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    Erik Bratsberg fills Persona restaurant with tactile materials and own artworks

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    Interior designer Erik Bratsberg has created unique artwork for the interior of the Persona restaurant in Stockholm, which also features asymmetrical terrazzo and patinated brass details.

    Bratsberg, who worked in finance before moving into interior design, wanted the fine dining restaurant in Stockholm’s upmarket Östermalm neighbourhood to have a warm and welcoming feel.
    Persona is located in Stockholm’s Östermalm area”The inspiration is drawn from a mix of personal experiences, subconscious imprints from admired styles, particularly mid-century Italian design, and a desire to integrate a homely warmth into a hospitality environment,” he told Dezeen.
    “The design philosophy centres around creating a timeless, inviting space that enhances the dining experience while maintaining a sense of personal touch and intimacy.”
    Green tones feature throughout the interiorGreen hues are used throughout Persona’s 120-square-metre interior, complementing its cream-coloured walls and numerous wooden furniture pieces and panelling.

    “Green is my go-to when I want to arouse a sense of calmness and comfort,” Bratsberg explained.
    Designer Erik Bratsberg used furniture pieces with rounded and organic shapes”It’s a tertiary colour, a mix of a cold and a warm colour, which allows it to go well with both warmer and colder hues and materials – a yin and yang of colours somehow,” he added.
    “Green also brings the mind to nature and I guess my love for green relates to the joy of seeing the leaves back on the trees after a long Swedish winter.”
    “Honey-tinted” oak shelving is filled with crockery and artThe restaurant, which feels more like a living room than an eatery in parts, also features plenty of natural materials such as stone and wood, which are interspersed with terrazzo and brass to create tactile interest.
    This material mix was chosen to evoke a sense of “casual elegance”, Bratsberg said.
    “For the floor I played around with the possibilities of terrazzo, using shades of green and warm greys and whites forming an asymmetrical pattern,” the designer explained.

    Note Design Studio creates “unexpected” restaurant in historic Stockholm food hall

    Bratsberg clad the walls of the Persona restaurant in an off-white plaster with a mottled surface, designed to contrast the “silky honey-tinted oak” used for the wall shelving and tables.
    “Patinated brass together with details in yellow ochre acts as an accent,” Bratsberg added. “Sheer curtains, patinated leather and textured textiles round it all off.”
    Bratsberg created his own artworks for the restaurantCustom-made abstract artworks also decorate the interior. Bratsberg made these himself from watercolour paintings that he had made, which were then screen-printed onto acoustic panels.
    “In my multidisciplinary practice I strive to interrelate my art, design and interior work – why not make a lamp into sculpture, or a bar front as a painting, or a plain wall a relief?” Bratsberg said.
    Cut-out geometric details add extra interest to the barAlso notable in the interior is the variation of shapes, with the angular tables and counters contrasting against round and jagged lamps, cut-out geometric details and smaller tables made from organically shaped burl wood and stone.
    “Perfectly straight lines and symmetry bring order and calmness for the eye, but never have I been particularly intrigued by squares and straight lines,” Bratsberg said.
    “On the other hand, too much asymmetrical geometries and organic shapes can bring the feeling of disorder. But balancing the two – as with many opposites or contrasts – can create an interesting harmony,” he added.
    The bathroom features undulating mirrors and a mix of different shapesIn the bathroom, undulating mirrors match a wavy sink and are juxtaposed against square wall niches and angled, jagged cut-out wall decorations.
    “Forms, lines, colours and materiality speak to us in mysterious ways, but an interior without any sculptural form and asymmetries is like a language without exclamation marks, gestures or emotional expression to me,” Bratsberg concluded.
    Other Stockholm restaurants with interesting interiors featured on Dezeen include an “unexpected” restaurant in a historic food hall and a decadent Italian restaurant located in a former cinema.
    The photography is by Erik Lefvander.

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      ICA Stop supermarket designed as a “culinary dream come true”

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      Swedish studio Westblom Krasse Arkitektkontor and design agency Snask have revamped a supermarket in Täby, adding pastel hues and materials such as terrazzo and wood to “turn shopping into an experience”.

      The design was intended as a facelift for the store, which is part of Sweden’s ICA supermarket chain and had been given many smaller additions over the years without an overall design direction.
      Together, Snask and Westblom Krasse Arkitektkontor redesigned the 2,200-square-metre store outside of Stockholm, refreshing its interior by creating multiple themed stations.
      A pink juice bar welcomes visitors inside Täby’s ICA StopThese include a pink juice and smoothie bar, a “vegan butchery” station, a seafood and champagne bar and a bar for delicacies, designed to give ICA Stop the feel of a market hall.
      “Our main goal was to create a more personal shopping experience,” Snask creative director Freddie Öst told Dezeen.

      “We did this by modernising the brand and giving it a concept as the culinary dream come true.”
      Snask and Westblom Krasse Arkitektkontor used colours that would enhance the produceTo create clean sightlines inside the shop, which also has a restaurant space at the front, Westblom Krasse Arkitektkontor and Snask used rounded shapes throughout the interior.
      “This wasn’t just about keeping the store from turning into a sardine can,” Öst said. “It was about giving everything and everyone room to breathe – and look fabulous doing it – even products that would otherwise be blocking one another.”
      Fruit counters have ribbed sides and perforated metal shelvingFor both practical and aesthetic reasons, the bars and counters were given a ribbed effect that adds textural interest to the store interior.
      “It’s like putting pinstripes on a curve – it adds just the right amount of flair without messing with the flow,” Öst said.
      “[It’s] a classy shout out to those fluted columns from the architectural playbook,” he added. “We made store design not just functional but fashionably sleek, with a wink and a nod to the ancients.”
      Terrazzo was used for the tabletops in the restaurantThe studios used materials not usually associated with supermarkets for the interior, including lacquered wood, stainless steel and terrazzo, which was used for the tabletops in the restaurant section.
      Counters were wrapped in thick medium-density fibreboard (MDF) and fortified with steel rods to protect them against “rogue shopping carts”, while the fruit and vegetable shelves were constructed from perforated lacquered metal.

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      “We made sure to blur the lines between a regular supermarket and the nirvana of a chef, turning shopping into an experience,” Öst said.
      As the store remained open while it was being refurbished, the studios had to plan the change of the interior in different stages.
      Stainless-steel counters “pop like a comic strip”They chose to use pastel colours throughout the stores for the shelving and bars to keep the focus on the food itself.
      “We fine-tuned the entire space against a new backdrop of soothing soft blue allowing for the fresh produce to become the leading actor with its rainbow hues,” Öst said.
      “The stainless steel counters add a pop like a comic strip,” he added. “The market hall slithers like a friendly serpent, presenting an array of cheese, meats and cold cuts, guiding you through the culinary wonderland without disturbing the colours of food and packaging.”
      Snask redesigned the logo and branding for the storeAs well as the refreshed interior, Snask also worked on the branding for ICA Stop.
      “The logo was redrawn and we also added the S symbol, making it a recognizable brand marker,” Öst explained.
      “Per usual, we threw away the old ways of doing things and dialled up both colours, typography, design, architecture and fun.”
      The colourful store is located in Täby outside of StockholmThe unusual interior of the store, which is now open to customers, has divided opinions.
      “Most customers adored the change, while others… not so much. But hey, that’s the result of flipping the supermarket game on its head,” Öst concluded, adding a quote by graphic designer Tibor Kalman: “When you create something no one hates, no one loves it either”.
      Other creative grocery store designs include Wine and Egg in Los Angeles, which was designed to have a “European feel”, and the stripped-back and simple interior of supermarket Consum’s Benicàssim store.
      The photography is by Mikael Lundblad och Jesper Westblom.

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      Bentley curates Scandinavian architecture and design travel experience

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      Promotion: in 2023 Bentley Motors launched an architecture and design-centred travel experience around Scandinavia, with highlights that included a stay at Wingårdhs’ forest hotel in Sweden and a tour of BIG’s studio in Copenhagen.

      The Extraordinary Journey Scandinavia tour was one of a series of curated travel experiences presented by Bentley in 2023, offering the opportunity to explore attractive destinations from behind the wheel of its luxury cars.
      The five-day, four-night tour started in Stockholm, where guests were collected from the airport in a chauffeured Bentley and taken to their first night’s stay in the world-renowned Ett Hem hotel.
      The first night’s stay was at Stockholm’s Ett Hem hotelWith interiors created by designer Ilse Crawford, the hotel is known for merging luxury with a feeling of home, with spaces that encourage guests to relax and mingle as if at a manor house.
      The hotel hosted a welcome reception, dinner in the library and a nightcap for the small party of guests on day one to get to know each other.

      On day two, attendees took the wheel of one of several Bentley models on offer and began the journey south through Sweden’s forests, with Scandinavia’s finest architecture and design destinations guiding the way forward.
      For lunch on day two, attendees stopped at NaturehouseFor lunch, the tour stopped at Naturehouse, a sustainability-focused lakeside spa by Tailor Made Arkitekter that merges the forms of a barn and a greenhouse, before continuing to reach the Trakt Forest Hotel in Småland in the afternoon.
      Designed by Wingårdh architecture studio, the hotel features just five suites that are raised high into the treetops on stilts, giving guests the chance to feel immersed in nature.
      The suites are “a true representation of Bentley’s design values of sustainability, materiality, and innovation” said the brand, and guests had the opportunity to relax in the sauna or hot tub before joining the hotel owners Sandra and Mattias Sälleteg at a drinks reception.
      The evening also included dinner in a forest near the hotel, which was made by Michelin star chef Niklas Ekstedt and celebrated natural ingredients coming together “to create something greater than the sum of its parts”.
      Lunch on day three took place at Wanås Hotel and Sculpture ParkDay three saw the group continue the drive south through Sweden’s forests and stop for lunch at Wanås Hotel and Sculpture Park, built around two converted stone barns with interiors by Kristina Wachtmeister.
      They then drove on through Malmö and across the Öresund Bridge, the longest bridge in Europe, connecting Sweden and Denmark, before switching to chauffeured transport once again for the final stretch of the journey to Copenhagen.
      With accommodation at the Nimb Hotel in Tivoli Gardens, guests had ample opportunity to explore Copenhagen, including dinner at a world-renowned Nordic restaurant and then a city tour hosted by the Danish Architecture Centre.
      Day four included a tour and lunch at Bjarke Ingels Group’s studioThere was also a tour of Bjarke Ingels Group’s studio, hosted by a member of the team who gave insights into their creative practice. Lunch was also held within “the beating heart” of the office.
      Bentley’s Extraordinary Journey continues in the UK in 2024 with a programme where attendees will experience a scenic route starting at Crewe, the home of Bentley Motors, to The Macallan Estate in Speyside, Scotland. The UK programme runs from 19 to 22 August and 2 to 5 September.
      For more information and to register interest, visit the Bentley website.
      Partnership content
      This article was written by Dezeen for Bentley as part of a partnership. Find out more about Dezeen partnership content here.

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      Lab La Bla uses “hyper-ordinary materials” for energy operator HQ interior

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      Local studio Lab La Bla sourced diabase rock from a nearby mine and created seating from MDF and recycled cork for the interior of energy company E.ON’s headquarters in Malmö, Sweden.

      Lab La Bla designed the headquarters’ reception area, coat room and lounge area, while also creating furniture, sculptures and other accessories across nine floors of the 22,000-square-metre building.
      The studio aimed to create a sequence of space that had variety, while taking inspiration from sources including airport terminals.
      The studio used recycled materials for the interiors”Creating work for an office that houses 1,500 employees is both challenging and inspiring,” co-founders Axel Landström and Victor Isaksson Pirtti told Dezeen.
      “It’s about creating spaces and functions that cater to the many while offering a mix of focus, creative and social environments, so it’s really about designing for the masses without making it boring or generic,” they added.

      “There’s a current fascination about airport interiors in the studio, so for the reception area we drew from that source of inspiration.”
      Seating was made from MDFIn the reception area, the studio created a set of sunny yellow furniture made from medium-density fibreboard (MDF) covered in nylon fiber.
      “The overall project for us is sort of a reaction to dysfunctional and non-sustainable processes inherent within our industry,” the studio explained.
      “For the reception area MDF and screws have been coated with repurposed nylon fiber using a technology commonly seen in the automotive industry, resulting in furniture that celebrates leftover material but without compromising on durability.”
      A bench features a “melting” diabase stone detailFor the building’s central atrium, Lab La Bla designed an unusual bench that features a gloopy stone decoration resembling an oil spill.
      This was created using diabase stone, which is famous for its blackness and was mined nearby in southern Sweden. The process of creating it was informed by its setting at an energy company headquarters.
      Lab La Bla sourced local materials for the project”Since electricity and magnetism are essentially two aspects of the same thing – and E.ON being an electric utility company – we thought it suitable to introduce magnetism as a modelling tool,” Landström and Isaksson Pirtti explained.
      “The shape of the piece comes from dropping a lump of magnetic slime on top of a conductive material,” they added. “The slime seemingly randomly slump and drapes over a metal bar before settling in its final shape.”

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      Lab La Bla then scaled this shape up and hand-sculpted the shape from a single block of diabase, which was finally sandblasted and polished.
      “We see this process as an adventurous exploration in making a physical representation of the invisible force that shapes our world,” Landström and Isaksson Pirtti added.
      Mouth-blown glass panels form a three-metre-high sculptureThe studio also turned brick beams, left over from the construction of a school in Malmö in the early 1900s, into umbrella stands, and sourced mouth-blown glass panels from one of the few remaining producers of the material.
      This was used, together with dichroic glass, to create a three-metre-high glass sculpture with a graphic pattern that depicts a CT-scan of a wood-fibre material.
      Glass sculptures were formed inside hollowed-out tree trunksLab La Bla also created decorative vases and glass sculptures using molten glass blown into tree trunks that had been hallowed by fungal decay. The trunks were sourced from E.ON’s own local heating centre.
      These trunks “serve no industrial purpose, but are burnt for energy by E.ON and used for teleheating for Malmö,” the studio said.
      “We borrow these tree trunks to blow glass in them, before returning them to their final purpose.”
      Lounge sofas were made from ground-down wine corksIn the headquarters’ lounge areas, the designers created modular sofas made from ground-down wine corks sourced from restaurants.
      “The modular cork sofa uses a unique process where 100 per cent recycled cork is sprayed onto a foam structure, proudly incorporating signs of imperfection into the design while bringing superior durability and sustainability to your furniture,” Landström and Isaksson Pirtti said.
      A table has an office-style glass relief with a keyboardTo the designers, the aim of the interior design was to use disused or forgotten materials, as well as ones that were recycled and recyclable.
      “We took a conscious decision of picking hyper-ordinary materials such as MDF and aluminium to pinpoint and educate people about cyclic and sustainable qualities inherent in the processes of creating these materials,” the studio said.
      “We often try to celebrate the beauty and intrinsic qualities of everyday, industrial materials otherwise consigned to temporary or low-cost construction solutions,” it added.
      “We wanted to design objects which require significant time and skills from craftspeople, usually reserved for expensive, rare and high-quality materials – to some of the very inexpensive and found materials that we used throughout the project.”
      Lab La Bla’s designs have previously been shown at the Moving Forward exhibition at Stockholm Design Week and as part of the Metabolic Processes for Leftovers exhibition in Malmö.
      The photography is by Lars Brønseth.

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      Note Design Studio enriches Stockholm apartment with “cloudy” ceiling stucco

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      Note Design Studio has updated this formerly characterless apartment in Stockholm to feature bespoke Douglas fir joinery and curvy stucco ceilings designed to suggest cloud formations.

      Although the Cloudy Outlines apartment sits within a building dating back to 1842, Note Design Studio says the interior had been stripped of any historic charm and “traces of craftsmanship” during previous renovations.
      Douglas fir joinery appears throughout the Cloudy Outlines apartmentIt also had a poor layout, with a living area that could only be accessed via a dark, lengthy corridor snaking around the back of the apartment while the remaining rooms were awkwardly shaped and difficult to furnish.
      The studio decided to redesign the home from scratch, knocking down all of its internal walls to form a more cohesive floor plan.
      The apartment’s corridor was repositioned to allow for more natural lightThe corridor was repositioned to run parallel to the building’s window-lined facade and, as a result, is now flooded with natural light.

      Rooms were classically finished with white-painted walls and Douglas fir flooring.
      Curved stucco gives the ceilings a soft, cloud-like qualityBillowy stucco moulding was added throughout to give a soft “cloudy” quality to the ceilings and provide a contrast with the “rationality and material robustness” of the apartment, the studio explained.
      “With the previous interior and finishes removed, a new holistic design was developed with a limited amount of design principles, all with a timeless ambition,” Note Design Studio said.

      Note Design Studio draws on Swedish Grace style for Habitat 100 apartment

      In the kitchen, Douglas fir was used again to create simple cupboards and a striking circular cover for the extractor fan.
      The countertop, on the other hand, is overlaid with a sleek metallic finish.
      Furnishings in pastel hues disrupt the otherwise neutral colour schemeAll of the apartment’s doors, as well as its window sills, are also made from Douglas fir.
      The material palette only deviates slightly in the bathroom, which features grey-tile surfaces and flecked terrazzo-like flooring.
      The stucco effect can also be seen in the bedroomThe Cloudy Outlines apartment is one of several residential renovations that Note Design Studio has completed in the Swedish capital, where the firm is based.
      Among them is Habitat 100 – an apartment littered with references to the Swedish Grace movement – and the Mantelpiece Loft, which is distinguished by its colour-block bedrooms.
      The photography is courtesy of the studio.

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      Studio Giancarlo Valle transforms historic Stockholm cinema into tactile rug showroom

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      Interior design firm Studio Giancarlo Valle has turned an early 20th-century cinema in Stockholm into a showroom for rug company Nordic Knots, restoring its original stone details and adding warm wood and brushed steel.

      Mottled green marble covers the walls of the 150-square-metre showroom, which is located in the central Östermalm area of Stockholm.
      As part of the revamp Studio Giancarlo Valle restored the existing marble – a traditional Swedish type of stone called Kolmårdsmarmor – as well as the building’s grand central staircase.
      The showroom is located in a former cinema in ÖstermalmThe studio also added more contemporary touches, such as brushed stainless-steel details and walnut and oak furniture.
      “The interior is historic and we wanted to preserve the architectural details, so we restored the terrazzo and plaster,” studio founder Giancarlo Valle told Dezeen.

      “The building is a 20th-century former movie theatre and it was critical to maintain a sense of grandness when entering the space,” he added.
      Green marble from Sweden clads the wallsNordic Knots’ co-founder Liza Laserow wanted the interior to feature as many of the original details in the 1918 building as possible.
      “During the demolition of some old closets, we discovered the original floor to the building from the early 1900s – a muted green terrazzo with a red and white checkerboard,” Laserow told Dezeen.
      “Discovering the original flooring made us realise that we wanted to use terrazzo throughout, as the green colour in the original terrazzo matched the green marble on the walls perfectly.”
      The brand managed to find a Swedish company that could replicate the original terrazzo to cover the entire floor area.
      Rugs designed by Giancarlo Valle decorate the spaceThe stone floors and walls are complemented by a variety of natural materials.
      “To balance out the existing stone and terrazzo, we brought in warmer, more tactile materials like pine, oak, and walnut,” Valle said.
      Oak and walnut shelves decorate the walls of the Sample Bar, a room where customers can see samples of different Nordic Knots rugs, and where Studio Giancarlo Valle introduced custom-made oak lounge chairs.
      The Sample Bar features wooden shelving and steel furnitureValle also added brushed-steel touches to the Nordic Knots showroom, including on its custom-made steel and walnut coffee bar in the main gallery area and a table in the Sample Bar.
      The furniture throughout is designed in reference to the building, such as the curved front of the coffee bar that reflects the shape of its doorposts.

      Luca Nichetto transforms Swedish villa into his own studio and showroom

      Laserow and co-founder Fabian Berglund had previously worked with Valle on a series of rugs for the company, which resulted in four designs, including an all-beige rug with a pattern of open hands and a red rug with flower buds on it.
      These are used to decorate the walls and floors of the showroom.
      Meeting rooms are located in the back of the buildingAt the back of the building sit the company’s meeting rooms and office spaces, which feature wooden furniture and a colour palette of saturated blues and mustard yellows.
      “The new interiors very much honour the building’s history,” Valle said.
      “We were careful to preserve the historic architectural details, along with the feeling of entering a grand theatre, when designing the space.”
      The original terrazzo floor is replicated throughout the spaceThe showroom opened during this year’s edition of Stockholm Design Week, which also featured an exhibition of “functional art” by Danish studio Tableau and a virtual apartment.
      Studio Giancarlo Valle’s designs have previously been used for projects including a showroom in a Brooklyn warehouse and a co-working company founded by Yves Béhar.
      The photography is courtesy of Nordic Knots.

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      Westblom Krasse Arkitektkontor adds colour to 1980s Stockholm apartment

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      An all-lilac kitchen and bright geometric storage solutions feature in this colourful Stockholm apartment renovation by local studio Westblom Krasse Arkitektkontor.

      The two-bedroom apartment, which is housed within a 1980s prefabricated concrete building in southern Stockholm, was transformed by the architecture studio for a family with four-year-old twins.
      Westblom Krasse Arkitektkontor renovated the apartment for a family with twinsAs part of the renovation, Westblom Krasse Arkitektkontor created a number of space-saving storage solutions. For example, the original floor plan featured an enclosed storage space in the middle of the apartment.
      The studio converted this into a trio of smaller storage units for the living room, the kitchen and the pantry. This was achieved by decreasing the size of the hallway but maintaining a corridor to the open-plan living room and home office.
      A see-through bookshelf and the studio’s bespoke Elephant sideboard feature in the living space”The original floor plan was robust and quite deep, with a load-bearing wall separating the living room and bedrooms into two halves,” studio co-founder Jesper Westblom told Dezeen.

      “We didn’t want to close off the spaces by making tiny enclosed rooms, but rather make light additions. The aim was to use small adjustments to make the rooms more defined spatially.”
      Red, yellow and blue tones feature throughout the apartmentA palette of hues created from a mix of the three primary colours – red, blue and yellow – features throughout the home, with the colours offset by white-painted flooring.
      Westblom Krasse Arkitektkontor also chose a combination of pine wood and red medium-density fibreboard to create bespoke joinery and furniture.
      An all-lilac kitchen creates a statement accentThe kitchen was finished in a floor-to-ceiling shade of bluey lilac that also characterises a built-in geometric bench next to the dining table and a tall cupboard concealed behind a “secret door”.
      A large bookshelf divider decorated with organically shaped vases creates a partition between the open-plan living room and office area, with a burnt-orange shelving system providing extra storage.
      The office area can also be cordoned off with a curtain to create extra peace and quiet.
      Matching doors provide separate entrances to the twins’ shared bedroomThe architecture studio’s Elephant sideboard – a chunky blue table that owes its name to its sturdiness and colour – was also included in the living space.
      The family’s twins share one bedroom, which can be entered through two tall and narrow doors, adding a playful touch to the apartment.
      Small windows were also added above these doors to increase the natural light in the apartment.

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      Inside the twins’ bedroom is a sleeping zone and a play area, which are separated by a low wall to create a clear delineation between the two spaces.
      “One of the biggest – and most fun – challenges was to make every single space useful and effective and make room for both play and recovery,” reflected Westblom.
      Subtle storage solutions define the apartmentWestblom and Robin Krasse founded their eponymous Stockholm-based studio in January 2021.
      The firm previously completed the interiors for a local hair salon, which takes cues from architect Carlo Scarpa’s geometric designs and the muted colours of 1920s swimming baths.
      The photography is by Jesper Westblom.

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      Luca Nichetto transforms Swedish villa into his own studio and showroom

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      Luca Nichetto has converted a 1940s villa in Stockholm into a studio to display his designs in a domestic setting and provide a comfortable working environment for his team.

      The Italian designer’s studio was previously based out of an apartment in the city’s Midsommarkransen neighbourhood. But when the landlord wanted to raise the rent, Nichetto decided to relocate to a larger property in a nearby suburb.
      Luca Nichetto has turned a 1940s villa into his own studio”I didn’t really need to look for another space in the city centre because it’s not that important for us as we work globally,” Nichetto explained.
      “A week after beginning to search, I saw on the real estate market what is now the Pink Villa. It was simply perfect and I made the offer.”
      A blush-pink staircase leads up to the first floorThe Pink Villa is a typical 1940s wooden house with a gabled roof and a large garden. Nichetto bought the property in 2021 and began adapting the interior to make it suitable for use as a studio.

      “I didn’t want a conventional studio space but rather a space that could be a studio, a showroom and a domestic property to be used on the weekends by my family and during the week by my team,” the designer told Dezeen.
      Nichetto’s Banah sofa for Arflex sits in the living areaThe villa takes its name from its distinctive pink exterior, which was given a fresh coat of bubblegum-pink paint to maintain its characterful presence on the street.
      The property’s existing three bedrooms were transformed into a private office for Nichetto on the first floor and a meeting room and tailor’s workshop on the ground floor, which his wife uses on the weekends.
      La Manufacture’s Soufflé mirror helps to bring character to the spaceA corridor leads from the entrance to a bright living room that looks onto the garden. An opening beyond the stairs up to the first floor connects with the simple custom-built kitchen.
      Along with Nichetto’s office, the upper floor contains a second bathroom and a large open workspace that facilitates flexible use rather than incorporating dedicated workstations.
      Bright and bold colours were used throughout the interiorThe interior features a pared-back palette of materials and colours that provide a neutral backdrop for a selection of products and furniture designed by Nichetto for brands including Offecct, Cassina, Arflex and Bernhardt Design.
      “I wanted to give a touch of warmth and I did that using colour and volumes,” the designer said. “I particularly chose materials culturally connected with the south of Europe and very deliberately mixed them with Scandinavian features.”

      Watch our talk with Ginori 1735 and Luca Nichetto about their new collection of home fragrances

      In the living area, pale-pink walls and white-painted floors contribute to the light and airy feel. Nichetto’s Banah sofa for Arflex and Soufflé mirror for La Manufacture are among the playful designs that bring character to this space.
      Upstairs, the main office spaces feature furniture such as Nichetto’s Torei low table for Cassina and Nico armchair for Bernhardt Design. His office contains the Railway table for De Padova and Robo chairs by Offecct.
      Walls in the living area were painted a light pinkOne of the key qualities that attracted Nichetto to the property is the spacious garden, which includes a terrace furnished with his Esedra table and Pluvia chairs for Ethimo.
      The basement garage was converted into a self-contained guest suite called the Chalet, which includes a living room, bedroom and bathroom with a Swedish sauna.
      The house also has a self-contained guest suiteSince the renovation was completed in April 2022, the Chalet has hosted international visitors including art directors, photographers and designers.
      The property’s location close to a park and to the water was another reason it appealed to Nichetto, who said he enjoys the proximity to nature and the good relationship he has established with his neighbours.
      Ceramic tiles provide a pop of colourA housekeeper was hired to look after the studio and to prepare meals for the team, adding to the sense of it hybrid space that is both domestic and designed for work.
      “It’s like being in a family: we all have lunch together and there are no fixed workstations to work,” he explained. “Moreover, whoever comes to visit us, if he wants, can stay and sleep. The idea is to create a sense of community.”
      Ethimo’s Esedra table and Pluvia chairs decorate the terraceLuca Nichetto established his multidisciplinary practice in Venice, Italy, in 2006 and continues to run a studio there alongside his main office in Stockholm. Nichetto Studio specialises in industrial and product design as well as art direction for design brands.
      Nichetto’s recent work includes a series of home fragrances for Ginori 1735 and his first foray into fashion accessories in the form of the apple-leather Malala handbag.
      The photography is by Max Rommel.

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      Note Design Studio draws on Swedish Grace style for Habitat 100 apartment

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      Local firm Note Design Studio has overhauled a 1920s flat in Stockholm, adding sound-absorbing marble floors, mouldings informed by the eaves of the building and custom-made furniture.

      The studio renovated the apartment, which is located in a building designed by architecture studio Höög & Morssing in the early 1920s, to create an interior that “might pass for the original”, it said.
      The original interior of the apartment informed the renovationThe studio made significant changes to the floor plan for its renovation of the 350-square-metre Habitat 100 apartment.
      “The biggest changes were made to the practical spaces and the reception rooms,” Note Design Studio architect Jesper Mellgren told Dezeen. “The entrance was awfully tight in relation to the size of the residence, so we rearranged the floor plan in order to create a generous atrium with clear guidance in how to navigate the apartment.”
      Note Design Studio added new floors in the whole apartmentNote used greyed wood to mark the private spaces in the flat and separate them from the atrium, lowered the ceiling and removed the floors to create better acoustics.

      “To reach the anticipated level of acoustical improvement all floors had to be removed in order to strengthen the joists and put in 100 tons of marble gravel,” Mellgren said.
      “Then we casted a new floor in the whole apartment to glue the new wood and marble floors upon. For the ceilings, we needed to create new ones detached from the original slabs.”
      Ceilings were lowered throughout to improve the acousticsLocated in central Stockholm, the house that the apartment is in was built during the Swedish Grace era, a romantic, refined style movement in the 1920s.
      In terms of interior design, Swedish Grace was “very much about the architectural promenade — implementing new findings while exploring a floor plan,” Mellgren explained.
      The Habitat 100 apartment features a mix of wood and marbleNote Design Studio nodded to this idea in its renovation of Habitat 100, which also features multiple references to surrounding buildings.
      “Walking through the apartment is very much a journey of discovery where every space has unique qualities influencing its design,” Mellgren explained.

      Note Design Studio creates “unexpected” restaurant in historic Stockholm food hall

      “We borrowed a lot from the immediate surroundings for obvious references to the style of the building and its context,” he added.
      “For instance; the radiator covers are balcony railings from the neighbouring building, the ceiling mouldings are similar to the eaves of the building, and the floor patterns are inspired by entrance door ornaments in the area.”
      Note Design Studio custom-made a number of the furniture pieces for the home, including this deskThe studio used a materials palette of marble and different types of wood to create a calm atmosphere in the flat and match the other materials used in the building.
      Swedish Ekeberg and Brännlyckan marble was used in parts of the flats in a nod to the communal stairwell, which is clad in Italian marble.
      Wood was also used throughout the flat. “As a contrast for social spaces and bedrooms we used oak to bring warmth and calmness,” Mellgren said. The studio stained the oak to achieve the right colour.
      “Two precious woods, mahogny and wenge, circles the cross-patterned oak floors to mimic traditional Swedish floor laying,” the architect added.
      Different types of wood were used throughout the interior, for which Note Design Studio also made the bedside tablesNote Design Studio also aimed for the furniture chosen for Habitat 100 to add “another layer.”
      “We were fortunate to be trusted with designing a lot of custom-made furniture for the different spaces; nightstands, desks, mirrors, tables and washstands, which gave us more control in the creation of a vivid coherent expression,” Mellgren said.
      The studio used LED light strips, hidden beneath the ceiling mouldings, to create gradients of light and shadow on the walls.
      The apartment has a clean, light interiorThe aim for Habitat 100, so called because it was designed almost exactly one hundred years after the building was completed, was for it to never be demolished.
      “This project is very much about restoring the residence to something genuine and appropriate for its original architecture,” Mellgren said.
      “The main goal is for this interior detailing never to be demolished or replaced, still being personal to the client and exploratory for us in finding a contemporary interior that was conceivable 100 years ago.”
      Marble in the communal hallway informed the choice of material in the apartmentOthe recent projects by Note Design Studio include a restaurant in a historic Stockholm food hall and a warm-hued wine bar that doubles as an office.
      The studio has also designed a number of furniture and lighting pieces, including the streamlined Sprinkle pendant lamp for Zero Lighting.
      The photography is courtesy of Note Design Studio.

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