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      Wooden furniture and artworks decorate Hiroo Residence in Tokyo

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      Designer Keiji Ashizawa used muted tones to make the most of the sunlight in this apartment in central Tokyo, which features wooden art pieces and furniture that was specially designed for the space.

      For the Hiroo Residence, named after its location in the city’s Hiroo neighbourhood, Ashizawa wanted to underline the quality of the light in the flat.
      A cut-out wall lets light into the hallway, which has an artwork by Sara MartinsenIn the open-plan kitchen and living room, light streams in from a balcony, and the designer took advantage of this light source by creating a cut-out wall so that the light carries through to the hallway next to it.
      “I think you can see we have a very nice sunlight here,” he told Dezeen during a walkthrough of the apartment. “So I didn’t want to use white, as it would be too bright – instead I used muted, subtle tones.”
      A wooden artwork by Atelier Plateau and a slatted sideboard decorate the living roomHe also wanted Hiroo Residence to feel like a peaceful place to come home to in a busy city, using natural materials to create a calm ambience.

      “Outside it’s super noisy but inside it’s very quiet, so I chose muted tones that also fuse with the materials; the wood and the stone,” Ashizawa said.
      The tranquil 200-square-metre apartment, which overlooks the Arisugawanomiya Memorial Park, has three bedrooms and two bathrooms, as well as a kitchen and dining area, a small workspace and plenty of storage spaces.
      Shaker-informed chairs and a wooden light were used for the kitchenBefore designing the interior, Ashizawa changed the layout of the flat to make it more open, taking out an existing hallway to create a bigger dining space.
      “Our goal was to design a space that can only be created by meticulously crafting from the smallest detail to the furniture, resulting in a quiet, comforting, and inspiring atmosphere with little noise, surrounded by natural materials crafted with tactility,” Ashizawa said of the design.
      Keiji Ashizawa used a neutral colour palette for the homeHe worked with the Japanese wooden furniture company Karimoku on the project, which is the eighth in its Karimoku Case Study series that sees it collaborate with architects on bespoke furniture and interior projects.
      As a result, wood was used throughout Hiroo Residence, with white-stained oak covering many of the floors.

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      Ashizawa also worked with Karimoku to create wooden window frames and sliding doors, which were placed throughout the flat to add privacy without taking up too much space.
      The furniture matches the wooden interior details and includes two pieces created especially for the project – a sideboard with decorative wooden slats and a dining chair with a woven seat that was inspired by both Shaker designs and classic Scandinavian chairs.
      Wooden panels cover the bedroom wallsIn the bedroom of Hiroo Residence, wooden wall panels add a tactile and more natural feel, which is echoed in the built-in shelves and drawers in the en-suite walk-in closet.
      Cabinets were also used to hide different functions in the kitchen, where a large wooden unit takes up an entire wall.
      An entire wall is taken up by a wooden kitchen unitEven smaller details in the flat, such as the long kitchen lamp, were made from the material.
      Artworks in wood by Danish art studio Atelier Plateau and the artist Sara Martinsen, which were created especially for the space,  decorate the walls.
      Karimoku has worked with Ashizawa on a number of projects, including its second showroom which just opened in Kyoto, Japan, and the Azabu Residence Case Study, where the designer referenced mid-century American design.
      The photography is by Tomooki Kengaku.

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      Kengo Kuma and Edition hotels create “oasis at the heart of the city” in Tokyo

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      Hospitality brand Edition has teamed up with Japanese architect Kengo Kuma to create a luxury hotel filled with plants in the Toranomon district of Tokyo, Japan.

      Occupying the upper floors of a high-rise building in the Tokyo business district of Toranomon, the 206-room hotel is the first outpost in Japan for the Edition brand, which partnered with architect Kuma on the interior design.
      The Tokyo Edition, Toranomon, features a lobby filled with plantsThe heart of the hotel is a two-storey lobby space bursting with plants, which guests arrive at after taking the elevator up to the 31st floor.
      “I wanted to prove that it was possible to create a real oasis at the heart of the big city,” Kuma told Dezeen.
      The hotel lobby features large beams covered with wooden slatsThe large, open atrium, which draws from the layout of Buddhist temples, contains a bar, restaurant and numerous different seating areas.

      The double-height space is broken up by several large beams covered with wooden slats, which also adorn the ceiling of the space.
      Wood is used throughout the hotel suites”The beams are primarily parts of the structure, but we didn’t treat them in a way that might disturb the interior,” Kuma said.
      “Rather, we took advantage of the beams, covered them with wooden louvres and elevated their existence to a symbol of the hotel.”
      Sliding partitions separate sleeping and living areas in the bedrooms and suitesThe abundant use of wood continues throughout the hotel, including the bedrooms and 22 suites, where Kuma also introduced sliding screens.
      “In traditional Japanese houses, movable partitions are often applied to enhance flexibility in the interior, and we extended the idea to the rooms at Edition,” he said.
      The Blue Room restaurant features deep blue upholsteryThe hotel largely sticks to the neutral colour palette and natural materials such as marble and wood that are characteristic of the Edition brand.
      Vibrant pops of colour have been introduced in the two restaurants, which are helmed by Michelin-starred chef Tom Aikens.
      The Jade Room restaurant features green upholsteryThe aptly named Blue Room, which occupies one side of the lobby space, features upholstery in deep hues of sapphire.
      The Jade Room, which adjoins the lobby, swaps the blue for vibrant shades of green and opens onto a verdant terrace overlooking the red-and-white Tokyo Tower landmark.
      A terrace overlooks the Tokyo Tower”It’s unusual to provide a green terrace on top of a high-rise building, but we dared to do so in order to connect the indoor and outdoor in a most natural way,” Kuma said.
      Other hotel amenities include a swimming pool, spa and conference spaces.
      The less aptly named Gold Bar, which is situated on the ground floor of the building that houses the hotel, combines black walls, floors, curtains and furniture with a white vaulted ceiling. An artwork hung above a fireplace on one side of the room is the only significant golden addition to the space.
      The Gold Bar features black walls and a white vaulted ceilingThe hotel, which opened last year, is the first of two Edition hotels planned for Tokyo, with a second hotel in the Ginza district of the city set to open soon.
      Previous Edition hotels include the West Hollywood Edition in Los Angeles designed in partnership with John Pawson and the Times Square Edition in New York City created with Yabu Pushelberg. Both hotels feature similarly plant-filled spaces.

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      The Edition brand is a partnership between Marriot International and renowned hotelier Ian Schrager, who is best known for co-founding the infamous nightclub Studio 54 in New York City in the late 1970s and 1980s.
      “I became acquainted with Ian in the 80s when I was studying in New York, and have admired his philosophy and sensitivity ever since,” Kuma said. “I believe our chemistry worked well and we could work together without much talking.”
      Black furniture and gold decorations feature in the Gold BarWhile the Tokyo Edition in Toranomon is the first Edition hotel in Japan, Japanese design has had a significant influence on Schrager’s work, according to the hotelier.
      “I have always had a spiritual connection with the approach and aesthetics of Japan,” Schrager said. “Their rationality, their simplicity, and their restraint has been the foundation of everything I’ve done.”
      “They are truly original thinkers but execute their ideas in such a humble and modest fashion,” he continued. “The end results are bold yet refined and shouts in a quiet way. It’s a sweet spot that is completely seductive for me.”

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      Bosco Sodi unveils remodelled Tokyo residence as family home and Casa Wabi extension

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      Studio Wasabi Architecture and Satoshi Kawakami Architects have created a home and artist residency in Tokyo for Mexican artist Bosco Sodi, founder of the arts foundation Casa Wabi in Mexico.

      Occupying a corner plot in the Sendagi district of Tokyo, Casa Nano 2.0 is a renovation of a postwar house constructed in the late 1950s.
      Casa Wabi founder Bosco Sodi has unveiled a home and artist residency in Tokyo”The house has a very simple facade system to protect the windows, a system called amado, where you can slide some metal windows and close them when there is a typhoon,” said Studio Wasabi co-founder Rafael Balboa.
      The 68-square-metre home has a simple facade with a gabled roof and ridges that jut out to create small awnings.

      The home renovated a post-world war two home in Tokyo”For the exterior, we only applied one material – which is called Excell Joint – so it looks similar to the original house in order to make it more natural and coherent with the neighbourhood,” said Balboa.
      Studio Wasabi worked with Satoshi Kawakami Architects to completely revamp the interiors for use as an extension of the Casa Wabi artist residency in Puerto Escondido, Mexico or as a home for founder Bosco Sodi and his wife interior designer Lucia Corredor.
      The home’s original cedar beams were maintained in the redesignAfter sponsoring 13 Mexican artists in the original Casa Nano at another location, Sodi needed more space and decided to move the residency into a larger space – Casa Nano 2.0.
      The architecture studios worked with Sodi and Corredor to open up the space, creating an open-concept kitchen, adding furniture and moving the original staircase.
      In order to open up floorplan, the architecture studio included a floating staircaseThe first floor of the two-storey, cedar-framed structure is concrete, and the second storey’s floor is made of cedar.
      The designers and construction company Washin Architects kept all of the old cedar beams and columns, as well as the windows from the original house to preserve the essence of the original building.
      The original windows were maintained”For us, it was also very important to be able to have blackout windows so we kept the original pocket metal windows of the facade of the old house to be able to close the windows completely,” explained Corredor.
      The team had to move the original staircase to open up the ground floor, so a floating steel staircase was placed against the wall at the middle of the structure, suspended from the existing beams.
      There are three living spaces on the second floor”This house, besides being part of the art residence of Casa Wabi, was designed to fit our family needs,” said Corredor.
      Storage space was another important factor in the design process, so the architecture studios created a shelf unit that hangs from the existing beams that stretch around the entire house.
      A shelving system surrounds the homeOn the second floor, three separate spaces were included to accommodate a family of five. The primary bedroom has a simple layout and connects to a small terrace.
      A central living area has a bench with a small reading nook and the seating area was furnished with a vintage French sofa from the 1950s and an old wood table from a local flea market.
      The spaces are divded by sliding panel doorsThe bunk bedroom at the end of the second floor was built for the kids or as another area spot an artist in residence and has access via a ladder to a small outdoor terrace.
      The three spaces are divided by Japanese paper sliding doors with overlaying glass thick enough to maintain privacy and let the light flow into the space.

      Read: Five Casa Wabi pavilions include Álvaro Siza ceramics studio and Kengo Kuma chicken coop

      Five Casa Wabi pavilions include Álvaro Siza ceramics studio and Kengo Kuma chicken coop

      The doors and built-in furniture as well as the ceiling of the second floor were made using Lauan wood.
      Corredor used furniture from the previous residence and items that were locally sourced to furnish the home.
      “We brought all the furniture we already had in the former Casa Nano,” she said.
      “Like our old wood table that we found in the flea market in UENO and our beloved Noguchi lamp to give warmth and light to the space.”
      The home’s exterior blends into the style of the neighbourhoodCasa Nano 2.0 will continue with its residency program, inviting four Mexican artists every year, each for a period of one month.
      “Japan has been life-changing for the artists that have been already,” Sodi said.
      “As it was for me when I was invited to an art residence in Tokyo almost 20 years ago.”
      Casa Wabi’s headquarters in Puerto Escondido was designed by Japanese architect Tadao Ando and features yearly pavilions by international architects including a red brick chimney by Mexico City-based architect Alberto Kalach and a ceramics workshop by Portuguese architect Álvaro Siza.
      The photography is by Nao Takahashi. 

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      Ginza Ecological Map designed by Hakuten presents the “hidden story of Ginza”

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      Design studio Hakuten has created a three-dimensional map of Ginza, Tokyo, that presents the ecology that exists in the district.

      The Ginza Ecological Map, which was featured in the Japanese makeup brand Shiseido’s Hakuten’s window, was designed to “carefully express the impression of the location and the history of the city, with a hidden story of Ginza”.
      The map showcased the local ecology in the areaIt spotlighted the natural elements found throughout the district, including samples of trees, plants, insects and earth, with the intention of enhancing the local community’s knowledge of its district’s ecology. Each item was presented in one of 72 windows – similarly to how scientific specimens are exhibited in museums.
      The exhibition ran throughout 2021 and across two themes: Organisms, which presented insects and cuttings from plants, and Earth – showcasing the diversity of soils found throughout the district.
      Parts of the glothistle plant were arranged in a clock-like motif to represent the district’s Wako clock tower”We care­fully displayed this ecology in the window as if they were scientific specimens,” said Hakuten.

      “The exhibition ran throughout the year across two different ecological themes – Organisms and Earth – and brought to light a new and beautiful Ginza that had not been seen before in the form of the Ginza Ecology Map.”
      Ginkgo biloba trees were planted in Ginza in 1906The materials were collected during a number of fieldwork studies in addition to the knowledge gained from speaking to people local to Ginza. Once collected, the items were exhibited in creative ways with the aim of becoming a tool to communicate the connection between Ginza’s natural world and society.
      For example, the plant named glothistle was collected from under the city’s Wako clock tower, and as part of the exhibition was displayed in a clock-like motif to represent it.

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      In addition, the district’s ginkgo biloba trees were planted in 1906, and according to the designers, they represent a “turning point for modernisation in the city”.
      As a nod to the tree’s heritage in the district, images of Ginza’s buildings were printed onto the collected ginkgo tree leaves as part of the exhibition.
      The exhibition showcased a number of plants and insects”Unlike most window displays that show objects and installations that only suit its occasion, not only did Ginza Ecological Map provide a new perspective of Ginza city, but through research from local residents it also expanded into a communication tool between the city and the people,” said Hakuten.
      “By looking at the usually unseen ecology that exists in a metropolis, we were able to rethink the relationship between the city, people, and nature in an attempt to approach a more sustainable society.”
      Earth was collected as part of the exhibitionAs part of the Earth theme, the colour of the soil across the district was documented, including samples collected from sidewalk ditches and from around various plants such as dogwood and camellia.
      The exhibition also shed light on creating a number of creative resources from the city’s soil – including pottery and crayons – and clothing dyed using local plant’s pigments.
      The map featured in the Japanese brand Shiseido’s windowAccording to the studio, the pandemic provided the opportunity to reflect on the human-nature relationship as Ginza was “emptied” because of the pandemic.
      The project was conceived of this change, and aimed to rethink the district’s approach towards creating a society more mindful of enhancing and protecting its nature.
      The exhibition also presented the ways in which local plant pigments can be used as textile dye”In Covid-19 where we were provided with more opportunities to deeply reflect upon the global environment, this project allowed us to rethink the relationship between the city, people, and nature in an attempt to approach a more sustainable society,” said Hakuten.
      Ginza Ecological Map has been shortlisted in the exhibition design category at this year’s Dezeen Awards alongside, Weird Sensation Feels Good – The World of ASMR, Greenwood Rising: Black Wall Street History Center exhibition and Journey of the Pioneers.

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      Semba Corporation creates own office interior from reclaimed materials

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      Interior construction firm Semba Corporation has renovated the interior of its headquarters in Tokyo to include reclaimed materials discarded during the demolition of other offices.

      The company’s redesign of its own office interior is shortlisted in the sustainable interior category for the upcoming Dezeen Awards, which will announce its winners next month.
      The interior is made from materials salvaged from demolished officesCalled Semba Good Ethical Office, the project features various pared-back tables, seating and shelving created from materials salvaged from previous office demolitions.
      This furniture is positioned across a single open-plan space in Japan’s capital, which is brightly illuminated by overhead lighting and rectilinear windows.
      Plinth-like seating and stairs forms a centrepieceA plinth-like centrepiece takes the form of both a staircase and a designated desk area, which was formed from boxy arrangements of surplus wood and old filing cabinets.

      Semba Corporation centred the interiors around two principles – “ethical” and “hackable” design – in order to complete the project, the company said.
      Semba Corporation applied its own design principles to the project”To incorporate ‘ethical design’, a circular interior design [theory], into the office renovation, we mined materials from unnecessary stuff generated by office demolitions,” Semba Corporation told Dezeen.
      “Under the theme of ‘hackable design’, we can redefine our working style and attitudes. We completely renovated our office to be friendly to the Earth, people and society,” explained the firm.
      Reconstituted foam was used to create padding on benchesAccording to the company, 80 per cent of the furniture in the Semba Good Ethical Office is reused, while the office achieved a waste-recycling rate of 99 per cent.
      Reconstituted foam was used to create the padding on benches that make up informal meeting booths, while various offcuts of wood were used to construct geometric shelves throughout the interior.

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      Semba Corporation explained that it hopes that other firms will begin to adopt similar design principles when creating their office interiors.
      “Especially in Japan, the lifespan from construction to demolition and disposal has become very short since [increasing] economic growth, and waste has been dumped in landfill,” the firm said.
      “However, Japanese culture has originally valued attachment to things and has an aesthetic sense to continue to use them with creative ideas. So I think our principles have an affinity to that culture.”
      “We hope that ‘ethical design,’ a future-friendly interior design, will be a basic principle in interior design for the future.”
      Reclaimed wood was used to form various shelvingSemba Good Ethical Office joins a group of existing self-designed studios that other firms have created to be more sustainable than the average office, according to the companies.
      These include German studio Urselmann Interior’s renovation of its studio to include biodegradable, recycled or upcycled materials.
      The images are courtesy of Semba Corporation.

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      Domino Architects divides reusable sales showroom with fabric walls

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      Sheer curtains that look like translucent walls were used to divide up the structure of this temporary showroom space in Japan created by Domino Architects.

      Shortlisted in the large retail interiors category of Dezeen Awards 2022, PROUD Gallery Gotanda aims to offer a solution to the wasteful practice of producing condominium showrooms – temporary structures near new developments that are used as a base for sales teams.
      The showroom was created by Domino ArchitectsThe showrooms, which are usually built and then demolished within a matter of years once the units are all sold, typically contain a customer reception and seating area, as well as rooms for meetings and presentations. These are all styled with the target customer in mind.
      “It’s like a theme park with effects to motivate people to buy,” said the architecture studio.
      “As entertainment, it is very interesting, but we wonder if this method of spending a large amount of energy each time is really appropriate for this age.”

      Arches were constructed using mesh curtainsDomino Architects worked with HAKUTEN and Nozomi Kume from Studio Onder de Linde to create a more sustainable alternative for Nomura Real Estate Development and its PROUD condominium brand in Tokyo.
      Built using the prefabricated skeleton structure of an existing Nomura showroom, the layout of PROUD Gallery Gotanda is easy to change, expand and reconstruct.

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      The steel structure is wrapped with light curtains while the partitions inside the business meeting space are made from “foldable walls”, which are curtains with a wall-like thickness.
      These foldable walls have arched openings and can be repositioned so that the layout can be easily changed according to purpose.
      “By carefully examining the sheen, curves, and colour overlap of the curtains, we were able to create an elegant and light space that does not feel like a rugged prefabricated structure,” the studio said.
      The arches can be moved and repositionedThe materials and samples used in the planned condominiums are subtly incorporated into the interior as part of the showroom’s furniture and fixtures.
      The idea is to allow the buyer to imagine a space rather than be entirely dictated to.
      In Amsterdam, design studio Beyond Space has created an office interior in Amsterdam that uses rippling laser-cut fabric to form cave-like spaces for working.
      The photography is by Gottingham.

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      OEO Studio adds Nordic influences to Japandi-style apartment in Tokyo

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      Copenhagen-based OEO Studio combined muted colours and textured materials to create the interiors for this renovated Tokyo apartment that is characterised by its Japandi design.

      Located within the Opus Arisugawa housing complex in central Tokyo, the apartment’s interior was renovated to combine design influences from Japan and Scandinavia – a trend known as Japandi.
      The apartment’s interiors take cues from Japanese and Scandinavian designOEO Studio intended to create a serene atmosphere by adopting minimalist interior design and mainly natural materials throughout, both of which are hallmarks of the Japandi style.
      The apartment’s entryway includes a rammed-earth wall surrounded by a slatted rectilinear wardrobe that was custom-made in calming honey-hued wood.
      Curvy sofas feature in the living roomLow-slung concrete seating is also built into the hallway, which doubles as a sculptural plinth for a ceramic vase by Christian Bruun.

      A mixture of deep indigo tiles and paper yarn rugs made from Finnish birch but embroidered with Japanese textile-style patterns cover the floors.
      Wooden cabinetry lines the kitchen”The interiors reflect the studio’s cross-pollination of Japanese and Scandinavian design ideas, drawing inspiration from both cultures and reinterpreting them in new ways,” said the firm.
      The hallway leads to an open-plan living room filled with interiors in neutral tones, including cool stone floors and sleek furniture finished in smoked oak, oiled pinewood and soft wool.

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      Curvy Taylor sofas by Shanghai brand Stella Works are arranged around an organically shaped timber coffee table, while artworks by Jaakko Mattila line the walls.
      Japanese Ōya stone was used for the columns that divide the living area and brightly lit kitchen, which includes tactile wooden cabinetry.
      A minimal dining space with black-stained ash chairs also features alongside the kitchen.
      The bedrooms are defined by the same refined styleThe apartment’s three bedrooms also have a mixture of refined textures and shapes, while the singular pared-back bathroom displays a statement wooden bathtub at its centre.
      “We worked carefully with the zoning and the transitions between the rooms in the apartment to create an evocative yet calm, welcoming and comfortable atmosphere,” said OEO Studio.
      A light wooden bathtub features in the bathroomFounded in 2003, OEO Studio has created a number of similar projects including a Tokyo restaurant that references both Danish carpentry and Japanese gardens in its interiors.
      The firm recently created a cafe and shop at Designmuseum Denmark that pays homage to architect Kaare Klint’s original design.
      The photography is by Michinori Aoki.

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