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      Form Us With Love designs perforated steel furniture for its Stockholm studio

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      As part of Stockholm Design Week, Swedish design firm Form Us With Love has opened the doors to its new studio space featuring modular furniture informed by pegboard walls.

      Perforated steel units are dotted throughout Form Us With Love’s (FUWL) Stockholm studio, which is housed in a former travel agency.
      Form Us With Love’s Stockholm studio has furniture made from perforated steel”We’ve been dealing with this space for a good year and a half, and thinking about it for a good ten years,” FUWL co-founder John Löfgren told Dezeen.
      “It’s definitely a place that is a catalyst for what we’re doing – and we’re doing quite a lot of different things, so we need a really flexible space and we need a mobile space,” he added. “We tried to be smart about how you store things and logistics in general, really being economical with each square metre.”
      Large hangar doors can be used to divide the interiorThe 200-square metre studio space, which was created in collaboration with architecture studio Förstberg Ling and branding studio Figur, was designed to suit the needs of the FUWL team.

      Large floor-to-ceiling hangar doors hide an office area, workshop and kitchen while allowing the front of the studio to be sectioned off from the remainder of the space.
      The studio is showcasing material experiments on wheeled cabinetsThis allows the area to be used as an exhibition space, where FUWL is displaying some of its ongoing projects during Stockholm Design Week.
      Among these is a project that explores how toxic glass – a waste material from the glass industry – can be treated to separate the toxins from the glass.
      Five low, wheeled cabinets made from perforated steel were used to display the projects.
      FUWL has created multiple different storage unitsThese are just some of the storage units and room dividers that FUWL has made for the studio, drawing on materials found in its own workshop.
      “We have these boxes that were derived from the workshop, like ones you would have in the garage,” Löfgren said.
      “We started wondering what would happen if we move these things out in the open,” he added. “It started off as dividers and walls, but add some wheels and all of a sudden we are in the open space.”

      Form Us With Love launches Forgo soap brand in response to “extremely wasteful” cosmetics industry

      The studio is currently using the modular units as a material library, a tool wall and storage for personal and studio use, as well as experimenting with new functionalities.
      Produced by Tunnplåt – a company that normally supplies lockers to schools, gyms and other public-sector interiors – the containers have a pattern of symmetrical holes.
      A material library is housed in their drawersThis was designed to make the reference to pegboard walls immediately recognisable.
      “We definitely experimented with patterns,” Löfgren said. “We still wanted people to have a smile on their face like: I can see where it derives from.”
      The pegboard-style furniture was informed by tool wallsRealising that the perforated steel units could be used to create a flexible interior was just a coincidence, Löfgren said.
      “I think it’s definitely a tool that incorporates how we want to work in the interior,” he said. “And I think that’s just been a coincidence.”
      “We were always looking for something that would help us have this kind of full flexibility, and still be able to do something both fun and functional,” he added.
      The studio was designed to be both practical and flexibleIn the future, the studio said it might also create the units in other colours. For its own office, soft grey tones were chosen to aid concentration.
      “We worked with tones of grey as a backdrop throughout the space to put focus on the creative processes taking place within,” architecture studio Förstberg Ling said.
      Form Us With Love has previously launched products such as Forgo, a soap designed to minimise carbon emissions and an IKEA chair made from recycled wood.
      The photography is by Jonas Lindström Studio.
      Form Us With Love’s studio is open to the public between 5 September and 9 September 2022 as part of  Stockholm Design Week. See Dezeen Events Guide for an up-to-date list of architecture and design events taking place around the world.

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      Charlie Luxton Design reworks Oxfordshire farmhouse to create Studio Richter Mahr

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      Composer Max Richter and visual artist Yulia Mahr have set up a multimedia production studio inside a former farmhouse in Oxfordshire, which Charlie Luxton Design has updated with more sustainable features.

      Bordered by 31 acres of forested woodland, Studio Richter Mahr will serve as a space where both emerging and established creatives can come to develop their work.
      Studio Richter Mahr is a multimedia production studio in a former farmhouseRichter and Mahr – who are collaborators as well as a couple – first had the idea for the site some 20 years ago.
      “Studio Richter Mahr is about dreaming the future into existence, a better way to live and work,” said Mahr. “It’s about forward motion and borderless creativity. It’s about offering time and opportunities for people to really experiment.”
      The studio occupies a farm building that had already been modernised to a decent standard but needed adjusting to reduce the operational carbon footprint of the new amenities on site. Local practice Charlie Luxton Design was assigned to the task.

      New skylights allow natural light to flood the facility’s interiorThe building’s roof now accommodates solar panels that provide electricity to the site and several skylights to reduce the need for artificial lighting.
      To keep the building warm, air-source heat pumps were installed alongside a ventilation system powered using recovered heat.
      A large picture window features in the orchestral recording studioCharlie Luxton Design preserved the building’s original steel framework to conserve its embodied carbon and celebrate the site’s agricultural past.
      The existing concrete floor slab was also retained and strengthened in some areas.
      Inside, the studio houses a series of state-of-the-art creative spaces devised with the help of sound specialists Level Acoustics and Studio Creations. This includes a video editing suite, programming room, art studios and a Dolby Atmos sound mixing room alongside an exhibition area and a cafe that creates dishes from produce grown on-site.

      Studio Bua transforms derelict Icelandic farm building into artist’s studio

      The plan culminates in a spacious orchestral recording room fronted by a huge picture window that offers uninterrupted views across the rural landscape.
      Charlie Luxton Design applied a restrained material palette throughout the interior.
      Most of the walls were washed with textured lime plaster or overlaid with Dinesen oak boards while the building’s exterior was clad with simple black metal to contrast the surrounding greenery.
      “The brief was always to be very simple, using quality materials,” founder Charlie Luxton told Dezeen.
      Many of the studio’s rooms are clad with timberGoing forward, Richter and Mahr plan to add more amenities including an on-site creche with the aim of hosting artist residencies and composer labs.
      This isn’t the first time a farm building has been repurposed for creative pursuits. Last year, Studio Bua converted a derelict Icelandic barn into an artist’s studio and holiday home.
      The workspace sits inside a double-height gabled volume that was erected within the site’s existing time-worn walls.
      The photography is by Lorenzo Zandri.

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      Konishi Gaffney converts 1950s garage into artist's studio with a sense of “civic grandeur”

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      Architecture studio Konishi Gaffney has overhauled a 1950s garage in an affluent Edinburgh suburb, adding a rhythmic facade made up of wooden battens.

      The Scottish studio was challenged with turning the existing concrete garage into a functional artist’s studio, while being sensitive to the existing Georgian property in The Grange.
      The converted garage sits beside the original stone Georgian houseKonishi Gaffney devised a scheme that involved filling in the existing garage door, raising the structure’s roof to match the height of the house’s ground floor and incorporating the property’s side gate into the facade.
      These changes unified the structure’s appearance from the road creating a sense of contemporary “civic grandeur”, as well as facilitating secure side access to the back garden.
      The grid of battens frame a window and conceal a side gate”As a practice we’ve been exploring ways of expressing the structure of cladding in projects,” said Konishi Gaffney.

      “We started by setting up the vertical timber battens and horizontal cladding in a rhythm of fins across the facade.”
      Windows and skylights allow plenty of natural light to enter the studioTimber was selected for its affordability, sustainability and its capacity to weather appealingly.
      The battens were carefully orientated to allow water to drain off them and prevent water from pooling, as well as to catch light and form interesting shadows across the facade.

      Konishi Gaffney repurposes church into versatile community hub

      The existing structure was insulated and the walls and ceiling punctuated by two aluminium clad windows and a skylight, providing the studio space with ample natural light for the artist to work in during all seasons.
      The creative function of the structure’s interior is referenced in the facade, which was intended to read “like a musical score,” and “continue beyond, separated from the house, like a stage-front.” according to the architects.
      Wooden elements feature in the studio’s interior as well as on its exteriorThe wooden composition of the frontage continues on into the garage’s interior, which has a ceiling clad in dark stained wood with protruding beams.
      Other garage-related projects featured on Dezeen include an orange-painted timber-framed garage extension by McCloy + Muchemwa and a garage in Amsterdam that was transformed into a family home by Barde + VanVoltt.
      The photography is by ZAC and ZAC.
      Project credits:
      Architect: Konishi Gaffney ArchitectsStructural engineer: EntuitiveJoiner: Andrew MacdonaldCladding supplier: RusswoodWindows: VelfacPhotographer: ZAC and ZAC

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      Emil Eve Architects retrofits own office in brutalist building in Hackney

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      London studio Emil Eve has retrofitted its Hackney office to include a striking green-painted floor and modular birch plywood furniture designed to be “reconfigured or adapted as the needs of the users change”.

      The architecture firm created the studio space, which it shares with design practices OEB Architects and Material Works, in an existing brutalist building with an exposed concrete structure in Hackney, east London.
      The studio was renovated so that no alterations were made to the buildingCalled Regent Studios, the office was carefully designed so that no changes had to be made to the fabric of the building, according to Emil Eve.
      Instead, the firm created a “family” of modular, CNC-cut birch plywood furniture that fits into the space without having to be fixed to the existing structure.
      A vivid green-painted floor defines the space”The furniture is freestanding so that it can be reconfigured or adapted as the needs of the users change,” Emil Eve co-founder Emma Perkin told Dezeen.

      As well as linoleum-lined desks and small shelving units, this group of furniture includes a standout floor-to-ceiling “sample library” where the architects display and interact with a range of material samples.
      Emil Eve created a floor-to-ceiling “material library”Shallow upper display shelves are combined with deeper, lower storage compartments to create a unit that takes cues from the design of kitchen cabinets.
      “We knew we wanted the material library to be the main focus of the space, with everything visible to hand,” said Perkin, who designed the system to replace “inefficient” stacked boxes.
      Desktops are lined with linoleumThe architect also explained why the firm used the CNC process to create the furniture, which was fabricated by Natural Buildings Systems.
      “The process enables complex shapes to be cut from sheet materials,” she said. “Here, we used slits cut into the shelves to create an interlocking design that creates a hierarchy between framing, horizontal and vertical elements, which brings a rhythm to the whole.”

      Urselmann Interior renovates own office using recycled and biodegradable materials

      Emil Eve chose bold green paint for the flooring, which was used for its cost-effectiveness and ability to transform the mood of a space, according to the firm.
      This colour was also decided upon to complement the windowsill herbs and various potted plants scattered around the studio, as well as to contrast with a cluster of bright yellow chairs positioned around a communal work table.
      Yellow chairs contrast with the green floorAs a small design agency, Emil Eve explained the benefits of sharing a co-working space with other design companies in the interest of sharing collective resources – a decision the architects called “economical as well as sustainable”.
      “It’s always more fun to make things rather than buying furniture off the shelf if you can!” added Perkin.
      Visitors are invited to touch the materials on displayEmil Eve Architects was founded in 2009 by Emma and Ross Perkin. The firm has completed a number of architecture projects, including many in London.
      Recent projects range from a monochromatic pale pink loft extension and a timber-framed residential extension filled with light.
      The photography is by Mariell Lind Hansen.

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      Frederick Tang Architecture transforms New York loft into light-filled wellness studio

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      Interior architecture and design studio Frederick Tang Architecture (FTA) has updated Moxi, a wellness studio and acupuncture centre in Soho, New York by re-arranging its interiors around an expansive oval skylight.

      Frederick Tang Architecture, based in Brooklyn, was tasked with reordering and redesigning the open-plan, top-floor studio into a space that accommodates a reception area, six treatment rooms, offices, bathrooms, herb dispensary and pantry.
      Frederick Tang Architecture wanted to capture natural lightThe studio took the 1901 mercantile building’s skylight as the starting point for the refurbishment of the rectangular-shaped space.
      Its dense urban context required an innovative solution to increase the floor area while introducing natural light throughout.
      Moxi is arranged around a central skylight”Architecturally we wanted to organise the many different components in a plan that felt logical and complete which was difficult with space constraints,” said Frederick Tang, director of design and principal architect at Frederick Tang Architecture (FTA).

      “We started by organizing the plan around the sources of natural light,” he told Dezeen.
      An office space has been added to the interiorVisitors enter the wellness studio and arrive at a reception area framed by four arched windows overlooking Broadway.
      Here, a custom bench crafted from white oak slats and copper detailing curves along two walls while sculptural pendant lights hang from the ceiling.
      To maximise space and take full advantage of the natural light, this area doubles as a site for gatherings and classes.
      The reception is flanked by four arched windowsFTA reconfigured Moxi’s rooms as well as softened corners and created arches that echo some of the existing architecture of the space for the client who wanted the interior to feel “holistic, natural, calm and inspiring”.
      A single corridor leads to all six treatment rooms, which were also coloured in shades of green.
      The walls were lime-washed in a soft cypress green, with wainscotting wooden panels painted in a darker shade of the same hue.

      Rose Ink Workshop designs membership club for wellness in New York City

      FTA wanted the colour to contrast traditional wellness studios which are often white and feel more clinical.
      “The predominant colour was green –lime washed in a cypress and deep forest – chosen for its property to heal, critical at the front where the patron first experiences the space,” said the architects.
      Each acupuncture treatment room has a different wallpaperThe treatment rooms, which are the most intimate sections in the studio, contain two bedrooms and a bathroom arranged around the lightwell.
      The green was offset by hints of pale peach throughout the interior and natural finishes including terrazzo, concrete, boucle and ribbed glass add depth and texture.
      A kitchenette is located at the end of the central corridorAt the end of the corridor, a second archway opens into a back-of-house area, where FTA has inserted a new office, herb dispensary, staff pantry, and bath.
      Other design-focused wellness spaces include the Shelter wellness centre in Sydney, which is located in a former restaurant and Yoko Kitahara spa in Israel, which was transformed from an Ottoman-era home.
      The photography is by Gieves Anderson.

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      Sibling creates pop-up creative hub in Melbourne's soon-to-be-demolished Hanover House

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      Australian studio Sibling Architecture has used repurposed materials and mobile furniture to revamp Hanover House in Melbourne, allowing creatives to occupy the building before it is demolished.

      The studio created a variety of spaces within the seven-storey building, which is set to be torn down to make way for STH BNK by Beulah – a 356-metre tower that is set to become Australia’s tallest building.
      Three floors of Hanover House are being used for a creative programmeIn the two-year before demolition, developer Beulah initiated a creative programme called BETA by STH BNK and asked Melbourne-based Sibling to develop an interior design strategy to make this possible.
      Sibling’s approach was developed around the ambition of minimising waste. This meant reusing as much of the existing interior elements as possibvle and only introducing new materials if they could easily repurposed in the future.
      Reused glazing panels frame designer ateliers on the fourth floor”Over a third of waste in Australia goes to landfill, while nearly half of waste worldwide comes from construction and demolition,” explained Timothy Moore, one of Sibling’s four founding directors.

      “So we were really in this idea of a project where there was a lot of stuff to strip out,” he told Dezeen. “We saw it as an opportunity to explore the process of making in architecture.”
      Thanks to mirrored film, the ateliers are only visible when lights are on insideSibling’s project extends to three storeys of Hanover House – the ground, fourth and fifth floors. Here, the architecture studio stripped back all the materials available and sorted them.
      Old ceiling tiles were transformed into mobile benches, while the glazed panels of former office cubicles were rescued to divide the fourth floor into a series of designer ateliers.
      The ateliers are hosting a series of designers in residenceMirrored film was applied to the glass; when the lights are on you can see the ateliers inside, but when they’re off the space becomes private.
      Other recycled elements include office furniture, lighting, carpets and gypsum walls.

      Revival Projects’ Zero Footprint Repurposing hub saves construction waste from landfill

      Moore said the approach is similar to that of the Zero Footprint Repurposing hub that launched at the recent Melbourne Design Week, an event that the architect is the curator of.
      “We stripped back everything and kept it on site, then reused as much as we could,” he said.
      Sibling created mobile furniture using prefabricated steelTo support BETA by STH BNK’s varied programme, Sibling also designed a series of mobile furniture elements that could be made from sheets of pre-fabricated steel.
      These pieces, known as Taxonomy of Furniture, include a bar, tables, seats, planters and storage elements.
      Mounted on castors, they can be easily moved around the building for different events and uses. They just as easily wheeled into the lifts and moved out ahead of the building’s demolition.
      “The design intent of the taxonomy was to provide a family of joinery that allow for a variety of uses, including unforeseen uses,” said Moore.
      The ground floor features retail concepts, including The Future From Waste LabIn its new form, Hanover House is hosting a series of creative individuals and organisations.
      The ground floor has been reimagined as a platform for innovative retail concepts. Highlights include The Future From Waste Lab, curated by designer Kit Willow, which is testing a more sustainable approach to fashion production.
      The fifth floor previously hosted a restaurant pop-up called Higher OrderThe fourth-floor ateliers are hosting designers in residence, including algae expert Jessie French, Ella Saddington of craft studio Cordon Salon, and DNJ Paper, which makes clothing from traditional Japanese paper.
      The fifth floor is being used for a range of events. The first was a restaurant pop-up called Higher Order, hosted by chef Scott Pickett. Upcoming events include a holistic health experience called The Future of Wellness.
      The Taxonomy of Furniture includes flexible seats and tablesBeulah executive director Adelene Teh said the aim was to “go beyond the expected and give new meaning to the future of retail”.
      “The dynamic BETA By STH BNK hub of innovation and experimentation promises to ignite Melbourne, and indeed Australia’s, curiosity and imagination of what has become possible,” she said.
      Before the building is demolished, these elements can be easily wheeled outSibling Architecture is led by Moore along with Amelia Borg, Nicholas Braun and Qianyi Lim.
      Previous projects include a collaboration with Adam Nathanial Furman at the NGV Triennial, Squint/Opera’s Melbourne office and the interior of Kloke’s Melbourne store.
      For Moore, BETA By STH BNK resonates strongly with his recent PHD thesis, which explores the topic of temporary use and “meanwhile strategies”.
      “I’m quite supportive of developers who are interested in interim use, because you can test out design moves,” he said.
      “There is a rhetoric that we have to be careful of,” he added, “but it can add value, creating affordable workspace and places for people to come together.”

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      Ten self-designed studios by architects and designers

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      From a forest cabin to a converted chapel, our latest lookbook features ten workspaces from the Dezeen archive that were created by architects and designers for their own use.

      Highlights include Benjamin Hubert’s design for his studio Layer, the Lisbon practice of Portuguese architects Aires Mateus and a colourful couple’s office for the duo behind interiors firm 2LG Studio.
      This is the latest in our series of lookbooks providing curated visual inspiration from Dezeen’s image archive. For more inspiration see previous lookbooks showcasing homes with clever built-in furniture, plant-filled hotel interiors and residences with decorative vaulted ceilings.
      Photo is by Rui CardosoAtelier Cecílio de Sousa, Portugal, by Aires Mateus
      Architecture practice Aires Mateus restored four storeys of an 18th-century building in Lisbon to create its studio, retaining and restoring many original features including the decorative plasterwork and elaborate ceiling murals.

      The converted office contains two model-making areas as well as several work- and meeting spaces. These include the grand Noble Room, where simple wooden chairs and a pared-back workbench made from pale timber contrast with the otherwise elaborate interior.
      Find out more about Atelier Cecílio de Sousa ›
      Photo is by Mikey EstradaYa Vsesvit, Ukraine, by Yakusha Design
      Black brick partitions divide up the monochromatic studio of Ukrainian designer Victoriya Yakusha to create a number of smaller offices, the grandest of which is centred on a chunky desk crafted from a single block of sandstone.
      Most of the furnishings and ornaments in the interior were made by Yakusha’s furniture brand Faina, allowing it to double up as a showroom.
      Find out more about Ya Vsesvit ›
      Photo is by Iwan BaanOffice in the Woods, Spain, by SelgasCano
      Set in a woodland near Madrid, the office of Spanish architecture studio SelgasCano (top and above) is semi-sunken into the forest floor, with a transparent north-facing wall providing views of the tree canopy above.
      Parallel banks of wall-mounted desks are lined up on the other side of the tunnel-like space, where they are shielded from the direct sun.
      Find out more about Office in the Woods ›
      Photo is by Simone BossiAMAA, Italy, by Marcello Galiotto and Alessandra Rampazzo
      Venetian practice AMAA inserted a steel-framed two-storey glass volume into an abandoned plumbing factory in Italy to house its own office, which accommodates not just workspaces but also a small library.
      A sunken level that was once used for pump testing now houses a wood-fronted staff kitchen that can be accessed via a poured concrete staircase, designed to be in keeping with the building’s industrial material palette.
      Find out more about AMAA ›

      Another Studio, Bulgaria, by Andrey Andreev and Petya Nikolova
      In a bid to encourage teamwork, Another Studio removed all of the non-bearing walls in its office in Sofia and replaced them with customised plywood shelving, which maintains sightlines throughout the office while providing crucial storage.
      Translucent white cotton curtains can be used to further divide up the space, while removable boxes integrated into the storage system provide additional seating and side tables when required.
      Find out more about Another Studio ›
      Photo is by Toon GrobetThe Waterdog, Belgium, by Klaarchitectuur
      Klaarchitectuur left the original walls of this heritage-listed chapel in Limburg largely untouched when converting the space into a studio, choosing instead to insert a number of crisp white boxes into the interior.
      This stacked, standalone structure now houses separate offices for the practice’s different departments, alongside monochrome meeting rooms and casual work areas.
      Find out more about The Waterdog ›
      Photo is by Annette KislingSauerbruch Hutton studio, Germany, by Sauerbruch Hutton
      Sauerbruch Hutton renovated a former Prussian military uniform factory in Berlin and added a third floor to its roof to accommodate the practice’s office alongside a studio for conceptual artist Karin Sander.
      Roof lights allow sunshine to filter into the new top floor, which accommodates a reception and conference room, as well as a gallery leading to a library and a series of smaller offices and meeting rooms.
      Find out more about Sauerbruch Hutton’s studio ›
      Photo is by Megan Taylor2LG Studio, UK, by Russell Whitehead and Jordan Cluroe
      Married design duo Russell Whitehead and Jordan Cluroe of London’s 2LG Studio managed to integrate a shared workspace into their four-bedroom home by knocking down the walls around their kitchen.
      The resulting open-plan office area is centred by a pill-shaped jesmonite table that the studio made in collaboration with artist Olivia Aspinall, surrounded by velvet chairs from Danish furniture brand Menu.
      Find out more about 2LG Studio ›

      Layer studio, UK, by Benjamin Hubert
      The converted warehouse that is home to London design studio Layer functions not just as a workspace but also as a gallery, with recent product designs, samples and prototypes on show in colourful display boxes to serve as inspiration for the team.
      All rooms are open-plan save for a translucent black plexiglass cube that functions as a private conference room and is centred on a bright red Ripple table, designed by the studio’s founder Benjamin Hubert for Canadian manufacturer Corelam.
      Find out more about Layer studio ›
      Photo by Sam NoonanTree Top studio, Australia, by Max Pritchard
      Nestled into a tree-covered slope behind his house in Adelaide, Australian architect Max Prichard has built a six-metre-tall cylindrical cabin to house his own mini-studio.
      The structure is clad in sheets of locally sourced hoop pine, while dark hardwood batons laid across the walls and floors mirror the radiating roof beams and line up with the wall of built-in storage.
      Find out more about Tree Top studio ›
      This is the latest in our series of lookbooks providing curated visual inspiration from Dezeen’s image archive. For more inspiration see previous lookbooks showcasing sleek co-working spaces, homes with clever built-in furniture, plant-filled hotel interiors and residences with decorative vaulted ceilings.

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