Ukraine

Subterms

    More stories

    • 113 Shares119 Views

      in Rooms

      Relogged house by Balbek Bureau reinterprets traditional log cabins

      by

      Architecture studio Balbek Bureau has revamped a house in Ukraine using stainless steel and concrete to create a modern interpretation of a log cabin.

      The three-bedroom cabin was built from horizontally stacked logs, which the designers kept on display throughout the interior.
      Horizontally-laid logs clad both the exterior and interiorThe Kyiv-based studio aimed to deviate from conventional cabin interiors, instead creating an industrial, utilitarian scheme informed by the style of American fashion designer Rick Owens.
      “The pre-existing interior was in a classic log cabin style,” Balbek Bureau told Dezeen. “The logs were a lighter shade, closer to the natural wood colour – the furniture was mostly made of wood as well with traditional country-style shapes dominating the interior.”
      The stairs have cantilevered steps that appear to floatIn order to lend itself to a more industrial finish, the studio trimmed the interior of surplus logs and timber.

      “Our goal was to achieve a clean geometry of the space with as little extra lines as possible,” said the studio.
      “That is why we removed part of the log beams that were not load-bearing – we did the same with non-bearing walls to create an open space on the first floor.”
      A towering fireplace dominates the living spaceMicrocement flooring and project-bespoke furniture pieces such as stainless steel consoles were added to the spaces to contrast the traditional log walls.
      Vintage lounge and dining chairs from the owner’s own collection were added to character to the spaces, which were hung with paintings belonging to the client.
      Log beams juxtapose industrial finishes in the kitchenThe glass-fronted entryway contains a staircase comprising timber planks cantilevered out from wall. Beyond, the kitchen, dining room, home office and living room are contained within one fluid space.
      The cabin’s construction is most apparent in the double-height living space, where logs form tall bookcases accessed by a sliding metal ladder. These flank a tapered fireplace made from concrete blocks, at the foot of which sits a large sofa.

      Looking Glass Lodge features glass facades that reflect the surrounding woodland

      The use of concrete continues in the kitchen, which is dominated by a monolithic kitchen island flanked by floor-to-ceiling stainless steel cabinets.
      Plywood panelling replaces logs in the curtain lined theatre room leading off of the kitchen.
      Metal consoles on casters sit below the screenModern, black-framed windows were installed throughout the building, with vertical windows added in the home office and dining room to bring more sunlight into the space.
      Original ceiling beams were left exposed to highlight the cabin’s original construction.
      A clear desk contrasts the wooden dining room furnitureRecalling the sofas downstairs, the master bedroom features a sprawling custom-made bed that sits low to the floor. Its upholstered sides were bolstered by stainless steel consoles similar to those in the theatre room.
      Retro lamps were added as a playful touches including a bulbous standing lamp that arches over the bed.
      The main bedroom utilises warmer-toned woodA moveable mirror-panelled screen on castors sits against one wall, and a wooden mid-century console references the warm-toned timber-clad walls.
      Throughout the house black radiators, ceiling lights, window frames and power outlets punctuate the rooms.
      Upholstered sleeping nooks create a cosy atmosphereThe two bedrooms on the other side of the cabin retain the dark-toned log walls of the living room, adjoined by steel shelves and contrasted by soft, padded sleeping nooks.
      Both of the bathrooms are a stark contrast from the rest of the interiors, with almost no wooden finishes at all and housing white fixtures.
      Concrete covers the bathroom walls, floors and ceilings”[Relogged] allowed us to work on rethinking the rather established and traditional form of a log cabin,” concluded the studio.
      Other cabins featured on Dezeen include A-frame cabins in a remote Canadian forest by Atelier l’Abri and a cabin clad in ash wood on a rocky outcrop in Norway by Line Solgaard Arkitekter.
      The photography is by Andrey Bezuglov and Maryan Beresh.

      Read more: More

    • 125 Shares159 Views

      in Rooms

      Anastasiia Novikova gives monochrome makeover to artists' apartment in Kyiv

      by

      Parisian decor flourishes feature throughout this apartment in Kyiv, outfitted with black-and-white living spaces by Ukrainian designer Anastasiia Novikova.

      Renovated just before the start of the Ukraine war, the apartment is located on the third floor of a five-storey residential building erected in 1912.
      Anastasiia Novikova has reinstated stucco inside a 1912 apartment in KyivAfter its previous owners had completely ripped out all of the original stucco, doors and floorboards, Novikova wanted to restore the home’s historic charm – particularly in the living room.
      “When I saw the large empty room with its four-metre-high ceiling and four big windows, I immediately came up with a picture of how it would look in the future,” she said.
      “I wanted to make the walls, the floor, ceiling and windows like they were in the past and implement some modern furniture, light and art.”

      A vintage French mirror and fireplace mantel were added for decorationThe living room was freshened up with a lick of white paint while stucco was reinstated on its ceiling.
      “I created a few sketches, then a Ukrainian craftsman sculpted them entirely in one-to-one scale out of plasticine,” explained Novikova. “After that, they made it from plaster.”
      The kitchen features jet-black cabinetryElements of the stucco design are based on an ornate Napoleon II-era gilded mirror that’s mounted on a wall at the far end of the room, directly above a vintage Louis XV fireplace mantel.
      Novikova included these decor features to bring a slightly Parisian feel to the apartment as the owners – a pair of artists – love visiting the French capital.
      Grey tones permeate the principal bedroomThe living room is otherwise occupied by an L-shaped grey sofa, a selection of contemporary artworks by Ukrainian artists and an old piano that’s played at family parties.
      The adjacent kitchen was fitted with jet-black cabinets and a matching breakfast island. From the centre of the island extends a white marble dining table, accompanied by chairs with olive-green velvet seats.

      Yana Molodykh refurbishes attic apartment with views over Kyiv

      The apartment’s largely monochromatic colour scheme continues into the principal bedroom, where the walls, curtains and curved headboard are all a shade of putty grey.
      Textural interest is added by a shiny brass pendant lamp that’s been suspended over one of the side tables and a cane-inlaid bench that sits at the foot of the bed.
      Its ensuite bathroom is almost entirely lined with white marbleThe ensuite bathroom is housed inside a separate volume in the corner of the room, lined inside and out with panels of white veiny marble.
      Brighter shades appear in the children’s bedrooms – one of which is finished in sage green while the other is blush pink with mustard-yellow accents.
      Brighter colours were applied in the children’s bedroomsNovikova connected the two rooms via a small mezzanine, where the kids can hide away to play, read and nap throughout the day.
      The apartment is among a number of residential projects that were completed in the Ukrainian capital just before the start of the war and are now finally starting to be published.
      A cosy mezzanine connects the two kids’ roomsMakhno Studio finished Mureli House, an all-beige dwelling with intricate ceramic walls on the city’s outskirts, while designer Yana Molodykh reconfigured an attic apartment to allow for more storage and natural light.
      The photography is by Yevhenii Avramenko.

      Read more: More

    • 113 Shares189 Views

      in Rooms

      Yana Molodykh refurbishes attic apartment with views over Kyiv

      by

      Ukrainian designer Yana Molodykh has renovated a compact apartment in Kyiv, creating a light-filled space with storage fitted around the building’s existing structural framework.

      The 50-square-metre apartment, which was christened with a housewarming party a few days before the start of the Ukraine war, is a pied-à-terre for a couple that lives in one of the capital’s suburbs and likes to spend weekends in the city centre.
      Yana Molodykh has renovated an attic apartment in KyivThe apartment is located on the attic level of a modern eight-storey building in the historic Podil district, which the owners chose because it reminds them of their home city of Kherson.
      The existing interior was divided by a series of metal columns and partition walls, with small windows, zinc-profiled flooring and steel roof beams making the rooms feel dark and cluttered.
      The apartment was redesigned to let in more daylightMolodykh completely reorganised the space, removing internal walls, adding effective soundproofing and enlarging the windows to let in more sunlight.

      The designer wanted to create a bright and eclectic space reminiscent of Kherson’s resort atmosphere, with materials chosen to bring natural warmth and texture into the daylit interior.
      Wooden joinery adds warmth and texture to the interior space”I aimed to create a true atmosphere of living under the roof,” the designer told Dezeen. “When you are at the top of a building every action occurs below you, so you can observe and enjoy the view. Also, I wanted there to be no obstacles to daylight.”
      The main requests from the client were for a cosy living area and a comfortable and functional kitchen where the couple can cook and entertain.
      Some of the home’s steel structure was left exposedWooden flooring and joinery contribute to the warm and relaxing atmosphere, Molodykh said, with details such as the sheer curtains and paper Akari floor lamp from Vitra adding “airy” accents.
      Some of the building’s steel structure was left exposed while other parts were concealed behind shelves in the living room and the closets in the bedroom.
      Built-in storage that extends all the way to the ceiling optimises the apartment’s available height. And in the dining area, storage for tableware is cleverly integrated behind one of the columns.

      Makhno Studio celebrates Ukrainian craft in all-beige home near Kyiv

      The smallest room in the apartment is the 6.4-square-metre bedroom, which features a bed raised on a podium and a wardrobe set into a niche behind a column.
      A large beam that crosses the space was boxed in to prevent the uncomfortable feeling of a heavy metal structure overhead, while built-in shelves by the bed help to free up floor space.
      The steel beam in the bedroom was boxed inThe apartment’s compact entrance area features a tiled floor and a blue accent door, creating a visual buffer between the interior and exterior.
      A small dressing area is slotted in between the beams and columns next to the entrance, hidden behind sliding doors with mirrored panels.
      Geometric patterned tiles also feature in the bathroom, which contains a freestanding bathtub and shower cubicle along with terracotta ceramic sconces by Ukrainian designer Julia Kononenko.
      Geometric floor tiles define the apartment’s entranceMolodykh mixed tiles from four different brands to create a layered effect influenced by her appreciation of Ukrainian constructivist architecture, much of which is currently falling victim to Russian shelling.
      “I wanted to link the apartment’s interior with important buildings nearby including the Zhytniy market and Zhovten cinema,” the designer explained.
      “I admire their architecture, lines, proportions and ideas, so I wanted to pay my tribute. That is why the bathroom looks slightly different from the rest of the apartment. It makes the project more eclectic and more corresponding to its surroundings.”
      The tiling in the bathroom was informed by Ukrainian constructivist architecturePodil is one of Kyiv’s oldest districts and today, its early-20th-century buildings are neighboured by modern constructions and high-rise hotels.
      These diverse architectural styles contribute to the cosmopolitan feel of the neighbourhood, which has not escaped the Ukraine war unscathed. In March 2022, a missile destroyed a building in the district some distance away from the apartment.
      But Molodykh said that despite everything, people in the area still look to their homes as havens amidst the ongoing war.
      The apartment is located in Kyiv’s historic Podil district”Even these days, people enjoy their cosy interiors and warm home atmosphere where they can spend time with families and close friends supporting each other,” she said.
      Molodykh currently lives between here and Krakow in Poland, as it is easier for her to work on projects from outside of Ukraine.
      Other projects in Kyiv that were completed just before the war and are just starting to be published in recent months include an all-beige home in the city’s outskirts by architect Sergey Makhno and the HQ of fashion label Sleeper, which is housed in a former shoe factory.
      The photography is by Yevhenii Avramenko.

      Read more: More

    • 100 Shares189 Views

      in Rooms

      Sleeper turns Kyiv shoe factory into eclectic headquarters

      by

      Ukrainian architects Veronika Arutunyan and Olga Malyshenko have transformed the interior of a former factory in Kyiv into meeting and manufacturing spaces for fashion label Sleeper.

      Sleeper completed the conversion of three floors inside the 1940s industrial at the end of 2021 – months prior to the Russian invasion of Ukraine in early 2022.
      The brand’s HQ is inside an old factoryUkrainian architects Arutunyan and Malyshenko worked with Sleeper founders Kate Zubareva and Asya Varetsa on the remodelling of the interior, which was geared towards both the productivity and well-being of the company’s team.
      “Sleeper’s vision completely animated this fading industrial building in the historical part of Podil,” said Arutunyan.
      The designers fitted out the interior to accomodate specialist machineryThe workspaces, breakout areas, meeting rooms, dedicated manufacturing rooms and specialist photography studio all contain homely touches, such as soft seating, coffee tables and mismatched chairs.

      “We’re not big fans of fast fashion or corporatised, artificially-created design,” explained Sleeper co-founder Zubareva.
      “Instead, we wanted to create a place where people would feel comfortable.”
      Interiors were furnished with assorted designer furnishings from a range of design periodsAntiques and retro items are scattered throughout, with notable examples including cantilevered Marcel Breuer-designed armchairs, a 1960s chair brought from a hotel in the Ukrainian city of Dnipro, and a pair of red 1970s art nouveau chiclet armchairs designed by Ray Wilkes for Herman Miller.
      “The designers referenced the mid-twentieth-century aesthetic of celebration halls and scientific institutes, with their simple futuristic forms,” the brand commented.

      Sunnei transforms former recording studio into fashion brand HQ in Milan

      The adaptive reuse of the building allowed for original features – such as parquet floors and high ceilings – to be preserved, while providing the Sleeper team with necessary specialised facilities.
      Flexible layouts were designed to accommodate the brand’s growing team and allow for expansion, as well as its need for specialised amenities associated with clothing production.
      The interior has a neutral colour palette punctuated with pops of colourIn addition to aesthetic considerations, the designers ensured that the team was provided with ample facilities to carry out a wide range of tasks.
      A photo studio, meeting spaces, silent room, changing rooms and lounge spaces, in addition to manufacturing rooms, were created to ensure that each step of the creative process could be facilitated comfortably.
      Contrasting furniture was chosen to make the space feel more domesticSleeper is a fashion brand that designs and creates high-end sleepwear intended to be used both in the home and on the street, according to the label.
      The company has clothed notable actors, singers and celebrity personalities including Lily James, Katy Perry, Emma Roberts, Kendall Jenner and Kourtney Kardashian among others.
      Areas dedicated to garment production are clear-cutThe production of garments at the brand’s Kyiv atelier has been temporarily paused due to the war in Ukraine, which has damaged over 140 heritage sites in the country since the invasion by Russia in February 2022.
      Sleeper’s team has partially returned to their headquarters in the capital, with the remainder of its team working remotely in other parts of the world.
      “We have no doubts that the Sleeper’s home should be located in Ukraine, the country where the brand was born,” the brand told Dezeen.
      Glass walls allow natural light to enter all spacesOther reuse projects that feature on Dezeen include Chinese pastry brand Lao Ding Feng’s headquarters in a former warehouse by Neri&Hu, and a radio station in an old furniture store by Atelier38.
      The photography is by Andrey Bezuglov.

      Read more: More

    • 125 Shares119 Views

      in Rooms

      YOD Group designs Terra restaurant interior to “mirror its surroundings”

      by

      Ukrainian design studio YOD Group dressed this restaurant interior in Vynnyky with terracotta tiles and slabs of green glass to reflect the earthy landscape outside.

      Called Terra, the eatery features a colour and material palette that takes cues from the rolling hills and a lake that border the restaurant. It was completed in February 2022, just before Russia’s invasion of Ukraine.
      YOD Group designed Terra’s interior to reflect the landscape outsideYOD Group created the interior across a single hall, which features clusters of plush, low-slung armchairs and sofas arranged around both meandering and rectilinear dark wooden tables.
      These seating areas are interrupted only by large rounded columns clad in glass bricks, which are illuminated from the inside to create a watery green glow designed to echo the nearby lake.
      Waiter stations are clad in terracotta tilesThe largest of these columns houses a curved wine cellar within an internal spiral staircase, while the transparent glass reveals the ghostly silhouettes of stored wine bottles.

      Textured terracotta tiles make up rounded waiter stations, which were designed to mirror the earthiness of the restaurant’s exterior setting.
      The stations also nod to the Ukrainian tradition of covering furnaces and fireplaces with tiles, according to YOD Group.
      A curved wine cellar includes an internal staircase”We aimed to extract colours, textures and impressions from the landscape to translate them into the interior design language,” explained the studio.
      “Like the eyedropper tool in Photoshop, but on a real-life scale, we designed the space to mirror its surroundings.”

      Venice floodwaters inform two-tone interior of Warsaw bar Va Bene Cicchetti

      Another wall is covered in adjustable copper-hued glass slabs that feature decorative markings made by imprinting local grasses on their surfaces.
      The moveable wall is intended as a metaphor to symbolise the way reeds sway in the wind, said YOD Group.
      “Guests can not only touch the glass slabs but also interact with them and change the pattern on the wall, becoming co-creators of the design.”
      Copper-hued glass slabs can be moved across a large wallBouquets of pampas grass are interspersed throughout the interior, in a nod to the restaurant’s lakeside terrace where visitors can dine outside.
      Terra is shortlisted in the restaurant and bar interior category of the 2022 Dezeen Awards, which announces its winners later this month.
      Pampas grass decorates the restaurantLast year, the category’s winning eatery was another restaurant in Ukraine – Yakusha Design’s Istetyka in Kyiv, which has an interior characterised by rough concrete, polished stone and smooth steel.
      YOD Group also designed a coffee shop in Ukraine’s capital that features pixel-like mosaics in a hole-in-the-wall-style bar.
      The photography is by Yevhenii Avramenko.

      Read more: More

    • 138 Shares189 Views

      in Rooms

      Thermory wood cladding forms backdrop to Grand Emily Hotel in Ukraine

      by

      Promotion: design agency YOD Group has designed the interior for the Grand Emily Hotel Lobby and Terra restaurant near Lviv, opting for Thermory’s rustic wood cladding throughout.

      The hotel, which was completed this year despite Russia’s invasion of Ukraine, is located in the Ukrainian town of Vynnyky near Lviv. The hotel and restaurant form a part of the Emily Resort that YOD Group has designed with a natural, tactile aesthetic.
      YOD Group used Thermory products at the Emily Resort in UkraineIts aesthetic was achieved using a mix of natural and natural-looking materials, including material manufacturer Thermory’s range of Drift cladding.
      This saw YOD Group awarded the best interior project in the Thermory Design Awards Grand Prix competition, which was held by Thermory for its 25th anniversary.
      The agency created the interior for the Grand Emily Hotel LobbyIn the Grand Emily Hotel Lobby, the Thermory thermally modified Drift cladding is used across the walls.

      It was selected for its worn, rustic appearance, which is intended to evoke reclaimed wood without sacrificing quality or durability.
      Thermory’s Drift cladding was used throughoutSelected in shades of Black Pearl and Smoked Brandy, the cladding provides the lobby with “touchable surfaces” that form a natural backdrop to the space.
      “We aimed to get the visual lightness and tell the story about the morning breeze that passes on the lake surface and combs the reeds,” said YOD Group designer Volodymyr Nepiyvoda.
      The wood gives the interiors a natural aesthetic”We created this emotion by the structure of the boards that we used for the wall covering of the hall,” added Nepiyvoda.
      The cladding also forms a suitable yet contrasting backdrop to a large sycamore tree that is suspended through the Grand Emily Hotel Lobby, forming its centrepiece.
      YOD Group’s aim was to give the hotel “touchable surfaces””We rejected the idea of a massive chandelier in the atrium in favour of a strongly meaningful installation,” explained Nepiyvoda.
      “A tree means connection with roots and family values, growth, and development, strong bar, and flexible branches. It connects the earth and space.”
      YOD Group also designed the resort’s Terra restaurantOver in the Grand Emily Hotel’s Terra restaurant, Thermory Drift Cladding has also been used.
      YOD Group used the material to help blur the boundary between the restaurant interior and a terrace outside that is lined with American sweet gum trees.
      The Thermory wood is also used in the adjoining terraceAccording to Nepiyvoda, it is designed to encapsulate the landscape of western Ukraine.
      “We reflect all of that in the interior of Terra restaurant,” they said. “Vast expanses, rich colours, textures and flavours, generous nature, lust for life, and existential joy.”
      To find out more about Thermory products and how they are used, visit the brand’s website.
      Partnership content
      This article was written by Dezeen for Thermory as part of a partnership. Find out more about Dezeen partnership content here.

      Read more: More

    • 125 Shares199 Views

      in Rooms

      Ukrainian studio Bogdanova Bureau's Kyiv office damaged in missile attack

      by

      Kyiv architecture studio Bogdanova Bureau has vowed to make its office “even more beautiful than before” after it was damaged in a Russian missile attack.

      Staff at Bogdanova Bureau arrived at the office on Monday to find the windows blasted into the room and debris and broken glass scattered across the floor.
      Windows were smashed into the room by the blastRussian forces had fired a barrage of missiles into the Ukrainian capital and other cities early that morning, killing 19 people and injuring many more.
      None of Bogdanova Bureau’s employees were harmed, though some of their possessions were destroyed, the studio told Dezeen. By Tuesday, the team had cleaned up the office and returned to work in the studio.
      The team cleaned up the office and returned to work the following day”In some time we will repair all that is broken and make our place even more beautiful than before,” said studio spokesperson Nadia Sheikina. “As designers, we know how to do it.”

      “As well, we are going to rebuild all the destroyed cities and villages, all the schools, homes and ambulatories that were ruined in Ukraine,” she continued. “We already had started working on it.”
      Broken glass and debris was scattered through the office”We were scared on February 24 when the war started, now we are not,” she added. “We know that the mean enemy wants to invade our land and appropriate our culture, but it will never happen.”
      Bogdanova Bureau only recently refurbished its office, completing the project five months before the Russian invasion began.
      The office, pictured before the blast, was refurbished five months before the war began. Photo by Yevhenii AvramenkoThe office is in the heart of Kyiv next to Shevchenko Park, and is surrounded by a university, libraries, museums, and a cultural centre, as well as apartments and office buildings.
      A missile struck the middle of the park close to a children’s playground, with the blast wave destroying windows across the building housing the studio’s office.
      The missile struck a park outside the office building next to a playgroundThe bombardment of central Kyiv was part of a series of attacks launched in retaliation after a key bridge linking Russia to the annexed region of Crimea was heavily damaged by an explosion.
      In April, Bogdanova Bureau spoke to Dezeen for a piece about how Ukrainian design and architecture studios were dealing with the war.

      Russian shelling destroys constructivist landmark in Ukraine

      At the time, its founder Olga Bogdanova urged international clients to trust Ukrainian studios to deliver despite the turmoil of the conflict.
      “We thank the international society and especially the international design community for all their support and all their attention,” Sheikina said this week.

      Windows of the building were left damaged”But after eight months of the war, we feel that some of you got used to the war. Please do not be! It is understandable, no one can be stressed for such a long time and everyone deserves to experience their own life and focus on some normal things around them,” she continued.
      “We ask you not to get used to war and pay your precise attention to Ukrainian designers, architects, and artists. Please raise your voice and stand with Ukraine. It can make things different!”
      The photography is by Yulia Bevzenko unless otherwise stated.

      Read more: More

    • 125 Shares199 Views

      in Rooms

      Makhno Studio celebrates Ukrainian craft in all-beige home near Kyiv

      by

      Kyiv-based Makhno Studio has paired soft, bumpy textures and intricate ceramic walls inside this all-beige home in Ukraine, which was completed right before the Russian invasion.

      Located in Kozyn, a rural town just south of Kyiv, Mureli House is a celebration of summertime and Ukrainian design, with mureli being an old Ukrainian word for apricot.
      Intricate ceramics feature throughout the Mureli House interior by Makhno StudioThe home, which was completed just two months before the start of the invasion in February 2022, comprises an open-plan living room and kitchen, three bedrooms with three bathrooms, a guest bathroom, a laundry room and a garage with a terrace.
      The clients – a local Ukrainian couple with a large family – requested from the outset that Makhno Studio should work with as many Ukrainian manufacturers and craftsmen as possible to create bespoke products for the house.
      A bulbous sculpture decorates the fireplace mantel in the lounge”All materials in the home are natural,” the studio’s founder Serhii Makhno told Dezeen. “The team used almost all Ukrainian brands and worked with several local contractors to minimise the distance and logistics.”

      The clients wanted a neutral, beige interior across all of the rooms to create a cohesive look. As a result, the house’s second floor is finished mostly in wood while the entire ground floor is decorated with beige-coloured plaster.
      Makhno designed the pendant lights in the lounge to resemble seed podsMakhno Studio emphasised the generous volumes and curved staircase in the home’s entrance hallway through a wall of three-dimensional ceramic tiles and a dramatic cluster of pendant lamps made of clay and polystyrene foam.
      References to the natural world are integrated throughout the interior. Highlights include a cluster of Makhno-designed pendants in the living room that resemble seed pods and washbasins that appear like hollowed-out boulders.
      The entire ground floor including the kitchen is finished in beige-coloured plasterThe only exception to Mureli House’s monochrome colour scheme is the main bathroom, which features pink accents including ombre shower doors and scale-shaped concrete tiles that can be tilted away from the wall to double up as hooks for hanging towels and bathrobes.
      “Ceramic craftsmanship is an ancient Ukrainian tradition,” Makhno explained. “At the end of the 1920s, the ceramic tradition began to be restored in various parts of Ukraine. At Makhno, the tradition is continued today to highlight its uniqueness and naturalistic appeal.”

      Makhno Studio designs conceptual settlement within Martian crater

      Mureli House currently stands empty since the owners were forced to flee to safer areas in the west of Ukraine following Russia’s attempts to storm Kyiv in the early days of the war.
      The exact condition of the home is unknown. But Makhno Studio says a Russian military plane and several missiles were shot down over the surrounding area in Kozyn.
      Russian troops were forced to retreat from Kyiv at the start of April but left behind a trail of destruction in the city’s outskirts and have since carried out a number of airstrikes on the Ukrainian capital.
      The monochrome colour palette extends into the home’s three bedroomsIn total, more than 143 significant cultural sites have been damaged in Ukraine since the start of the war, including the Ivankiv Museum in Kyiv and several second world war memorial monuments in the surrounding region.
      Serhii Makhno says he currently remains safe in Ukraine, while the rest of his team is scattered throughout Europe and is working mainly on international projects.
      Boulder-like sinks and scale-shaped tiles feature in the main bathroomThe studio is among a number of Ukrainian practices that have told Dezeen they are now looking for support and commissions from foreign clients.
      Previous projects from the studio include Makhno’s own thatched-roof house in Kozyn and his duplex apartment in Kyiv.
      The photography is courtesy of Makhno Studio.

      Read more: More