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    Design + Health exhibition in Valencia highlights importance of design in the health sector

    Promotion: exhibited as part of World Design Capital Valencia 2022, the Design + Health exhibition showcases the influence of design on advancements in science and medicine.

    Presented at the Valencian Museum of Enlightenment and Modernity (MuVIM) in Spain, the exhibition aims to illustrate how design has been used in the health sector to improve people’s wellbeing.
    The exhibition takes place from 11 November 2022 to 16 April 2023, during Valencia’s tenure as the World Design Capital 2022.
    The exhibition is part of World Design Capital Valencia 2022The Design + Health exhibition combines research from various design industries, including architecture, interiors, industrial design, graphic communication and fashion.
    Organised into 25 themes, the display outlines the progression of science and medicine by reviewing past disciplines, analysing current practices and illustrating future possibilities.

    The exhibition examines the impact of design within the health sector”Design in itself cannot cure anything, but neither could a vaccine if we did not have a syringe to inject it with,” said exhibition curator Ramón Úbeda.
    “Designing is part of the solution, it is not an added value but rather intrinsic to the development of any innovation for the social good.”
    It covers designs from a range of industries, including architecture, interiors and fashionThe exhibition contains over 500 examples of design for health, including creations from renowned designers and architects such as Charles and Ray Eames, Barber Osgerby, Philippe Starck, Yves Béhar, Nendo, Piero Lissoni, Matali Crasset, Benjamin Hubert, Raw Color and Tokujin Yoshioka.
    On display for the first time in Spain is the Emergency Bike, an electric bicycle design currently being tested in Paris.
    The bike was created by creative agency Wunderman Thompson to allow doctors to cut through road traffic and reach medical emergencies faster.
    The exhibition contains over 500 examples of health product designsOne of the aims of the display was to promote design for the health sector, which is often overlooked compared to designs that are more prominently featured in magazines, such as furniture and lighting.
    “This is probably one of the most ambitious exhibitions in the entire programme of Valencia World Design Capital 2022,” said Xavi Calvo, general director of the year-long programme.
    On display is a medical electric bike”The open, witty and didactic nature of this exhibition will bring society as a whole closer to such familiar and vital issues as health and the search for wellbeing,” Calvo continued.
    The exhibition concludes with the screening of the documentary The Hospital of the Future, which was created by Dutch architecture studio OMA.
    Design + Health exhibition takes place at the Valencian Museum of Enlightenment and Modernity, Valencia, Spain from 11 November 2022 to 16 April 2023 as part of World Design Capital Valencia 2022. See Dezeen Events Guide for an up-to-date list of architecture and design events taking place around the world.
    Partnership content
    This article was written by Dezeen for World Design Capital Valencia 2022 as part of a partnership. Find out more about Dezeen partnership content here.

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    Wabi-sabi philosophy leads revamp of Palau apartment in Barcelona

    Local studio Colombo and Serboli Architecture has completed a clean and contemporary renovation of an apartment in Barcelona, spotlighting some of its “imperfect” original features.

    The Palau apartment is situated a stone’s throw from the city’s Palau de la Música concert hall and backs onto a cluster of secluded courtyards.
    Colombo and Serboli Architecture has completed the Palau apartment in BarcelonaIts owner, an Italian fashion designer, had initially asked Colombo and Serboli Architecture to upgrade only the bathroom and closet storage. But the practice suggested carrying out a more extensive renovation that indulged the apartment’s lofty proportions.
    The practice also wanted to place greater emphasis on the home’s existing quirks in the spirit of wabi-sabi – the Japanese philosophy that celebrates the beauty of imperfections and the changes that come with the passage of time.
    The hallway still boasts the apartment’s original stucco walls”We decided to face the project through a wabi-sabi approach that could easily incorporate original features and imperfections while retaining the charm of the apartment,” the studio explained.

    “Shapes are kept simple and bold with recurring basic forms – squares, circles, spheres – while sturdy solid surfaces were used to combine the monumental language of existing elements.”
    Hollow steps in the new staircase hold cooking paraphernaliaThe apartment is entered via a narrow hallway, where the practice left much of the original stucco walls exposed to reveal “layers of history”.
    At the heart of the floor plan is a new multi-part staircase. It begins with a few suspended steps crafted from pale timber, followed by a micro-cement landing and a couple more timber steps.
    White cabinetry was installed in the kitchenThe bottom block of steps is painted white and dog-legs around the wall to form a planted backrest for a white boucle sofa.
    This small sitting area is dressed with a spherical paper lamp and a glass coffee table supported by terracotta orbs. Another large weathered patch of the apartment’s original stucco walls was preserved at the rear of the space.
    A 3.5-metre bookshelf towers over the living roomThe bottom section of the staircase also extends in the other direction to form a bench seat for the arched travertine table in the dining area. Steps facing this part of the home were hollowed out to accommodate crockery, recipe books and cooking ingredients.
    Nearby, an all-white kitchen suite is finished with a porcelain countertop and backsplash. A bespoke boxy kitchen hood made from brushed steel was installed above the stove.

    Deep-blue cabinetry and coral-pink arches redefine Barcelona apartment

    Just opposite the apartment’s sitting area is a larger double-height living room, illuminated by a tall corner window.
    At its base, Colombo and Serboli Architecture created a chunky micro-cement platform where the owner can perch and take in views across the courtyards.
    On the opposite side of the room, a 3.5-metre-high gridded shelf provides space for the owner to display his ever-growing collection of books and art objects.
    The bedroom i up on the mezzanine levelThe bedroom can be found on the apartment’s mezzanine level. One side of the room is taken over by a closet, which the studio fronted with wicker doors to turn it into a “warm monolith”.
    LED lighting fitted on top of the storage draws attention to the apartment’s time-worn wooden ceiling beams.
    Wicker doors front the lengthy closetOne door of the closet has a diagonal cut-out that functions as a handrail for the stairs, while another can be pulled back to reveal a small nook containing a mirror and washbasin.
    A third door hides the apartment’s bathroom, which is clad entirely in iridescent mother-of-pearl tiles.
    “We played with different finishes, from glossy to rough, against the otherwise neutral palette,” explained the practice.
    The bed’s wicker headboard doubles as a balustrade for the mezzanineThe same wicker used for the closet was wrapped around the bed’s headboard, which doubles as a balustrade for the mezzanine. Surrounding the headboard is a thick wooden ledge that forms two bedside tables.
    The space was otherwise modestly decorated with a vintage orange leather chair and a wobbly-edged mirror.
    The bathroom is concealed behind a closet doorColombo and Serboli Architecture, which is run by Italian architects Matteo Colombo and Andrea Serboli, has revamped a number of homes around Barcelona in recent years.
    Among them is the Klinker Apartment, which features brightly-coloured paintwork, and the Font 6 flat where a porthole window peeps through from the kitchen to the bathroom.
    The photography is by Roberto Ruiz.
    Project credits:
    Architecture: Colombo and Serboli ArchitectureStyling and art direction: CaSA

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    Vibrant glazed tiles divvy up Madrid apartment by Sierra + De La Higuera

    Spanish architecture studio Sierra + De La Higuera has used traditional Moroccan zellige tiles to define the different spaces in this open-plan apartment in Madrid.

    Housed in a 1940s building in the city’s bohemian Conde Duque neighbourhood, the apartment belongs to a well-travelled couple that wanted to stamp its Mexican and Galician heritage onto the interior.
    Colourful tiling features throughout the Conde Duque apartment”Our clients wanted to bring part of their origins to Madrid,” Sierra + De La Higuera told Dezeen. “This project is the outcome of a quest to find colour in Madrid, a characteristic marked by the owners’ journeys and origins.”
    The studio was commissioned to carry out a complete refurbishment of the apartment, which included totally changing its layout.
    The apartment is housed in a 1940s building in MadridThe original plan consisted of a series of rooms laid out along a long windowless hallway. Sierra + De La Higuera removed as many walls as possible to create an open-plan kitchen, dining and living space.

    “Historically in Madrid, houses had a lot of rooms and partitions,” the studio told Dezeen.
    “But nowadays, we like to live on a more open-plan basis. The main aim of the new layout was to open spaces, eliminate corridors and hallways, and to gain as much natural light as possible.”
    A wood-panelled entrance hall separates the living and dining spacesTwo bedrooms – one with a walk-in wardrobe and both with adjoining bathrooms – are located at the north end of the apartment while a bright sitting room wrapped by south-facing terraces sits at the opposite end.
    Throughout the apartment, natural timber, terracotta tiles and white walls were used as foils to the zellige tiling, which is distinguished by its imperfect hand-moulded surfaces.
    Emerald green zellige tiles distinguish the kitchenThe wood-panelled entrance hall with its arched doorways was conceived as a buffer between two different zones. On the one side is the Mexico-influenced kitchen and dining area finished with emerald green tiles.
    And on the other side are the living room and the terraces with their bold yellow colour scheme, which were informed by the couple’s travels to Singapore.
    “We focused on vivid colours: bright yellows, greens, blues and reds, paired with materials like tiles, ceramics and fine wood,” explained Sierra + De La Higuera.

    Artchimboldi Menorca is a work retreat inside an abandoned girls’ school

    In the sitting room and the two bathrooms – finished in red and blue respectively – the tiles were used to create decorative striped skirting that frames the different zones.
    In some areas, the colours of the tiles are applied to other furnishings to create a cohesive feel, with the green upholstery in the living room echoing the glazed green tiles in the kitchen.
    Yellow was applied liberally throughout the terraces and in the living roomA large bookshelf that runs around the kitchen, dining and living room area was custom designed for the space by Sierra + De La Higuera.
    “This element is very important to the clients, as it holds all the objects they have collected on each of their journeys in addition to all their books,” the studio explained.
    Tiles were also used to create decorative striped skirting in the bathroomsIn the bedroom, the architects designed custom cabinetry and specified a cloud-grey carpet to create a calm and cosy ambience, which is intended to evoke Galicia.
    Other projects that use tiles to delineate rooms include a Barcelona bed and breakfast by Nook Architects that features vibrant blue tiles and cobalt-blue paintwork.
    The photography is by German Sáiz.

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    Artchimboldi Menorca is a work retreat inside an abandoned girls' school

    Hospitality company Artchimboldi and Spanish architect Emma Martí have teamed up to transform a forgotten girls’ school in Menorca into a bright and contemporary retreat for professionals.

    Established by Anna Truyol in 2007, Artchimboldi provides design-focused spaces where businesses can host meetings or team-building sessions.
    Artchimboldi Menorca’s ground floor has a living and dining spaceThe company already has two locations – a pair of modernist apartments in Barcelona – but has now opened a third, larger site in Menorca that can be used for corporate retreats.
    “In designing Artchimboldi Menorca, I wanted to transfer everything I have been able to observe and witness from my experience of welcoming all kinds of companies to the spaces in Barcelona,” explained Truyol.
    “Menorca retains its authenticity, has a very close and accessible nature, and brings a very different rhythm than the city.”

    The central table can be rearranged to suit different work and dining set-upsArtchimboldi Menora occupies an old girls’ school in Sant Lluís, a quaint village in the southeast of the island.
    The school was constructed in 1900 but was eventually abandoned, leaving the interior in less-than-ideal condition. Truyol brought in Martí, a local architect, to carry out a revamp.
    Guests can write down ideas on a four-by-four metre slate boardAlthough the building’s roof had to be completely rebuilt, insulated and waterproofed, Truyol and Marti took a light touch with the rest of the renovation works in order to highlight “the history, experiences and soul of the space”.
    The building’s original marés stone walls were preserved and freshened up with a coat of white paint, and many of its timber ceiling beams were left in place.
    Seating poufs and a wood burner appear in the lounge areaAn airy living and dining area occupies the first floor. At its heart is a custom-made table made of lacquered wood, which can be easily reconfigured into different formats for group meals, meetings or workshops.
    Beyond the table is a cosy lounge that features amorphous grey seating poufs and a wood burner with a four-metre-high flue that accentuates the height of the room.

    The Olive Houses are off-grid retreats hidden in Mallorca’s mountains

    In a nod to the building’s past, Tyrol and Marti have also included a large antique bookcase and a schoolroom-style slate board, where guests can scribble down any thoughts and ideas.
    At the rear of the room, timber-framed doors lead out onto a gravel patio with a micro cement pool.
    The patio features a micro cement poolGuests can catch some rest on the building’s first level, which much like the ground floor has white-painted stone walls. But here, polished concrete flooring is replaced with bold chequerboard tiles.
    Pre-existing partition walls were knocked through to make way for a sequence of boxy Flanders-pine sleeping pods.
    Each one is fronted by a linen curtain that, when drawn back, reveals a comfy woollen futon.
    Flanders-pine sleeping pods were incorporated on the building’s first floorSlender black ladders grant access to the top of the pods, where guests can relax during the day. Alternatively, there is a small seating area dressed with a grey sofa and woven rugs.
    Personal belongings can be stored underneath the pods or in the bespoke sage-coloured shelving unit that sits at the room’s periphery.
    Additional sleeping pods can be found in the building’s loft.
    Ladders allow guests to sit and relax on top of the podsOther retreats on Spain’s picturesque Balearic islands include The Olive Houses, a pair of off-grid dwellings in Mallorca where architects, writers and artists can work uninterrupted.
    The two buildings are minimally finished and rendered with stucco that complements the surrounding olive trees.
    The photography is by Pol Viladoms.
    Project credits:
    Design: Anna Truyol and Emma Martí ArquitecturaTechnical architecture: Manel Alzina SintesDeveloper: ArtchimboldiConstruction company: Construcciones Virfin SLCarpentry: Biniarroca SLCollaborators: Cristina Pons (North Agent)

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    Masquespacio designs “metaverse world” for Mango Teen store

    Spanish design agency Masquespacio has created the interior of the first Mango Teen shop in Barcelona, which was informed by the metaverse and aims to provide an interactive and dream-like shopping experience.

    Designed for customers aged 11 to 13, Masquespacio used graphic shapes to outline clothing displays and a colour palette of oranges and greens for the fashion shop interior.
    The shop interior is divided into two sections by the use of green and orange colours”The new Mango Teen store is established as a world of dreams with its different perspectives and different incoherent elements, just like when we are dreaming,” said Masquespacio.
    “In this place, the dreams are made reality through the design elements that play with your mind and invite the user to interact with the objects surrounding them, bringing the metaverse world to reality.”
    A swimming pool-style step ladder is used to display clothingMasquespacio created the design elements in the shop interior to showcase as much clothing as possible, while also functioning as attraction points that provide a unique shopping experience.

    At the entrance is a “futuristic” arched tunnel with strip lighting designed to guide customers inside. Shelving displays on the shop floor feature tiled surfaces and metal step ladders that mimic swimming pools.
    Masquespacio designed an arched tunnel with strip lightingThe shop front and interior are divided by a bold colour choice of green and orange.
    “At the initial point, we chose a lighter and more pinkish palette, but as this is getting a bit outdated, we decided to play with two colours that are not so explored and combined them,” Masquespacio co-founder Christophe Penasse told Dezeen.

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    The order counter was designed to be reminiscent of a hotel reception and the store also features a clothes-recycling drop-off point that looks like a washing machine, which releases bubbles when customers open the door.
    The futuristic tunnel, swimming pool, hotel reception and washing machine elements are intended by the studio to “invite the teens to enter a universe in which a new use is given to the objects, giving them the opportunity to let their imagination flow and use the space how they dream about it.”
    The changing rooms are designed for TikTok-loving teens”We searched to convert the design elements to an attraction point for the teens’ TikTok life, but at the same time create them as elements that have a function, such as an order bar or an exhibition point like the swimming pool and tunnel,” Penasse said.
    The shop’s changing rooms further encourage interaction with the digital world. Integrated phone holders and ring lights make it easy for customers to take photos for social media, while the reflective walls and ceiling create a futuristic backdrop.
    Masquespacio created functional elements to appear like other objects, including a recycling point that looks like a washing machineAs the first Mango Teen shop to open in Barcelona, Masquespacio’s design aims to create a distinct brand identity.
    The fashion brand had previously launched pop-up shops, from which they identified colourful interiors and places to take photos and videos as main points of interest for teenage shoppers.
    Other projects by the studio include a burger joint designed to look like a swimming pool and a greek restaurant informed by ancient ruins.
    The photography is by Luis Beltran.

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    Studio Noju creates intimate colourful spaces within open-plan Seville apartment

    A pop-up guest bedroom features in this open-plan apartment by Studio Noju, which was renovated to create the illusion of having separate spaces and dressed in colours that nod to its Seville location.

    Casa Triana is a 60-square-metre apartment renovation in the Triana neighbourhood of Seville, southern Spain.
    It is the debut collaborative project by architects Antonio Mora and Eduardo Tazón, who co-founded their firm Studio Noju – a shortening of “not just”.
    Casa Triana is Studio Noju’s debut projectSpread across an open-plan area, the apartment features a bedroom for a single occupant, as well as a separate living space with living and dining areas and a kitchen. A bathroom is also included in the dwelling.
    “Our main strategy was to create the illusion of having several independent spaces within the open floor plan,” Mora and Tazón told Dezeen.

    A flexible curtain can create a pop-up bedroom in the living spaceIn line with this objective, an additional pop-up bedroom for guests can be created in the living space thanks to a retractable blue curtain, which is either stowed away or deployed to make a rippled partition.
    The main bedroom also includes a walk-in wardrobe that is separated from the rest of the space in the same way.
    The main bedroom’s walk-in wardrobe is also concealed by a curtainEach area of Casa Triana is distinguished by its own jagged colourful alcove made from readily available and low-cost roof ridges, known as “cumbreras” in Spanish.
    The ridges are typically used to cap gabled roofs in traditional construction projects. Studio Noju placed the horizontal V-shaped ridges next to each other vertically to delineate these distinctive spaces.
    “We created the alcoves with the idea of ‘architectural texture’, which gives them a distinctive three-dimensional backdrop, creating an interesting play of light and shadows while giving depth to the space,” said Mora and Tazón.
    Roof ridges define the texture of each alcoveThe alcoves’ colours create a lively contrast with each other, such as the cool lime green kitchen unit and the adjacent dining space dressed in a peaceful orange hue.
    “Triana is charged with a myriad of colour references that are distinctly part of the architectural heritage,” explained the architects.
    “The apartment’s design references some of these swatches, which are unmistakably Sevillian colours, such as the ‘albero’ yellow, a type of sand that covers some of the city’s streets and parks.”

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    Casa Triana features a mix of bespoke furniture by Studio Noju and pieces sourced from a range of other interior designers.
    A pale grey Delaktig Sofa by Tom Dixon for IKEA was placed in the living space, as well as a matt-lacquered wooden bar cabinet and gradient rug, both custom-made by Studio Noju.
    Delicate black Drop Chairs by Arne Jacobsen and Fritz Hansen frame a sleek bespoke table by Studio Noju in the dining area.
    Drop Chairs frame a custom-made dining tableWhile Mora and Tazón explained that Casa Triana’s design intends to avoid feeling like a “characterless loft,” they emphasised the importance of making the most of available space in a one-bedroom apartment.
    “Increasing real estate prices are making it very difficult for young people to access the property market, who are mostly bound to smaller apartments, such as this one,” the studio said.
    “From a design perspective, there is a need to answer to this reality, and in this case, we wanted to create the feeling of a more spacious home for the owner.”
    The kitchen area has a lime green colourStudio Noju was founded in 2020, although Mora and Tazón began collaborating on Casa Triana in 2019.
    Other small apartments with creative interior designs include a home in Athens within a semi-basement storage space by Point Supreme and a New York apartment by Martin Hopp with a retractable dining table.
    The photography is by Studio Noju. 

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    Plantea Estudio pairs rough textures and earthy tones in Madrid restaurant Hermosilla

    The way that daylight plays on bricks served as the starting point for this neutral-toned restaurant interior, which architecture practice Plantea Estudio has completed in its hometown of Madrid, Spain.

    Located in the city’s Salamanca neighbourhood, Hermosilla is a 210-square-metre restaurant serving Mediterranean-style dishes made from local artisan produce alongside a small list of low-intervention wines.
    Earthy tones define the interior of Madrid restaurant HermosillaTo complement the menu, Plantea Estudio said it wanted to create a “timeless” interior for the eatery that eschews trends and fads.
    “We were looking for a composition that was specific to this space, making the most of its qualities,” said the studio’s co-founder Luis Gil. “The aim was to achieve a little emotion with the minimum of artifice.”
    Tall fig trees emphasise the height of the spaceHermosilla occupies a corner unit on the ground floor of a multi-use building by modernist Spanish architect Luis Gutiérrez Soto that was completed in 1952.

    As a starting point for the restaurant’s interior scheme, Plantea Estudio looked to the earthy tones of the building’s dark red-orange bricks and the way they subtly change colour as the light shifts throughout the day.
    Coral-red marble was used to finish tables and worktops”The main idea was to colour the environment with various complementary tones that reinforce this broad, natural spectrum of light and colour,” Gil explained.
    “The colours are enlivened and distinguished from each other or tempered and blended, depending on the moment.”

    Plantea Estudio casts minimalist Madrid restaurant in shades of beige

    The studio said it also hoped to “emphasise the power of the building” by creating a textured, cave-like interior that celebrates its original concrete, brick and plaster structure as well as the wooden flooring.
    These historical materials are seamlessly blended with new additions such as the curved wall that encloses the pizza oven, the coral-red marble worktops and washbasins, and the dark wood accents found in the fixed furniture.
    Plantea Estudio retained the building’s original wooden floorboardsTo temper these darker tones, Plantea Estudio specified a light birchwood version of Alvar Aalto’s Chair 69 and aluminium seats by Danish company Frama, which the studio likens to vibrant “accessories”.
    Similarly, white lighting fixtures designed by modernist architects Arne Jacobsen and Charlotte Perriand serve as bright accents, while two fig trees were added to emphasise the height of the space.
    The interior combines a range of contrasting textures such as brick, wood and marblePlantea Estudio was founded by brothers Lorenzo Gil and Luis Gil in 2008. Since then, the studio has renovated 30 houses and designed more than 25 restaurants, including the minimalist Madrid street food restaurant Zuppa.
    Other projects include offices, art galleries, shops and a multi-purpose theatre that was formerly an adult-film cinema.
    The photography is by Salva López.

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    Rockwell Group blends Japanese and Spanish design in Nobu Hotel Barcelona

    New York studio Rockwell Group has mixed references to traditional Japanese crafts and the work of Catalan architect Antonio Gaudi in its interior design for this hotel in Barcelona by American hospitality brand Nobu.

    Located in the former Gran Hotel Torre de Catalunya near Barcelona’s main train station, the 250-room hotel is topped with a Nobu sushi restaurant on the 23rd floor as well as incorporating a pool, spa, meeting rooms and event spaces.
    The Spanish outpost marks the thirteenth hotel opening from Nobu, which started as an upscale Japanese fusion eatery in New York in 1994 but quickly expanded into a celebrated chain of restaurants and hotels spanning five continents.
    Above: guests enter Nobu Hotel Barcelona through a lobby with a lounge area. Top: among the hotel’s 250 rooms are a number of suitesArchitecture and design firm Rockwell Group has worked with the hospitality chain for almost 30 years, designing its first location in Manhattan followed by another 25 restaurants and eight hotels.
    In Barcelona, Nobu sought to create a location that blends the best design features of its restaurants with nods to the city’s architectural heritage.

    In response, Rockwell Group created a “collage of materials, textures and spaces” within the hotel, paying homage to the colourful mosaics in Gaudi’s Park Güell as well as the traditional Japanese craft of kintsugi, which involves mending broken pottery using metallic lacquers.
    A woven screen snakes its way from the facade into the double-height lobby”The fusion of these two arts felt natural and makes the property feel truly unique and grounded in its place,” Rockwell Group principal Eva Longoria told Dezeen.
    “We envision the environment as an abstract landscape, in which every element and detail is crafted in an unusual and unexpected way, much like Nobu’s cuisine,” added the firm’s partner Greg Keffer.
    From the street, the hotel’s entrance is framed by tall bamboo trees set behind a wall of rammed earth.
    A grand spiral staircase connects all of the hotel’s public areasA bright orange woven screen designed to evoke Japanese Shinto gates wraps the entry vestibule and continues inside to create a connection between the hotel’s interior and exterior.
    The screen leads guests into a double-height lobby lined with textured limestone and wood. The space is anchored by a dramatic brushstroke artwork – a recurring feature in Nobu’s interiors – that hangs behind the check-in desk.
    Off to the side, a grand spiral staircase connects all of the hotel’s public areas including the ballroom, lobby and meeting rooms.
    Millwork features heavily in the guest rooms. Photo is by Cristina GarciaIn the lobby bar, a monumental stone counter is lined in pale gridded wood reminiscent of traditional Japanese joinery, while a pair of central columns is clad in cracked stone with gold-coloured infill in a reference to the kintsugi mending technique.
    The lounge is framed by a gridded wooden structure similar to the one found in the bar. But here, it is stained a deep indigo blue.

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    In the guest rooms, Rockwell Studio combined millwork pieces with leather and bronze-coloured detailing, while slabs of stone and travertine with bronze inlays feature in the bathrooms alongside frameless glass-panelled showers.
    A moodier atmosphere reigns in the suites, where sofas sit on plinths and millwork is finished in saturated lacquer colours. The presidential suite is organised around a sculptural Japanese tea hearth made of roughly carved stone.
    Bathrooms in the suites also include a traditional ofuro soaking tub, which is separated from the shower by screens clad in ceramic tiles.
    Bronze-coloured detailing accentuates the rooms’ built-in storage. Photo is by Cristina GarciaThe hotel’s meeting rooms feature views down into the lobby for a casual, connected feel, while sliding wood panels can be used for conjoining or separating different spaces.
    A Nobu sushi restaurant sits at the top of the building with panoramic views of the Catalan capital. Its kintsugi-influenced ceiling consists of live-edge walnut panels intersected by gold-coloured veins.
    Over the backlit onyx bar, a cracked blue ceramic ceiling complements columns clad in kintsugi sculptures made from blue and white ceramics.
    Millwork details also show up in the bathrooms. Photo is by Cristina GarciaNobu opened its first hotel in Malibu in 2017, with the aim of bringing the atmosphere of a traditional Japanese inn to the coast of California.
    Since then, Nobu Hotels has opened 12 more outposts including a beachside resort in Mexico made from locally sourced stone.
    The photography is by Ricardo Labougle unless otherwise stated.

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