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      Home Studios uses local materials to renovate Northern California hotel

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      Brooklyn-based Home Studios has turned a conference centre in Northern California back into a luxury hotel, as originally intended by the property’s founder: the inventor of the radio.

      The Lodge at Marconi sits on a 62-acre site next to Tomales Bay, within the picturesque Marconi State Historic Park – a 1.5-hour drive up Highway Route 1 from San Francisco.
      Home Studios created a variety of lounge areas across Lodge at Marconi to provide an informal atmosphereDesigned for Nashville-based company Oliver Hospitality, the hotel occupies a historic property that was first built by Guglielmo Marconi, an Italian physicist who invented the radio in 1896.
      “Home Studios found inspiration in the property’s storied history – particularly in the pioneering spirit of Guglielmo Marconi, who worked with a New York-based engineering company to build the property’s initial building, a luxury hotel, in 1914,” said the design team, led by Oliver Haslegrave.
      The reception counter is clad in oxblood-coloured tiles from Heath CeramicsIt took 17 months to overhaul the complex of blackened-wood buildings, which are topped with mono-pitched roofs of different heights and opposing directions.

      The architecture is similar to that of The Sea Ranch Lodge further up the coast, which reopened in 2022 after its own extensive renovation.
      The Redwood Dining Hall features brick flooring, blue-green tilework and eclectic contemporary furnitureHome Studios looked to the iconic site – famed for its modernist style and sensitive land planning – for cues when developing the Lodge at Marconi’s 45 guest rooms and suites, which occupy freestanding buildings across the wooded site.
      “Borrowing design language from Sea Ranch’s ‘living lightly on the land’ credo, the rooms blend into the environment and boast a tranquil and peaceful atmosphere,” the team said.
      Artworks in the restaurant, including a series of coloured wooden cubes, were created in collaboration with Lukas Geronimas GiniotisThe hotel complex is made up of eight indoor and outdoor spaces, laid out “like a summer camp” to accommodate different activities in each area.
      In the reception block, guests arrive to a series of lounges and other communal spaces that create a more informal setting than a traditional hotel lobby.
      The bedrooms are bright and airy, with materials and colours that subtly reflect the hotel’s natural surroundingsA check-in counter is fronted with oxblood-coloured tiles by Heath Ceramics, which was founded in nearby Sausalito.
      More of the company’s tiles, this time in blue-green hues, line the lower walls of the restaurant known as the Redwood Dining Hall.
      Three of the guest room bathrooms feature original tiles that date back to the 1960sRed bricks are laid in a basketweave pattern across the floor, contrasting with the bright blue bases of the custom dining tables, while warm cedar panels and beams cover the ceiling.
      A mural comprising four-panel linen screens and a series of wood cubes mounted on a wall was made in collaboration with California-based artist Lukas Geronimas Giniotis.

      Mithun revamps iconic 1960s Sea Ranch Lodge in northern California

      The guest rooms are bright and airy, with the colours of the natural surroundings subtly reflected in the furnishings.
      Some have cosy loft spaces, while larger suites feature a dedicated workspace and sitting area.
      The accommodations are split across several buildings clad in blackened wood and topped with monopitched roofs”Northern California’s rugged environment served as a design influence, and is reflected in the natural woods and earth-tone textiles that adorn each room and weave together a cohesive connection throughout the property,” Home Studios said.
      “Three guest room bathrooms feature original tile dated to the 1960s when the hotel served as a rehabilitation facility known as Synanon.”
      The property includes multiple outdoor areas for gatherings and eventsAcross the property, the indoor spaces are afforded scenic views of the forest and the water through large windows.
      A variety of gathering and event spaces are available to guests both inside and out, including wooden chairs positioned around fire pits among the landscape designed by Bay Area firm Dune Hai.
      Lodge at Marconi sits atop a hill overlooking Tomales Bay in Northern CaliforniaThis is Home Studios’ third hotel project, following the Mediterranean-influenced Alsace hotel in Los Angeles and the boutique Daunt’s Albatross motel in Montauk.
      The firm’s other recent projects include a revamped bar and restaurant on Nantucket, an Italian eatery close to Harvard University and a townhouse renovation in Fort Greene, Brooklyn.
      The photography is by Brian W Ferry.

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      ALA draws on West Village history for Talea taproom interiors

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      New York studio Alda Ly Architecture has designed a taproom for female- and veteran-owned brewery Talea in the city’s West Village neighbourhood, which includes a place for groups to “scheme”.

      Talea West Village is the beer company’s third outpost and its first Manhattan location, following two established in Brooklyn.
      The main dining and drinking area at the Talea West Village taproom is anchored by a colourful barThe space is located in a 1920s building on Christopher Street, an iconic thoroughfare that’s home to several landmarks, businesses and historic spaces associated with the LGBTQ+ rights movement.
      “This new taproom on Christopher Street reclaims the masculine identity of a West Village saloon to celebrate voices of women and LGBTQ+ communities in the Village, all while serving Talea’s popular sour brews in an elevated, vibrant space,” said Alda Ly Architecture (ALA).
      Bright hues chosen by ALA for the space include yellow for tiles, green seat backs and red dining chairsFlooded with natural light thanks to large windows along the street facade, the main space is anchored by a purple-fronted bar with a curved white quartz countertop in one corner.

      Behind, numerous beer taps are mounted onto a yellow-tiled partition, while glassware and cans are displayed on shelves above.
      Exposed brick and stone floors allude to a saloon-style aestheticThe bar is lit by Junit oak pendants from Schneid Studio and brass Dottie sconces by Visual Comfort are mounted around the perimeter.
      “We opened up the space to provide as much open area for the front dining room, and brought the bar front and centre to highlight the taps with their extensive selection of beers,” said ALA founder Alda Ly.
      The taproom was designed to celebrate its location in the West Village, which has played an important role in LGBTQ+ history”We wanted the bar to be a welcoming beacon for all people in the neighborhood,” she added.
      The other side features built-in, stained-oak seating and small circular tables against an exposed brick wall.
      Behind the bar is The Revolution Room, intended for larger groups to gatherPale green backrests and muted red Scroll dining chairs from Industry West continue the interior’s bright colour palette, which is also echoed in the works by local artists displayed on the walls.
      “It was important to us to capture the spirit of Talea in a space that felt elevated but also very warm and welcoming,” said ALA project director Marissa Feddema.

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      Past the bar is a more intimate space called The Revolution Room, designed for groups of eight to 10 people to “scheme, hang and gather” according to the team.
      A large table sits below a Nuura Miira 8 Oval chandelier that’s suspended from a skylight, and more brickwork is exposed to add to the saloon-like vibe.
      At the back is the Snug, a cosy space furnished with jewel-tone piecesFurther back still, patrons will find the Snug – a much darker and cosier room decorated with jewel-toned furniture, navy limewash painted walls and a vintage fireplace mantle.
      The moody bathrooms are adorned with images of prominent local residents and gender activists through the years, further emphasising the neighbourhood’s importance to the LGBTQ+ community.
      Images of prominent local residents and gender activists are displayed in the moody bathroomsThe West Village is packed with bars and restaurants, from upscale dining spots like Cecchi’s to casual cocktail places like Donna.
      Close by, in the Union Square area, ALA has previously designed the interior for a doctor’s office and clinic with earthy and homey details.
      The photography is by Brooke Holm.
      Project credits:
      Architect and interior designer: ALA (Alda Ly, Marissa Feddema, Sheridan Treadwell, Marlee Anderson)MEP engineer: Tan EngineeringGeneral contractor: Aerial Design & Build

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      Standard Architecture refreshes interiors of pink Paul Smith store in LA

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      British fashion label Paul Smith’s iconic pink store in Los Angeles has received an interior makeover from Standard Architecture.

      Standard Architecture collaborated with the Paul Smith design team to reimagine the 4,740-square-foot (440 square metres) store on Melrose Avenue, West Hollywood.
      Standard Architecture and the Paul Smith team reorganised the LA store to better define the brand’s different collectionsThe studios also created a new VIP entrance patio for the building, which is notorious for its bright pink exterior that has become a pilgrimage spot for amateur photoshoots.
      “The primary goal was to enhance the overall customer experience within the store, which was achieved by creating a more cohesive and immersive shopping environment across the different brand departments,” said Standard Architecture.
      Stone-clad partitions help to define areas, but don’t reach the exposed timber ceilingThe entrance to the store – the only opening in the giant pink wall that faces the parking lot – leads shoppers through a glossy red metal vestibule into the main retail space.

      Clearly defined yet interconnected areas for the menswear, womenswear and homeware collections help with navigation around the store.
      Long brass rails are used to present tailoringPartitions clad in dappled beige stone frame these zones, but don’t reach the exposed timber ceiling, to retain the sense of openness.
      In places, the stone walls are inlaid with mosaic-style artworks depicting abstract flora, which add splashes of colour to the warm-toned surfaces.
      Paul Smith’s collaborations with Gufram and Anglepoise are among the pieces on showBlack track lighting is suspended from the rafters, spotlighting the various clothing displays and lounge areas furnished with midcentury-style sofas and armchairs that are dotted around the store.
      Long brass rails that appear to be suspended in midair are used to display suit jackets, which are carefully arranged by colour.
      Shoes are presented on stepped white ledges that resemble bleacher seatingIn an area dedicated to accessories, the shoes and bags are lined up on stepped white ledges that resemble bleacher seating.
      Walnut is used for accents including shelving, door frames, and podiums, as well as for a large open storage system with compartments for presenting individual products and a row of sculptures by Alexander Calder.

      Standard Architecture creates minimal Hollywood showroom for Helmut Lang

      Founded by fashion designer Paul Smith in 1970, his eponymous brand is synonymous with the brightly coloured stripes applied to many of its apparel products and other collaborations.
      Many of these appear throughout the store, including a colour-tinted Anglepoise desk lamp and a striped version of Gufram’s cactus-shaped coat stand.
      Entry to the store is via a vestibule wrapped in glossy red metal”Overall, the design reflects a deep understanding of the brand’s identity, which places a strong emphasis on the use of colour and attention to detail,” Standard Architecture said.
      Paul Smith retail spaces around the world are equally playful. On London’s Albemarle Street, its boutique has a patterned cast-iron facade by 6a Architects, while the shop in Seoul is encased in a curving concrete shell by System Lab.
      The store on Melrose Avenue is an icon in Los Angeles thanks to its bright pink facadesStandard Architecture was founded by Silvia Kuhle and Jeffrey Allsbrook, who discussed their work with Dezeen during our Virtual Design Festival in 2020.
      Past projects by the firm include a Hollywood Hills residence with a cantilevered swimming pool and a minimal showroom for fashion brand Helmut Lang – which was located just a few blocks from the Paul Smith store before it shuttered.
      The photography is by Genevieve Garruppo.

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      Lovers Unite revives interiors of mid-century Silver Lake home

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      California design studio Lovers Unite has reinvigorated a 1950s home with sweeping views of the Los Angeles hills, turning an unused balcony into an extension of the indoor social space.

      The wooden dwelling in LA’s Silver Lake neighbourhood belongs to production designer James Chinlund and artist Clare Crespo.
      Lovers Unite renovated the home for a creative couple in Los AngelesA “previously a boring, nondescript mid-century house”, according to Lovers Unite, the property required some imagination to bring its interiors up to par with its setting.
      Therefore, the studio “introduced a few carefully plotted architectural interventions and material shifts to completely reimagine the interior of the home and take full advantage of its prime site”.
      The house has expansive views over the city’s hillsThe most impactful of these interventions was to bring an underutilised balcony at the back of the house into the envelope, extending the open-plan living and dining area by several feet.

      Beneath the large windows that were installed to fill the gap, Lovers Unite placed built-in seating with teal-upholstered cushions for relaxing and enjoying the panoramic vista.
      Plenty of wood was used throughout the home, particularly in the kitchen”With a large window wall and generous built-in banquette, the room finally celebrates the expansive views that had always been there,” the studio said.
      In the kitchen, dark green soapstone used for counters and the backsplash contrasts with the honey-toned cabinetry, and a shiny copper range hood matches a panel installed at the back of a bar area on the opposite side of the room.
      The honey-toned wood contrasts with soapstone surfaces and a copper range hoodElsewhere, colourful furnishings, collectible design pieces and bold artworks stand out against the predominantly wood interiors.
      A timber-lined lounge area features the classic modular Togo sofa system by Michael Ducaroy, which is wrapped in yellow corduroy fabric.

      And And And Studio lifts Silver Lake Tree House above Los Angeles site

      Meanwhile, in the den, a purple armchair is positioned beside a giant chair that Chinlund used as a prop for a shoot by Italian fashion outfit Roberto Cavalli.
      Wood slats were employed to partially screen the staircase opening on the upper level, next to a central fireplace with a raised hearth.
      As part of the renovation, an unused balcony was incorporated into the social space and a long window seat was installed in its placeOther decor items like vintage rugs, embroidered cushions and plenty of art and design books add even more character to the spaces.
      “Ultimately, the mood of the home reflects the spirit and talents of the estimable homeowner,” said Lovers Unite, noting that Chinlund has worked as a production designer for the Avengers movie franchise.
      Colourful furniture and set props are scattered through the different roomsSilver Lake is home to a variety of architectural gems, many built on dramatically sloping sites, including residences designed by notable mid-century architects like Richard Neutra and Rudolph Schindler.
      Led by Karen Spector and Alan Koch, Lovers Unite is based close to the neighbourhood, and has previously wrapped a bar and restaurant in Pasadena with expressive drapery.
      The photography is by Chris Mottalini.

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      Cafe Kitsuné Los Angeles features Parisian-style interiors with “Japanese twist”

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      Paris-based lifestyle brand Kitsuné has opened a cafe next to its boutique in Silver Lake, Los Angeles, both with minimalist interiors featuring white oak and stainless steel.

      The interiors of the new Cafe Kitsuné and the renovated Maison Kitsuné store were designed by co-founder Masaya Kuroki to reflect the brand’s French-Japanese culture as well as the West Coast setting.
      The Cafe Kitsuné interior includes a mural by Jeffrey Sinich that imagines the space as an old-school marketFacing Sunset Boulevard on the east side of the city, this is the brand’s fourth cafe in North America – following locations in Manhattan, Brooklyn and Vancouver – and its first in LA.
      “A sprawling city of diverse findings, from cutting-edge restaurants to pockets of art and architecture second to none, LA has lent design inspiration and a backdrop to several campaigns for the fashion house,” said the Kitsuné team.
      White oak tables and surfaces are set against stainless steel counters and panelling for a minimalist look”Now, it’s the perfect setting for Café Kitsuné, a physical extension of the brand’s Franco-Japanese DNA, and reinvention of the classic Parisian cafe and wine bar experience with a Japanese twist,” they added.

      The building’s red-tile exterior and poured concrete flooring were preserved, and hand-painted signage by Californian artist Jeffrey Sincich was added over the large street-facing windows.
      Burnt orange dining chairs and upholstered benches highlight the colours of the muralInside the 700-square-foot (65-square-metre) cafe, white oak tables and brushed stainless-steel counters feature alongside burnt orange dining chairs and upholstered benches.
      Another Sincich mural covers the full length of a wall, offering “a whimsical take on Café Kitsuné’s standard appearance” and presenting the space as an “old-school market”.

      Mathieu Lehanneur snakes metal rails through Maison Kitsuné boutique in New York

      A speaker system by Japanese audio company Rotel was installed in the cafe “to provide a top-notch sound experience for customers”, according to Kitsuné.
      Next door in the boutique, a similar material palette is used for elements including a built-in storage and display unit across the back wall.
      The existing Maison Kitsuné boutique next door has also received a refreshWhite oak forms the framing, shelves and doors that lead to the stock and fitting rooms, while ribbed stainless-steel sheets provide a backdrop for the items on show.
      More oak was used for the minimalist service counter and panelling behind, and a bright blue table sits in the centre to add a pop of colour.
      White oak and stainless steel are repeated in this space to create a visual connection with the cafeKitsuné was founded by 2002 by Kuroki and Gildas Loaëc and encompasses the fashion brand, Maison Kitsuné; a music label, Kitsuné Musique; and its line of cafes, bars and restaurants.
      Back in 2017, French designer Mathieu Lehanneur designed the Kitsuné store interior in New York’s Soho, adding snaking metal rails for displaying garments.
      The photography is by David Kitz.

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      San Francisco exhibition features “off-center” Bay Area furniture design

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      Stools from local designer Caleb Ferris and design firm Prowl Studio were among the works displayed at a San Francisco exhibition centred around contemporary Bay Area design.

      The Works in Progress show displayed stools, chairs and other furniture from local designers to highlight the diversity in methods and backgrounds of an evolving Bay Area design scene.
      The recent Works in Progress exhibition held in San Francisco highlighted Bay Area designers”As the Bay Area creative scene evolves in real-time, there are boundless possibilities for how it might bloom,” said curators and designers Kate Greenberg, Kelley Perumbeti, and Sahra Jajarmikhayat in a statement. 
      “For now, we are here to acknowledge its depth and say: it’s a work in progress.”
      Caleb Ferris showed a duck-footed poplar stoolThe team distributed the exhibition’s pieces across metallic platforms supported by foundations of bricks.

      Pieces ranged from a curvacious, duck-footed poplar wood stool marked with paint and silver leaf by Caleb Ferris, to Prowl Studio’s cubic stainless steel stool wrapped in a 3D knit cover.
      Prowl Studio wrapped a stainless steel stool in a 3D knit cover”Across a range of materials, forms, and functions, the participants have found a groove in the original, the introspective, and the off-center,” said the team. 
      Designer Ido Yoshimoto displayed a sculptural side table made of old-growth redwood and finished in a dark red textured hue. The table consists of a geometric, curved corner that runs into a darkened raw edge.
      Designer Ido Yoshimoto showed a sculptural old-growth redwood side table with a raw edgeStudio Ahead created a fuzzy Merino wool stool informed by northern California rock formations, which contrasted with the smooth surface of a glass stool by curators Jajarmikhayat and Greenberg.
      Other works included a baltic plywood side table with grooved sides and small, chunky sky blue legs by NJ Roseti and a white oak chair topped with a wild fleece and suede cushion by Rafi Ajl of studio Long Confidence.

      Bendable battery among sustainable materials at San Francisco exhibition

      Office of Tangible Space showed a flat-legged chair designed in collaboration with CNC design studio Thirdkind Studio, while Duncan Oja of Oja Design displayed a charred white oak stool with an organic, rough-sawn profile.
      Fyrn Studio showed a charcoal-black hardwood stool with aluminium hardware created with replaceable parts and studio Medium Small and designer Yvonne Mouser both displayed chairs made of ash, one blackened and the other not, supported by bases of elegant, simple lines.
      Studio Ahead and Kate Greenberg and Sahra Jajarmikhayat made stools with rock-like forms”As simple as it sounds, the soul of this exhibition is in the representation of physical craft and the people behind it. It’s important to shine a light on this vibrant slice of the Bay Area that is not always as visible amidst a city focused on the digital realm,” said Perumbeti.
      “There’s something really exciting brewing in this community that is just beginning to get teased out,” said Greenberg.
      NJ Roseti created a baltic plywood side table supported by light blue cubic legsWorks in Progress was part of the wider San Francisco Art Week, which highlights art and design from the city and took place from 13-21 January.
      Other recent furniture exhibitions that highlighted California designers include INTRO/LA with pieces by Adi Goodrich and Sam Klemick and the first Miami edition from Milan-based design exhibition Alcova held in a motel during Miami’s art week.
      Works in Progress took place at the American Industrial Center in San Francisco from 18 to 23 January 2023. See Dezeen Events Guide for more architecture and design events around the world.
      The photography is by Sahra Jajarmikhayat unless otherwise stated. 

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      Ideas of Order selects bright colours for New York apartment renovation

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      Bright hues define the different interventions that New York architecture studio Ideas of Order has made in this apartment at the northern tip of Manhattan.

      The 1,000-square-foot primary residence in Hudson Heights was partially renovated for a couple, who had been living in the space for several years before deciding to invest in making it better suited to their needs, rather than buying another apartment.
      One side of this Manhattan apartment was overhauled by Ideas of Order to make it function better for its owners”Their sons had been sharing a room, but were beginning to need their own spaces,” Ideas of Order told Dezeen.
      “They also wanted a space that could be designed for flexibility for when their children left for college.”
      In the newly created bedroom, a lime green built-in houses a bed, a desk and storageThe kitchen also needed updating, to make it more suitable for entertaining, and more efficient storage space was required in the entryway.

      So the architects reworked one side of the open living area, adding a bedroom on one side of the kitchen and refreshing the other areas.
      A new wall divides the bedroom from the kitchenThe husband is French, and the couple spent several years living together in France.
      During this period, they both became enamoured by the midcentury architecture and design in the country and wanted to apply this style to their own home.
      Raspberry and periwinkle cabinets surround the cooking area, which also features aluminium panels”Inspired by their stories and the history of how colour was used by French midcentury designers like Charlotte Perriand, we suggested a series of polychrome millwork pieces inspired by Perriand’s design language, but updated for a contemporary home,” said Ideas of Order.
      The different areas of the home were therefore given their own identities by applying bright hues.
      A porthole looks through from the bedroom into the kitchen, which has rubber flooringLime green is used in the bedroom across a full wall of built-ins that incorporate a single bed, a workstation and plenty of storage.
      Sliding doors with fritted glass panels pull across to enclose the slightly raised room, while a porthole window with double shutters looks through the new wall that separates the kitchen.
      Storage in the entryway was made more efficient by new pink and grey built-insThis adjacent space is denoted by raspberry and periwinkle millwork, which surrounds a small preparation area with an aluminium backsplash and matching panels above.
      The same metal also fronts the bar counter between an arched opening to the living area, which is topped with concrete.
      Archways between spaces throughout the apartment have curved cornersRubber flooring in the kitchen offers a practical alternative to the wood used through the rest of the apartment.
      Finally, in the entryway – which is again raised slightly higher than the living area – an L-shaped cabinet system was constructed in a corner beside the door.

      GRT Architects combines oak and mosaic tiles for East Village Apartment renovation

      Pale pink is applied to the frames, while the doors and drawer fronts are finished in light grey and walnut is used for the trim. Choosing the right hues was a challenge that took many iterations to find the right balance, according to the architects.
      “It was important that each pair of colours in the millwork work together, but that the colours also harmonise when viewed as a whole,” they said. “We wanted the colours to be bright, but not overpowering. And we wanted the colour pairings to feel timeless and not too trendy.”
      The architects went through many iterations to find the right balance of coloursAnother challenge was the budget, which was modest by New York City standards and required some conscientious spending – particularly on small details that would make a big impact.
      “We love the custom pulls for the millwork, the shutters for the circular window, and the rounded end to the partition between bedroom and kitchen, which reflects the rounded openings throughout the apartment,” the architects said.
      The couple had been living in the space for several years before deciding to invest in making it better suited to their needsIdeas of Order was founded by Jacob Esocoff and Henry Ng, who are both Fosters + Partners and WORKac alumni.
      Their renovation is one of the most colourful interiors we’ve featured in New York City of late, compared to a neutral show apartment inside the One Wall Street skyscraper and a loft in Dumbo with a subdued palette.
      The photography is by Sean Davidson.

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      Bird feathers and burls inform New York restaurant by Polonsky & Friends

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      New York design studio Polonsky & Friends has lined this tiny New York omakase restaurant with burl wood veneer panels, while its counters and cabinetry are coloured to resemble bird feathers.

      Designed as a sister location of Rosella, an East Village sushi spot that opened in 2020, Bar Miller is located a few blocks away in Alphabet City.
      The compact Bar Miller space seats eight covers around a counter made from rare Avocatus stoneThe owners brought back Polonsky & Friends to complete the interiors so that the two outposts could share the same “warm, welcoming energy”.
      Although the menu borrows from traditional sushi craft, it’s not authentically Japanese, so the designers wanted to steer clear of any tropes that might deceive customers.
      Burl wood veneer panels on the walls are framed in white oak, matching the building’s original floors”The design had to incorporate local and craft-centric elements and honour the food’s Japanese inspiration, but not fall into any folklore since the team isn’t Japanese and the menu is untraditional,” studio founder Anna Polonsky told Dezeen.

      The restaurant only seats eight covers, which surround the open kitchen in the centre of the compact space.
      Custom wallpaper hand-painted by Hollie M Kelley displays the feathers of an eastern rosella birdDeep blue-green Avocatus stone – a rare quartzite with a leathered finish – forms the entire bar counter
      A custom ceiling pendant by Madrid-based designer Pablo Bolumar is suspended above the counter like a string of pearly beads.
      Pieces by several local designers are featured in the restaurant, including ceramic vases by FefostudioOn the walls, panels of burl wood veneer are framed in white oak, which matches the refinished original parquet floors.
      “We were able to sand back [the flooring] after it was hidden for years in the previous restaurant,” Polonsky said.
      To contrast the blue-green dining area, kitchen cabinetry is coloured maroon as another nod to the rosella bird’s feathersA trio of panels feature a custom wallpaper drawn by artist Hollie M Kelley, displaying the feathers of an eastern rosella bird.
      Kelley also drew the icon for the sister restaurant, a western rosella, which has different colours in its plumage.

      Lunar festival informed Studio Tack’s design of Tsukimi restaurant in New York

      The maroon hues in the wallpaper are echoed on the cabinetry behind the kitchen counter, differentiating the food preparation area from the blue-green of the dining space.
      Other details include a panel of vertical wood slats for storing plates above the sink and moulded-glass scones shaped like scallop shells.
      Vertical wood slats provide spaces for storing dishesThe bar stools were crafted by Maderas Collective in Nicaragua and upholstered by Ecua in Queens, while ceramic vases were sourced from New York-based Fefostudio.
      In the bathroom, green tiles laid in a herringbone pattern cover the walls and a rice paper pendant light hand-painted by Claire Dufournier hangs from the ceiling.
      The bathroom features dark green tiles and a hand-painted rice paper pendant lightFor those looking for more Japanese restaurants with notable interiors, New York City has plenty of options to choose from.
      Check out the Rockwell Group-designed Katsuya close to Hudson Yards, Rule of Thirds by Love is Enough in Greenpoint, and Tsukimi in the East Village designed by Post Company – formerly known as Studio Tack.
      The photography is by Nicole Franzen.

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