Wood

Subterms

    More stories

    • 113 Shares99 Views

      in Rooms

      Mid-century Zero House in London imbued with “Kubrick feel”

      by

      Timber ceilings and a fireplace clad in mahogany tiles feature in this London house, which its owners have renovated to honour the dwelling’s mid-century roots and nod to the colour palette of Stanley Kubrick films.

      Located in north London’s Stanmore, Zero House belongs to recording artists Ben Garrett and Rae Morris, whose former home in Primrose Hill is the Dezeen Award-winning Canyon House designed by Studio Hagen Hall.
      Zero House in Stanmore was built between 1959 and 1961Unlike their previous dwelling, Garrett and Morris updated Zero House themselves but adopted the same mid-century palette when creating its interiors.
      “The house was built between 1959 and 1961 by a Hungarian architect,” said Garrett, who explained that the original design was informed by Californian Case Study Houses such as Charles and Ray Eames’s 1949 home and design studio.
      The two-storey dwelling was renovated by its owners”It’s a great example of a number of imaginative mid-century domestic houses dotted around metro-land,” he told Dezeen. “Our main aim was to freshen it up relatively in keeping with the time but not to feel like we were living in a total time capsule.”

      The pair maintained the matchbox timber ceilings that run throughout the two-storey home, which were stained with a dark reddish tone alongside stained wooden doors.
      Slim mahogany tiles clad the floor-to-ceiling fireplaceSlim mahogany tiles clad the floor-to-ceiling fireplace in the living room, which features the same micro-cement flooring found at Canyon House and opens out onto a lush garden.
      Garrett and Morris also maintained the home’s many exposed brick walls and inserted geometric timber shelving that displays eclectic ornaments including amorphous vases and a colourful set of nesting dolls.
      The kitchen was panelled in light-hued timberReeded 1970s-style glass was used to form various windows including a rectilinear opening in the kitchen that illuminates minimal timber cabinetry topped with grainy surfaces.
      The pair transferred the tubular Marcel Breuer chairs and Tulip dining table by Eero Saarinen from their former home, as well as the same “heinous digital artwork” that decorated their previous living space.
      Darker tones create a “horror film” feel upstairsUpstairs, a moody mahogany carpet darkens the main bedroom, which features the same timber wall and ceiling panels as the communal areas.
      “There’s a lot of dark reds and browns in the house,” said Garrett.
      “We leaned into the horror film slash Kubrick feel of the upstairs and made a few more austere choices this time,” he added, referencing the late filmmaker, whose credits include the 1980 supernatural horror movie The Shining.

      PW Architecture Office brings “a little excitement” back into mid-century Australian home

      Coffee-hued cork was chosen to clad the exterior of the bathtub and the surrounding walls while another walk-in shower interrupts the dark wooden theme with bright orange tiles and deep white basins.
      Zero House also holds a timber-panelled recording studio, which is located in a separate low-slung volume at the end of the garden and can be reached via a few stepping stones.
      Bright orange tiles were chosen for a walk-in showerGarrett and Morris left the structure of the property largely untouched. Instead, the duo chose to focus on dressing its mid-century interior.
      “We didn’t have to be clever with this house as the space is abundant and the flow and design were incredibly well thought out in the early 60s,” he said. “So it was more of a cosmetic thing.”
      There is a standalone recording studio in a shed at the back of the gardenOther recent mid-century renovation projects saw Design Theory update a coastal home in Perth from the 1960s while Woods + Dangaran added a koi pond among other elements to a Los Angeles dwelling built by architect Craig Ellwood during the same decade.
      The photography is by Mariell Lind Hansen.

      Read more: More

    • 113 Shares179 Views

      in Rooms

      Eight textural kitchens that combine stone and wood surfaces

      by

      For this lookbook, we’ve collected eight kitchen interiors that marry the natural textures of wood and stone to create visual interest while remaining practical.

      Stone is a hardwearing and durable material, making it a popular choice for kitchen worktops, while wood adds a sense of warmth to interior spaces when applied to walls, floors or kitchen cabinets.
      In these kitchens, the natural grain of wood is complemented by striking stone surfaces, including cool-toned limestone, travertine, and a range of dramatically veined marble.
      This is the latest in our lookbooks series, which provides visual inspiration from Dezeen’s archive. For more inspiration see previous lookbooks featuring mid-century home renovations, interiors centred around dining tables and spaces finished in reclaimed materials.
      Photo by Lorenzo Zandri and Christian BraileyMuswell Hill house, UK, by Architecture for London

      English studio Architecture for London renovated and extended this Edwardian home in London using natural materials in a bid to keep embodied emissions to a minimum.
      In the kitchen, cabinets were lined with oak wood while pale grey limestone was used for the floors, worktops, prep counter and a chunky window seat.
      The studio also exposed the original timber roof beams and complemented the minimal material palette with lime plaster on the walls, forming an airtight layer to mitigate heat loss.
      Find out more about the Muswell Hill house ›
      Photo by Daniëlle SiobhánZwaag family home, Netherlands, by DAB Studio
      For the kitchen renovation of this home in Zwaag, the Netherlands, Dutch interiors practice DAB Studio covered the walls and cabinets in Afromosia wood, and the floors and ceilings in smoked black-oiled oak.
      The Afromosia wood was quarter-sawn to reveal a decorative grain pattern and add a sense of playfulness to the space, while an Arebescato Orobico marble kitchen island acts as the room’s centrepiece.
      Find out more about Zwaag family home ›
      Photo by David Dworkind1980s Quebec home, Canada, by Ménard Dworkind
      A sculptural travertine island sits at the centre of the kitchen in this 1980s home in Quebec, which was renovated by Canadian architecture studio Ménard Dworkind.
      The studio also used a travertine slab to create a sliding backsplash, inserted into the warm oak cabinetry to conceal additional storage space.
      Find out more about the 1980s Quebec home ›
      Photo by Joe FletcherTwentieth, USA, by Woods + Dangaran
      For this kitchen in a Santa Monica home, Los Angeles studio Woods +Dangaran used a dark grey marble with bold white veining to form the island worktop and the surrounds of a recessed space in the wall units.
      White oak lines the floors, while a darker shade of walnut was used for wall panelling, cupboards and the sides of the island.
      Find out more about Twentieth ›

      Sydney Palm Beach house, Australia, by YSG
      Informed by the rustic beach clubs of Ibiza and Cancun, Australian interiors studio YSG overhauled a holiday home in Palm Beach, Sydney, with a mix of sunny colours and textures.
      In the kitchen, the studio sanded down the wooden floorboards to achieve a warmer tone and added an island made from two types of stone – Giallo Siena marble and travertine – to recall “the ombre shades of a freshly poured tequila sunrise”.
      Find out more about the Sydney Palm Beach house ›
      Photo by Jonas Bjerre-Poulsen of Norm ArchitectsForest cabin, Sweden, by Norm Architects
      Danish studio Norm Architects kept the material palette minimal and rustic for this holiday cabin in a Swedish forest.
      Handleless kitchen cupboards are finished in oak to match the floors, complemented by a stone worktop that extends up into a short backsplash.
      Find out more about the forest cabin ›
      Photo by Daniel SalemiBrooklyn Loft, USA, by Dean Works
      White marble with grey-and-blue veining provides an eye-catching worktop, backsplash and shelving in the kitchen of Brooklyn Loft, an apartment designed by local studio Dean Works.
      Surrounding the marble is a large Baltic birch plywood storage unit that doubles as a room divider to separate the kitchen from the bedroom. A dark stone kitchen island was added to contrast the otherwise light-toned interior.
      Find out more about Brooklyn Loft ›
      Photo by Megan TaylorForest Hill house, UK, by 2LG Studio
      Playful pastel colours characterise the interior of this Edwardian home in London, which was renovated by 2LG Studio.
      The local firm aimed to balance Italian influences – in the form of the marble backsplash and kitchen island – with Scandinavian design elements such as the arched cabinets and grooved wood siding.
      Find out more about the Forest Hill house ›
      This is the latest in our lookbooks series, which provides visual inspiration from Dezeen’s archive. For more inspiration see previous lookbooks featuring mid-century home renovations, interiors centred around dining tables and spaces featuring reclaimed materials.

      Read more: More

    • 150 Shares179 Views

      in Rooms

      DAB Studio lines kitchen of Dutch home with oak and Afromosia wood

      by

      Dutch interior design practice DAB Studio has transformed the kitchen of a family home in Zwaag, the Netherlands, by covering the floors and ceiling in one type of wood and the walls and cabinets in another.

      DAB Studio aimed to create a “calm yet soulful” interior with an earthy colour palette made up of tan and neutral shades.
      Quarter-sawn Afromosia wood lines the walls and kitchen unitsThe floors and ceiling were covered in hand-scraped oak with a smoked and black-oiled finish, laid in a pattern of side-by-side plank pairs.
      Afromosia wood, a tropical hardwood native to west Africa, was applied to the walls and cabinets. The wood was quarter sawn to create a decorative grain pattern and add a sense of playfulness to the interior.
      Oak planks were laid in side-by-side pairs on the floors and ceilingDAB Studio co-founders, Lotte and Dennis Bruns, designed the interior to be a space that would balance “feminine and masculine elements” and reflect both of the owners’ design tastes.

      According to the duo, the repeating wood choices for the different surfaces give the space a sense of completeness.
      Marble worktops extend down the sides of the kitchen units”Per the client’s request, we wanted to merge the feminine and masculine vision of their new home, balancing each other out in one curated space,” the co-founders told Dezeen.
      “This allowed us to create unique areas in line with our client’s habits and interests while imbuing the space with a sense of spaciousness and lightness.”
      “In order to merge all elements of the design, it felt important to prioritise the theme of consistency,” the duo added.
      “For that particular reason, the wood of the floor is repeated on the ceiling, and the wood used for cabinetry is continued into the walls of the room.”

      Julia van Beuningen adds spiral stair in Dutch barn conversion

      The centrepiece of the kitchen is the island, which features Afromosia wood cabinet doors and a waterfall countertop made from Arebescato Orobico marble.
      Wood cabinets along one kitchen wall were also topped with a marble worktop, which extends down one side to frame the unit.
      The studio balanced “masculine and feminine” elements in the interiorDAB Studio added a dining nook below a window, designed to be a space flooded with natural light where the family can gather.
      Seating with rounded corners wraps the three walls of the nook. The seating base was covered in the same wood as the interior walls, while the seat and backrest are covered in plush upholstery.
      The quarter-sawn Afromosia wood creates a decorative grainAt the centre of the nook, a rectangular table with two blocky legs made from Arebescato Orobico marble contrasts the rounded seating.
      “The dining nook is where the family can spend time together, welcome new conversations, and create core memories,” said Lotte and Dennis Bruns.
      “The asymmetrical built-in banquette seating feels inviting with its round edges, and adds a dynamic feel to the space.”
      The dining nook sits below a windowDecorative items and free-standing furniture were introduced to the interior to add more rounded elements, including a Wiggle Chair by Frank Gehry.
      Elsewhere in the Netherlands, Francois Verhoeven Architects has created a bungalow clad in vertical timber slats and Julia van Beuningen added a plywood staircase to a barn conversion.
      The photography is by Daniëlle Siobhán.

      Read more: More

    • 125 Shares129 Views

      in Rooms

      Mattaforma considers “plants as clients” for Public Records outdoor space

      by

      Local design studio Mattaforma has created a plant nursery and community space for Public Records, a music venue and restaurant space in Brooklyn.

      The Nursery at Public Records sits in an outdoor space adjacent to the Gowanus institution’s other programming, a vegan cafe, club and listening lounge. It serves as a nursery for plants and as an outdoor music venue.
      Public Records expanded its programming to an adjacent empty lot, adding a DJ booth and plantsThe team at Public Records wanted to turn the adjacent, empty lot into a functioning space.
      To do so while limiting new construction, the team took advantage of several storage units already on the site, positioning them as both separators and inhabitable spaces for both humans and plants.
      Mattaforma created a system of wooden trusses to shelter the plants and equipment”The brief was an over winter nursery for their garden plant collection, as well as a community space that people could enjoy and learn about plants,” Mattaforma co-founder Lindsey Wilkstrom told Dezeen.

      “With this in mind, we focused first on designing a space that relied solely on passive heating in the winter, treating the plants as our clients first, then adapting a plant-oriented space towards humans as our secondary clients.”
      The trusses are lined with polycarbonate panelsTo house the plants, Mattaforma installed wooden pratt trusses lined with polycarbonate panels.
      The trusses were made on-site out of Microllam R laminated-veneer lumber (LVL), a manufactured wood that combines micro-layers of different kinds of woods like fir and larch.
      The space is meant to hold plants year-roundAccording to Wilkstrom, the material was chosen for its durability and also its manufacturer, Weyerhaeuser.
      “[It’s] the first American timber company to call for regenerative forest stewardship over 100 years ago and who still maintains today some of the highest ethical standards in their replanting initiatives, meeting SFI certification and transparency in their evolving ESG performance metrics,” said Wilkstrom of the company.
      Vents were included in the trusses to allow for passive cooling during the summer months. The trusses also extend out over the sound system and DJ booth to celebrate the DJ booth “like an altar”.

      RSDA repurposes shipping containers to form home on Indian farm

      Public Records also created the sound system for The Nursery, working with audio engineer Devon Ojas and manufacturer NNNN to develop a custom system that includes two blue-green and black speakers.
      In addition, the team brought in engineering firm Arup to advise on the acoustics of the space and New York-based Cactus Store to supply additional vegetation for the site.
      Besides the plants within the containers, trees and a grove of bamboo were installed around the concrete dance floor.
      Sustainable timber was used for the trusses”The Nursery is intended to be an ecological/urban intervention that serves to bring people and plants together, in reaction to the challenge of re-imagining an asphalt parking lot,” said Public Records, which was founded by Shane Davis and Francis Harris and has existed on the north end of Brooklyn’s Gowanus Canal since 2017.
      The once-industrial areas of Brooklyn have seen a variety of art and culture institutions moving in past years. Recently, a derelict powerplant, once known for its graffiti culture, was renovated by Swiss architecture studio Herzog & de Meuron into an arts centre.
      Elsewhere in the borough, Ennead Architects and Rockwell Group converted a 19th-century train warehouse into a headquarters for a charitable organisation.
      The photography is by Adrianna Glaviano.

      Read more: More

    • 125 Shares189 Views

      in Rooms

      Woods Bagot lines American Australian Association HQ with oak battens

      by

      The American Australian Association has opened a headquarters in New York City, with interiors by architecture firm Woods Bagot designed to offer flexible spaces for events.

      The 9,450-square-foot (878 square metres) space at 600 Third Avenue is the first location in the city for the American Australian Association (AAA), a non-profit organisation dedicated to strengthening ties and collaboration between Australia and the US.
      A large, flexible space allows the AAA to host a variety of events and activitiesClose to both the United Nations and the Australian Consulate-General, the headquarters is intended to promote Australian-American relations in NYC by hosting a variety of discussions, performances, exhibitions, networking receptions and more.
      Woods Bagot – which was founded in Adelaide and has offices globally – aimed at “melding the spirit of Australia with the corporate culture of New York” with the project, according to CEO, Nik Karalis. “It’s a stylish, welcoming environment created to bring people from both countries closer together,” he added.
      Moveable dual-purpose furniture created for the space includes a workstation that doubles as a barTo accommodate such varied activities, a large events space was left open to be as flexible as possible while incorporating movable dual-purpose furniture and fittings.

      A custom mobile island acts as both a work surface and a bar, and counters along the windows can also become serving areas for food and drinks.
      The ceiling structure was left exposed, while white oak battens wrap the columnsLocated on a high floor, the space benefits from sweeping views of the skyline through unobstructed expanses of glass.
      The ceiling structure was left exposed to maximise the height in the space, while columns were wrapped in vertical white oak batten system by wood cladding manufacturer Sculptform – for which Woods Bagot created an immersive showroom in Melbourne in 2001.

      Steam-bent timber tunnels through Melbourne showroom by Woods Bagot

      Similar battening lines the lobby and circulation spaces, with curved profiles creating sculptural frames around a golden bar back and over a pair of sliding doors with frosted glass panels.
      The AAA headquarters also houses offices for employees and a boardroom for private meetings.
      The white oak battens also line the lobby area, surrounding the doorway to the boardroomTo commemorate the opening of the space in June 2023, the organisation commissioned a custom artwork from the APY Art Centre Collective.
      The colourful painting was created by eight Indigenous women artists based in Adelaide and hangs in the bar area.
      Some of the battens feature curved profiles to create sculptural shapesWoods Bagot works on projects worldwide, and its current high-profile projects underway range from the Aboriginal Art and Cultures Centre in Adelaide to an extension of Seattle-Tacoma International Airport.
      Also in the US, principal Krista Ninivaggi recently completed the lobby design for the supertall Brooklyn Tower.
      The photography is by Adrian Gaut.

      Read more: More

    • 100 Shares99 Views

      in Rooms

      Piles of green-hued books characterise London Aesop store

      by

      The interior of London’s most recent Aesop store in Marylebone was organised to reference a bookshop and features bespoke timber cabinetry by furniture designer Sebastian Cox.

      Skincare brand Aesop’s in-house design team created the concept for the Marylebone store, which recently relocated from its original home in the London neighbourhood to Marylebone High Street.
      The Marylebone store features piles of green booksThe team took “material references” from the British Library on Euston Road and attempted to emulate the layout of traditional bookshops by choosing warm timbers and towering piles of pale green books to decorate the interior.
      Divided into a main shop and an area for personal skin consultations, the L-shaped store features handmade cabinetry by Cox throughout.
      Olivier Cousy added frescos to the ceiling troughsThe shelving is defined by gently rounded edges, which Cox crafted from lime-washed oak and stained with linseed oil to enhance the timber’s warm appearance.

      He designed the cabinetry with flexible joinery that would allow the furniture to be disassembled and transferred elsewhere if needed.
      Sebastian Cox designed timber cabinetry throughout the interiorOversized rattan lampshades were also chosen for the main shop area, which displays uniform rows of Aesop products and includes large, metallic communal sinks built into the timber cabinetry.
      The store’s also features ceiling troughs with custom-made geometric frescos by artist Olivier Cousy.

      Brooks + Scarpa recycles cardboard tubes and paper for Los Angeles Aesop store interior

      Cousy was informed by Marylebone’s many green squares when painting the designs, which are geometric arrangements of autumnal colours – compositions that take cues from expressionist artist Paul Klee’s 1922 work Tower in Orange and Green.
      “Architecturally, our design method is to connect to the context of the locale, weaving ourselves into its fabric,” said Aesop chief customer officer Suzanne Santos.
      Wooden sinks characterise the skin consultation areaIn the skin consultation area, a sandy-hued, floor-to-ceiling curtain can be pulled to give customers privacy while geometric timber sinks were built into the space’s cabinetry.
      Known for its array of stores that pay homage to their individual locations, Aesop’s other outlets include a branch in London’s Piccadilly Arcade with marble fixtures that filmmaker Luca Guadagnino designed to reference the area’s jewellery boutiques, and a Cambridge store by British studio JamesPlumb with hemp and bulrush accents that nod to the nearby River Cam.
      The photography is by Alixe Lay. 

      Read more: More

    • 63 Shares159 Views

      in Rooms

      Eight welcoming wood-panelled dining rooms

      by

      For our latest lookbook, we’ve selected eight dining rooms from the Dezeen archive where wooden panelling was used to create cosy, earthy environments with an organic feel.

      From South America to Europe, these wood-panelled dining rooms serve as focal points in the interiors and create social spaces for residents and guests.
      Whether they’re made from timber, pine or plywood, the wooden finishes on these statement walls and ceilings have been used to create welcoming environments with peaceful atmospheres.
      This is the latest in our lookbooks series, which provides visual inspiration from Dezeen’s archive. For more inspiration see previous lookbooks featuring homes with focal point wardrobes, statement headboards and homes with pergolas.
      Photography is by Fran Parente and image production is by Victor CorreaER Apartment, Brazil, Pascali Semerdjian Arquitetos

      This apartment in São Paulo has an exposed concrete ceiling and uses natural materials, such as walnut, bronze, onyx and stone in its furnishings and finishes.
      Pascali Semerdjian Arquitetos used vertical timber cladding, local art and furniture by Brazilian architects and designers Oscar Niemeyer and Claudia Moreira Salles in the dining room to make the space “deeply Brazilian and vividly cosmopolitan”.
      Find out more about ER Apartment ›
      Photography is by Eric PetschekCarroll Gardens Townhouse, US, Starling Architecture and Emily Lindberg Design
      Starling Architecture and Emily Lindberg Design combined two units in a Brooklyn townhouse to create this family home. The townhouse features Belgian white oak on the flooring and along the corridor, stairs, mudroom, kitchen and dining area.
      The New York-based studios used neutral tones to decorate the five-story house. In the dining room, wooden cabinets and decorative lamellas match the floor and ceiling.
      Find out more about Carroll Gardens Townhouse ›
      Photography is by Tim CrokerDragon Flat, UK, Tsuruta Architects
      Artificial intelligence (AI) was used to design the patterns engraved on plywood panels that decorate the dining room of the Dragon Flat in London’s Notting Hill. Tsuruta Architects used a CNC router – a computer-controlled cutting machine – to engrave a pattern of the River Thames on the wall.
      The architecture studio also updated the two-level maisonette to include a walk-in wardrobe and tatami room, which features an engraved design on its panelled walls.
      Find out more about Dragon Flat ›
      Photography is by David GrandorgeHomerton College, UK, Feilden Fowles
      Homerton College at the University of Cambridge includes a dining hall by London architecture studio Feilden Fowles made from concrete, timber and 3,200 faience tiles.
      The building, which was constructed with chestnut-laminated timber frames and clerestory windows, features a larger eating space, a smaller eating room, the kitchen and staff amenities.
      It was designed to celebrate handcrafting techniques and contemporary construction and engineering.
      Find out more about Homerton College ›
      Photography is by Roland HalbeHouse in El Peumo, Chile, Cristián Izquierdo Lehmann
      This house, designed by Cristián Izquierdo Lehmann, centres around an open-plan kitchen and dining room with a vaulted ceiling that is used for cooking, dining and socialising.
      A minimalist decor compliments the dramatic ceiling, with red stools used for dining and a bookcase lining the wall.
      Located in El Peumo, Chile, the house was clad with laminated pine and features concrete floors and large windows for the owners to enjoy the green exterior.
      Find out more about House in El Peumo ›

      Another Seedbed, US, Future Projects
      The Another Seedbed loft in Williamsburg, Brooklyn, serves as both a home and performance space for its owner. To function as both, the space is predominately open, with hidden rooms located around the apartment.
      Warm pine walls mark the dining space, which features a complementary red angular table and wooden sculptural chairs.
      Other walls in the loft are covered in hand-troweled earthen clay plaster, blue penny-round tiles and floor-to-ceiling shelving.
      Find out more about Another Seedbed ›
      Photography is by Art GrayStone Creek Camp, US, Andersson-Wise Architects
      US-based Andersson-Wise Architects designed the Stone Creek Camp in Big Fork, Montana, as a family retreat of cabins and cottages.
      While it is wood-clad, the kitchen and dining area does not feature traditional panelled walls. Instead, one wall is made from wooden logs that have been assembled to create an unusual wall with a highly textured surface.
      The ceiling was clad in wooden panels that match the floorboards in the home.
      Find out more about Stone Creek Camp ›
      Photography is by Marc GoodwinGeilo Valley Cabin, Norway, Lund Hagem
      Panelled with blackened timber, this Norwegian ski cabin shelters residents from harsh weather conditions and offers panoramic views of the Geilo Valley. The cabin’s exterior concrete walls have also been tinted black to reflect the interior panels.
      The walls and ceiling of the dining room use the same timber cladding, matching the kitchen island to create a cosy, coherent atmosphere.
      “The dark tone allows the nature outside to come closer and creates a darkness that contrasts with the white winter landscape,” said the project’s architects Lund Hagem.
      Find out more about Geilo Valley Cabin ›
      This is the latest in our lookbooks series, which provides visual inspiration from Dezeen’s archive. For more inspiration see previous lookbooks featuring homes with focal point wardrobes, statement headboards and homes with pergolas.

      Read more: More

    • 188 Shares159 Views

      in Rooms

      Christian + Jade explores the Weight of Wood with exhibition at 3 Days of Design

      by

      Danish design studio Christian + Jade has created an exhibition in collaboration with wood flooring manufacturer Dinesen that explores the density of wood and its significance and history as a commodity.

      The Weight of Wood exhibition, which takes place at the Dinesen showroom as part of Copenhagen festival 3 Days of Design, was the result of a year-long research project commissioned by the brand’s recently founded Dinesen Lab.
      Weight of Wood is an exhibition by Christian + JadeDinesen Lab invited Christian Hammer Juhl and Jade Chan, founders of Christian + Jade, to take part in a residency in which local artists were asked to work with wood harvested by the company to produce a research project and explore the weight of wood.
      The Weight of Wood installation is located within a large exhibition space at the brand’s showroom in Copenhagen. This was divided into a series of smaller rooms via sheets of textured paper hung vertically from a wooden pavilion.
      It takes place at the Dinesen showroomEach of the smaller rooms separates the exhibition into three different parts titled Forest and Wood, Wood and Wood, and Human and Wood.

      Throughout the exhibition space, wooden tables hold a number of experiments and interventions completed by Christian + Jade using different types of wood that were harvested by Dinesen.
      “We were fascinated by the idea that no two pieces of wood weigh the same, not even if it comes from the same tree trunk,” the studio explained at a preview of the exhibition. “This was really what sparked our interest in this project.”
      The exhibition explores the ways in which wood has been commodified”Through this exhibition, we have tried to work with this idea in various scales,” the studio founders added. “It sort of presents a design methodology, combining different pieces of wood with different densities.”
      “What we have created is not only a series of furniture but also a rocking horse, a rocking chair and lots of small experiments that visualise this intangible quality of wood, which is the weight of wood.”

      Nemo Lighting showcases “abandoned” Le Corbusier and Charlotte Perriand lamps

      A collection of different-sized cubic wooden volumes were presented in the exhibition, made from 11 different species of wood including beech, cherry, Douglas fir and elm. Each of the pieces of wood weighs 250 grams and conveys the different densities of wood through volume and size.
      A seesaw placed at the rear of the exhibition space featured a base made from Douglas fir and topped by a seat constructed from equal parts Douglas fir and oak. As a result of oak having a higher density than Douglas fir, the seesaw will always lean towards its oak-constructed side.
      The designers used Dinesen’s wood for their experiments”We chose three different furniture archetypes that require weight and balance in their function – the seesaw, the rocking chair and the rocking horse,” Chan said.
      “So in designing or reimagining the furniture, we’ve worked with four of Dinesen’s main wood species; that is Douglas fir, oak, pine and ash.”
      The exhibition was divided into three parts”The seesaw is an example of one of the simple principles that we apply – the pivot point is made using Douglas and the seat is made using oak and Douglas,” Chan added.
      The rocking horse was constructed from 87 per cent Douglas fir and 13 per cent ash. Because of its Douglas fir-heavy construction, the horse always tilts towards one side, which provides it with a unique movement.
      The exhibition included a rocking horse, seesaw and rocking chairChan concluded the preview of the Weight of Wood exhibition with a poem by H P Dinesen, a relative of the company founders:
      “To those who love the tree, those who may be fighting the tree, the one who plants the tree, the one who fells the tree, the poet who praises the tree, and the one who simply settles with enjoying the tree.”
      Also at this year’s 3 Days of Design, Nemo Lighting unveiled a light designed by architect Le Corbusier and a lamp by architect Charlotte Perriand and Takt launched a fully disassemblable sofa that can be replaced and recycled.
      The photography is by Claus Troelsgaard.
      Weight of Wood is on show as part of 3 Days of Design 2023, from 7 June to 9 June 2023. See Dezeen Events Guide for information about the event, plus a list of other architecture and design events taking place around the world.

      Read more: More