USA

Subterms

    More stories

    • 125 Shares119 Views

      in Rooms

      Chicago's Swiss Consulate interior is a nod to 1960s modernism

      by

      Swiss firm HHF and Chicago-based studio Kwong Von Glinow have collaborated on the interiors of the Swiss Consulate located in Chicago’s landmark John Hancock Center.

      Located on the 38th floor of the 100-storey supertall skyscraper, the 1,500-square-foot office is designed to pay homage to the shared architectural history of Chicago and Switzerland.
      The Swiss Consulate is located in the John Hancock CenterHHF and Kwong Von Glinow drew on the domestic interiors of Swiss modernist architect and designer Otto Kolb, who taught at the Illinois Institute of Technology.

      Original Otto Kolb light fittings have been used throughout, and the office’s mid-century style furniture is the result of a collaboration with Ginger Zalaba, Kolb’s granddaughter and founder of Zalaba Design.
      HHF and Kwong Von Glinow referenced the work of 1960s architect Otto Kolb”The Swiss Consulate was developed as one fluid space,” the designers told Dezeen. “Similar to the design of the Villa Kolb on the outskirts of Zürich.”
      At the centre of the office, an area is carved out by curved sections of wooden slats and plants in reference to Villa Kolb’s cylindrical fireplace.
      The kitchen is painted a deep green colourThese wooden dividers – painted a deep green internally and white on the reverse – act to separate the social areas of the office from the workspaces, loosely enclosing a green kitchenette and central tall table.
      “The light-altering screens that shape the green core act as mediators between the more public area and the working areas of the consulate,” explained the designers.

      Dyed concrete walls surround Swiss embassy in Nairobi by Roeoesli Maeder Architekten

      “Taking cues from how kitchens are typically used in the home as a place where daily interactions between family members occur, the kitchenette becomes the meeting place of the Swiss Consulate.”
      Three desks sit alongside this central core, while two individual offices and a conference room are separated from the more social area with large frosted glass partition walls that help pull light deeper into the plan.
      Meeting rooms are screened by frosted glass”Given the meeting room’s lack of access to direct light, natural light comes instead from the frosted glass partitions that separate it from the deputy’s office,” explained the designers.
      With privacy and security being important, the only entrance to the office is via a mirror-polished chrome door, which stands alongside a bright red reception booth.
      The reception booth is painted bright redKwong Von Glinow recently completed their first project since founding the practice in 2017, a light and spacious house in Chicago aimed to demonstrate an alternative to developer-led housing.
      Global practice Skidmore, Owings & Merrill, the original designers of the John Hancock Center where the Swiss Consulate is based, has also recently revealed plans for a new curving glass canopy for the State/Lake station on Chicago’s metro.
      The photography is by James Florio.

      Read more: More

    • 100 Shares129 Views

      in Rooms

      Six of the best restaurant interiors in California

      by

      From rustic fine dining to colourful ceilings designed to “stimulate the appetite”, here are six top examples of interior design for restaurants from California.

      Loqui in Downtown Los Angeles, California, by Wick Architecture & Design
      Los Angeles studio Wick Architecture & Design looked to materials more commonly found on construction sites when designing Loqui, the second location of a “mom and pop” taqueria in Downtown Los Angeles.

      Concrete floors and exposed pipes from the renovation have been left in situ while walls and surfaces are clad with terracotta brick and olive-pained stucco. Tables, chairs and benches are made of stained oak and the facade is made of patinated steel.
      Find out more about Loqui ›

      Madison in San Diego, California, by Archisects
      California studio Archisects designed bright-blue alcoves and cedar-clad walls and ceilings for Madison, a restaurant and cocktail bar built in a former nightclub in San Diego’s University Heights neighbourhood.
      The designers used wood and geometric shapes to create a warm and welcoming space, with nautical light fixtures that nod to the city’s coastal location.
      Find out more about Madison ›

      Bavel in Los Angeles Arts District, California, by Studio Unltd
      Los Angeles-based Studio Unltd turned a former warehouse in the Los Angeles Arts District into a Middle Eastern restaurant called Bavel (pictured top and above).
      Plants trail down whitewashed walls and banquettes are upholstered with geometric-patterned fabric. The bar area draws inspiration from Casablanca, Morocco, with pink metal seats and gold-and-turquoise shelves set in arched niches.
      Find out more about Bavel ›

      Auburn on Los Angeles’ Melrose Avenue, California, by Klein Agency
      Jon and Maša Kleinhample, a husband-and-wife design team from Belgium, wanted to create a homey aesthetic for Auburn, a fine-dining restaurant on Melrose Avenue.
      The kitchen is open to the dining area and crockery is stored in open-faced cupboards. Rustic ceiling beams project from the inside through to an outdoor dining area where a tree grows through a hole cut into the roof.
      Find out more about Auburn ›

      Gucci Osteria da Massimo Bottura in Beverly Hills, California, by Gucci
      The Gucci store in Beverly Hills has its own Italian restaurant on the top floor. The intimate 50-cover eatery is designed to look like the fashion house’s restaurant in Florence, with a marble entrance and tapestry rugs spread over wooden parquet flooring.
      An outdoor terrace has a mosaic floor patterned with stars and a retractable awning that is supported by steel beams painted jade green.
      Find out more about Gucci Osteria da Massimo Bottura ›

      The Salted Pig in Riverside, California, by Project M Plus
      Project M Plus, a Los Angeles-based collective of architects and designers, used a palette of warm tones to “stimulate the appetite and the senses” for this restaurant in Riverside.
      The ceiling and exposed ducts are brick red, with sage-green accents in the dining space below. Banquettes upholstered in leather are wrapped in wooden louvres and illuminated with domed copper lights.
      Find out more about The Salted Pig ›

      Read more: More

    • 175 Shares159 Views

      in Rooms

      Sarah Coleman puts a psychedelic twist on the brand's logo at the Fendi Caffe

      by

      Artist Sarah Coleman has added a psychedelic twist to Fendi’s distinctive double-F logo for a pop-up cafe she designed for the brand in the Miami Design District.

      Stylised as the Fendi Caffe, the cafe designed for the Italian fashion house was located on the outdoor corridor of OTL restaurant in the heart of Miami’s Design District from May to early July.

      Coleman manipulated the traditional Fendi logoThe cafe was informed by the brand’s Summer Vertigo capsule collection, which New York artist Sarah Coleman designed in collaboration with Fendi’s creative director Silvia Venturini Fendi.
      Defined by yellow and blue tones, the ready-to-wear collection features 90s streetwear references as well as shapes borrowed from 70s psychedelia.
      The entrance to the cafe was on an outdoor corridorCentral to the cafe’s bold design was FF Vertigo, Fendi’s iconic FF logo that Coleman and Venturini Fendi warped for the capsule collection and repeated throughout the cafe in a series of bold colours.
      The artist explained the influences that prompted her to explore the 70s in her design process.

      Ménard Dworkind creates retro coffee bar in downtown Montreal

      “When I first began brainstorming, I went straight to my bookshelf and dove into everything I have about the 1970s, a period of spontaneity and extreme self-expression,” Coleman told Dezeen.
      “I think the 70s are the greatest fashion era of the 20th century. The spirit of disco, the flowing post-psychedelic art,” she added. “There were so many inspiring aesthetic references to draw upon.”
      FF Vertigo was repeated throughout the spaceVisitors to the cafe were greeted with an expanse of bright yellow canopy that contrasted with green potted plants lining the permanent Fendi boutique that is located opposite the pop-up’s site.
      FF Vertigo featured as a bold motif throughout, topping the space’s various tables and barstools while more abstract swirly shapes tumbled over the cafe’s yellow walls.
      A permanent Fendi boutique is opposite where the pop-up wasOrb-style pendant lights and menus also included FF Vertigo in their design, while a more traditional version of the Fendi logo featured on the cafe’s edible items such as cappuccinos and toast.
      Fendi is a luxury fashion house founded in 1925 by Adele and Edoardo Fendi.
      Other previous projects by the brand that are informed by the past include a travelling installation for an edition of Design Miami featuring pastel 50s furniture.
      The images are courtesy of Fendi.

      Read more: More