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    Alessandro Mendini was an “atomic bomb of fantasy” says Philippe Starck

    In this video produced by Dezeen for Triennale Milano and Fondation Cartier, Philippe Starck describes the “genius” of Alessandro Mendini following the opening of Io Sono Un Drago, an exhibition celebrating the designer.

    French designer Starck, who has contributed an immersive installation to coincide with the exhibition, emphasised the impact that Mendini has had on his own work, citing his sprawling approach to creativity.
    “Mendini is something special for me,” he said in an exclusive video interview with Dezeen. “His brain was an atomic bomb of fantasy, with no limits.”
    Starck’s installation accompanies a retrospective exhibition celebrating Mendini at Milan design week, presented by cultural institutions Triennale Milano and Fondation Cartier pour l’art contemporain.
    Titled Io Sono Un Drago (I am a dragon), the exhibition contains more than 600 pieces by Mendini across his 60-year career. ​​Mendini passed away at the age of 87 in February 2019.

    Mendini was a key figure in the radical design movementThe exhibition sets out to explore Mendini’s influence on 20th-century design and architecture, particularly in his multidisciplinary approach to creativity.
    “Alessandro Mendini was a key figure of the last century, not just for design but also for art and architecture because he was able to link all these disciplines and blur the lines between them,” explained Michela Alessandrini, curator for Fondation Cartier pour l’art contemporain.
    “He revolutionised the idea that design is a well-drawn object,” added Triennale Milano curator Nina Bassoli.
    “He worked with design as a tool for communicating art, poetry, literature, feelings.” said Bassoli.
    The exhibition brings together work from across the realms of art, architecture and designThe title of the exhibition comes from a drawing of a dragon by Mendini, with different parts of its body associated with different professions. Created as an allegorical self-portrait by Mendini, the image was highlighted by the curators as a representation of Mendini’s vast breadth of work across many different practices.
    “[When] talking about Mendini it is quite impossible to have a clear distinction between what is art, what is useful, what is object, what is designed,” said Bassoli.

    Triennale Milano celebrates Alessandro Mendini at Milan design week

    The exhibition is split into six thematic sections and opens with a section titled Identikit, which showcases a series of self-portraits Mendini created over the course of his life.
    Through the display of architectural models, furniture pieces, sculptures and artworks, the show explores themes such as Mendini’s architectural practice with the Atelier Mendini workshop, his experiments with postmodernism and radical design, and his research within design theory.
    Mendini created an optical illusion-like installation towards the end of his careerThree installations created by Mendini towards the end of his life also feature in the exhibition, and engage with the concepts of dreams and nightmares.
    Starck’s installation, titled What? A homage to Alessandro Mendini, is located in the Triennale’s Impluvium space, in accompaniment to the main exhibition.
    The audiovisual installation was designed to take viewers into a sensory journey through Mendini’s mind.
    The installation uses surreal visual projections and fragmented audio to immerse the viewer. Image by Delfino Sisto Legnani DSL Studio, courtesy of Triennale Milano”When you arrive in this room you receive Alessandro,” said Starck. “You receive his eyes, his face, his voice. I tried to create what I think is inside his brain.”
    “What I learned from Mendini is that the real geniuses are always kind,” he added. “There are no bad geniuses. If they are bad, they are not a genius.”
    The installation will be displayed until 13 October and was conceived, designed and directed by Starck.
    The exhibition was curated by Fulvio Irace, with exhibition design by designer Pierre Charpin.
    Io Sono Un Drago is open to the public at the Triennale Milano 13 April to 13 October. What? A homage to Alessandro Mendini runs from the 16 April to 13 October. See our Milan design week 2024 guide on Dezeen Events Guide for information about the many other exhibitions, installations and talks that took place throughout the week.
    Partnership content
    This video was produced by Dezeen for Triennale as part of a partnership. Find out more about Dezeen’s partnership content here.

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    Triennale Milano celebrates Alessandro Mendini at Milan design week

    Cultural institutions Triennale Milano and Fondation Cartier are hosting a retrospective show of Italian designer Alessandro Mendini at this year’s Milan design week, showcased in this video produced by Dezeen for Triennale.

    [embedded content]The exhibition takes place at Trienalle Milano
    Triennale Milano partnered with the Fondation Cartier pour l’art contemporain to host the exhibition, which explores Mendini’s work across the fields of architecture, art, design and theory.
    Titled Io Sono Un Drago (I am a dragon), the show brings together over 400 different works and intends to explore Mendini’s philosophical approach to the world around him.

    Mendini was an Italian architect and designer known for his role as a key figure in the radical design and postmodernist movements of the 1960s and ’70s.
    Through his 60-year career he created some of the most iconic design pieces of the 20th century, such as the Proust armchair, which combined baroque references with pointillist patterns. Mendini passed away at the age of 87 in February 2019.
    The exhibition is named after a self-portrait Mendini drew depicting himself as a dragonSplit into six thematic sections, the show looks back on Mendini’s life and work, with the first section, titled Identikit, showcasing a series of self-portraits Mendini created over the course of his life.
    The following sections explore aspects of his work including his firm Atelier Mendini, which designed buildings such as the Groninger Museum and the Arts metro stations in Naples, as well as exploring his research in radical design theory.
    The last section of the exhibition consists of three immersive installations that Mendini created towards the end of his life, which play with the concepts of dreams and nightmares.
    The exhibition covers Mendini’s contribution to the postmodernist design movementAs part of the wider exhibition, French designer Phillipe Starck will also debut an immersive installation created in homage to Mendini during the run of the design week.
    Titled What? A homage to Alessandro Mendini, the installation aims to take visitors into a sensory journey through Mendini’s subconscious.
    Speaking on the installation, Starck said “before being a human, [Mendini] was an idea, a sensation, an osmotic vibration that I wanted to recapture through the installation, conceived as an immersive experience in Alessandro Mendini’s brain”.
    Starck’s installation will be located in Triennale Milano’s Impluvium space.

    Triennale Milano brings together iconic works of Italian design at Museo del Design Italiano

    Io Sono Un Drago is open to the public at the Trienalle Milano 13 April to 13 October. What? A homage to Alessandro Mendini runs from the 16 April- 13 October. See our Milan design week 2024 guide on Dezeen Events Guide for information about the many other exhibitions, installations and talks taking place throughout the week.
    Partnership content
    This video was produced by Dezeen for Triennale as part of a partnership. Find out more about Dezeen’s partnership content here. 

    Read more: More