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    Gharib Studio outfits Austin jewellery store with pink walls and arches

    Los Angeles design studio Gharib Studio has contrasted concrete floors and exposed ceilings with soft-pink walls and clean lines for a jewellery store in Austin.

    Created for the friendship jewellery brand Little Words Project (LWP), Gharib Studio used elements of the merchandise to inform the store’s pink material palette and incorporated arches throughout the space to contrast the industrial elements of the building, which were left exposed.
    Gharib Studio has outfitted a jewellery store in Austin with dusty pinkAccording to Gharib Studio founder Nora Gharib, the team followed the common phrase “everything is bigger in Texas” when designing the concept store.
    “I wanted to amplify the brand in a grand way by taking the LWP brand aesthetic and localizing it to Texas by pushing the standard design elements, such as the brand’s bracelet arches and beading table experience, then accentuating it,” said Gharib.
    Arches and soft tones contrast with the space’s industrial elementsVisitors enter the store into a large, primary space, where built-in display cases were integrated into the walls.

    On one side, the display resembles small bookcases and on the other, the bracelets are displayed throughout a series of arches.
    Long tables lead to the seating area at the back of the spaceAt the centre of the primary space are two long tables with metallic-coated bases, also used for display. A circular display table in the middle was created to resemble a vanity, with merchandise incorporated throughout.
    Gharib inserted three arches along the back of the space, in part to accentuate the height of the space, and to draw visitors to the space beyond them, which serves as a beading area.
    Metallic details were informed by the charms found on the braceletsThis space was outfitted with CB2 Castell Chairs in burgundy, with similar tables as the main space, except with pink bases instead of silver.
    A neon sign that reads, “You can sit with us” hangs above the tables.

    Side Angle Side transforms mid-century Austin post office into restaurant

    Textured dusty-pink wallpaper by Belarte Studio was used to line the space, while the remaining interior was covered in a rose pink hue.
    Metallic accents throughout the store, including aluminium light pendants, a metal trimmed mirror and the display table’s metallic bases, were informed by the metal charms found in LWP bracelets.
    It is the brand’s first store in AustinThe space’s utility elements were left exposed on the ceiling, with red track lighting running the perimeter of the space.
    Other retail projects recently completed in Austin include a mid-century post office turned grocery by Side Angle Side.
    Gharib Studio is a Los Angeles-based studio founded by Nora Gharib in 2023, focused on retail and brand design.
    The photography is by Casey Woods Photography 
    Project credits:
    Architectural designer: Gharib Studio
    General contractor: Paco Santander Construction

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    Side Angle Side transforms mid-century Austin post office into restaurant

    Texas architecture studio Side Angle Side has adapted a 1960s post office into a food market and restaurant in Austin.

    Opened in October 2023 in the Hyde Park area, Tiny Grocer serves as a speciality market, bar and cafe while Bureau de Poste is a modern French bistro led by celebrity chef Jo Chan.
    Side Angle Side has transformed a 1960s post office into a food market and restaurantAustin-based commercial and residential architecture firm Side Angle Side renovated the 3,500-square foot (325-square metre) 1967 US Post Office building and added a 1,500-square foot (140-square metre) outdoor dining patio.
    “The Hyde Park U.S. Post Office was an important neighborhood hub in the 1960s – so we were especially careful to keep the integrity and spirit of the mid-century-utilitarian design,” Arthur Furman, founding partner of Side Angle Side, told Dezeen.
    The team sought to preserve the building’s history as a community hub”As the anchor tenant in the space, Tiny Grocer continues to be the centre of the community, a place to gather, shop, eat and drink.”

    The shell of the white brick building was left intact, but the street-facing facade was previously used as a loading dock so the team transformed the back-of-house edge into a welcoming patio for the neighbourhood by removing the asphalt and adding two large live oak trees and a steel trellis and planters.
    The exterior of the building was kept intactA cast-in-place concrete banquette holds the edge of the patio that is paved with antique red brick.
    The steel planter forms a boundary between the parking area and the dining space, while the other edge is held by a light grey-coloured stucco restroom building. White metal furniture from Isimar and Portofino was used to furnish the patio.
    “The patio and wine garden is the real heart of the project,” the team said, mentioning that it wasn’t within the original scope of the project but added later when its larger value was realized. “This is where all the care and thought of the interior spills to the outside, creating a lively environment.”
    The renovated building has exposed concrete floors from the original buildingOn the interior, Side Angle Side complemented the original ceiling and open web joists with metal decking and industrial warehouse pendants by AQ Lighting. The polished concrete floors expose the weathered imperfections and show the history of the building.
    Upon entering, shoppers take in the colourful selection of curated products displayed on white oak mercantile shelving. Green millwork hugs one wall and the space widens to an open interior plan.
    A patio and wine garden is at the heart of the projectA central deli and coffee bar floats in the middle of the room and creates a transition from the market to the bistro. The bar is wrapped in Seneca terracotta tile and topped with grey and white quartz countertops. Wooden Soule barstools are tucked under the waterfall counter.
    The back-of-house spaces hold a kitchen office, storage, and bar equipment.

    Side Angle Side creates gabled home in Austin for an architectural photographer

    “Working closely with the owner, design finishes hint at the building’s midcentury past,” the team said, referencing the custom, built-in leather banquette by Undercover Austin Upholstery that lines the bistro’s back wall.
    Above the banquette and Second Chance Custom wooden dining tables hang black cone light pendants by All Modern.
    The patio features brick flooring and white metal furniture”The single biggest sustainable feature of this project is one that is often overlooked,” the team said, noting the adaptation of the structure. “The ‘loose fit, long life’ style of these old buildings leads to more reuse and far less waste.”
    Recent adaptive reuse projects in Austin include a 1900s house converted to a luxury office by Michael Hsu and commercial units converted to an architecture studio by Baldridge Architects.
    The photography is by Likeness Studio and Mackenzie Smith Kelly.
    Project credits:
    Structural engineer: Creative EngineeringMEP engineer: ATS EngineersBuilder: Archive PropertiesCommercial interior design: Side Angle SideArchitects: Side Angle SideBuilding shell: Thought Barn StudioLandscape design: Side Angle Side & Wild Heart DirtOwner: Steph Steele

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    Michael Hsu converts 1900s Austin house into luxury office

    Texas studio Michael Hsu Office of Architecture adapted a 110-year-old bungalow into an office for technology and bio-science investment firm 8VC in Austin.

    Completed in 2023, 8VC’s new Austin headquarters are located on a half-acre lot along South Congress Avenue, a busy entertainment district of the Texas capital.
    Michael Hsu Office of Architecture renovated an early 20th-century house in AustinOriginally constructed in 1912, the home was once a brothel and had many renovations, becoming the first building south of the city’s Colorado River to have power.
    “This project preserves one of the few remaining stately houses on South Congress,” Michael Hsu, founder of his eponymous studio, told Dezeen. “The design takes cues from its past by providing a fresh take on vintage inspirations and opens up the space to accommodate modern uses.”
    The design preserved many original detailsUsing the client’s desire for “an office that felt like a home,” the team revamped the two-storey house into a 4,845-square foot (450-square metre) workspace with multiple production, meeting, and gathering spaces — including a 557-square feet (52-square metre) clubhouse tucked at the back of the property.

    The preserved exterior of the building draws on the home’s original stately design but was updated and sealed in a dark matte finished stucco with low-profile dark window frames.
    The ground floor is oriented around hearth spacesRelocating the entry around the side of the property with a grand wrap-around plaza, the home’s original screened porch was traded for a glazed exterior corner that connects the exterior and interior spaces.
    The ground floor consists of multiple indoor and outdoor gathering spaces. The interior is organized around a central enfilade and two hearth spaces inspired by the original brick chimneys.
    The clients wanted a home-like feel to the interiorThe rich, warm-toned interior has a “sophisticated study-like atmosphere is achieved through the careful selection of materials and color-mapped palettes, including walnut wood floors, lime wash paint, striking wall coverings, plaster arches and marble finishes,” the team said.
    Plaster arched openings pass from the white central lounge to jewel-toned gathering spaces – one of which features a ribbed black fireplace that appears to melt into the floor in front of a marble coffee table.
    A mix of modern and antique furniture was used”The furnishings, a mix of vintage and modern pieces with luxe fabrics and textures, create a sense of intimacy.”
    Designed to be “luxurious but not ostentatious”, the office features textured and sculptural accents like a leather-wrapped reception desk by David Ambrose and a grand chandelier by Karen Hawkins that hangs in the centre of the staircase.

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    Above, the plan was reorganised with a large open desk layout in the southern corner along the glazed wall and private offices lining the northwestern and northeastern walls.
    “The interior was inspired to feel fresh but like it was original to the house,” the team said with “multiple moments of surprise and intrigue depending on where you are in the space”.

    Between the main office and the separated clubhouse is a large outdoor gathering area shaded by the heritage tree canopy that the team preserved during construction.
    “It was important to us that the building and its design reflect the values of our company and our mission,” 8VC founder Jake Medwell told Dezeen. “It took years to find and build out the right place and we are very happy with the outcome.”
    Recently, Michael Hsu Office of Architecture adapted a 1930s church in Austin into a studio for argodesign.
    The photography is by Chase Daniel.
    Project credits:
    Landscape: MHOAGeneral contractor: The Burt GroupMEP: AYSStructural: StructuresOwner’s rep: Darrell Arevalo, Urban TerraWaterproofing: ActonCivil: WGISignage: BIG

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    Video reveals Michael Hsu’s organic approach to interiors of Austin high-rise

    Texas studio Michael Hsu Office of Architecture has designed the common areas for a 50-storey residential high-rise building in Austin, as shown in this exclusive video captured by Dezeen.

    Called 44 East, the building is located east of downtown Austin in the Rainey Street Historic district. The firm designed the interiors of the building’s common areas, which take cues from its natural surroundings, particularly the neighbouring Colorado River.

    Michael Hsu Office of Architecture has designed the interiors of 44 East
    The practice enhanced the space using colour and texture, layering vintage and custom furnishings to create a relaxed and inviting ambience.
    Curved surfaces and light colours are incorporated throughout the space, with poured concrete terrazzo floors incorporated to pay homage to the gravel of the nearby riverside trail.
    Curved surfaces and light colours are incorporated into the lobby area of 44 EastThe interior is characterised by the use of soft shapes and natural materials throughout the various spaces, including on the eleventh floor, where pastel hues complement subtle architectural details.
    The outdoor swimming pool features a series of pebble-shaped islands, with a partially-covered patio inviting guests to relax outside and enjoy the views of the river.
    The eleventh floor features a circular outdoor swimming poolOn the thirty-seventh floor, a large moon-like pendant light is suspended above a plush circular sofa.
    The higher vantage point offers scenic views of downtown Austin, and features jewel tones and darker materials intended to complement the Texas skyline at dusk.
    The thirty-seventh floor features darker tones to complement views of the Texas skyline44 East was developed by Intracorp, while the tower and unit interiors were designed by Page and landscapes designed by DWG.
    The interior design of the common spaces is one of the latest projects by Michael Hsu Office of Architecture, which is based in Austin and Houston.
    The company recently completed its self-designed Austin studio, which is adorned in wood-and-fabric lined walls and industrial details, to accommodate its growing team.
    The photography is by Chase Daniel.
    Partnership content
    This video was produced by Dezeen for Michael Hsu Office of Architecture as part of a partnership. Find out more about Dezeen partnership content here.

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    Video reveals Austin guesthouse perched above existing family bungalow

    This exclusive video produced by Dezeen features The Perch, architect Nicole Blair’s elevated house extension in Austin, which was designed to maximise living space.

    As its name suggests, the structure is perched just two feet above the roof of the existing home to minimise disturbance to the residence below.
    Blair clad the guesthouse in weathering-steel panels and added wood-framed windows provided by Windsor Windows & Doors. The Burnt Pumpkin colour of the windows was selected to complement the Corten-steel exterior.

    The structure spans 660 square feet and consists of an irregularly shaped steel volume supported by four columns.
    The assembly of the steel structure took place offsite, in order to minimise disruption to the mature vegetation on the premises and reduce on-site material storage.
    The wood-clad windows were provided by Windsor Windows & DoorsThe architect designed the interior of the guesthouse to have a bright, airy atmosphere and adorned it with colourful accents.
    It features wood flooring supplied and installed by local company Artisan Hardwood Floors, which was complemented with pink cabinetry and exposed plumbing fittings throughout the home.
    The materials used for the wood flooring were a mix of pre-finished plain and rift-sawn white oak, along with excess wood recycled from a larger project by the company.
    The wood flooring was supplied and installed by Artisan Hardwood FloorsThe first floor of the guesthouse encompasses an open-concept kitchen, living room and dining area with compact footprints and vaulted ceilings for an increased sense of space.
    The upper level includes a room facing the street and another overlooking the backyard, designated for use as a guest bedroom and a hair salon for one of the hairstylist owners.
    The photography is by Casey Dunn.
    Partnership content
    This video was produced by Dezeen for Windsor Windows & Doors and Artisan Hardwood Floors as part of a partnership. Find out more about Dezeen partnership content here.

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    Michael Hsu outfits self-designed Austin studio with “humble materials”

    Michael Hsu Office of Architecture has adorned its studio with wood-and-fabric lined walls and industrial details in Austin in order to create a material “representation” of its work.

    Located in Austin’s Rosedale neighbourhood, the 10,750-square-foot (1,000-square metre) studio combines elements of residential and warehouse architecture.
    Michael Hsu Office for Architecture has completed its self-designed Austin studio”The new studio provides us with the additional space we needed and is a physical representation of our process. The spaces are designed to facilitate how we work now – allowing for different modes, sizes, and shapes of collaboration.” founder Michael Hsu said.
    “We wanted to design a space for our team to develop curiosity and creativity while being surrounded by a community of talented people.”
    The project features bespoke touchesIt was completed in July 2022 for its growing team. Michael Hsu Office of Architecture occupies the first and third floors of the three-storey building.

    The exterior is wrapped in locally crafted terracotta block along the base and dark-coloured horizontal cladding around the top floors that is punctured by large windows.
    Exposed steel trusses add an atmosphere of industry to the spaceThe rectangular plan is bisected by a large pale green exterior staircase with a slatted roof to shade it from the Texas sun. Wooden soffits warm the exterior material with subtle blade signs directing circulation.
    Inside, exposed steel trusses – painted white – add an atmosphere of industry to the space, while the thin black window frames and mullions provide delicate contrast.
    Scarlet-hued velvet furniture contrasts with various industrial accents”The spaces allow for different modes, sizes and shapes of collaboration across a larger footprint,” the team said. “Humble materials were used in beautiful and unexpected ways.”
    “Bespoke furnishings and curated artwork throughout the space reflect a commitment to collaboration with MHOA’s favorite fabricators and artists.”
    A painting by Patrick Puckett decorates the entry loungeThe ground floor – with conference rooms designated for entertaining clients scattered within the buzz of the office – prioritizes finish and formality with bold monochromatic colours.
    The entry lounge is wrapped in light grey routed wooden wall panels and adorned with a vibrant painting by Patrick Puckett and a custom light fixture by Warbach Lighting in collaboration with artist Brandon Mike.
    The casual workspace is juxtaposed by more “formal” conference roomsGrey drapes and scarlet-coloured velvet furniture serve as a plush alternative to the clean lines of the custom spalted maple and polished aluminium reception desk.
    The open-plan workspace is full of light with Calacatta Gold Borghini marble and soft white details set off by raw white oak flooring and walnut desktops and millwork.
    These rooms are draped in sapphire silk and mohair wall coveringsThe casual workspace is juxtaposed with the “formal dining space” of the conference rooms. Draped in sapphire silk and mohair wall coverings, the conference rooms have custom tables by Michael Wilson and Drophouse, vintage chairs and suspended metallic light fixtures.
    Upstairs, the light-filled elevator lobby has playful art inclusions like Shawn Smith’s pixelated deer head sculpture and Hsu’s vintage Ducati motorcycle.

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    The third floor serves as a collaborative space for the designers with “a hands-on material lab and a generous lounge and kitchen designed to support social connection”.
    A custom mint-green and chrome Litmus Industries cabinet divides the space and serves as an intimate moment within the open space full of combined white desks.
    A mint-green and chrome Litmus Industries cabinet divides the space”It was important to the team to represent expertise and show exceptional hospitality to clients while being inclusive and accommodating to MHOA’s designers,” the studio said.
    The office’s affinity for soft jewel-toned furniture placed in large industrial spaces is evident in its 2019 design of Shake Shack’s headquarters in New York and the recent conversion of a 1930s church for Argodesign’s Austin office.
    The photography is by Chase Daniel.
    Project credits:
    Architecture + interiors, FFE selection and procurement: Michael Hsu Office of ArchitectureCustom light fixture: designed in collaboration with Warbach Lighting and artist Brandon MikeCustom tables: Michael Wilson and DrophouseCustom millwork and reception desk: Litmus IndustriesArtists: Patrick Puckett, Denise Prince, Clare Grill, Seung Yul Oh, Dorota Jedrusik, Hugo Pernet and Paolo Arao

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    Michael Hsu utilises soft shapes for Austin skyscraper interiors

    US studio Michael Hsu Office of Architecture has designed the common areas and amenity spaces for a residential skyscraper in Austin, Texas, which include a circular outdoor swimming pool.

    The 51-storey 44 East Avenue development on the city’s riverfront was designed by Page Architects, and includes 330 condominiums and a variety of shared amenities for residents.
    The ground-floor lobby of 44 East Avenue includes a glazed atrium that divides the spaceLocal studio Michael Hsu Office of Architecture took an organic approach when designing the communal spaces, introducing soft shapes and natural materials to the glass and concrete structure.
    “44 East combines nature and design with the idea of home,” said studio founder Michael Hsu. “It’s an unexpected expression of what beautiful, livable, modern spaces can be.”
    Michael Hsu Office of Architecture has layered a variety of vintage and custom furniture in the lobbyThe bright lobby features light colours, curved surfaces, and a blend of hard and soft materials.

    Poured concrete terrazzo floors are intended to echo the gravel of the nearby riverside trail, while plaster ceilings are subtly smooth-edged to mimic the undersides of boats.
    A rounded mint-green reception desk sits in front of a white tambour wallA glazed atrium with curved corners divides the ground floor and brings the landscaping by DWG further into the building.
    Lounges on either side are furnished with a mix of vintage and contemporary pieces, which add colour and texture.
    On the 11th floor, spaces feature pastel tones to match the interiors of the residencesThe reception desk has rounded edges and sides, and a glossy mint-green finish. It sits on a chrome base that matches a custom pendant light over a nearby seating area.
    “[The communal areas are] a completely designed experience, one that allows for a multitude of ways of living,” Hsu said. “It represents creativity and design without pretension.”
    A circular outdoor swimming pool has loungers and pebble-shaped islands at its shallow endsOn the 11th floor, a series of spaces are oriented towards views of the Colorado River and the leafy neighbourhoods to the south.
    A circular outdoor swimming pool features loungers dipped into the shallow water and a series of pebble-shaped islands.
    A tree grows through a hole in the canopy that covers a patio area for grillingAdjacent is a partially covered patio for barbecuing and dining al fresco, oriented around a planter with a tree that grows up through a hole in the slatted canopy.
    Indoor spaces on this level are decorated in pastel hues to match those found in the residences, which were designed by Page.

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    Further amenity areas on the 37th floor feature jewel tones and darker materials, such as the stone flooring, as well as fixtures including a large moon-like pendant light above a circular sofa.
    “We hope that this space feels both fresh and welcoming, a place that has new moments to discover, but that is comfortable and familiar,” said Hsu. “Design here is part of the resident’s everyday experience, rather than reserved for a special occasion.”
    Another lounge on the 37th floor has darker decor and a view of the Austin skylineAustin continues to grow as a desirable place to live and work, and has seen a boom in development across residential, commercial and hospitality sectors as a result.
    Plans for a supertall skyscraper in the city were unveiled in November 2022, although cut back significantly six months later, leaving another supertall by KPF in the running to become Texas’ tallest building.
    44 East Avenue is located beside the Colorado River, east of Downtown AustinMeanwhile, a concrete office complex, a sculptural tower, and a technologically advanced sports arena have all been completed in Austin over the past year.
    Michael Hsu Office of Architecture has also wrapped up a string of projects in its home state, from converting a 1930s Austin church into a design office to designing a cosy Japanese restaurant in Houston.
    The photography is by Chase Daniel.
    Project credits:
    Common areas/amenity spaces: Michael Hsu Office of ArchitectureHome interiors: PageLandscape architect: DWGDeveloper: IntracorpPre-construction: FlintcoCivil engineering: WGI

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    Kelly Wearstler adds pattern-filled bar to Austin Proper Hotel

    American designer Kelly Wearstler has created an intimate cocktail lounge within a hotel she designed in Austin, Texas, which is intended to evoke “a balance between old-world opulence and modern elegance”.

    The Quill Room forms an extension to the existing dining and drinking options at the Austin Proper Hotel and Residences, which Wearstler completed the interiors for in 2019.
    The Quill Room offers hotel guests and residents an additional lounge and bar spaceThe lounge is tucked away on the second floor of the Handel Architects-designed building in Downtown Austin, and offers a French-inspired menu and live music programming for the hotel’s guests and residents.
    Wearstler’s interiors for the bar are awash with pattern, mixing gold, brown and black to create a space that appears warm, rich and elevated.
    A variety of vintage and contemporary chairs populate the spaceMany of the design elements blend nostalgia and contemporary twists, like tufted leather armchairs positioned beside funky sculptural lamps.

    “The design of The Quill Room is a balance between old-world opulence and modern elegance,” she told Dezeen. “The salon-style bar pairs the aesthetics to transport guests to another time within Downtown Austin, while still reflecting the city’s creative and music scenes.”
    Golden patterned wallpaper covers the wallsGolden patterned wallpaper covers the majority of the walls and continues across the ceiling, helping to make the room feel more intimate.
    “A highlight would have to be the gold wall covering,” said Wearstler. “It’s actually an adaptation of a piece from my own archive, originally created during the UK’s 1920s Arts & Crafts movement.”
    Within niches, folded screens feature a checkerboard of gold mirrorSmall tables and mismatched seats are positioned in recesses, against folding panels with a checkerboard of gold mirrors and floral motifs within wooden frames.
    Wearstler’ also included low leather and upholstered seats, as well as taller dining chairs along the sheer-curtained windows.
    Furniture pieces were sourced from Europe and a famous Texas antiques marketMost of the furniture pieces are vintage, or were crafted specifically for this project, including the rugs, lighting and additional decorative items.
    “The Quill Room features a lot of inspired furnishings that represent design through the decades – mainly from the 1960s to 1990s – which we’ve sourced from Europe and as nearby as the famed Round Top Antiques Market,” Wearstler said.

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    The bar itself runs straight along the back wall, fronting an open cabinet filled with liquor bottles that is topped with red neon tubes. “It’s a detail crafted by an Austin artist, bringing the modern and the local to the forefront amongst the vintage-inspired,” said Wearstler.
    Another feature element is the illuminated, self-playing Edelweiss piano that was custom designed to offer “a uniquely Texan experience” for guests. There’s also a small, shaded outdoor terrace for enjoying drinks and bites in the warm Austin weather.
    An illuminated, self-playing Edelweiss piano was custom designed to entertain guestsThe new space joins the hotel’s Mediterranean-influenced restaurant The Peacock, private ground-floor cocktail bar Goldie’s, and Mexican-inspired rooftop restaurant and bar La Piscina.
    “I see The Quill Room as a complement to The Austin Proper’s existing restaurants and bars,” Wearstler said. “Like the rest of the property, it embodies modern elegance and refined luxury that heightens guests’ experience of the city while offering an immersive escape.”
    The Quill Room serves cocktails and French-inspired light bitesWearstler has completed multiple locations for the Proper hotel group, including several outposts in her home state of California, such as San Francisco and Santa Monica – which was named AHEAD Americas Hotel of the Year in 2020.
    Her most recent project for the franchise, in Downtown LA, opened last year and features a suite with its own indoor swimming pool.
    The photography is by The Ingalls.

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