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    GRT Architects uses “riot” of materials for Bad Roman restaurant in New York

    Brooklyn studio GRT Architects has designed an Italian restaurant in New York City where a visual cacophony of colour, pattern and materials combine for a maximalist aesthetic.

    Bad Roman is the latest venture from the hospitality group Quality Branded, for which GRT Architects previously completed the interiors for Michelin-starred Don Angie.
    Bad Roman guests are greeted by a sculpture of a boar raised on a patterned podiumServing a “contemporary and whimsical” take on Italian cuisine, Bad Roman is located on the third level of a shopping centre in the Time Warner Center on Columbus Circle, at the southwest corner of Central Park.
    “Where The Shops at Columbus Circle are politely elegant, Bad Roman is a riot of rich and varied materials, textures, found objects, shapes and colour,” said GRT Architects.
    The organically shaped bar is clad in stripes of marble and glassThe 6,500-square-foot (604-square-metre) space has an open layout so that diners can enjoy the view of the park through the glass facade.

    To set the tone, guests are greeted by a sculpture of a boar, which is raised on a patterned podium and wears an illuminated collar.
    Booths lined up along the window feature stepped orange backsA curved bar sits in the middle of the restaurant. A light box above is clad in stripes of marble, mirror and cast glass, and emits a soft glow onto the marble bar counter below.
    Throughout the restaurant, a variety of booth seating arrangements are designed to accommodate parties of all sizes.
    Blown-glass lighting, 19th-century sculptures and various decor elements are combined in the colourful spaceThe booths have fabric-wrapped cushioned backs with multiple panels at stepped heights, which form waves when placed side-by-side around the tables.
    “We made these islands into worlds unto themselves, incorporating textured plaster cladding, assemblages of found objects and segmented upholstery in a family of orange fabrics,” said the studio.
    Private dining rooms at the end of the restaurant each have a distinct design languageAt one end of the 160-foot-long (49-metre) space are a pair of private dining rooms, while a fully glazed area is located at the other – each with a distinct design language.
    Greenery spills from planters suspended from the coffered ceilings, and several different types of lighting help to set the mood.

    Don Angie restaurant interior takes influences from Italy and New Jersey

    The bright dining room is contrasted by dark and moody bathrooms, where a two-tiered, classical-style garden fountain sits on a mosaic basin at their entrance.
    “Minimal it is not, but the design of Bad Roman is unified by a high level of handcraft, and a say-yes-to-all-beautiful-materials attitude,” GRT Architects said.
    A classical-style fountain is positioned at the entrance to the bathrooms”Locally blown-glass light fixtures, trompe l’oeil mosaics, 19th-century fragments and intricate tilework all collude to create an exuberant home for Bad Roman’s fresh take on modern Italian.”
    The studio was founded by Tal Schori and Rustam-Marc Mehta in 2014, and their team has since completed a variety of projects across the US.
    The dark and moody bathrooms contrast the bright and colourful dining roomOther restaurants in their portfolio include Cucina Alba in New York and Curtis Stone’s Georgie in Dallas.
    In the residential sector, GRT Architects recently completed the renovation of an East Village apartment and a house perched above the marshes in Connecticut.
    The photography is by Christian Harder.

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    Studio BV converts Minneapolis biscuit factory into offices for Our Family Wizard

    Dark blue meeting rooms surround an atrium filled with globe-shaped lights at the offices of a Minneapolis tech company, which locally based Studio BV created in a former biscuit factory.

    Studio BV created the 40,000-square-foot (3,700-square-metre) space for Our Family Wizard, an app designed to assist with co-parenting after divorce, inside the historic Loose Wiles Building in Minneapolis’s North Loop neighbourhood.
    A large atrium filled with glass globe lights sits at the centre of the buildingAs the company’s first “real” office, it was important for the designers to imbue the spaces with its branding and personality, to help build a sense of identity, as well as entice those used to working from home into the workplace.
    “The company had grown during the pandemic and wanted to find a new office that would be a draw for the employee mix and for people to come together and create relationships,” said Studio BV.
    Some of the factory’s brick walls were left exposed, while ceilings and ductwork were painted whiteThe building was once home to the Sunshine Biscuit Company, which produced snacks like Cheez-Its and Animal Crackers, and the team was keen to retain many of its original features.

    “The historic components of the building reflect the past, old methods, rough textures,” they said. “These components are embraced and in response we bring natural, and organic textures and color to the places where teams gather and connect.”
    Lounge areas and breakout spaces ring the upper floorSome of the exposed brick walls were left untreated, while concrete columns, ceiling beams and ductwork were painted white.
    Meanwhile, colours lifted from Our Family Wizard’s visual identity were introduced to assist with wayfinding and to inject personality.
    Clerestory windows bring light into communal workspacesDark blue paint was applied to the large meeting room walls, and a paler shade lines smaller one-on-one booths.
    Both hues were chosen for sofa upholstery in the lounge and breakout spaces that ring the upper level.
    Perforated panels separate seating booths in the upper-level barA large two-storey atrium in the middle of the floor plan brings extra daylight from the upper clerestory windows down into the lower levels.
    On one side of a central brick structure, the atrium void is occupied by a chandelier of globe-shaped pendants, suspended on individual wires at different heights.

    Black staircases link SC Workplace by Behnisch Architekten

    On the other, wooden bleacher-style seating for large team gatherings connects two lower levels, descending to one of two bar areas at its base.
    The second bar, located on the upper level, features booth seating divided by perforated panels as well as cafe chairs and tables.
    The office features two bars to encourage employees to socialise”The unique character of this historic building is enhanced by the new office and amenity areas,” said Studio BV founder and CEO, Betsy Vohs.
    “The old historic ovens and openings are used to connect people between the floors. The large volume of space is flooded with daylight from the large windows and clerestory glass.”
    Blue tones used for upholstery are borrowed from the company’s visual identityOffices for technology companies have come a long way since the slides and foosball tables of the dot-com boom.
    Recently completed examples include a Southern California workplace linked by black staircases and a repurposed power station in Singapore
    The photography is by Corey Gaffer.

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    Checkerboard walls wrap Awake NY store by Rafael de Cárdenas

    Local architect Rafael de Cárdenas referenced lost landmarks of New York for the interiors of this streetwear store in the city’s Lower East Side.

    De Cárdenas worked with Angelo Baque, the former brand director of streetwear brand Supreme, on the design of a retail location for Awake NY, which Baque founded in 2012.
    Large sculptures are placed throughout the store, including a replica of the Flushing Meadows Corona Park UnisphereThe new home for the men’s clothing line at 62 Orchard Street is a homage to New York City’s fashion meccas of the 1980s and 90s, many of which have since shuttered.
    “Both De Cárdenas and Baque grew up in New York around the same time, which informed their design direction,” said a joint statement from the duo. “They built upon shared memories of lost landmarks in New York design and youth culture: Canal Jean, Antique Boutique, and Unique — and used them as reference points for the store identity.”
    Several elements leftover from the store’s previous occupants were retained, including carved wooden frames above the clothing racksThe store retains some of the features leftover from the family-owned suiting business that formerly occupied the space.

    Logos of brands carried by the previous tenants are still visible on the glass vitrines on either side of the entrance.
    The walls at the back of the space are covered in a checkerboard patternThese display cases now carry bright blue carpets and colourful portraits by local artist Alvin Armstrong.
    Other remnants from the store’s past include the original exterior signage, which reads “Mens Clothiers”, and carved wooden frames above the clothing racks inside.
    Other large sculptural elements include a giant plywood ‘A’New elements include the flooring, sourced from a school gym in Cleveland, and wood shelving affixed to the walls with ratchet straps.
    At the back of the boutique, the walls are covered in a checkerboard pattern that is repeated on a display stand closer to the centre.

    Space-age design informs Nodaleto shoe store by Rafael de Cárdenas

    Some of the industrial-style columns and areas of the metal-panelled ceiling are left exposed, while other structural elements are painted white or wrapped in mirrors.
    Murals by Larissa De Jesús Negrón adorn the fitting room area, and checkered chairs were sourced from B&B Italia.
    Plywood is also used to form storage and display casesThere are also several large sculptural pieces placed on the shop floor, helping to create a flow for shoppers.
    “The store is anchored by a replica of the Flushing Meadows Corona Park Unisphere, originally built for the 1964 World’s Fair in Baque’s hometown of Queens, and a floor-to-ceiling Awake NY ‘A’ built from plywood in the centre of the store,” said the design team.
    The flooring was sourced from a school gym in ClevelandDe Cárdenas, who is one of the judges for this year’s Dezeen Awards, has designed a variety of retail projects during his career.
    His studio recently completed the Miami store for French shoe brand Nodaleto, with sci-fi-influenced interiors, and previously created a split-level bar in Nordstrom’s flagship store in Midtown Manhattan.
    The photography is by Adrian Gaut.

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    Kelly Wearstler adds pattern-filled bar to Austin Proper Hotel

    American designer Kelly Wearstler has created an intimate cocktail lounge within a hotel she designed in Austin, Texas, which is intended to evoke “a balance between old-world opulence and modern elegance”.

    The Quill Room forms an extension to the existing dining and drinking options at the Austin Proper Hotel and Residences, which Wearstler completed the interiors for in 2019.
    The Quill Room offers hotel guests and residents an additional lounge and bar spaceThe lounge is tucked away on the second floor of the Handel Architects-designed building in Downtown Austin, and offers a French-inspired menu and live music programming for the hotel’s guests and residents.
    Wearstler’s interiors for the bar are awash with pattern, mixing gold, brown and black to create a space that appears warm, rich and elevated.
    A variety of vintage and contemporary chairs populate the spaceMany of the design elements blend nostalgia and contemporary twists, like tufted leather armchairs positioned beside funky sculptural lamps.

    “The design of The Quill Room is a balance between old-world opulence and modern elegance,” she told Dezeen. “The salon-style bar pairs the aesthetics to transport guests to another time within Downtown Austin, while still reflecting the city’s creative and music scenes.”
    Golden patterned wallpaper covers the wallsGolden patterned wallpaper covers the majority of the walls and continues across the ceiling, helping to make the room feel more intimate.
    “A highlight would have to be the gold wall covering,” said Wearstler. “It’s actually an adaptation of a piece from my own archive, originally created during the UK’s 1920s Arts & Crafts movement.”
    Within niches, folded screens feature a checkerboard of gold mirrorSmall tables and mismatched seats are positioned in recesses, against folding panels with a checkerboard of gold mirrors and floral motifs within wooden frames.
    Wearstler’ also included low leather and upholstered seats, as well as taller dining chairs along the sheer-curtained windows.
    Furniture pieces were sourced from Europe and a famous Texas antiques marketMost of the furniture pieces are vintage, or were crafted specifically for this project, including the rugs, lighting and additional decorative items.
    “The Quill Room features a lot of inspired furnishings that represent design through the decades – mainly from the 1960s to 1990s – which we’ve sourced from Europe and as nearby as the famed Round Top Antiques Market,” Wearstler said.

    Kelly Wearstler creates sculptural oak staircase for hotel in Austin

    The bar itself runs straight along the back wall, fronting an open cabinet filled with liquor bottles that is topped with red neon tubes. “It’s a detail crafted by an Austin artist, bringing the modern and the local to the forefront amongst the vintage-inspired,” said Wearstler.
    Another feature element is the illuminated, self-playing Edelweiss piano that was custom designed to offer “a uniquely Texan experience” for guests. There’s also a small, shaded outdoor terrace for enjoying drinks and bites in the warm Austin weather.
    An illuminated, self-playing Edelweiss piano was custom designed to entertain guestsThe new space joins the hotel’s Mediterranean-influenced restaurant The Peacock, private ground-floor cocktail bar Goldie’s, and Mexican-inspired rooftop restaurant and bar La Piscina.
    “I see The Quill Room as a complement to The Austin Proper’s existing restaurants and bars,” Wearstler said. “Like the rest of the property, it embodies modern elegance and refined luxury that heightens guests’ experience of the city while offering an immersive escape.”
    The Quill Room serves cocktails and French-inspired light bitesWearstler has completed multiple locations for the Proper hotel group, including several outposts in her home state of California, such as San Francisco and Santa Monica – which was named AHEAD Americas Hotel of the Year in 2020.
    Her most recent project for the franchise, in Downtown LA, opened last year and features a suite with its own indoor swimming pool.
    The photography is by The Ingalls.

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    Oak panels and slatted screens adorn Carroll Gardens Townhouse in Brooklyn

    New York studios Starling Architecture and Emily Lindberg Design have renovated a Brooklyn townhouse for a young family, combining two units into a single home and unifying them through the use of white oak.

    The Carroll Gardens Townhouse was previously laid out as a two-family dwelling, but the owners needed more room for their growing kids, so decided to connect the units.
    White oak acts as a unifying element throughout the renovated townhouseStarling Architecture and Emily Lindberg Design were initially briefed to convert and cosmetically upgrade the townhouse, and add spaces such as a mud room, work-from-home and living areas, and a large dining room.
    Once the project was underway, the scope expanded to include a complete overhaul of the layout, a new staircase, an extensive millwork package, and the replacement of the furniture and artwork.
    A large dining area was created to accommodate group gatherings”Aside from giving everyone a little more space to work, live and grow, we also quickly focused on bringing in more light and connection between the various levels,” said Starling Architecture founder Ian Starling.

    Spanning five storeys, the building has a total living area of 3,700 square feet (344 square metres), with four bedrooms and four-and-a-half bathrooms.
    Oak millwork continues in the kitchen, which was relocated from the centre of the houseRearranging the program involved moving the second-floor kitchen from the centre of the plan to the south facade, where it received much more light.
    The dining room occupies the adjacent space, enveloped in European white oak panels that extend from a long built-in bench seat, across the ceiling, and down to a slatted screen in front of the stairs.
    Cool hues offset the warm oak flooring throughout the home, including in the lounge areaA walnut table with rounded corners provides enough space for hosting friends and extended family.
    White oak is continued on the staircase across all levels and the flooring throughout, to a corridor and the mudroom, powder room, office and wet bar at garden level.
    Oak panels define a corridor at garden level”All wood for the house was sourced from the same mill in Belgium, where they custom fabricated and finished it to our exact specifications,” said Starling.
    “All of the panels were CNC cut, so we were able to specify exact panel sizes based on as-built dimensions and each panel was divided into equal veneer widths.”
    A mud room was created as part of the renovation scopeThe earthy tones of the wood helped to guide the remaining decor choices, which include cool blue undertones offset by family-friendly materials like purple slate and clay brick.
    Cork lines the office space, while the children’s playroom in the cellar features brighter colours without feeling too juvenile.

    Studio Vural reinterprets Japanese interiors for Warren Street Townhouse

    “With a new layout overall, the clients were in an ‘out with old in with the new’ mentality, going forward with some bold splashes of color along the way,” said Starling.
    “There is a purity about much of the palette, working with organic texture and form rather than applied pattern,” added Lindberg.
    Cork covers the walls in a room used as an officeStarling Architecture is based in Brooklyn, while Emily Lindberg Design has a presence in both New York City and Providence, Rhode Island.
    The two studios previously collaborated on a similar project for friends of the Carroll Gardens Townhouse owners, who recommended them for this job.
    Brighter colours are introduced in the children’s playroom, located in the cellarBrooklyn’s townhouses are in high demand, and new owners waste no time in renovating these historic buildings to meet their needs.
    Recently completed examples include a property on Warren Street, for which Studio Vural used Kyoto merchant houses as a reference point, and a home in Park Slope that was designed to meet Passive House standards.
    The photography is by Eric Petschek.
    Project credits:
    Architecture: Starling ArchitectureInterior design: Emily Lindberg DesignContractor: Euro Art ConstructionWood surfaces: Madera Surfaces

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    Another Seedbed is a Brooklyn apartment that doubles as a performance space

    In this renovated loft in Brooklyn, the owner both resides and hosts public art performances within a space divided by a variety of inserted volumes.

    The loft is located in a late 19th-century cast iron building in Williamsburg that once served as a hat factory, and was renovated by a team of architects.
    A team of architects renovated the loft, inserted volumes to conceal private areasIgnacio G Galán, Jesse McCormick, Khoi Nguyen and Julie Tran of Future Projects collaborated to turn the industrial space into a residence that could also serve as a venue for artistic performances and other public events.
    Named Another Seedbed, the project recalls the use of lofts in New York City by artists in 1960s to 1980s for developing experimental works.
    The bedroom is hidden behind red-stained plywood panels and accessed through a concertina doorThe owner and activator of this apartment began organising parties, performances and other events in a similarly industrial space in Bushwick.

    He then decided to create a dedicated space for himself to live and work, as well as host other artist friends who needed square footage to bring their ideas to life.
    Hand-troweled earthen clay plaster covers the bathroom volume”Neither just a private studio nor an art gallery, the space is equipped to welcome gatherings that operate between a dinner party and a public performance,” said the project team.
    “Artists appropriate the space and become hosts themselves, expanding the communities which the project brings together.”
    Inside, the bathroom is lined with blue penny-round tilesThe apartment is organised as a largely open-plan space, with private areas concealed inside inserted volumes.
    Red-stained pine plywood panels hide the bedroom, which is accessed via a concertina door, and also contain storage.
    Moveable furniture helps to arrange the apartment for performancesThe bathroom occupies another volume that’s covered in hand-troweled earthen clay plaster outside and lined entirely is blue penny-round tiles inside.
    An open kitchen with grey cabinetry sits below a framework of coloured wood, featuring smokey polycarbonate panels that are lit from behind.

    Vipp Studio in Manhattan functions as both showroom and apartment

    This frame extends into the living area to form a floor-to-ceiling shelving unit, on which books and objects are displayed, and a projector for screening videos onto the opposite wall is housed.
    A variety of moving furniture pieces, including an ochre-toned sofa on wheels, help to choreograph the events and arrange the apartment as desired by whoever is using it.
    The owner and his artist friends are able to transform the space to present their work”The space will not advertise its performances,” said the team.
    “Some neighbors might not know of its existence. Others will hear about an event through friends. Some might find themselves there often and will develop networks of neighbourliness within it.”
    Performances are open to the public but not advertisedBrooklyn has both a thriving arts scene and a wealth of defunct industrial buildings for hosting exhibitions, performances and events.
    Herzog & de Meuron recently completed the transformation of a derelict power plant in the borough into arts centre, while the Public Records creative venue added a bar and lounge on an upper floor of its former warehouse building earlier this year.

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    Studio Paul Chan references Wes Anderson at Boisson bottle shop in LA

    The opening scene from a Wes Anderson film provided a starting point for the interior of this bottle shop in Los Angeles, by locally based Studio Paul Chan.

    The first LA location for Boisson combines elements of mid-century Hollywood design and art deco in a 1,160-square-foot (108-square-metre) space to showcase a selection of non-alcoholic beverages.
    Studio Paul Chan has designed the first Boisson store in Los Angeles”Inspired by great storytelling and glassware in Wes Anderson’s French Dispatch opening scene, where a server scales five flights of stairs to deliver a tray of aperitifs, absinthe, dry white wine, a coke, and an affogato to a meeting of editors, we endeavoured to create a space for the aesthete,” said studio founder Paul Chan.
    The studio installed walnut-stained wooden wall panelling with areas of “calming” dusty green lime wash spaced evenly in between.
    A lamp by Gae Aulenti sits atop a custom glass block counterThese materials are contrasted by thin stainless steel shelves upon which the products are displayed along both side walls.

    “The layered narrative mixes artisanal materials with machine-made elements, creating a conceptual parallel between non-alcoholic drinks and traditional wine,” Chan said.
    A central rack displays and stores bottles of non-alcoholic wineA long narrow wooden table runs through the centre of the space, creating another spot for presenting the bottles on top, and adding storage in the form of open racks below.
    Chan also took cues from Maison de Verre, a modernist house completed by Pierre Chareau and Bernard Bijvoet in 1932, for elements of his design.
    Stainless steel shelves are mounted onto dusty green lime-washed wallsAt the back, illuminated glass bricks are stacked within a steel structure to form a curved counter, upon which a curvaceous Pipistrello Table Lamp by Italian architect Gae Aulenti is placed.
    Sconces that echo the shapes of the glass blocks are positioned on the walls, together creating a warm glow within the space.

    Ten cinematic interiors that could be in a Wes Anderson film

    “There is delight in using the ordinary in extraordinary ways, and I like the element of surprise,” said Chan.
    “Light and shadow can become materials too and as if by magic, heavy things can become unexpectedly weightless.”
    The shapes of the glass blocks are echoed in the wall sconces. Photo by Avery J KleinThe popularity of non-alcoholic wines, beers and spirits has risen significantly over the past few years, and designers have been tapped to imagine both spaces and packaging to market these goods.
    For example, Barber Osgerby created the packaging for a non-alcoholic drink invented by wine writer Matthew Jukes in 2020, while University of Huddersfield graduate Holly Thomas imagined a venue for the consumption of these beverages.
    The glass block counter was influenced by the modernist Maison de Verre. Photo by Avery J KleinThe pastel colours and symmetry in films by visionary director Wes Anderson have influenced many interiors around the world, from a restaurant in Moscow to cafes in Melbourne and Stockholm.
    The director himself also designed a bar inside the Fondazione Prada in Milan, based on old landmarks and cafes in the city.
    The photography is by Ye Rin Mok unless stated otherwise.

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    Ringo Studio positions sex toys in athletic-themed room at Contact Sports

    Brooklyn-based Ringo Studio has reimagined the experience of shopping for sex toys, creating a store in New York modelled on a collegiate locker room.

    The Contact Sports shop on Mercer Street in Soho is designed to feel very different to the typical spaces in which products for sex are purchased.
    The store interior features walnut panelling and mosaic flooring”In a survey conducted before launch, the majority of people reported feeling uncomfortable walking into a sex store,” said the studio. “Uninviting exteriors felt intimidating, the aisles were hard to navigate, and the shelves stocked hundreds of products that were hard to decipher.”
    Working with Ringo Studio founder Madelynn Ringo – who has designed retail spaces for Glossier, Bala and Our Place – the brand devised a shopping experience based around sport, and used cues from this world to inform the interiors.
    Merchandise is displayed on brass rails and shelvingThe retail space includes an area at the front that sells long-stem roses in singles or bundles, including a 15-foot (4.5 metre) wall on which the fresh-cut red flowers are stored.

    Beyond, dark walnut panelling, brass rails and shelves, and green cushions give the store a collegiate atmosphere, while mosaic floor tiles and baskets of towels evoke a locker room.
    Walnut panelling forms locker-like cubby holes for displaying productsVintage sporting ephemera like tennis rackets, boxing gloves and American football helmets are displayed on higher shelves.
    Below, the selection of “entry-level gear and sensual gifts” from brands such as Kiki de Montparnasse, Lelo, Dame, Maude, Future Method and more are merchandised in locker-style cubbyholes.

    Six unusual sex toys with innovative designs

    “Contact Sports flips the traditional model on its head and takes a more curated approach, stocking only 70 products at launch,” the studio said.
    “Their team spent more than a year vetting a category that includes tens of thousands to offer only the best of the best, with unexpected touches that enhance the full experience around the sport.”
    The store features a Joe Chair shaped like a baseball gloveThe space is illuminated from above by a light box behind a wooden lattice, while softer lighting is installed in the cubbies.
    An iconic chair shaped like a giant baseball mitt by designers Jonathan de Pas, Donato D’urbino and Paolo Lomazzi sits next to the white counter, above which the brand’s cursive logo glows in neon.
    Long-stem red roses are sold at the front of the storeThe sex toy industry has grown significantly in recent years, as taboos have broken and social acceptance has widened. See some of the most unusual sex toys featured on Dezeen.
    However, “the retail experience itself had yet to evolve,” said the Contacts Sports team, which hopes the store will change how shopping for sex gear should look and feel.
    The photography is by Anna Morgowicz.

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