a peak-and-valley effect with interesting light patterns.
    This is the latest in our lookbooks series, which provides visual inspiration from Dezeen’s archive. For more inspiration, see previous lookbooks featuring houses that have vaulted ceilings and rooms with decorative plasterwork.

    Photo by by Einar AslaksenWeekend House, Norway, by Line Solgaard Arkitekter
    Norweigan architecture studio Line Solgaard Arkiteker created a house that sits under a single zinc-clad pyramidal roof topped with a massive skylight that filters light through the whole home.
    Because of the need for room dividers, the pyramid is only viewed in parts, as seen in the living space above with its slanted ceilings clad in stepped oak slats that make its angle even more dramatic.
    Find out more about Weekend House ›
    This photo and top photo by Joe FletcherFour Roof House, United States, by TW Ryan Architecture
    This home in rural Montana features not one but four pyramidal roofs, each with a skylight that casts sunlight on the white-walled interiors – a dramatic contrast with the hardy Corten steel of the exterior.
    Because of the potential for overexposure inside, the studio placed reflective panelling below each of the skylights to diffuse the direct sunlight.
    Find out more about Four Roof House ›
    Photo by Alice ClancyHouse at Kilmore, Ireland, by GKMP Architects
    Another house with a single pyramidal roof, this home in the Irish countryside was designed to be compact, so the higher roofs made the spaces seem larger and more airy.
    Instead of a central skylight, smaller ones were laid out across the four faces of the home and a series of glulam beams were left exposed, as seen in the home’s kitchen.
    Find out more about House at Kilmore ›
    Photo by Casey DunnRiver Bend Residence, United States, by Lake Flato 
    This house in Texas has multiple volumes topped with pyramidal skylights, each with its own distinct cladding to create different light environments for different usages.
    The home was designed to “sit lightly on the land”, so the studio decided to arch the ceilings up to create a sense of cosy height in the gathering and workspaces.
    Find out more about River Bend Residence ›
    Photo by Joe FletcherPlover House, United States, by Fuse Architects
    Another house that sits under a single pyramidal roof, this California project features a pyramid that rises gradually and terminates at a large skylight at its centre.
    The project is a renovation of an existing house, and one of the main objectives was to peel back elements that had blocked the light from the skylight – which sits over the kitchen – from reaching the other living spaces.
    Find out more about Plover House ›
    Photo by César BéjarThe Avocado, Mexico, by Práctica Arquitectura
    The house near Monterrey has a structure made almost entirely out of concrete and features a large pyramidal ceiling at its centre, making the dining area a sort of inner sanctum of the otherwise low-lying structure.
    Standing 4.5 metres above the floor, this skylight gives the space a sense of depth and the cut-out allows inhabitants to realise the thickness of the concrete that makes up the walls, echoing the forms of ancient pyramids found in the country.
    Find out more about The Acovado ›
    Photo by Timothy SoarThe Tin House, United Kingdom, by Henning Stummel
    This red-clad house in London contains multiple pyramidal forms with skylights in order to create light-filled spaces in a dense part of the city.
    In the kitchen, a strip of paint separates the red panelling of the walls from the plaster pyramidal ceiling, adding a sense of elongation and depth to the space.
    Find out more about The Tin House ›

    Hollowed Out House, Australia, by Tribe Studio
    Instead of conforming exactly to the shape of the roof the pyramidal ceilings in this Sydney house function like voids in the thick roofline.
    The interior pyramids stretch upwards in “distorted” angles, allowing light to enter in a way best suited to the site.
    Find out more about Hollowed Out House ›
    This is the latest in our lookbooks series, which provides visual inspiration from Dezeen’s archive. For more inspiration, see previous lookbooks featuring homes with interior windows that maximise light, creative guest rooms that accommodate visitors in style, and home interiors brightened with colourful window frames.

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    Studio Varey Architects celebrates natural light in Notting Hill house renovation

    London firm Studio Varey Architects has simplified this Victorian terraced house to create a light-filled home in Notting Hill, with timber-framed skylights designed to catch the sun.

    Set in the Westbourne Conservation Area, Huron House has belonged to its current owners for the last 25 years.
    Huron House is a renovated Victorian terrace in west LondonThe overhaul of the 19th-century building started as a simple ground-floor renovation to replace the kitchen and improve the connection between the house and its garden.
    However, exploratory works showed the four-storey property to be in bad structural condition, which demanded major improvement works but also gave the owners an opportunity to reimagine their period home.
    Decorative oak beams frame the skylight in the extensionThe new brief to Studio Varey Architects included a full house renovation and interior design, with special emphasis on the bathrooms as well as custom joinery and the rebuilding of the 1990s rear extension to create a new open-plan kitchen and dining room.

    “Our goal was to create an open-plan living space and bring lots of natural light into the ground floor, helping it to feel more inviting and better suited to entertaining friends and family,” the studio told Dezeen.
    A simple white staircase leads upstairsThe property sits on a rough east-west axis, giving it the potential to achieve great light levels throughout the day, with the sun moving from the back of the house in the morning to the front in the afternoon.
    “We wanted to ensure this natural light was captured through the architecture and design of the spaces,” the studio said.
    On the ground floor, Studio Varey Architects removed a structural post that supported the building but divided the back wall.
    A skylight illuminates the top-floor bathroomThis has been replaced with a steel frame, which allowed the studio to introduce slimline aluminium sliding doors that now run along the whole back of the property.
    An existing skylight in the flat roof here was enlarged and framed with oak beams, pulling more light into the centre of the hybrid kitchen-dining space.
    “Natural light cascades into the back of the house, while the introduction of oak beams created a feature that plays with the light as it travels through the property,” the studio said.

    Office S&M uses colour and geometry to create Graphic House in London

    The whole staircase was replaced and positioned further away from the home’s large rear windows, creating a lightwell funnels sun into the lower floors.
    On the top floor, an existing bathroom was fully renovated. Situated in the middle of the top floor it featured no windows save for a small skylight, meaning that light levels were totally inadequate.
    Here, Studio Varey Architects cut back the ceiling to create a multifaceted surface clad in birch plywood – its colour knocked back with a wash of soft white – to bounce light around the space.
    The ceiling was cut back to allow more light into the interior”We created a splayed ceiling that increased the height of the space, allowing for the playful integration of materials to emphasise the new angles,” the studio said.
    “Naturally finished birch ply, leading from the skylight down into Tadelakt walls, beautifully captures sunlight creating a special warmth in the space.”
    Oak forms bookcases in the sitting romWhite oak can be found throughout the house in the form of built-in joinery from bookcases and wardrobes, as well as in the feature beams of the extension.
    “We wanted to simplify the material palette and keep it light, both in appearance and number of elements we used,” the studio said.
    “This was done to emphasise the quality of the materials themselves, highlight the craftsmanship of the work and establish a visual link between the interior spaces throughout the home.”
    Oak joinery features in the primary bedroomPolished concrete, used for the floor at ground level, is underlaid with underfloor heating and provides a durable surface that is easy to clean for the owners after walking their dog.
    Other recently renovated houses in London include Sunderland Road House by 2LG, which features pastel-painted corniced ceilings, and Graphic House by Office S&M, which is defined by graphic shapes and bold hues.
    The photography is by Taran Wilkhu.

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    Benedetti Architects uncovers forgotten Victorian skylights inside BAFTA headquarters

    The Grade II-listed BAFTA headquarters in London’s Picadilly have received an overhaul from local studio Benedetti Architects, who raised the roof to squeeze in a new top floor while unifying its disparate interiors.

    Constructed in 1883, the building originally served as the Royal Institute of Painting in Watercolours and was adapted ad hoc over the subsequent years before the British Academy of Film and Television Arts (BAFTA) took over in 1976.
    Benedetti Architects was brought on board in 2016 after winning a competition to completely rework the space.
    Benedetti Architects renovated the BAFTA headquarters in London. Photo by Rory MulveyScrambling around in the loft as part of his research, project lead Renato Benedetti discovered two vast Victorian roof lanterns, complete with ornate plasterwork, that had been boarded up more than 40 years prior when BAFTA created a cinema in the space below.
    The practice’s pitch centred on lifting up the roof and turning the loft into a members’ area, with the two huge skylights being removed, restored and reinstated as the crowning glory of the new top storey.

    “BAFTA loved the idea although they didn’t think it was possible,” Benedetti told Dezeen. “But that’s exactly what we did and it has been the driver for the whole project.”
    The studio uncovered the building’s two hidden skylightsMoulds were made before the intricate plaster was carefully removed, allowing specialist restorers to match new sections seamlessly with the original design.
    Other than the roof lights, almost all the building’s original features such as flooring and staircases were lost as sections of the building were rented out by different tenants over its haphazard history.
    Under the bank of seating in the cinema though, the team found just enough of the original oak flooring to fit inside the new top-floor boardroom.
    “The long strips were quite damaged, so we cut them down to shorter lengths and laid them in a geometric pattern,” said Benedetti.
    Ornate plater mouldings were carefully restoredSimilarly, the remaining bits of marble from different schemes around the BAFTA headquarters were collaged together to create a statement countertop for the boardroom.
    The room is centred by an oval timber table, which the studio designed to feel “more friendly and less hierarchical” than a typical boardroom, complete with comfortable “wrap-around” chairs that can also be stacked.
    “We used a character grade of oak with big knots and imperfections, which I love,” said Benedetti. “It makes the timber more interesting.”
    The BAFTA boardroom is centred on an oval wooden table. Photo by James NewtonElsewhere across the building, responsibly sourced European oak was laid in a variety of patterns to cover floors and walls.
    For the main circulation areas such as the entrance hall and the stairs, the studio used an ivory-coloured terrazzo with brass trims peeking out between the large-format tiles.
    Brass accents are repeated throughout the building on handrails, trims, lighting and on the reveals around the lifts. “Here, the sheet brass has a slight sheen, a little lustre but not too blingy,” said Benedetti.

    Benedetti Architects chosen to refurbish RIBA headquarters

    The terrazzo, too, is flecked with gold-coloured specks that increase in quantity as the user ascends up through the building and peak on the members’ floor at the top.
    “The top floor feels like the culmination, the crescendo of the space,” said Benedetti.
    This same idea is repeated across the walls, with the lower floors wrapped in stained-oak slats punctuated by black acoustic panels while on the members’ floor, there’s a more refined profile to the oak slats and the panels are replaced by a brass mesh.
    The new top floor houses a members’ area. Photo by Jim StephensonTravertine is the final key element of the headquarters’ material palette, used in huge slabs and as fluted tiles as well as forming one of the building’s bars.
    “It has a great texture and it has been in use since Roman times, so it’s quite timeless,” the architect explained.
    The building’s trio of roof lanterns, including the two that were newly uncovered, now sit over the David Attenborough rooms – a members’ area that looks out across the tree canopy of St James’ churchyard.
    A red marble bar inspired the colour palette for the adjacent cinema. Photo by Thomas AlexanderThe furniture here was chosen by the architect in collaboration with Soho Home – the interiors arm of members’ club Soho House.
    To reduce heat gain and keep out harmful UV rays, the roof lights are integrated with solar shading windows by Dutch company Eyrise.
    “It’s an interesting new material, from the inside it appears to be clear, but from outside it looks almost black,” Benedetti explained.
    European oakwood panelling features throughout the interior. Photo by Jim StephensonThe members’ floor also houses a new intimate 41-seat cinema, its rich red colour palette informed the choice of red Italian marble for the adjacent bar.
    The larger original cinema was completely updated in partnership with Dolby, integrating a high-tech audio-visual system.
    Meanwhile, the Ray Dolby Room is designed as a versatile event space, where the conventionally wood-panelled walls and moulded ceiling can be quickly transformed into a space for 360-degree wall-mapping projections.
    The Ray Dolby Room can be used for 360-degree wall-mapping projections. Photo by Jordan AndersonBenedetti was recently named as the architect on another high-profile renovation in the British capital – the £20-million revamp of the Grade II-listed RIBA headquarters.
    Previously, the architect was one half of McDowell+Benedetti, which was known for innovative bridge designs including Hull’s Scale Lane Bridge and Castleford Bridge in West Yorkshire before the duo disbanded in 2016.
    The photography is by Luca Piffaretti unless otherwise stated.
    Jorda Anderson, Thomas Alexander, Rory Mulvey, James Newton, and Jim Stephenson.

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    Ten atriums that brighten and expand residential spaces

    A Montreal home with a trapeze net, a warehouse conversion in London and an Indian home with a monolithic marble facade are among the residences in this lookbook, which feature atriums as a central aspect of their design.

    Atriums – large spaces, surrounded by a building, that are either open-air or feature skylights – were originally used in Roman homes, where they functioned more like a courtyard.
    Modern atriums typically feature in larger buildings and are cavernous spaces that stretch up for stories.
    For residential architecture, architects who want to include atrium spaces have to scale down the size, but that doesn’t mean that homes can’t have the loft ceilings and ample light provided by atriums.

    In these homes, the central space is open, with skylights and glass ceilings bringing light into the heart of the structure.
    Atriums provide an option for airiness when confronted with constructing homes on busy city streets where exterior views are not always desirable.
    Often, the other rooms and spaces are all accessed from the atrium space, and many times trees feature in these lofty spaces.
    This is the latest in our lookbooks series, which provides visual inspiration from Dezeen’s archive. For more inspiration see previous lookbooks showcasing floating staircases, calm green bedrooms and organic modern interiors.
    The photo is by Adrien WilliamsAtrium Townhome, Canada, by Robitaille Curtis
    When dealing with limited space in city buildings, an atrium can open up the inside of the home. For this Montreal Townhome, Canadian studio Robitalle Curtis oriented the white-walled interiors around a triple-height atrium.
    The atrium is in the centre of the house and extends up from the open-layout kitchen upwards. A skylight brings light into the void and the open space is punctuated by a trapeze that forms a children’s play area on the top floor.
    Find out more about Atrium Townhome ›
    The photo is by Yohei SasakuraMargin House, Japan, by Kohei Yukawa
    Kohei Yukawa of Yukawa Design Lab designed this home for himself in Ibaraki City, north of Osaka. The corrugated-metal-clad home features a central atrium with a small tree.
    Instead of being completely topped by a skylight, the atrium fits into the slanted volume of the home. A wall of glass accompanies it on one side and at the top two clerestory windows bring light into the void.
    Find out more about Margin House ›
    The photo is by Glen GeryLa Clairière, USA, by Studio PHH
    Brooklyn-based Studio PHH connected two wood-and-brick-clad volumes with a double-height atrium that serves as the living room for this New Jersey home.
    The space has floor-to-ceiling glass on two sides where it faces the outdoors and is filled by a central staircase that leads to a mezzanine. Two large circular skylights brighten the space from above.
    Find out more about La Clairière ›
    The photo is by Rory GardinerBethnal Green warehouse apartment, UK, by Paper House Project
    UK studio Paper House Project’s design for this London home saw the studio turn an open-office space in an old warehouse into a residence. In order to add bedrooms to the space while still maintaining natural light on the first floor, the studio incorporated an atrium topped by skylights.
    The double-height atrium is lined with gridded windows that also bring light into the bedrooms above. Instead of a tree, the void of the atrium is filled by a sculptural chandelier.
    Find out more about this warehouse conversion ›

    Tawainese home, Taiwan, by KC Design Studio
    KC Design Studio was tasked with bringing extra light into this 50-year-old home in Tawain. In order to do so, an atrium-like central void was created.
    A metal stairway follows the atrium up three levels, creating a central flow through the home and bringing in plenty of natural light. Plants have been hung from the exposed structural rafters to take advantage of the sunlight and add life to the design.
    Find out more about this Taiwanese home ›
    The photo is by Hiroyuki OkiHouse for Daughter, Vietnam, by Khuôn Studio
    This house in Ho Chi Min City by Khuôn Studio features a massive triple-height atrium that splits the two sections of the home, one of which is used by the full-time residents and one by their daughter.
    The atrium features public spaces, a tree and a series of skylights that bring in light to the cavernous volume. The edges of the rooms on either side protrude into the area and are rounded, adding a softness to the atrium space.
    Find out more about House for Daughter ›
    The photo is by Photo André Jeanpierre Fanthome and Suryan//DangCleft House, India, by Anagram Architects
    This New Delhi house by Anagram Architects features two monumental marble blocks that are split by a massive atrium. The four-storey atrium is topped by a glass ceiling and even has a glass-lined elevator shaft on one wall.
    A massive spiral staircase fills the void and plant-filled public areas are arranged throughout the space. Balconies for rooms on the upper floor have been positioned to look out over the atrium, giving the impression of an open-air space.
    Find out more about Cleft House ›
    The photo is by Andres Garcia LachnerJungle Frame House, Costa Rica, by Studio Saxe
    Studio Saxe oriented this steel-framed home in Costa Rica around a “tropical atrium”. The three-storey atrium is lined by glass and wooden louvres so that the jungle is visible from much of the home.
    Because of the wooden slats, the ground floors have shadows similar to the floor of the jungle with the shadows of the overstory. At the bottom of the atrium space is the living room, which extends outside into a wrap-around patio.
    Find out more about Jungle Frame House ›
    The photo is by Hey!CheeseHouse H, Taiwan, by HAO Design
    The atrium was achieved in this home in Kaohsiung by removing the interior staircase and putting it outdoors. HAO Design decided that orienting the home around an atrium was the best way to take advantage of the space left by the staircase.
    A skylight at the top illuminates the kitchen and a variety of other living spaces are positioned as mezzanines on the upper floors. The home now serves as a cafe and furniture store.
    Find out more about House H ›
    The photo is by Albers StudioThe Lomas House, Mexico, by Arqueodigma Studio 
    Because of the busy area of Guadalajara where this home is located,  Arqueodigma decided to orient it inwards. The central public areas of the home are arranged around a triple-height atrium covered by a skylight.
    In the space are trees that rise up into the open area left open in the wooden ceiling. The public spaces on the ground floor were left mostly open so that the atrium can diffuse light through much of the home.
    Find out more about The Lomas House ›
    This is the latest in our lookbooks series, which provides visual inspiration from Dezeen’s archive. For more inspiration see previous lookbooks showcasing floating staircases, calm green bedrooms and organic modern interiors.

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    Ten residential interiors illuminated by statement skylights

    A New York townhouse with elliptical openings features in our latest lookbook, which collects 10 residential projects brightened up by skylights.

    A skylight is a window placed on a roof, which is generally positioned at an angle so that natural light from the sky can illuminate the interior space below it.
    Architects and designers often use skylights in their projects as an alternative to traditional windows, whether it is for the purpose of giving a building a greater sense of privacy or simply as a decorative source of light.
    A similar effect can be reached by installing clerestory windows, which are windows that sit very high up on walls.
    From a weekend retreat in Norway to an Australian island home, we have collected 10 residential interiors with striking skylights.

    This is the latest in our lookbooks series, which provides visual inspiration from Dezeen’s archive. For more inspiration see previous lookbooks showcasing compact bedrooms, innovative room dividers and self-designed studios by architects and designers.
    Photo is by Michael MoranOculi House, USA, by O’Neill Rose Architects
    Local office O’Neill Rose Architects transformed this New York City brownstone, which was previously characterised by dark interior spaces, using two elliptical skylights.
    The curved openings were carved out of the property’s white plaster ceiling, while rectilinear glass doors also contribute to the home’s airy atmosphere.
    Called Oculi House, the project was shortlisted for a 2019 Dezeen Award in the house interior of the year category.
    Find out more about Oculi House ›
    Photo is by Einar AslaksenWeekend House Fredrikstad, Norway, by Line Solgaard
    The pyramid-shaped skylight that tops this coastal holiday home illuminates its interior spaces, including an oak-lined dining room with vast windows that look towards the sea.
    Norweigan studio Line Solgaard added darker cabinets and flooring to the kitchen, which contrast with the shafts of natural light that flood the space and create dramatic shadows.
    Find out more about Weekend House Fredrikstad ›
    Photo is by Peter ClarkeCasa X, Australia, by Branch Studio Architects
    A mid-century armchair and rounded Muuto coffee tables sit beneath clerestory windows at Casa X, a home on Australia’s Phillip Island by Branch Studio Architects that also has a number of large skylights.
    “Three ‘pop-up’ high-level windows or light-catchers allow northern light to penetrate deep into the house throughout the day,” explained the studio.
    Find out more about Casa X ›
    Photo is courtesy of Fala AtelierHouse in Lisbon by Fala Atelier
    Porto architecture firm Fala Atelier converted a windowless garage in Lisbon into a bright living space that was opened up by placing skylights on the roof and painting the walls white.
    Pops of colour brighten up the spacious interior. In the kitchen area, a teal-hued, funnel-shaped extractor fan is suspended above a long marble counter.
    Find out more about this Lisbon home ›
    Photo is courtesy of Yoshihara McKeePhotographer’s Loft, USA, by Yoshihara McKee
    Natural light enters this Chelsea apartment via an angled skylight that illuminates the dwelling, which is located on the ground floor despite its name, Photographer’s Loft.
    Architecture studio Yoshihara McKee removed the apartment’s existing full-height partitions in order to make the most of the skylight, which frames sculptural furniture in neutral shades.
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    Photo is by James FlorioADU, USA, by Tres Birds Workshop
    Architecture firm Tres Birds Workshop created an operable skylight from dichroic glass in this accessory dwelling unit (ADU), which is located in the foothills of the Rocky Mountains.
    The multicoloured glass was added to the building’s triangular timber roof in a position that means that light is cast all over the interior spaces.
    “As the angle of the sun changes throughout the day and season, so do the visual effects within the living space, creating a vibrant show of coloured light throughout,” explained Tres Birds.
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    Photo is by Aryeh KornfeldMogro House, Chile, by Rodolfo Cañas
    Morgo House in Santiago features a protruding stainless steel volume with an oversized skylight that gave the property its nickname, Skylight House.
    Chilean architect Rodolfo Cañas also inserted a floating metal staircase into the volume, which leads to the roof. Monochrome furniture was chosen to mirror the palette of steel and exposed concrete used throughout the house.
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    Photo is by Katsuya TairaHouse with a Light Void, Japan, by FujiwaraMuro Architects
    Privacy is achieved in this home in Japan by FujiwaraMuro Architects through a series of geometric skylights that replace traditional windows.
    Each of these openings is arranged above five cement-clad volumes that are positioned within the minimal project, which is aptly named House with a Light Void.
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    Photo is by José CamposCasa Boavista, Portugal, by Pablo Pita Architects
    Casa Boavista is a Porto townhouse located on a busy street, which was renovated to include skylights on multiple levels to afford the property a sense of privacy.
    Pablo Pita Architects added an extension to the back of the house as well as a new storey on top of it, while a trio of skylights illuminate the neutral interiors in three different places.
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    Photo is by Andy StaggHouse in London by R2 Studio
    A bold colour palette takes centre stage in every room of this Victorian London home that was livened up by local practice R2 Studio.
    Central to the renovation is one of two feature staircases, which has a bright orange hue accentuated by a skylight that adds warmth to the already colourful interiors.
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    This is the latest in our series of lookbooks providing curated visual inspiration from Dezeen’s image archive. For more inspiration see previous lookbooks showcasing basement conversions, co-working spaces and residential interiors with plaster walls.

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