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    StudioTwentySeven opens “monumental” flagship gallery in Tribeca

    Collectible design gallery StudioTwentySeven has taken over a huge space in a Tribeca textile building, creating a warm and serene environment to present museum-sized, limited-edition pieces.

    The gallery’s New York City flagship at the corner of Church and Leonard Streets covers 7,000 square feet (650 square metres) across the ground floor of a 1901 neoclassical building by architect Henry J Hardenbergh.
    StudioTwentySeven founders Nacho Polo and Robert Onsuka introduced curved walls and archways to the interior of their flagship galleryFormerly Jean-Georges Vongerichten’s Restaurant 66, the grand space benefits from double-height ceilings and eight 16-foot-tall windows on two sides, overlooking the mirrored Anish Kapoor sculpture squashed beneath Herzog & de Meuron’s “Jenga Tower”.
    StudioTwentySeven founders Nacho Polo and Robert Onsuka, who started their venture in Miami in 2018, chose this location for the New York flagship for its “monumental scale” and ability to showcase huge sculptural works.
    The double-height ceilings allow large-scale pieces to be displayed, like a hanging bear sculpture by Paola Pivi”The building’s elaborately carved facade, and its stone entry staircase leading to beautifully restored original triple doors, set the tone for what clients of StudioTwentySeven will experience inside – a space that is sophisticated yet genuinely welcoming,” said the duo.

    Led by Polo, the renovation of interiors involved the introduction of curved walls and a rotunda, along with an archway fitted with a 12-foot-tall, hand-carved chestnut door.
    A giant bronze and glass chandelier hangs above an organic-shaped dining tableThe team worked with lighting specialists L’Observatorie to design a custom system that imbues the space with a warm atmospheric quality, complementing the pieces on display.
    A massive bronze and glass chandelier comprising hundreds of individual petals is suspended above an organically shaped French oak and waxed bronze dining table.

    Eight homes kept cool and bright by central courtyards

    Pale oak floors run throughout the gallery, in places separated from the walls by glowing bands of light, and sheer curtains diffuse the abundance of natural light that enters during the day.
    Other architectural details include a tall fireplace shaped into the hand-plastered walls and a chestnut-lined library hidden behind a pair of discreet doors, designed to “create moments of surprise”.
    The founders also created a rotunda space for displaying specific piecesFor the gallery’s opening in February 2023, several museum-sized works from Polo and Onsuka’s private collection were installed in the space.
    These include a hanging bear by Italian artist Paola Pivi, which had to be transported from the Aspen Art Museum in a special truck, and a bronze sculpture titled Owl and Boy by Japan-based Otani Workshop.
    “Moments of surprise” include a hidden library lined in chestnutPolo and Onsuka, who were judges for Dezeen Awards 2023, also have gallery spaces in Miami’s Little River and London’s Mayfair – open by appointment only.
    Their new flagship in Tribeca joins a multitude of collectible design galleries in the Downtown NYC neighbourhood, like R & Company and Egg Collective, where expansive former industrial lofts provide ideal settings for presenting furniture, lighting and art.
    The photography is by William Jess Laird.

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    Andrea Leung conceals “secret spaces” within renovated Tribeca Loft

    A dividing wall that’s part transparent, part mirrored separates the public and private spaces of this loft apartment in Manhattan, which architect Andrea Leung has renovated for herself.

    New York-based Leung discovered the 1,600-square-foot (150-square-metre) Tribeca Loft within a historic building, and gut-renovated its interiors to suit her needs and tastes.
    The Tribeca Loft is divided by a partition that runs the full length of the space”One look at the raw space, and I knew exactly the sort of refuge I wanted to create,” said Leung. “One that unfolds and reveals itself slowly, that wows you initially with its grandeur and then capitalises on your curiosity.”
    The architect used the hidden spaces of her grandmother’s Vancouver apartment as a precedent for the project, which she completed during the Covid-19 pandemic while living in the space throughout.
    The building’s original cast-iron columns contrast white walls and oak floors”Secret spaces fascinate me,” she said. “My grandmother’s penthouse pied-à-terre was full of them. Push on the correct mirror, and it opened into a hidden tatami room. Lean on the right bookcase, and a dimly lit hallway led you to her own personal oasis of calm.”

    Work to update the tall, sun-drenched corner unit involved removing a mezzanine level to relieve areas squashed below.
    Leung custom designed several pieces of brass and walnut furniture for her apartmentIn its place, the private rooms were grouped and neatly organised along one side, leaving the public space for entertaining completely open.
    An entrance hall, two bathrooms, a kitchen, a closet and a bedroom are now enclosed behind a partition that stretches the full width of the apartment, and can be accessed through swinging and folding panels.
    The bedroom is visible from the living area through transparent panels, while the primary bathroom is only revealed when mirrored doors are folded backWhile the bedroom remains visible through floor-to-ceiling, transparent glass panes, the other smaller rooms are concealed by mirrors and reduced in height to help with spatial proportions.
    “The wall of mirrored doors allows the main living space to transcend its physical limitations and appear to double in size, while the generous windows with their original wavy glass are also reflected, bathing the walls with soft refracted light,” Leung said.
    A freestanding oval tub is surrounded by pale grey stoneThe building’s original cast-iron Corinthian columns remain exposed and stand out against the minimalist colour scheme of white walls and wide-plank oak floors.
    In the living area, the furniture includes several brass and walnut pieces that Leung custom designed, including the dining table, credenza and console.

    Raad Studio turns two Tribeca lofts with exposed arches into huge apartment

    Brass accents are continued in Lee Broom’s Eclipse Chandelier and a custom coffee table designed by Leung while an associate at Steven Harris Architects for the now-shuttered Barneys Chelsea Flagship.
    The kitchen is lined with marble and patinated brass millwork, while the primary bathroom features a freestanding oval tub framed by surfaces of softly-veined grey stone.
    The kitchen features marbled walls and patinated brass millworkDecor in the bedroom is also restrained by a greyscale palette, whereas the second bathroom accessed from the entryway is enveloped in veined marble with bright metallic accents.
    Tribeca, a Lower Manhattan neighbourhood defined by and named after the triangle below Canal Street, has an abundance of loft spaces in formerly industrial and warehouse buildings.
    Bright metallic accents enliven the otherwise minimal second bathroomA large number of these have been converted into residences and later renovated, with examples including an apartment where walnut cabinetry and sliding doors replace walls, and a duplex connected by a hanging, blackened steel spiral staircase.
    Leung’s Tribeca Loft is shortlisted in the Apartment Interior category for the 2022 Dezeen Awards – see the full Interiors shortlist here.
    The photography is by Sarah Elliott.

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