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Chunky wooden partitions and distinctive lighting fixtures feature in a Japanese restaurant in Denver designed by Roth Sheppard Architects to offer “flashes of unanticipated excitement”. More
New images of the interiors of 130 William, architect David Adjaye’s concrete skyscraper in New York, show repeating arch motifs that recall the tower’s facade. More
Bunkhouse Group and architecture office Lake Flato collaborated to create Hotel Magdalena, a hotel in Austin designed to emulate a Texas lake house filled with art and “hippie textiles.”Hotel Magdalena’s sloping architecture is designed to recall the gently inclined landscape of the nearby Barton Springs, a popular outdoor swimming spot.
The four new buildings that make up the hotel occupy the original site of the 1950s Terrace Motor Hotel and Willie Nelson’s 1970s music venue Austin Opry House.
A Harvey Probber sofa sits in the valet lobby
Bunkhouse Group and Lake Flato incorporated elements from both mid-century Austin icons in the interiors.
Guests are welcomed at two lobbies. The valet lobby is filled with pieces such as a Marset Dipping Lamp and a plush 1970s Harvey Probber sofa named Deep Tuft, designed to mimic the tufted seating found in luxury cars.
Hotel Magdalena’s main lobby mixes design elements by renowned brands and local makers.
A green Moroso sofa adds colour to the eclectic main lobby
A Moroso sofa and coffee tables are placed alongside a custom oval wooden retail table crafted by Quarter Lab, an Austin-based woodworker.
Unstained white oak tambour forms the main lobby’s desk, behind which colourful ceramic pots by local designer Rory Foster are placed, as well as the hotel’s own book collection sourced from Half Price Books.
Quarter Lab designed the main lobby’s retail table
“When we were styling the lobby, we pictured a person who lived in an effortlessly cool house on Lake Austin,” said Bunkhouse Group’s vice president of design and development Tenaya Hills.
“We thought about what they would collect on their travels, what they found interesting, and what books and records they’d have,” Hills told Dezeen.
Unstained white oak tambour is used in both lobbies
A scattering of 70s original collages by the late Graham Harmon also decorates one of the lobby’s white walls. It is understood that Harmon painted the works in Austin.
“The story of the hotel is the story of Austin,” said Hills. “The buildings are inspired by 1950s Austin lake houses, which then informed the materials you see and the furniture system we designed for the guest rooms.”
1970s collages by Graham Harmon
Influenced by designers such as Le Corbusier and Alvar Aalto, the hotel’s 89 rooms have smart systems of combination furniture.
Bespoke beds are built-in and crafted from walnut wood, and inlay desks separate each room’s bed from its small living space.
The guest rooms take cues from Le Corbusier and Alvar Aalto
Poured concrete floors with exposed aggregate echo rocky river beds, while wooden ceilings maintain the hotel’s lake house design.
Bathrooms tiled in blue, red, yellow or green inform the colour of each room’s more subtle design elements, such as various Christian Rathbone throw pillows adorned in what Hills describes as “hippie textiles,” and custom bedside lighting by David Weeks.
Different coloured bathrooms inform the design of each bedroom
Guest rooms feature individual black and white photographs by local photographer Scott Newton. Newton’s images capture live music in Austin.
Hotel Magdalena’s swimming pool is accessed by various exposed elevated walkways. Poolside umbrellas, loungers and side tables by Kettal blend with the exterior setting.
The hotel’s swimming pool is one of its central hubs
Overlooking the pool, the hotel’s outdoor bar area is a colourful space with soft seating by Expormim and clusters of umbrellas.
Clad in terracotta tiles, the bar itself has a playful terrazzo top designed by Concrete Collaborative.
Visitors can lounge on soft seating by Expormim at the bar
Hotel Magdalena also has a restaurant. Summer House on Music Lane is a bright and airy space furnished with two-tone green Mathilda dining and bar chairs designed by Patrica Urquiola for Moroso.
“We went for a palette of natural materials – stone and wood and a high gloss ceramic tile. The main colour woven throughout is green,” said Hills.
Summer House on Music Lane is designed in the style of the main hotel
Like in the hotel’s eclectic lobbies, vintage treasures made from coloured glass and ceramics line the restaurant’s bar shelves.
Mark Odom pays homage to the 1950s with Inglewood Residence in Austin
Local craftsmanship is celebrated in the form of a bespoke bench by Litmus Industries and artwork by Graham Harmon and Michelle Billette sourced at Round Top Antiques Fair.
The restaurant’s bar is clad in green tiles
Bunkhouse Group is a hospitality company based in Austin. Lake Flato is an American architecture firm founded in 1984. The firm recently designed a marine research centre in Mississippi formed from six pine buildings.
Other eclectic interior spaces in Austin include a hotel by Kelly Wearstler with a sculptural oak staircase, and a restaurant filled with hanging plants and used books created by Mickie Spencer.
Photography is by Nick Simonite.
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Interior designer Kelly Wearstler included eye-catching details such as vintage rugs and a white oak staircase that doubles as a ceramics display in her design for the Austin Proper Hotel and Residences.Built in 2019 by New York firm Handel Architects, the 32-storey hotel and apartments managed by McGuire Moorman Hospitality is located in Downtown Austin, Texas.
Los Angeles-based Wearstler, who will be on the interiors panel as a Dezeen Awards 2021 judge, created the aesthetic for the 244 rooms and 99 “branded residences.”
Panels of Shou Sugi Ban cypress clad the walls
Her interior design for the hotel revolves around local art and textiles, with some eclectic vintage elements thrown in.
A focal point is a sculptural staircase made of white oak wood with stepped balustrades.
Vintage rugs are draped over the wooden stairs
An interesting backdrop has been created by showcasing the underside of the staircase steps, while a ziggurat of plinths below is used to display a range of glazed earthenware pots and vases.
Custom panelling along the walls of the hotel is made from cypress wood, charred using the traditional Japanese technique of Shou Sugi Ban to create a tiger-striped effect.
Patterned tiles and rugs feature in the Peacock restaurant
Mismatched vintage rugs run up the stairs, and a mix of chairs and armchairs upholstered in patterned fabric are scattered around the lobby.
Tiles by Austin ceramicist Rick Van Dyke appear as inlays on furniture such as cabinets, and fibre artwork by local artist Magda Sayeg, known for her yarn bombing installations, are hung in the bedrooms alongside antique mirrors.
Wine racks and botanical wallpaper decorate the restaurant
The fifth floor features a pool deck clad with locally quarried travertine, where Mexican restaurant La Piscina serves small-batch tequila.
There are three other eateries in Austin Proper Hotel and Residences including Peacock, which serves Mediterranean food against a backdrop of parquet floors covered in more vintage rugs and walls covered in Portuguese-style tiles.
A private dining area, screened off by walls made of full wine racks, features botanical wallpaper.
Pastel tiles decorate the Mockingbird cafe
The interior of The Mockingbird, a coffee shop that serves Greek frozen yoghurt, was decked out in more colourful tiles by Wreastler.
Small square tiles cover the walls and form a pattern of powder blue, seafoam green, inky navy blue and pale burnt orange colours.
The bar has a flocked wallpaper ceiling
Austin Proper Hotel and Residences also has a drinking establishment called Goldie’s Sunken Bar, which has a cobalt blue-painted bar, low stuffed armchairs and a high ceiling covered in opulent wallpaper.
All over the hotel, walls are hug with art and niches are filled with ceramics. Pot plants filled with hardy desert species add splashes of greenery.
Pot plants and mismatched furniture
The 99 apartments attached to the hotel also have interiors designed by Kelly Wearstler. Their occupants have access to the hotel’s amenities as well as a private pool, along with dog grooming and concierge services.
Kelly Wearstler is an interior designer based on America’s west coast. Recent collaborations for the same hotel franchise include the San Francisco Proper and the Santa Monica Proper.
Photography is by The Ingalls.
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Canadian design duo Julia Jamrozik and Coryn Kempster have created a playful all-blue cafe in a century-old house in Buffalo, New York, with an optical illusion staircase.Named Tipico Coffee, the cafe’s identity was formed with the intention of designing a space that encourages social interactions and supports local craftsmanship.
The cafe’s main bar is grafted from reclaimed furniture
Reclaimed furniture and lighting made from construction-site string lights feature alongside an oversized staircase to nowhere which forms amphitheatre-style seating.
The cafe’s main bar is made from ten reclaimed wooden tables sourced from classified advertisements website Craigslist.
The main bar encourages social interactions
The tables are grafted together and painted in sky-blue, forming a unified bar which runs along one wall of the cafe.
“The process of designing the cafe really started with the idea of the social infrastructure of the grafted bar,” Jamrozik and Kempster told Dezeen.
Drinks on ice are displayed between the bar’s table-tops
The open bar has clusters of swivelling stools arranged around blue table-tops that jut out of the bar’s customer side, allowing easy socialising between customers and staff.
“The different shapes of the tables come together to create opportunities for conversations,” continued the designers.
“This is augmented with the use of swivelling bar stools that allow patrons the ability to turn their bodies to orient themselves to a new connection.”
Swivelling stools encourage random encounters between customers and staff
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Groups of circular olive-green garden tables and chairs, as well as built-in blue benches, make up two intimate seating areas behind each side of the bar, which are separated by a wall.
The tables and chairs used are purposefully outdoor furniture. This means that the seating can be moved onto an exterior patio in the summer months.
Tipico’s atmosphere is a mix of indoors and outdoors
Various scattered potted plants blend green and blue furniture together and continue the theme of bringing the outdoors inside.
Jamrozik and Kempster explained their intentions for using sky-blue as the cafe’s dominant colour.
Ménard Dworkind creates retro coffee bar in downtown Montreal
“We wanted to use a vibrant colour to visually tie together the bar and benches to create continuity in the space and give visual emphasis to the bar as the main design gesture.”
“We chose blue to both complement the olive green furniture and plants, but also to create moments of contrast with the bespoke yellow lights,” they continued.
Potted plants are scattered around the space
The bespoke lights designed for the cafe are composed of construction-site string lights, wound around sections of aluminium stock tubes. They hang above the bar and the seating areas.
“We wanted to transform the string lights, while still making it clear what the source product was,” explained the designers.
Lighting made from construction-site string lights
Metal pegboard is another off-the-shelf material used in the space, making up a menu board behind the bar, a merchandise display board and a community message board.
The bottom of the main bar and built-in-benches was also lined with wooden pegboard in order to “give them both a visual texture, taking advantage of the acoustic properties of the perforations,” said Jamrozik and Kempster
A merchandise display board made from metal pegboard
A sense of the building’s historic charm remains in the existing fireplace that is preserved, which is painted in a strip of the same sky-blue paint as the main bar.
An over-scaled stairwell acts as an additional, cosy seating area fit for a couple of customers at a time.
The building’s original fireplace and its playful stairwell
Sealed off by a mirror and leading to nowhere, the stairwell is intended as an “Alice in Wonderland moment,” enhancing the cafe’s playfulness.
“The stairway’s oversized steps effectively shrink the visitor and act as seats while the mirrored ceiling gives the impression that the space continues up,” explained Jamrozik and Kempster.
“We imagine people will be drawn to the curious space and hope that they enjoy the tongue-in-cheek reference that plays on the domestic history of the original building,” continued the designers.
Sealed off by a mirror, the stairwell is an optical illusion
Jamrozik and Kempster note the importance of playful design in their work, which they believe connects people in public spaces.
“We use the language of play to create social infrastructures: physical prompts which encourage contact between strangers.”
“We believe that questioning the way people use and occupy space and their relationship to one another through playful encounters has enormous potential to speak across generations and cultural differences,” they continued.
The importance of play is an influence in Jamrozik and Kempster’s design work
Designers everywhere are acknowledging the importance of designing public spaces to maximise social interactions. In Montreal, Ménard Dworkind has created a cafe with a central standing bar, while Central Saint Martins graduates have created blocky outdoor furniture for a public square in Croydon, London.
Julia Jamrozik and Coryn Kempster have collaborated on design projects since 2003. Their varied work spans temporary installations and permanent interior and architectural commissions.
Photography is by Sara Schmidle.
Project credits:
Architecture team: Abstract Architecture PC
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American studio The Brooklyn Home Company has designed a Brooklyn townhouse using Passivhaus principles in New York’s Carroll Gardens neighbourhood.The Sackett Street townhouse comprises four storeys as well as a rooftop with views of the Manhattan skyline, along with a basement and a drive-in garage.
The four-storey townhouse has views of the Manhattan skyline
Stairs from an outside decking area lead to a back garden, and a private terrace is accessed from the main bedroom.
Passivhaus is a recognised European energy standard for homes that require minimal energy to heat or cool and promote high indoor air quality.
The Sackett Street townhouse’s back garden
For the townhouse project, The Brooklyn Home Company used an energy recovery ventilation (ERV) filtration system.
“The air quality brings health and cognitive benefits that the developer believes will become the new standard for home building in New York City,” co-founder of The Brooklyn Home Company William Caleo told Dezeen.
“The homes also maintain humidity levels to prevent virus spread, which is common in both dry and cold weather. In short, our opinion is it’s the best way to build new homes,” he said.
A living room leads to the back garden
Adopting Passivhaus principles addresses two of society’s greatest threats, argued William Caleo.
“As society grapples with not only the current public-health crisis but the reality of climate change, builders and home designers are using Passivhaus design as an alternative technique in the wake of Covid-19.”
The house’s walls are painted in white Farrow and Ball paint
William Caleo and his sister Lyndsay Caleo Karol worked closely with his sister’s husband, Fitzhugh Karol, the studio’s in-house artist, to design the interiors.
Madera white oak hardwood floors and walls painted with white Farrow and Ball paint were chosen to create a “bright and airy” home.
A hand-crafted bed by Fitzhugh Karol in the main bedroom
Hand-crafted pieces of furniture designed by Fitzhugh Karol include the wooden four-poster bed in the main bedroom.
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Other one-of-a-kind pieces include a bespoke dining table and a dresser, and the elegant twin beds in the children’s room were also made bespoke for the property.
The twin beds in the children’s bedroom were made especially for the house
The townhouse’s open-plan kitchen is a mixture of exposed beams and custom built-in wood, also designed by Fitzhugh Karol. A reclaimed ceiling by The Brooklyn Home Company hangs overhead.
These rustic features are offset with sleek Pietra Cardosa countertops and a range cooker by La Cornue. Hardware fixtures by Waterworks and Restoration Hardware tie the space together.
The property’s kitchen is a mix of rustic and polished features
Selected artwork is also integral to the townhouse’s interior atmosphere. A notable piece is Tyler Hays of BDDW’s painting of a woman, made of puzzle pieces, which hangs in the dining room.
Artistworks by Jen Wink Hays, Paule Morrot and Caleb Marcus Cain also decorate townhouse’s light and open rooms.
Artist Tyler Hays’ puzzle painting adds depth to the dining room’s white walls
The Brooklyn Home Company has recently launched 25 new homes also built according to Passivhaus principles across two Brooklyn developments in South Slope and Greenwood Heights.
More Passivhaus projects outside of Europe include the upcoming 1075 Nelson Street skyscraper in Vancouver, designed by UK studio WKK Architects. When completed, it will be the world’s tallest Passivhaus building to date.
Photography is by Matthew Williams and Travis Mark.
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Curved seating, shelving and mirrors feature throughout Goodbody hair salon in Oakland, California, which design studio Homework has finished with salmon-pink accents.GoodBody, which specialises in cutting, colouring and styling textured hair, is located in downtown Oakland. It takes over a building that was previously host to several dated offices.
To transform the site into a modern salon, San Francisco-based studio Homework had to completely strip away any evidence of the previous fit-out.
Top image: GoodBody is set inside a spacious hall. Above: curved elements are used to break-up the space
As well as removing decorative elements, the studio tore down partition walls and knocked through a dropped ceiling to create a vast, double-height hall.
It was initially unclear as to how the space would be organised to accommodate the salon’s various service areas.
A semi-circular bench anchors the salon’s waiting area
“After rounds of iterations, we developed sinuous millwork curves to promote the service functions while defining the space,” explained Ben Work, who runs Homework alongside Susan Work.
Curved elements can be seen as soon as customers walk into GoodBody – a semi-circular bench has been placed in the salon’s entryway to delineate a waiting area.
Arched mirrors accompany the salon’s styling stations
The grooved, salmon-pink bench bends round to adjoin a matching desk where staff can stand and check appointments. Overhead hangs a quartet of brass pendant lamps.
Nearby sits a salmon-pink platform that dips inwards to form an arc shape. The platform is topped with chunky tiered shelves that display various hair and beauty products that are available for purchase.
Each mirror is illuminated by an LED strip light
On the opposite side of the room is a sequence of styling stations. Each one has a tall arched mirror framed by an LED strip light and a comfy swivel chair upholstered in caramel-brown leather.
These complement the salon’s buttermilk-coloured walls and the gold-velvet curtains that have been hung in front of all the doorways.
Curved shelving displays an array of hair and beauty products
At the rear of the salon is a huge vaulted opening which leads through to the hair-wash room.
New York hair salon Hawthorne Studio is designed for social distancing
This has been completed in a darker, richer palette – surfaces have been painted what the studio describes as a shade of “peacock green”, while the sinks are made from black porcelain.
A rounded, salmon-pink cabinet visually ties-in this room with the rest of the salon.
A vaulted opening looks through to the hair-washing area
Other striking hair salons to open this year include Hawthorne Studio in New York, which design practice BoND had to adapt to suit health and safety regulations put in place as a result of the coronavirus pandemic.
All of the styling stations, for example, are mobile so that customers can be moved to sit six feet apart. Spaces are also divided by wooden frames instead of walls, so that staff can monitor how many people are entering the salon.
Photography is by Aubrie Pick.
Project credits:
Design: HomeworkStyling: Bianca Sotelo
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Design firm Home Studios used a medley of bespoke furniture and vintage finds to revamp this family apartment in New York’s NoHo neighbourhood.The 20 Bond apartment measures 2000 square feet (186 square metres) and is set within a building that dates back to 1925. Since the 1980s, it hasn’t undergone any significant renovations.
Above: custom lights hang above the dining area. Top image: the apartment’s living room
Brooklyn-based Home Studios was asked to carry out the much-needed overhaul of the dated apartment.
Its owners – a couple with young kids – had grown to be a fan of the studio’s aesthetic after frequenting two New York restaurants it had designed, Elsa and Goat Town.
This is, to date, only the second residential project that the studio has worked on, but founder Oliver Haslegrave says the creative process was much like developing a restaurant.
A copper hood contrasts the kitchen’s blue-grey cabinetry
“Like our hospitality projects, we envisioned an updated and modern space that defies the conformity of a typical residence,” Haslegrave told Dezeen.
“20 Bond is a direct reflection of our practice in that the end product is both expressive and finely detailed, and marries contemporary and vintage influences.”
Copper frames the apartment’s curved internal windows
In the open-plan kitchen, a trio of ring-shaped pendant lamps made bespoke by Home Studios dangle above a walnut dining table. The nickel and brass spotlights that illuminate the central breakfast island were also crafted by the studio.
Opposite the island is a series of cupboards painted a blue-grey hue called Pigeon by Farrow & Ball, accompanied by a custom extractor hood that’s clad in gleaming copper.
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Copper goes on to border the apartment’s rounded door frames and skirting boards. The metal also frames the guest bathroom’s internal window, which bows outwards to form a curved wall.
Curved forms continue into the guest bathroom
Curves continue throughout the rest of the bathroom, where a mosaic of tan-coloured tiles sinuously winds around the shower, tub and a seating nook which is inbuilt with a storage box for towels.
Haslegrave says that these features are meant to act as a small homage to the shapely form of buildings created by Finnish architect Alvar Aalto.
Tan-coloured tiles serve as a backdrop to the shower and bathtub
“The freeform curves found in [Aalto’s] work represent both a fluid motif and an engaging playfulness that we aim to incorporate in all Home Studios projects,” he explained.
“We included images of Aalto’s Screen 100 and the Maison Louis Carré – the residential building in Bazoches-Sur-Guyonne, France designed by him and his wife, Elissa – in our initial project mood board.”
The doorways and skirting in the apartment are also edged with copper
More bespoke and vintage pieces can be found in the master bedroom, for which Home Studios has made a walnut and travertine headboard.
A French floor lamp from the 1940s stands in the corner of the room, beside a boucle-upholstered armchair by LA brand Atelier de Troupe.
A bespoke headboard and vintage French lamp feature in the master bedroom
In the living room, two antique Danish chairs with woven leather seats have been contrastingly paired with a blocky side table by Sabine Marcelis, which is cast from candy-pink resin.
An oak and brass shelving unit made by Home Studios dominates a peripheral wall.
“The final product is a near-ideal extension of our process and values – a tailored place that offers its residents something special,” Haslegrave concluded.
The nearby living area is dominated by a shelving unit made by the studio
Home Studios was established by Haslegrave in 2009. Previous projects by the studio include the revamp of Bibo Ergo Sum, an eclectic bar in West Hollywood which takes visual cues from the early 20th-century Viennese architecture, French film posters and the 1967 film The Graduate.
Photography is by Brian Ferry.
Project credits:
Architecture, interior design, furniture and lighting, styling: Home StudiosFabrication: Works Manufacturing, Shelton Studios, Zalla Studios, Anthony Hart, Anders RydstedtConstruction: Vertical Space
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