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    Sibling creates pop-up creative hub in Melbourne's soon-to-be-demolished Hanover House

    Australian studio Sibling Architecture has used repurposed materials and mobile furniture to revamp Hanover House in Melbourne, allowing creatives to occupy the building before it is demolished.

    The studio created a variety of spaces within the seven-storey building, which is set to be torn down to make way for STH BNK by Beulah – a 356-metre tower that is set to become Australia’s tallest building.
    Three floors of Hanover House are being used for a creative programmeIn the two-year before demolition, developer Beulah initiated a creative programme called BETA by STH BNK and asked Melbourne-based Sibling to develop an interior design strategy to make this possible.
    Sibling’s approach was developed around the ambition of minimising waste. This meant reusing as much of the existing interior elements as possibvle and only introducing new materials if they could easily repurposed in the future.
    Reused glazing panels frame designer ateliers on the fourth floor”Over a third of waste in Australia goes to landfill, while nearly half of waste worldwide comes from construction and demolition,” explained Timothy Moore, one of Sibling’s four founding directors.

    “So we were really in this idea of a project where there was a lot of stuff to strip out,” he told Dezeen. “We saw it as an opportunity to explore the process of making in architecture.”
    Thanks to mirrored film, the ateliers are only visible when lights are on insideSibling’s project extends to three storeys of Hanover House – the ground, fourth and fifth floors. Here, the architecture studio stripped back all the materials available and sorted them.
    Old ceiling tiles were transformed into mobile benches, while the glazed panels of former office cubicles were rescued to divide the fourth floor into a series of designer ateliers.
    The ateliers are hosting a series of designers in residenceMirrored film was applied to the glass; when the lights are on you can see the ateliers inside, but when they’re off the space becomes private.
    Other recycled elements include office furniture, lighting, carpets and gypsum walls.

    Revival Projects’ Zero Footprint Repurposing hub saves construction waste from landfill

    Moore said the approach is similar to that of the Zero Footprint Repurposing hub that launched at the recent Melbourne Design Week, an event that the architect is the curator of.
    “We stripped back everything and kept it on site, then reused as much as we could,” he said.
    Sibling created mobile furniture using prefabricated steelTo support BETA by STH BNK’s varied programme, Sibling also designed a series of mobile furniture elements that could be made from sheets of pre-fabricated steel.
    These pieces, known as Taxonomy of Furniture, include a bar, tables, seats, planters and storage elements.
    Mounted on castors, they can be easily moved around the building for different events and uses. They just as easily wheeled into the lifts and moved out ahead of the building’s demolition.
    “The design intent of the taxonomy was to provide a family of joinery that allow for a variety of uses, including unforeseen uses,” said Moore.
    The ground floor features retail concepts, including The Future From Waste LabIn its new form, Hanover House is hosting a series of creative individuals and organisations.
    The ground floor has been reimagined as a platform for innovative retail concepts. Highlights include The Future From Waste Lab, curated by designer Kit Willow, which is testing a more sustainable approach to fashion production.
    The fifth floor previously hosted a restaurant pop-up called Higher OrderThe fourth-floor ateliers are hosting designers in residence, including algae expert Jessie French, Ella Saddington of craft studio Cordon Salon, and DNJ Paper, which makes clothing from traditional Japanese paper.
    The fifth floor is being used for a range of events. The first was a restaurant pop-up called Higher Order, hosted by chef Scott Pickett. Upcoming events include a holistic health experience called The Future of Wellness.
    The Taxonomy of Furniture includes flexible seats and tablesBeulah executive director Adelene Teh said the aim was to “go beyond the expected and give new meaning to the future of retail”.
    “The dynamic BETA By STH BNK hub of innovation and experimentation promises to ignite Melbourne, and indeed Australia’s, curiosity and imagination of what has become possible,” she said.
    Before the building is demolished, these elements can be easily wheeled outSibling Architecture is led by Moore along with Amelia Borg, Nicholas Braun and Qianyi Lim.
    Previous projects include a collaboration with Adam Nathanial Furman at the NGV Triennial, Squint/Opera’s Melbourne office and the interior of Kloke’s Melbourne store.
    For Moore, BETA By STH BNK resonates strongly with his recent PHD thesis, which explores the topic of temporary use and “meanwhile strategies”.
    “I’m quite supportive of developers who are interested in interim use, because you can test out design moves,” he said.
    “There is a rhetoric that we have to be careful of,” he added, “but it can add value, creating affordable workspace and places for people to come together.”

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    Ten self-designed studios by architects and designers

    From a forest cabin to a converted chapel, our latest lookbook features ten workspaces from the Dezeen archive that were created by architects and designers for their own use.

    Highlights include Benjamin Hubert’s design for his studio Layer, the Lisbon practice of Portuguese architects Aires Mateus and a colourful couple’s office for the duo behind interiors firm 2LG Studio.
    This is the latest in our series of lookbooks providing curated visual inspiration from Dezeen’s image archive. For more inspiration see previous lookbooks showcasing homes with clever built-in furniture, plant-filled hotel interiors and residences with decorative vaulted ceilings.
    Photo is by Rui CardosoAtelier Cecílio de Sousa, Portugal, by Aires Mateus
    Architecture practice Aires Mateus restored four storeys of an 18th-century building in Lisbon to create its studio, retaining and restoring many original features including the decorative plasterwork and elaborate ceiling murals.

    The converted office contains two model-making areas as well as several work- and meeting spaces. These include the grand Noble Room, where simple wooden chairs and a pared-back workbench made from pale timber contrast with the otherwise elaborate interior.
    Find out more about Atelier Cecílio de Sousa ›
    Photo is by Mikey EstradaYa Vsesvit, Ukraine, by Yakusha Design
    Black brick partitions divide up the monochromatic studio of Ukrainian designer Victoriya Yakusha to create a number of smaller offices, the grandest of which is centred on a chunky desk crafted from a single block of sandstone.
    Most of the furnishings and ornaments in the interior were made by Yakusha’s furniture brand Faina, allowing it to double up as a showroom.
    Find out more about Ya Vsesvit ›
    Photo is by Iwan BaanOffice in the Woods, Spain, by SelgasCano
    Set in a woodland near Madrid, the office of Spanish architecture studio SelgasCano (top and above) is semi-sunken into the forest floor, with a transparent north-facing wall providing views of the tree canopy above.
    Parallel banks of wall-mounted desks are lined up on the other side of the tunnel-like space, where they are shielded from the direct sun.
    Find out more about Office in the Woods ›
    Photo is by Simone BossiAMAA, Italy, by Marcello Galiotto and Alessandra Rampazzo
    Venetian practice AMAA inserted a steel-framed two-storey glass volume into an abandoned plumbing factory in Italy to house its own office, which accommodates not just workspaces but also a small library.
    A sunken level that was once used for pump testing now houses a wood-fronted staff kitchen that can be accessed via a poured concrete staircase, designed to be in keeping with the building’s industrial material palette.
    Find out more about AMAA ›

    Another Studio, Bulgaria, by Andrey Andreev and Petya Nikolova
    In a bid to encourage teamwork, Another Studio removed all of the non-bearing walls in its office in Sofia and replaced them with customised plywood shelving, which maintains sightlines throughout the office while providing crucial storage.
    Translucent white cotton curtains can be used to further divide up the space, while removable boxes integrated into the storage system provide additional seating and side tables when required.
    Find out more about Another Studio ›
    Photo is by Toon GrobetThe Waterdog, Belgium, by Klaarchitectuur
    Klaarchitectuur left the original walls of this heritage-listed chapel in Limburg largely untouched when converting the space into a studio, choosing instead to insert a number of crisp white boxes into the interior.
    This stacked, standalone structure now houses separate offices for the practice’s different departments, alongside monochrome meeting rooms and casual work areas.
    Find out more about The Waterdog ›
    Photo is by Annette KislingSauerbruch Hutton studio, Germany, by Sauerbruch Hutton
    Sauerbruch Hutton renovated a former Prussian military uniform factory in Berlin and added a third floor to its roof to accommodate the practice’s office alongside a studio for conceptual artist Karin Sander.
    Roof lights allow sunshine to filter into the new top floor, which accommodates a reception and conference room, as well as a gallery leading to a library and a series of smaller offices and meeting rooms.
    Find out more about Sauerbruch Hutton’s studio ›
    Photo is by Megan Taylor2LG Studio, UK, by Russell Whitehead and Jordan Cluroe
    Married design duo Russell Whitehead and Jordan Cluroe of London’s 2LG Studio managed to integrate a shared workspace into their four-bedroom home by knocking down the walls around their kitchen.
    The resulting open-plan office area is centred by a pill-shaped jesmonite table that the studio made in collaboration with artist Olivia Aspinall, surrounded by velvet chairs from Danish furniture brand Menu.
    Find out more about 2LG Studio ›

    Layer studio, UK, by Benjamin Hubert
    The converted warehouse that is home to London design studio Layer functions not just as a workspace but also as a gallery, with recent product designs, samples and prototypes on show in colourful display boxes to serve as inspiration for the team.
    All rooms are open-plan save for a translucent black plexiglass cube that functions as a private conference room and is centred on a bright red Ripple table, designed by the studio’s founder Benjamin Hubert for Canadian manufacturer Corelam.
    Find out more about Layer studio ›
    Photo by Sam NoonanTree Top studio, Australia, by Max Pritchard
    Nestled into a tree-covered slope behind his house in Adelaide, Australian architect Max Prichard has built a six-metre-tall cylindrical cabin to house his own mini-studio.
    The structure is clad in sheets of locally sourced hoop pine, while dark hardwood batons laid across the walls and floors mirror the radiating roof beams and line up with the wall of built-in storage.
    Find out more about Tree Top studio ›
    This is the latest in our series of lookbooks providing curated visual inspiration from Dezeen’s image archive. For more inspiration see previous lookbooks showcasing sleek co-working spaces, homes with clever built-in furniture, plant-filled hotel interiors and residences with decorative vaulted ceilings.

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  • Ortraum Architects builds timber music studio beside house in Helsinki

    Ortraum Architects has built an asymmetric studio called 12 in the garden of a house in Helsinki, Finland, to provide its owners with space to compose music and make ceramics.The structure was commissioned by a couple who wanted an external space to work from home, beside their existing 1960s home in the Jollas neighbourhood.
    It features two contrasting storeys that Ortraum Architects has set askew, giving rise to a sculptural form and two individual workspaces inside for the couple.

    Ortraum Architects’ 12 studio has two storeys set askew
    The 12 studio, which has been shortlisted in the Dezeen Awards in the small workspace interior category, measures 72-square-metres and is complete with a kitchen and bathroom.

    While providing individual studio space for the couple, it is designed to be easily adapted into a guest house or even become a home for the client’s children in the future.

    The studio is in the garden of a house in Helsinki
    “The client couple needed two main spaces, a ceramics workshop and a music-composing studio,” said the studio. “The massing is visually divided into two levels, reflecting the two different building functions,” it continued.
    “The plan also needed to be flexible enough to function additionally as a guest house and future home for one of the two children in the family, so bathroom and kitchen spaces were included.”

    A ceramic studio is on the ground floor
    The material palette of 12 is deliberately pared-back, with its cross-laminated-timber (CLT) structure left exposed internally and externally. On the exterior, this will turn grey with time to help the structure blend in with its surroundings.
    Its entrance is marked by large glass doors that face the existing home, sheltered by a small cantilevered corner of the second floor.

    A hidden black staircase has storage in its treads
    This entrance opens into the ceramics studio on the ground floor, which is complete with a small bathroom.
    A black wooden staircase that leads to the first floor is concealed behind a wall and features treads that double as storage units.

    The building contains a music studio upstairs
    Above, the first floor contains the music studio. Its angular form was developed to help enhance the acoustics of the space and make it suitable for recording music.
    This space is complete with two large windows that open towards a neighbouring forest, alongside a small balcony and gallery level for use as an extra lounge area.

    The music studio has an angular form to enhance its acoustics
    Ortraum Studio’s goal for 12 was for it to “be a best practice example for environmentally friendly construction and infill projects in a suburban context”.

    Saez Pedraja adds small studio to a fashion designer’s Santa Monica residence

    For this reason, its size was dictated by an existing concrete foundation from an old garage, avoiding the need for new and obtrusive groundwork, while its structure was prefabricated using CLT to avoid waste and speed up construction time.
    It has also been developed to facilitate natural ventilation and is powered by solar panels and heated using a ground source heat pump of the main home.

    A small balcony looks out to the neighbouring houses
    As part of the project, Ortraum Architects also built a small playhouse for the client’s children, which is also made of CLT and is tied to a pine tree in the garden.
    Named the Birdhouse, it features heart-shaped windows and is modelled on pictures that the children drew of their “dream house”.

    A playhouse sits next to the studio
    Ortraum architects is a small Finnish design studio headed up by architect Martin Lukasczyk. In 2017, it completed a family home in Finland that has a number of child-friendly features including a trapeze, a climbing wall and a hammock.
    Photography is by Marc Goodwin.

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  • Worrell Yeung designs industrial artist studios in historic Brooklyn factory buildings

    New York architecture studio Worrell Yeung has transformed historic factory buildings in Brooklyn Navy Yard into multi-use workspaces and artist studios featuring time-worn brick walls and weathered beams and columns.The adaptive reuse project involved remodelling 77 Washington, a six-storey former masonry factory built in the 1920s, and four other buildings situated around on the property.

    It is located at the corner of Washington Avenue and Park Avenue in Brooklyn Navy Yard, a former shipbuilding complex between the Dumbo and Williamsburg neighbourhoods undergoing regeneration.

    Worrell Yeung drew from the area’s historic architecture and the design of early 20th-century New York warehouses to update the 38,000-square-foot (3530.3-square-metre) multi-use art and office space.

    “The existing buildings were so rich with history and layered with texture that we wanted our design to highlight these found conditions while also updating to accommodate new uses and new programs,” said co-principal Max Worrell.

    A six-storey brick structure occupies the centre of the property, with a cluster of three one-storey buildings situated on its south end and a single garage unit located on the opposite side.
    On the main building the brick facade was left untouched, while the sides of the building are painted white.

    Storefronts situated along the street level were restored to house artist and photography studios. Each of the exteriors is painted dark blue and is fronted with large windows that flood natural light into the interiors.
    The low-lying structures are connected by a central courtyard filled with gravel and plants laid out by landscape firm Michael van Valkenburgh Associates. To form the outdoor patio and bike storage area the studio removed a roof that previously covered the space.

    In the garden three solid oak logs form a series of benches. Over the past decade a local shipbuilder gathered the reclaimed wood used for the seating following a number of storms in the region.
    Inside the materials and patterns are evocative of old Brooklyn factories and warehouses. The floors are covered with concrete and metal diamond plates.

    Macro Sea turns abandoned Brooklyn warehouse into New Lab co-working space

    Exposed brick walls coated with layers of old paint pair with structural wood columns and beams in the open-plan spaces, which include meeting rooms, a small kitchenette and a large lobby area.
    Brooklyn Navy Yard woodworker Bien Hecho repurposed timber floor joists from the building into a custom-built conference table and a bench.

    Steel grids installed across the elevator shaft windows are visible from the building’s exterior and match the pattern on the translucent glass and plywood walls located in the lobby.
    “These interventions are a nod to the aesthetics of storied factory buildings and Navy Yard warehouses, which historically featured grids in their sash windows, fencing, and ship docks,” added co-principal Jejon Yeung.

    Worrell Yeung was founded in 2014 by Max Worrell and Jejon Yeung. The studio has completed a number of renovation projects in New York City, including a loft in Chelsea and an apartment inside Dumbo’s Clocktower building.

    Other office projects in Brooklyn Navy Yard are a space for tech entrepreneurs located in a former warehouse renovated by New York developer Macro Sea and Marvel Architects and a new 16-storey co-working building by S9 Architecture.
    Photography is by Naho Kubota.

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  • Michael Godmer and Mathieu Turgeon renovate their Montreal design studio and home

    Designers Michael Godmer and Mathieu Turgeon’s home in Montreal features contemporary Danish pieces alongside oak, terracotta and marble. Located in the city’s Plateau Mont-Royal neighbourhood, the Victorian-era brick home was renovated by the couple to accommodate a design studio and residence for them and their two poodles. Completed in 1885, the residence has a slender width of 3.1 […] More

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    Estudio Nu retrofits creative studios in former Buenos Aires workshop

    Translucent glass doors fold open to reveal the studio that architecture firm Estudio Nu has created inside a dental mechanics workshop in Buenos Aires, Argentina. Estudio Nu had shared the Lerma workshop in the city’s Villa Crespo neighbourhood with an artist for years but wanted to update the facilities to accommodate more tenants. “Lerma started as […] More