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    TPG Architecture creates “memorable moments” within NHL Headquarters in Manhattan

    Bold graphics and a tall media wall are among the features in the TPG Architecture-designed home office for North America’s National Hockey League, which spans five floors in a new skyscraper.

    The project is located in One Manhattan West, a glazed, 67-storey tower designed by SOM. The building is part of an emerging mixed-use development atop railroad tracks in the city’s Far West Side district.
    Bold graphics define the office interior by TPG ArchitectureThe NHL occupies floors 23 through 27, encompassing a total of 160,000 square feet (14,864 square metres). About 600 employees work in the office.
    Local firm TPG Architecture – which has designed several NHL projects since the 1990s – aimed to create a flexible and high-functioning work environment that captures the spirit of the professional ice hockey league.
    The project intends to capture the spirit of the ice hockey league”We set out to develop a connected, tech-enabled workplace that showcases the NHL’s commitment to its players, fans and employees,” the architecture studio said.

    “The result is an inspiring office that features memorable moments throughout, immersing both staff members and their guests into the League’s culture.”
    One Manhattan West skyscraper provides the setting for the headquartersThe league was started in 1917 and consists of 32 member clubs – 25 in the US and seven in Canada. The organisation was formerly based in a tower on Sixth Avenue in Manhattan.
    The new headquarters encompasses a range of spaces, including private offices, open workspaces, meeting rooms, media suites, social areas and a cafeteria that doubles as a “town hall”. The main entry and executive suite are on the 27th level.
    Interior finishes include concrete flooring and beige carpetingTo unify the different areas, the team used a black-and-white scheme with pops of colour – a move inspired by the NHL’s logo, which consists of a monochromatic shield.
    Interior finishes include concrete flooring, beige carpeting and warm-toned wood.
    Floors are connected by a feature staircaseFloors are connected by a feature staircase lined with an 18-foot-tall (5.5-metre) media wall. Games, graphics, social media feeds and staff announcements are showcased on the wall.
    NHL memorabilia is found throughout the headquarters, including a wall with pucks signed by players, a partition made of hockey sticks, and a corridor lined with uniforms from the league’s member clubs.
    An etching of the Stanley Cup features within the buildingOne area features a freestanding glass pane with an etching of the Stanley Cup trophy.
    “This area is great for visiting players to come in and take part in media interviews and other content-capturing activities,” the team said.

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    The work zones offer plenty of opportunities for group activities, which was somewhat lacking in the league’s former headquarters.
    “We interspersed more collaborative environments to boost productivity,” the team said.
    “Huddle booths, whiteboards with tabletop seating, and informal lounge areas are found throughout the office.”
    Various other spaces are included within the headquartersOther spaces in the headquarters include a Player Safety Area, where games are monitored in real-time and video clips are created for disciplinary review. The office also has a newsroom, broadcasting studio and editing suites.
    TPG Architecture was founded in 1979 and is based in New York City. Its extensive portfolio of office projects includes the conversion of a former tobacco factory in North Carolina into an advertising agency.
    The photography is by Eric Laignel.

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    Hollywood puppet theatre becomes Chief LA members' club

    A clubhouse for women in business now occupies a 1940s theatre in Los Angeles, following renovation work by JM|A+D and TAP Studio, with interiors by AvroKO.

    The three studios collaborated to rehabilitate the former Hollywood puppet theatre to create the Los Angeles flagship for Chief, which offers memberships to women in leadership roles.
    Like Chief’s other locations, the LA flagship clubhouse is designed to have a residential feel”Designed as a space for the most powerful women in business to connect and find community, we re-conceptualized the historic structure as a modern pied-a-terre, reinterpreting the best elements of traditional member’s club environments with a bold, lush palette,” said the team in a joint statement.
    JM|A+D and TAP Studio – both based in California – worked on restoring the theatre building while updating the spaces for their new purposes.
    The former theatre was converted to include two bars, five conference rooms and multiple lounges”From scattered wet bars and mothers’ rooms to carefully scaled seating and meeting areas, our goal was to develop a female-focused environment that brings the membership network’s mission to life,” the team said.

    “We dovetailed original building elements with new millwork, pathways, and technology to create an enfilade of communal and enclosed zones designed to host large events, lingering, chance encounters and focused work.”
    Conference rooms are each identified by a different colourThe interiors incorporate some of the design elements in Chief’s New York and Chicago locations, the latter of which was also designed by AvroKO and was named Large Workspace of the Year at the Dezeen Awards 2021.
    The visual threads between the different outposts include the use of rich colours and mix of furniture styles to create a residential feel, and incorporating many pieces by female artists and designers among custom millwork and vintage finds.
    Nods to the building’s former use include framed signatures of those who performed thereThe 14,000-square-foot (1,300-square-metre) LA clubhouse is split over two levels and includes two bars, five conference rooms, multiple lounge areas, and smaller private rooms for meetings or focused work.
    An outdoor patio is also available for members to sit among the trees or around a fire pit.

    AvroKO creates residential feel inside Chief members club in Chicago

    Inside, another fireplace is clad in narrow, glossy ceramic tiles and forms a focal point at the end of the bar.
    Each of the conference rooms is identified by a different colour, such as a large room with a sienna-hued ceiling and another that’s painted dark blue.
    A mix of furniture styles includes custom pieces, vintage finds and many designs by womenOchre yellow, dusty rose and various shades of green can also be found in upholstery, rugs, artwork and styled accessories.
    Nods to the building’s previous use are also scattered throughout. “We integrated a wall with celebrity signatures from roasts hosted at the theatre into the design,” said the team.
    Chief LA also has an outdoor patio for members to enjoyJM|A+D was founded by architect Jeffrey Miller and also has an office in Oregon. The studio has previously collaborated with TAP principal Tanya Paz on several residential projects.
    AvroKO is best known for hospitality projects and also designed the Mortimer House members’ club in London.
    The photography is by Aubrie Pick.
    Project credits:
    Architecture: JM|A+D and TAPInterior design: AvroKOCivil engineer: KPFFMEP consultant: Interface EngineeringAudiovisual consultant: VanWert Technology DesignLighting consultant: Focus LightingFood and beverage consultant: Sam Tell

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    NeueHouse opens third members' club in Los Angeles

    Workspace brand NeueHouse has opened a work and social space in Venice Beach, Los Angeles, which is revealed in this video created for the brand by Dezeen.

    The club is the third community and co-working space that the brand has opened in Los Angeles, California, with other locations in Hollywood and in Downtown’s historic Bradbury Building.

    Workspace brand @NeueHouse has opened a work and social space in Venice Beach, Los Angeles. pic.twitter.com/IzJQMvbV0g
    — Dezeen (@dezeen) January 31, 2023

    NeueHouse Venice Beach is located at 73 Market Street, in an area of Los Angeles known for its arts scene in the 70s and 80s.
    The interiors of the club were designed by Canadian studio DesignAgency, who were strongly informed by southern California’s history as a centre of modernism.
    The agency chose to use light, organic materials to reflect the Californian climate. Spaces are designed to be open-plan, in order to foster a feeling of informality and comfort.
    Spaces were designed to reflect the oceanfront locationThe building includes private and public workspaces, as well as a podcast recording studio, wellness room and social spaces.
    As with Neuehouse’s other venues, the club will host a regular cultural programme including exhibitions, screenings and events.
    The clubhouse is home to a collection of artwork curated by Caroline Brennan of design studio Silent Volume and Pamela Auchincloss of curatorial agency Eleven+. The collection combines the work of established artists with emerging talent from southern California.
    The clubhouse contains co-working spaces and creative production facilitiesThe Venice Beach club also houses Reunion, the first in-house restaurant and bar in a Neuehouse location. The restaurant is situated on a private rooftop space with indoor and outdoor seating.

    NeueHouse opens Los Angeles co-working space inside landmarked Bradbury Building

    “Our latest House is a response to a historic demand from the local Venice creative community,” said chief marketing officer Jon Goss.
    “We want to reimagine and pay homage to the block’s historic past, while offering a warm, design-first experience”.
    You can apply for membership at NeueHouse Venice Beach at its website.
    Last year, Dezeen and NeueHouse teamed up to host a series of events, including a panel discussion on Afrofuturism in art and design and a live talk on the metaverse featuring Liam Young, Refik Anadol and Space Popular.
    Partnership content
    This article was written as part of a partnership with NeueHouse. Find out more about our partnership content here.

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    Space Exploration Design gives Bar Americano in Brooklyn a time-worn feel

    Distressed plaster, exposed brick and mahogany millwork at this cocktail bar in Greenpoint were chosen by Space Exploration Design to “give the impression that it’s always been there”.

    Bar Americano opened recently on the corner of a landmarked residential building on Franklin Avenue – a bustling yet not overrun thoroughfare in north Brooklyn.
    The U-shaped counter at Bar Americano provides seating on three sidesServing cocktails, aperitifs and small plates, the bar is designed with an intentionally worn-in appearance to integrate with the fabric of the neighbourhood.
    “The directive that the ownership team of Bar Americano gave to Space Exploration Design was to create a neighborhood bar that gives the impression that it’s always been there,” said the studio, run by designer Kevin Greenberg. “[We] chose a palette of mostly warm, neutral materials with natural finishes that will patina gracefully over time.”
    Mahogany millwork forms the back bar, which incorporates sconces decorated with abstract floral patternsThe bar itself is located in the centre of the space, with a U-shaped counter surrounded by wooden stools on three sides.

    Behind, a mahogany cabinet displays a wide range of liquor bottles, and a vintage clock is affixed near the top.
    Seating nooks are tucked into corners away from the standing roomAlso embedded into the millwork are a pair of gilded sconces decorated with abstract floral patterns, created by Blaser Finishing, which also completed the plasterwork across the walls.
    Tight tambour panels clad the front of the bar counter and the lower half of partitions, and fluted glass continues the same vertical accentuation above.

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    “To emphasise the simple, honest approach to the cocktails, Space Exploration employed a restrained detailing language throughout. A strong sense of verticality provides the perfect complement to Bar Americano’s delicate glassware,” the studio said.
    Cosy seating nooks with leather upholstery of different sizes are snuggled into corners and window bays, away from the standing room.
    A raised seating area is set against an exposed brick wallA larger area with two-top tables is raised a few steps up, set against an exposed brick wall.
    Decorative tin tiles covering the ceiling were painted matte white, while brass was chosen for lighting fixtures, coat hooks and other hardware details.
    Distressed plaster walls and tin ceiling tiles add to the bar’s worn-in appearanceBar Americano joins several design-forward food and drink spaces in Greenpoint, including the Sereneco restaurant informed by Usonian architecture and the plant-filled Vietnamese eatery Di An Di.
    Other cocktail bars in NYC that have recently opened include the Upstairs lounge at Public Records in Gowanus and the rooftop bar at the Moxy Lower East Side hotel.
    The photography is by Alice Gao.

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    Gin Design Group creates radial layout for Treadwell barbershop in Houston

    A cave-like cork lounge is hidden at the back of this barbershop in southwest Houston, by Gin Design Group, which also offers IV drips to cure customers’ hangovers.

    This second location of the Treadwell men’s salon chain in situated the Texas city’s Southside Place neighbourhood.
    Treadwell customers are greeted at a curved reception desk wrapped in white mosaic tilesPart of the Southside Commons development, the 2,697-square-foot (250-square-metre) space was designed to echo the first outpost in Houston Heights, but have its own distinctive character.
    The history of this area, as a once “meager” and overlooked suburb that slowly became a thriving community, guided some aspects of the design.
    The “cutting floor” has a unique radial layout”Taking cues from the cultural fibre of Southside Place, Treadwell’s second location will allude to the industrious nature of the area through the use of more industrial touches like steel and concrete,” said Gin Design Group, which is led by founder Gin Braverman.

    “While these materials speak to the strength of the community, they’re softened by clean mosaic tiles, wood, and woven rattan,” the team continued. “Paired with organic architectural elements, this diverse blend of materiality helps to create an illustrious, yet comforting, medley.”
    A central circular unit acts as the barbers’ stationCustomers are greeted at a reception desk fronted by square white tiles, which match the walls behind.
    They then proceed to the “cutting floor”, which has a unique radial layout. Six identical chairs face outward at lozenge-shaped mirrors suspended in the middle of white metal poles.
    At the back is a cave-like bar and lounge area lined entirely in corkA central circular unit forms a stand and incorporates storage for the stylists’ equipment. It wraps a wooden column, from which matching ceiling beams radiate like wheel spokes.
    Tucked away at the back of the salon is an area lined entirely in cork, which features a curved bar made from glass bricks.

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    The dark and moody lounge is completed with turquoise bar stools and custom 1970s-influenced furniture, “speaking to the history of the mid-century architectural style of Southside Place”, according to Gin Design Group.
    Other brighter rooms where the white mosaic tiles are continued include a hair-washing space, and another reserved for treatments including cryotherapy, pedicures, and IV drips intended to rehydrate the body and help alleviate hangovers.
    White tiles are continued in the space for washing hair”The overall interior design aesthetic marries the branding and concept to convey a cohesive design intent, felt in every detail,” said Gin Design Group.
    “Bridging minimalist materiality with optimal functionality, Treadwell will remain a clear expression of innovation for the men’s grooming industry.”
    The barbershop also offers treatments including pedicures and IV dripsOther unusual, design-forward barbershops around the world include a minimalist space by Ivy Studio in Montreal, a “brooding” men’s spa by Nicholas Szczepaniak Architects in Dubai, and a salon with greyscale interiors by Sivak & Partners in Odessa.
    The photography is by Cladia Casbarian for Julie Soefer Photography.

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    Dumbo Loft by Crystal Sinclair Designs features a book-filled mezzanine

    Interiors studio Crystal Sinclair Designs has renovated a loft apartment in Brooklyn’s Dumbo neighbourhood to include a mezzanine with a wall of books and a bedroom behind a glass partition.

    Upstate New York studio Crystal Sinclair Designs overhauled the space for a well-travelled lawyer and writer.
    The loft’s high ceilings enabled a mezzanine library to be addedThe client purchased the loft during the early Covid-19 pandemic in Dumbo, an area that has seen extensive conversion of buildings into luxury apartments.
    Sinclair’s aim was to retain the industrial look of the space, while incorporating a mix of furnishings that offer a European flair and nod to some of the locations where her client has spent time.
    Crystal Sinclair Designs retained the industrial materials and kept surfaces bright”[She] wanted to incorporate certain elements that are representative of the places she’s lived and worked before,” Sinclair said.

    “To that end, we worked in a nuristani mirror and a tribal qashqai rug purchased in Afghanistan, a statement chandelier from Italy, and her entire and not insubstantial library.”
    In the kitchen area, arabascato marble contrasts a farmhouse-style islandThe concrete shell was largely left exposed, balanced with antique pieces like an easel and a leather wingback chair to add more story and a “lived-in” feel.
    “The space itself led the way,” said Sinclair, who founded her eponymous studio with her husband, Ben. “The idea was to draw attention to the high ceilings with floor-to-ceiling drapes and a metal/glass partition wall. As the space is bright, we decided to paint everything white.”
    Floor-to-ceiling glass panels divide the living space and the bedroomThe 1,190-square-foot (110-square-metre) apartment features a concrete coffered ceiling that reaches over 14 feet (four metres).
    Thanks to this height, an L-shaped mezzanine could be added to provide a space to store the client’s book collection.
    One wall is covered in wooden battens that create a relief patternA ladder beside a window provides access to the upper level, where bookshelves displaying the extensive library almost cover the whole wall.
    Underneath are a row of tall cabinets, and the kitchen that features slabs of white and grey arabascato marble that contrasts a wooden farmhouse-style island.
    The eclectic selection of furniture was chosen to help give the space a lived-in feelIn the living room, a cream boucle sofa is paired with a Moroccan rug, while a giant crystal chandelier hangs overhead.
    The corner bedroom is partitioned from the rest of the space by floor-to-ceiling glass panels housed within black metal frames.

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    A white linen curtain can be pulled across to obscure the neutral-toned sleeping area from view. A desk also runs the length of a wall, for the client to use on the days that she works from home.
    Elsewhere, original structural columns are wrapped in tiles around their lower halves, and a section of wall is covered with wood battens that create a relief pattern.
    Linen curtains can be drawn to provide privacy in the bedroom”We played with it and kept everything bright and airy,” Sinclair said. “All we needed to do was to layer in order to give the space depth and purpose.”
    Loft apartments are typified by high ceilings, large windows and expansive open floor plans, and are commonly found in former industrial neighbourhoods of Brooklyn.
    Antique pieces help to imbue the spaces with a European flairOther areas of New York City, like Tribeca, are similarly full of historic warehouses and factories that have been converted for residential use.
    In these types of buildings, recently completed projects include an apartment by Andrea Leung with “secret spaces” hidden behind a mirrored wall and a penthouse by Worrell Yeung where industrial finishes are contrasted with the “pure minimal lines” of new fittings.
    The photography is by Seth Caplan.
    Project credits:
    Interior design: Crystal Sinclair DesignsStylist: Mariana Marcki-Matos

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    RtA NYC store by Dan Brunn features broken crystal and red fitting rooms

    Pieces of broken crystal fill a display case that runs the length of this Manhattan boutique, completed by Los Angeles-based architect Dan Brunn for streetwear brand Road to Awe.

    The store on Mercer Street in SoHo is both the third location for Road to Awe, also known as RtA, and the third designed by Dan Brunn Architecture.
    Road to Awe’s third store by Dan Brunn is divided by a central displayFollowing outposts in West Hollywood and Las Vegas, the new 2,152-square-foot (200-square-metre) space occupies the ground floor of a historic landmarked building.
    “Honoring the more industrial nature of its surroundings, RtA Soho takes on a streamlined and contemporary approach with a raw edge directly opposing the more playful and ostentatious style of the Vegas location and serene nature of its West Coast counterpart,” said Brunn’s studio.
    The row of vitrines is filled with pieces of broken Baccarat crystalThe open floor plan is divided along the centre by a line of mirrored chrome vitrines.

    Created in collaboration with crystal brand Baccarat, the display contains 2,000 pounds (907 kilograms) of broken crystal that would have otherwise been discarded.
    Clothing is hung from suspended steel beamsEach case has an angled top to create a faceted surface, while a red glow surrounds the base of the structure.
    The crystal pieces are also back-lit, “casting rays of light throughout the store like a reverse disco ball” according to the brand.
    At the rear, a fitting room area is entirely red and illuminated with neon stripsMenswear and womenswear are displayed either side of this central axis, hung from floating horizontal blackened steel beams that help to divide the space.
    Brunn retained the original wooden flooring, but painted it in a gradient that blends from white to black towards the rear of the store.

    Delicate glass shelves illuminate Las Vegas boutique by Dan Brunn Architecture

    At the back is an entirely red area that provides access to the fitting rooms.
    A velvet-covered seating module runs down the middle of this space, flanked by repeated arches that puncture the side walls and are outlined by neon lights.
    Areas of missing brick in the fitting rooms are lined with gold leafNeon strips also traverse horizontally across the ceiling, while an LED display on the back wall plays RtA’s merchandising videos and fashion shows.
    Inside the fitting rooms, “valleys” in the existing brick wall “were sporadically filled with gold leaf paint employing the Japanese kintsugi method of embracing the beauty in imperfection”, said the studio.
    The RtA NYC store is located in a historic building on Mercer StreetBrunn’s first store for RtA opened on Melrose Avenue in 2017, followed by his boutique at the Wynn resort in Las Vegas in 2019.
    The architect has also renovated a Frank Gehry-designed house for an illustrator and designed a long slender home spanning a brook for himself.
    The photography is by Brandon Shigeta.

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    Upstairs lounge with “DIY” design approach opens at Public Records

    Public Records co-founders Shane Davis and Francis Harris have added a bar and lounge on an upper floor of their multi-purpose creative venue in Brooklyn.

    Upstairs is the latest addition to Public Records, which was opened in 2019 by musician Harris and creative consultant Davis, who led the design of both the original spaces and the new lounge.
    The Upstairs lounge at Public Records is anchored by a dark marble bar and glossy black floorThe extension joins a variety of programmed areas in the industrial brick building, including a cafe and record store, a plant-based bar and restaurant, an outdoor garden and a Sound Room for live performances.
    For Upstairs, Davis collaborated with DSLV Studio on the interiors, Arup for the acoustics, and a cast of makers to renovate the upper-level space – once occupied by Retrofret Vintage Guitars.
    A “DIY approach” was taken to the design of the space, which involved multiple collaborators”We felt that people would value a space that inspires more intimate connection than our other spaces,” said David. “This framework then provides opportunities to explore our ideas and showcase those of our collaborators on various scales, whether it be a sound system, a chair, an event series, or a cocktail.”

    The room is anchored by a dark, patterned marble bar, which together with the glossy black floor contrasts the mostly white walls and furniture.
    Particular attention was paid to the sound quality in the space, which includes large subwoofer speakers by OJASParticular attention was paid to the sound quality in the space, where walls are furred out and undulated to bounce music around the room from large subwoofer speakers.
    These are housed in cabinets by Devon Turnbull of OJAS and positioned against the back wall, with either side of the cabinets containing a diverse array of equipment including a reel-to-reel tape player.
    Custom furniture pieces include the PR Lounge Chair, designed with local fabricator Joe CauvelPatrons will be able to choose from a curated selection of records and CDs available to play during gatherings, events and parties.
    “Intentional listening on an audio system that showcases the practices of production in the music space allows for a deeper understanding and appreciation of the cultural significance of musicians and producers who are an integral part of how we shape our perception of the world,” said Harris.

    Public Records in historic Brooklyn building pairs vegan cafe with nightclub

    Wrapping the room are cream leather banquettes, accompanied by circular glass tables, and black ceramic and foam stools commissioned from Zurich-based artist Cristian Anderson that are reminiscent of used paint buckets.
    Also scattered through the space is the custom PR Lounge Chair, designed with local fabricator Joe Cauvel and constructed of plywood and steel with exposed joinery.
    Exposed ductwork and services found throughout the old industrial building are also present in UpstairsExposed ductwork and services found throughout the building are also present in Upstairs, which continues the same “DIY approach” taken to all of Public Records’ spaces.
    Brooklyn has no end of venues that act as community hubs, workspaces and nightlife spots geared towards its thriving creative population.
    Black ceramic and foam stools by artist Cristian Anderson are reminiscent of used paint bucketsAmong others are The Mercury Store performing arts centre in Dumbo and the 77 Washington artist studios in the Navy Yard.
    Elsewhere in New York City, creative co-working space Neuehouse recently updated its hospitality areas.
    The photography is by Ill Gander.

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