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      22RE invokes “stillness” inside green Miami golfing boutique

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      Los Angeles studio 22RE has used pale-green stucco informed by Miami’s colours and golf courses for the interiors of a golf clothing boutique in the city.

      A few blocks from the ocean, the Malbon store in Coconut Grove serves a large customer base for the brand in South Florida – a popular golfing destination thanks to year-round warm weather.
      The Malbon Miami store revolves around a central area, from which handmade tiles emanate in a radial pattern across the floorThe verdant neighbourhood and Miami’s distinct architecture provided 22RE with a starting point to build upon, aiming to create a tranquil space amongst such vibrancy.
      “We intended to create an oasis within the city, one that invoked stillness – a feeling that Malbon customers are accustomed to while they’re out on the green,” 22RE founding principal Dean Levin told Dezeen.
      Pale green stucco covers the walls, columns and ceiling beamsThe store’s most striking feature is the pale green stucco that covers the majority of vertical surfaces and ceiling beams that form square archways overhead.

      “The shade of green used throughout the space was inspired by the studio’s first visit to the location, and inspired by the vibrant hues associated with Miami as a city,” said Levin.
      Merchandise is kept to the perimeter of the store, displayed on stainless steel rails and shelvesThe placid hue is contrasted with stainless steel elements including the sales counter and a doorway to the stock room.
      From the centre of the space, mid-grey handmade Mexican tiles are laid across the floor in a radial pattern, emanating from a circular plaque that displays the brand’s monogram.
      Filleted stucco surfaces contrast the aluminium open-cell grid ceilingA ring-shaped installation above, suspended from an aluminium open-cell grid ceiling, also bears the Malbon logo scribed repeatedly in white neon.
      Four columns and a pair of stainless steel benches define this central area, which is intentionally devoid of merchandise to create a moment for pause and conversation between customers.

      Virgil Abloh and AMO design flexible flagship Off-White store in Miami that “can host a runway show”

      Clothing and accessories are kept to the perimeter, displayed in illuminated niches on stainless steel rails or shelves.
      “In retail stores, there is a predominantly unchanging relationship between salesperson and customer,” Levin said. “We wanted to consider and account for the things we could – foot traffic, merchandising and general flow.”
      A pair of stainless steel benches offer a place for pause and conversation in the middle of the boutiqueBehind the street-facing windows, white stones cover the floors and plants so that the store “feels like a natural extension of the vegetation and foliage” in the surrounding area, said Levin.
      “Through juxtaposing a variety of different materials both organic and industrial, the Malbon Miami storefront is an accurate reflection of the values we celebrate and preserve as an architecture and design firm,” he added.
      The storefront contains greenery to create a natural extension of the verdant surroundings of Coconut GroveMiami has grown significantly as a retail destination over the past decade, with a large concentration of new luxury stores in the city’s Design District.
      Brands including Louis Vuitton, Off-White and Christian Louboutin all have distinctly designed outposts in the neighbourhood.
      The photography is by Erik Stackpole.

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      Home Studios refreshes The Wren pub on New York’s Bowery

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      Brooklyn-based Home Studios has remodelled a bar and restaurant in New York’s East Village, using dark wood and velvet seating to retain a “worn-in and aged appearance”.

      The Wren on the busy Bowery thoroughfare has become a neighbourhood staple since opening in 2012, but was ready for an interior revamp.
      The Wren has been remodelled in a way that retains its rustic charmHome Studios refreshed both levels of the upscale pub, including the upper-floor dining and drinking area, and private lounge downstairs.
      “Despite the changes in the city and the evolution of the neighbourhood, The Wren has maintained its timeless appeal, offering visitors a glimpse into the past and an authentic pub experience,” said Home Studios, led by founder Oliver Halsegrave.
      The L-shaped bar has a marble counter and is surrounded by GAR Products stoolsAcross the main level, dark and moody materials have been used to retain the pub-like quality of the spaces, assisted by the exposed wooden ceiling beams and columns, and hardwood floors.

      Either side of the entrance, black-painted, booth-style benches are installed against the walnut wall panelling, creating cosy nooks for pairs or small groups to occupy.
      Towards the back, a chocolate-coloured velvet banquette features ribbed cushionsThe bar area features an L-shaped marble counter surrounded by GAR Products stools, opposite black wainscoting that runs below vintage-looking wallpaper.
      Towards the back, a long banquette is dressed in ribbed cushions that form the seating and backrests, all wrapped in brown velvet.
      Custom mirrors alternate with disk-shaped sconces by In Common WithCustom arched shaped mirrors mounted on the walls alternate with disk-shaped sconces by In Common With, against a beige textured plaster backdrop.
      A variety of other sconces throughout were sourced from lighting brands including O’Lampia, Shades of Light, Allied Maker and Rejuvenation.
      Guests can choose from a variety of booths, two-tops or standing areas”With a worn-in and aged appearance, the space now exudes a moody winter-like atmosphere,” said Home Studios.
      Downstairs, the mood is even more “sultry” and intimate, thanks to darker surfaces and a variety of dim, warm lighting sources.

      Home Studios utilises reclaimed timber for Montauk restaurant renovation

      The bar counter is made from Black Portoro marble and the wood floors are also stained black, while the banquette upholstery is a lighter tone than found on the upper level.
      Between the two floors, guests can choose from a variety of seating or standing spots for enjoying their beers, cocktails and bar food.
      In the private area downstairs, the mood is more sultry and the banquette upholstery is lighter in colour”Home Studios has seamlessly blended nostalgic and rustic charm throughout The Wren’s interior, creating an inviting and distinctive ambiance that pays homage to the bar’s storied history,” said the team.
      Home Studios is no stranger to refreshing beloved establishments, having completed interiors for The Bird in Montauk and The Pearl in Nantucket.
      The downstairs area features dark-stained floors and a black marble bar counterThe firm also recently turned a conference centre in Northern California back into a luxury hotel, as originally intended by the property’s founder: the inventor of the radio.
      The photography is by Brian W Ferry.

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      StudioTwentySeven opens “monumental” flagship gallery in Tribeca

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      Collectible design gallery StudioTwentySeven has taken over a huge space in a Tribeca textile building, creating a warm and serene environment to present museum-sized, limited-edition pieces.

      The gallery’s New York City flagship at the corner of Church and Leonard Streets covers 7,000 square feet (650 square metres) across the ground floor of a 1901 neoclassical building by architect Henry J Hardenbergh.
      StudioTwentySeven founders Nacho Polo and Robert Onsuka introduced curved walls and archways to the interior of their flagship galleryFormerly Jean-Georges Vongerichten’s Restaurant 66, the grand space benefits from double-height ceilings and eight 16-foot-tall windows on two sides, overlooking the mirrored Anish Kapoor sculpture squashed beneath Herzog & de Meuron’s “Jenga Tower”.
      StudioTwentySeven founders Nacho Polo and Robert Onsuka, who started their venture in Miami in 2018, chose this location for the New York flagship for its “monumental scale” and ability to showcase huge sculptural works.
      The double-height ceilings allow large-scale pieces to be displayed, like a hanging bear sculpture by Paola Pivi”The building’s elaborately carved facade, and its stone entry staircase leading to beautifully restored original triple doors, set the tone for what clients of StudioTwentySeven will experience inside – a space that is sophisticated yet genuinely welcoming,” said the duo.

      Led by Polo, the renovation of interiors involved the introduction of curved walls and a rotunda, along with an archway fitted with a 12-foot-tall, hand-carved chestnut door.
      A giant bronze and glass chandelier hangs above an organic-shaped dining tableThe team worked with lighting specialists L’Observatorie to design a custom system that imbues the space with a warm atmospheric quality, complementing the pieces on display.
      A massive bronze and glass chandelier comprising hundreds of individual petals is suspended above an organically shaped French oak and waxed bronze dining table.

      Eight homes kept cool and bright by central courtyards

      Pale oak floors run throughout the gallery, in places separated from the walls by glowing bands of light, and sheer curtains diffuse the abundance of natural light that enters during the day.
      Other architectural details include a tall fireplace shaped into the hand-plastered walls and a chestnut-lined library hidden behind a pair of discreet doors, designed to “create moments of surprise”.
      The founders also created a rotunda space for displaying specific piecesFor the gallery’s opening in February 2023, several museum-sized works from Polo and Onsuka’s private collection were installed in the space.
      These include a hanging bear by Italian artist Paola Pivi, which had to be transported from the Aspen Art Museum in a special truck, and a bronze sculpture titled Owl and Boy by Japan-based Otani Workshop.
      “Moments of surprise” include a hidden library lined in chestnutPolo and Onsuka, who were judges for Dezeen Awards 2023, also have gallery spaces in Miami’s Little River and London’s Mayfair – open by appointment only.
      Their new flagship in Tribeca joins a multitude of collectible design galleries in the Downtown NYC neighbourhood, like R & Company and Egg Collective, where expansive former industrial lofts provide ideal settings for presenting furniture, lighting and art.
      The photography is by William Jess Laird.

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      Gensler redesigns its own LA office to have “warmth and comfort” of home

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      The team at global architecture firm Gensler’s Los Angeles office has redesigned a floor of its workspace with a hospitality approach, as a pilot for the remaining spaces.

      The Gensler LA team’s renovated its space to give it more of the “warmth and comfort” that its staff became used to during its time working from home.
      The team at Gensler LA redesigned the third floor of their offices to better suit their current workplace needsThe studio’s return to the office post-pandemic came seven years into a 15-year lease of its spaces in Downtown Los Angeles, the firm had converted from an empty bank building in 2011 then expanded to two floors in an adjacent, connected structure.
      With a growing workforce and a desire to rethink the layout, functionality and appearance of the office, a group of the studio’s “next generation” of designers and strategists led an effort to redesign the interiors of the third floor.
      The pilot project incorporates several products from Gensler collaborations, including open shelving and communal tables”The look and feel of our space, though contemporary, lacked the warmth and comfort of the hospitality touches we integrate for our clients’ workspaces and that we had become accustomed to while working from home,” Gensler senior strategist Sarah Koos told Dezeen.

      “Coupled with the changing nature of hybrid work, the space necessitated a transformation that would support a renewed sense of a work-lifestyle.”
      A warm aesthetic that captures the essence of Los Angeles was chosen for the interiorsThe group spent a year listening and learning from surveys, workshops and feedback sessions in which each of the 500-plus employees was able to have a say about their future work environment.
      Many team members had been highly mobile even before hybrid working became popular, so the previous dedicated desk system seemed redundant.
      “Working from home for two years effectively rewired peoples’ expectations of their work environments, a sterile, single-use corporate office no longer spoke to the warmth, variety, and comfort they were afforded in their own homes,” said Koos.
      Plenty of lounge areas with comfy seating were created for employees to useThey therefore set about redesigning the offices with a focus on flexibility, communal work areas and presentation spaces.
      “Rather than confine our designers to a desk or a conference room, we developed a kit-of-parts inclusive of typical sit-stand workstations, communal tables, focus pods, booths, material layout islands, and more,” said Gensler senior designer Kirk Bairian.
      “Gensler is built on a studio system which is critical to our design culture, and each studio was able to use this kit-of-parts to customise their space to reflect the specific ways in which they work.”
      The team devised a “kit of parts” for the different studios to customise their own workspacesA warm, hospitality-forward aesthetic that mirrors the “informal but elevated, casual but curated” essence of Los Angeles was chosen.
      Materials including maple plywood, blackened metal and subtle textiles provide a backdrop for more colourful additions in the form of ever-changing pin-up display boards, styled shelving, artwork by local students and books from local creative businesses.

      Eight interiors and architecture projects by Gensler

      Lounge-style furniture and jewel-toned textiles are placed in the co-working areas to evoke a hotel lobby or coffee shop vibe.
      Several of Gensler’s furniture and fixture collaborations were also introduced, among them the communal tables and open shelcves from a product line created with Fantoni and custom focus pods from a partnership with Tangram’s Studio Other.
      Traditional conference rooms are available alongside more flexible spaces for group workSince the project completed in 2023, the data from badges suggest that employee office attendance has increased by 35 per cent for the studios located in the renovated pilot space, according to the firm.
      “Studios in the new space shared that they felt that working in the renovated space made them more productive, enabled more effective collaboration, and overall, greatly improved their in-office experience,” the team added.
      Maple plywood and blackened metal were among the materials chosen to give the space more of a hospitality feelGensler is the world’s largest architecture firm and has locations 53 locations globally. Its European head offices in Wapping, London, was longlisted in the business building category of Dezeen Awards 2020.
      In 2022, co-CEO Andy Cohen told Dezeen in an exclusive interview that architecture should abandon “top-down” management to improve working conditions.

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      Post Company imbues Mollie Aspen hotel interiors with earthy hues

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      New York studio Post Company has designed warm, wood-filled interiors for a boutique hotel in Aspen, Colorado, which offers a pared-back take on the Arts and Crafts style.

      Mollie Aspen occupies a new timber-clad building designed by CCY Architects and developed and operated by HayMax in the mountain city’s downtown area.
      With an open fireplace as a backdrop, the lobby lounge at Mollie Aspen features earth-toned furniture and a gridded wood ceilingPost Company was tasked with creating the interiors for the 68-room hotel, combining contemporary Scandinavian and Japanese design elements for a serene take on Rocky Mountain luxury.
      “Mollie is designed for those with a natural curiosity and appreciation for connection and offers visitors a unique, welcoming respite in the bustling mountain town,” said the hotel’s team.
      An all-day cafe in the lobby serves pastries and beverages from a walnut-wrapped counterAn abundance of wood can be found throughout the different spaces, with numerous varieties creating a layered effect of different colours and grain patterns.

      The timber is crafted into elements like gridded wall and ceiling panels with built-in lighting, which evoke an Arts and Crafts aesthetic, as well as fluted counterfronts and a range of furniture pieces.
      Burl wood counters and displays present goods in the hotel’s retail spaceThe majority of the materials used in Mollie’s construction were sourced from the Western United States to reduce waste, according to the team.
      Meanwhile, other accents like earthen ceramics, hand-dyed textiles and sand-casted brass add to the cosy atmosphere.
      Guest rooms offer an even more pared-back take on the neutral decor palette”These materials are incorporated throughout the hotel to mimic the area’s rough-hewn mountains while large windows frame views of the surrounding landscape and bring an abundance of light into the hotel,” said the team.
      The lobby lounge is designed as a cosy gathering space for guests and the public, with a large open fireplace providing a backdrop.
      Beige plaster walls and textured carpets complement the wood ceilings in the guest roomsChunky leather, velvet and boucle sofas and armchairs in a range of earthy hues form comfy conversation nooks.
      At one end of the room, the black-topped bar spans the full width and is illuminated by a row of globe-shaped pendant lights suspended from thin brass bars.
      Black leather furniture in the larger suites offers a contrast to the other furniture pieces and snowy mountain viewsA repeated geometric pattern across the pale counter front is also found on door panels leading to other hotel areas.
      An all-day cafe at the opposite end of the lobby serves pastries and an assortment of beverages from a walnut-wrapped counter, and the restaurant
      Dark green tiles in the bathrooms match the spruce trees outsideIn the adjacent retail space, burl wood counters and displays with curved edges, some of which are topped with glass vitrines.
      On the third floor is a roof terrace with a bar and a spa pool set to open in Spring 2024, while a fitness facility and flexible meeting space are located at ground level.

      Giampiero Tagliaferri lines Aspen coffee bar with green marble and faux fur

      The guest rooms continue the soft, neutral palette in a more pared-back style.
      Beige plaster walls, textured carpets and green-grey curtains complement the wood ceilings and built-in furniture, while black leather chairs add contrast.
      Mollie Aspen is located within a newly constructed building by CCY ArchitectsDark green stacked tiles that line the bathrooms match the spruce trees outside and freestanding tubs beside the windows allow guests to enjoy the view while soaking.
      “Guests are left with a sense of Aspen’s cultural and recreational history, providing a lens to appreciate its contemporary personality and influence,” the team said.
      The building was constructed largely from materials sourced from the Western USAspen is a renowned destination for winter sports and affluent vacationers, and CCY Architects has designed several private residences in and around the town – among them an extension to a Victorian house, a residence nestled in a grassy valley and a retreat that overlooks the dramatic mountainous scenery.
      Formerly known as Studio Tack, Post Company’s previous hotel projects include the Anvil Hotel in Wyoming, The Sandman in California, and Scribner’s Catskill Lodge in New York.
      The photography is by Nicole Franzen.

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      Co-working members’ club The Malin opens wood-filled Nashville location

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      The Malin has designed its work-oriented member’s club in Nashville, its first outside of New York City, with an earthy colour palette and a mix of vintage and contemporary furniture to give it a hotel-like feel.

      Located in the Wedgewood Houston neighbourhood, The Malin is one of a number of creative businesses within the Nashville Warehouse Co, which claims to be the city’s “first large-scale mass-timber building”.
      The mass-timber structure of the Nashville Warehouse Co building is visible throughout The Malin’s interiorsThe building’s timber structure is highly visible throughout the interiors, and the pine ceilings and deep beams add to the warm, earthy palette of the various work areas.
      Designed by The Malin’s in-house team, the club encompasses 16,000 square feet of space that encompasses 48 dedicated desks, seven private offices, five meeting rooms and two libraries.
      Wood varieties including light oak and dark walnut are used throughout the member’s clubAll of these rooms feature rich colours and an eclectic mix of vintage and contemporary furniture, intended to feel more like a hotel than a co-working space.

      “We’re in the hospitality business, so we carefully tailor each location of The Malin to fit the needs of the neighbourhood and professional community,” said The Malin founder and CEO Ciaran McGuigan. “Not only are we providing the highest level of hospitality, but we’re doing it in a refined and beautiful space that contributes to a productive workflow.”
      The club offers both dedicated workspaces and casual areas for members to meet and relaxThe design team decorated The Malin Wedgewood Houston with deep-toned Benjamin Moore paints, Schumacher wallpapers and glazed zellige tiles, while bespoke millwork is executed in dark walnut and white oak.
      A variety of formal and casual seating areas are available for members to utilise as desired, either for individual or group work, or entertaining guests.
      Sofas, communal tables and banquettes are all available for use as desiredLarge communal tables accompanied by cushioned tubular metal chairs, sofas and armchairs with brightly coloured velvet upholstery, and cafe tables beside leather banquettes are among the options available.
      Surfaces of limestone, travertine and multiple varieties of marble – including Giallo Siena, Irish Green, Onice Brecia and Aresbecator Oribico – complement the wood tones and colourful furniture.
      Private meeting rooms are similarly designed to look more like a hotel than an officeMembers also have access to an acre of outdoor community park space for hosting events, and receive discounts and perks at several neighbourhood hotspots.
      “The Malin is committed to providing an environment equipped with personalised services and high-touch amenities,” said the team. “In catering to a tight knit community with a finite number of members, The Malin is able to provide tailored lifestyle management services while offering both the comforts of a home and the resources of an office.”

      The Malin is designed as a vibrant but homely New York co-working space

      The Malin’s first location in Manhattan’s Soho, which opened in 2022, was longlisted in the small workspace interiors category of Dezeen Awards 2022.
      The company has since added spots in Williamsburg and the West Village to its portfolio, making The Malin Wedgewood Houston its fourth.
      The colour scheme throughout the club is warm and earthy, aided by richly toned upholstery and deep paint huesLong-known for its thriving music scene, Nashville is now quickly growing as a destination for other creative industries.
      Recent openings in the city include an outpost of members’ club Soho House – just down the street from The Malin – and a multi-venue dining and drinking destination designed by AvroKO and owned by Sam Fox and Justin Timberlake.
      The photography is by Sean Robertson.

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      Kith Women Flagship in Soho combines walnut and pink marble

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      American fashion brand Kith has returned to the location of its first Manhattan flagship to open a women-dedicated store, in which olive trees grow up through display podiums.

      The inaugural Kith Women Flagship in Soho opened last December at 644 Broadway, the same historic landmark building where the brand debuted its Manhattan retail offering in 2011.
      Custom-built podiums run through the middle of the Kith Women flagship store in SohoPreviously the Manhattan Savings Institute Bank, the red sandstone and brick structure’s exterior features wrought iron gates at the entrance and set the tone for the materials palette inside.
      Kith founder and creative director Ronnie Fieg designed the interiors to include signature elements of the brand’s retail concepts, but with adjustments to acknowledge its context.
      The main room displays apparel and accessories in walnut and brass-trimmed niches”The ambiance exudes modern elegance with its warm and calming aura, constructed with materials like Venetian plaster, travertine, and rosa aurora [marble],” said the Kith team.

      The spacious main room benefits from tall ceilings and an open floor plan, and presents Kith Women in-house and multi-brand ready-to-wear apparel against Venetian plaster and Kith monogrammed suede wallpaper.
      In a room dedicated to footwear, shoes are presented on travertine shelvesClothing is displayed on rails installed in walnut and brass-trimmed niches around the perimeter, with accessories like hats and bags placed on shelves above.
      A row of square walnut podiums runs through the middle of the room, each with an olive tree growing up through the centre of its pink marble surface.
      A cafe and flower shop is run in partnership with PlantShed, and features mosaic floors and a fluted marble service counterCustom-built by Brooklyn-based woodworker Mark Jupiter, these units contain drawers for product storage, and alternating ones are topped with glass vitrines for showcasing jewellery and other small accessories.
      Oak flooring is laid in a grid pattern transversed by walnut strips, and the darker wood also lines the fitting rooms.

      Kith creates “industrial ambiance” for its Williamsburg store

      Footwear has a dedicated room, in which shoes are displayed on shelves with integrated lighting that run from one end to the other.
      “Entering the footwear space, you will find a grand arched plaster ceiling, travertine shelves, and a custom chandelier from Italy by Viabizzuno,” the team said.
      The cafe leads out to a courtyard behind the historic building’s wrought iron gatesIn the final room is a cafe run in partnership with New York-based flower and plant shop PlantShed, which serves light bites and drinks and offers custom floral arrangements.
      The space features a mosaic tiled floor, walnut wall panelling, a service counter with a fluted pink marble front and floral displays on stepped stone plinths.
      The cafe leads out to a courtyard area behind the building’s impressive iron gates, which furnished with cafe tables and chairs in between topiary plants shaped into spirals.
      Kith Women is located at 644 Broadway, the same building where the brand opened its original flagship retail space in 2011Feig also designed Kith’s recently opened Williamsburg store, located in the 25 Kent Plaza office building where the brand also has its corporate offices.
      The company had previously worked with design studio Snarkitecture on its retail spaces around the world, including outposts in Miami, Los Angeles and Paris.
      The photography is courtesy of Kith.

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      Gharib Studio outfits Austin jewellery store with pink walls and arches

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      Los Angeles design studio Gharib Studio has contrasted concrete floors and exposed ceilings with soft-pink walls and clean lines for a jewellery store in Austin.

      Created for the friendship jewellery brand Little Words Project (LWP), Gharib Studio used elements of the merchandise to inform the store’s pink material palette and incorporated arches throughout the space to contrast the industrial elements of the building, which were left exposed.
      Gharib Studio has outfitted a jewellery store in Austin with dusty pinkAccording to Gharib Studio founder Nora Gharib, the team followed the common phrase “everything is bigger in Texas” when designing the concept store.
      “I wanted to amplify the brand in a grand way by taking the LWP brand aesthetic and localizing it to Texas by pushing the standard design elements, such as the brand’s bracelet arches and beading table experience, then accentuating it,” said Gharib.
      Arches and soft tones contrast with the space’s industrial elementsVisitors enter the store into a large, primary space, where built-in display cases were integrated into the walls.

      On one side, the display resembles small bookcases and on the other, the bracelets are displayed throughout a series of arches.
      Long tables lead to the seating area at the back of the spaceAt the centre of the primary space are two long tables with metallic-coated bases, also used for display. A circular display table in the middle was created to resemble a vanity, with merchandise incorporated throughout.
      Gharib inserted three arches along the back of the space, in part to accentuate the height of the space, and to draw visitors to the space beyond them, which serves as a beading area.
      Metallic details were informed by the charms found on the braceletsThis space was outfitted with CB2 Castell Chairs in burgundy, with similar tables as the main space, except with pink bases instead of silver.
      A neon sign that reads, “You can sit with us” hangs above the tables.

      Side Angle Side transforms mid-century Austin post office into restaurant

      Textured dusty-pink wallpaper by Belarte Studio was used to line the space, while the remaining interior was covered in a rose pink hue.
      Metallic accents throughout the store, including aluminium light pendants, a metal trimmed mirror and the display table’s metallic bases, were informed by the metal charms found in LWP bracelets.
      It is the brand’s first store in AustinThe space’s utility elements were left exposed on the ceiling, with red track lighting running the perimeter of the space.
      Other retail projects recently completed in Austin include a mid-century post office turned grocery by Side Angle Side.
      Gharib Studio is a Los Angeles-based studio founded by Nora Gharib in 2023, focused on retail and brand design.
      The photography is by Casey Woods Photography 
      Project credits:
      Architectural designer: Gharib Studio
      General contractor: Paco Santander Construction

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