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    Norman Foster creates angular retreat in Martha's Vineyard for “friends of the Foster family”

    Pritzker Architecture Prize-winning architect Norman Foster has designed the Foster Retreat in Martha’s Vineyard as a holiday home for his friends and those of the Norman Foster Foundation, which features furniture designed by the architect for Karimoku.

    Named the Foster Retreat, the mono-pitch roofed building in Martha’s Vineyard, Massachusetts, was built opposite Foster’s US home.
    The building draws on traditional wood structuresThe home was formed from a series of angled steel beams that are connected by timber beams with smooth timber louvres enclosing an outdoor patio space.
    According to Foster, the holiday home’s shape was informed by North American barn structures, with large amounts of timber chosen to reference Martha’s Vineyard’s traditional wood-boarded structures and its sustainability credentials.
    Pale wood was used inside Foster Retreat”The retreat takes inspiration from the generous wooden barn structures of North America and combines that tradition of timber construction with a small amount of steel in the form of skinny portal frames which touch the ground lightly,” said Foster, who is the founder of UK studio Foster + Partners.

    “Wood was the obvious choice not only for reasons of sustainability but also as a direct reference to the traditional buildings that characterise the island.”
    The building has a visible gridThe site levels around Foster Retreat, which will be used as a private residence for friends of Foster’s family and of the Norman Foster Foundation, were contoured to hide the building from the roadside and situate it within the landscape.
    The studio also added indigenous plants to the site, as well as a bank of solar panels that together with “a high level of insulation and shading” helps the building be more sustainable, according to Foster.
    Norman Foster designed the NF Collection for KarimokuInside the building, the holiday home has white walls with pale wood panels and wooden floors.
    To match the pared-back material palette of the house’s exterior and interior, Foster designed a wooden furniture collection named NF Collection together with Japanese furniture brand Karimoku.

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    The collection comprises a dining chair, two stools, a lounge chair, a sofa, and a dining table, all of which feature pale “skeletal” timber frames and padded upholstery.
    “The wood-based furniture I designed for Karimoku is an extension of the philosophy behind the building,” Foster explained.
    “lt has always seemed to me that there is a commonality between the American Shaker Movement and traditional Japanese furniture. Given my own admiration for the qualities of historic Japanese architecture, there are evident cultural links.”
    The furniture has skeletal frames and white padding. Photo is by Chuck ChoiThe collection was developed as Foster had trouble finding suitable furniture for the space.
    “When we started to think about what type of furniture could best fit in the spaces created in the Foster Retreat, Martha’s Vineyard, we realised that there was no single specific collection in existence that could be used for the different uses of the building, so I decided to develop a bespoke family of furniture,” Foster explained.
    “Timber was a natural choice to match the spirit of the building.”
    Foster Retreat was designed as a private residenceFoster Retreat is Karimoku’s seventh case study project, which sees the studio work together with architects on bespoke furniture collections.
    “I see the collaboration with NF as an important step for us as a brand – not only do we venture into a new area with the case at Martha’s Vineyard, but we also show how the brand can accomodate a more diverse furniture collection, showcasing the unique design languages of the individual studios, yet still maintaining a red thread throughout the collection in the use of materials, excellent craftsmanship and high quality,” Karimoku creative director Frederik Werner told Dezeen.
    The collection marks Karimoku’s seventh case study. Photo is by Chuck ChoiThe NF Collection will also be shown in an exhibition at Karimoku Commons in Tokyo, the brand’s retail and showroom space. Karimoku was one of a number of Japanese brands that showed at this year’s Salone del Mobile furniture fair as the focus on the European market grows.
    One of the world’s best-known architects, Foster leads the UK’s largest studio Foster + Partners. The studio’s recent projects include 425 Park Avenue, which is the “first full-block office building” to be built on Park Avenue in over 50 years, and the tallest building in the EU, the Varso Tower in Warsaw.
    The photography is by Marc Fairstein unless stated otherwise. All photography courtesy of the Norman Foster Foundation.
    The Norman Foster x Karimoku exhibition is at Karimoku Commons from 21 October to 9 December. See Dezeen Events Guide for an up-to-date list of architecture and design events taking place around the world.

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    Archipelago House by Norm Architects is a minimal family getaway in Sweden

    Norm Architects has completed Archipelago House, a pine-clad holiday home on the coast of Sweden that’s designed to embody both Scandinavian and Japanese aesthetics.Copenhagen-based practice Norm Architects created Archipelago House, which is located just north of Gothenburg, for a couple and their four children.
    It’s a stone’s throw away from a holiday home that the mother of the family frequented when she was younger.

    Top image: the interior of Archipelago House. Above: the exterior of the home is lined with pine wood

    Archipelago House comprises a quartet of pine-wood volumes that stagger in line with the site’s rocky terrain.
    Each of the volumes features gabled roofs, subtly mimicking the form of the boathouses which appear along the nearby seashore.

    The kitchen features oakwood cabinetry
    “We like to consider the spirit of a place and integrate a new building structure more or less flawlessly into its surroundings,”  partner at Norm Architects Frederik Werner told Dezeen.
    “The building should look natural to the site and put the focus on the beautiful surroundings and the life unfolding in the place rather than the building itself,” he continued.
    “It is important for us that architecture does not feel alien to a site – especially in a place like this where there is a perfectly harmonised small village on the shore with other wooden houses around.”

    At the heart of the floor plan is a double-height lounge
    Inside, the practice has used natural materials to devise a sequence of muted, pared-back living spaces that nod to traditional Scandinavian and Japanese aesthetics.
    Handleless oak cupboards feature in the home’s kitchen, at the centre of which is a jet-black breakfast island with in-built drawers. Stone tiles have then been used to line surfaces in the bathrooms, which have been finished with dark-wood vanity cabinets.

    Furnishings in the lounge were designed by Norm Architects and Karimoku Case Study
    The influence of Japanese design can be observed most clearly in the home’s double-height lounge, which is dressed with furniture that Norm Architects has produced in collaboration with Karimoku Case Study – the sister brand of Japanese manufacturer Karimoku.
    This includes a pebble-grey sofa, stone-topped coffee table and pair of armchairs that boast arching backrests upholstered in creamy fabric.
    Archipelago House is the third project that the brand has worked on since its launch in 2019, joining the Kinuta Terrace apartment block in Tokyo and the Blue Bottle Coffee cafe in Yokohama.

    Japanese lanterns appear throughout the holiday home
    The home’s living area also has a delicate cone-shaped lantern that was created bespoke for the project by Kojima Shouten, a Japanese brand that has been making lanterns for over 230 years.
    Crafted from washi paper, the lantern’s peaked form is meant to act as another reference to the architectural form of Archipelago House.

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    More squat lanterns that balance on four-legged stands appear in the home’s tranquil sleeping quarters. Here there are also book-like storage boxes that Norm Architects designed alongside Danish brand August Sandgren, where inhabitants can tuck away their personal trinkets.

    Book-style storage boxes hide the inhabitant’s belongings
    Beyond the home’s dining room lies an expansive outdoor deck where the family can play games or enjoy alfresco dinners with views of the adjacent sea and small, rugged islands.
    “Nature plays an important role in our soft minimalist approach, where we believe that buildings should be a functional backdrop and structure for human engagement,” added Werner.
    “It might be a romantic relationship with nature – but after all, that is why we want to escape the city once in a while and reconnect with nature in our holiday homes.”

    The home includes an outdoor deck
    Norm Architects was established in 2008 by Kasper Rønn Von Lotzbeck and Jonas Bjerre-Poulsen.
    The practice’s Archipelago House joins a number of getaway homes in scenic Sweden – others include Summerhouse Solviken by Johan Sundberg Arkitektur, which is raised up on steel stilts, and Villa Vassdal by Studio Holmberg, which boasts minimal plywood interiors.
    Photography is courtesy of Jonas Bjerre-Poulsen of Norm Architects.

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  • Atelier L2 creates modular wooden interiors for Ateliers des Capucins

    Rennes studio Atelier L2 has installed 20 wooden boxes as modular units for shops, exhibitions and hospitality businesses inside Ateliers des Capucins, a covered square in a 19th-century arsenal in Brest, France.The Ateliers des Capucins has been shortlisted for a Dezeen Awards 2020 in the large workspace interior category.
    The studio’s brief was to design a number of shells in order to create an interior street with two floors inside the historical arsenal building, covering 5,000 square metres.

    Top: the project is located inside the 10,000 square-metres former arsenal. Above: Units with gabled roofs are slotted into the ceiling
    Atelier L2 used laminated veneer lumber (LVL) for the shells, which were designed to stand out against the metal structure and pitched glass roof of the 10,000 square-metres Ateliers des Capucins.

    Each wooden shell measures between 150 and 400 square metres, with some of the concept stores in the space using more than one.

    Some facades are as tall as 13 metres
    “In this way, the client would be able to find buyers who could convert each ‘box’ to complete the cultural and service offer,” Atelier L2 co-founder Pierre Lelièvre told Dezeen.
    The boxes are a permanent fixture of the Ateliers des Capucins – which functions as a large, covered market space – and can’t be moved.
    “Even though their appearance suggests it, the ‘boxes’ are absolutely fixed and cannot be moved under any circumstances,” Lelièvre said.
    “Their technical and structural complexity does not allow such flexibility. They are indeed equipped with all the necessary networks to host any kind of activity: exhibitions, restaurants, offices, breweries, co-working.”

    Laminated veneer lumber was used for the facades and floors
    The studio chose to use LVL made of spruce veneers for the structure of the facades and the floors, which span 10 to 14 metres, as it allowed them to create the units with as little impact on the existing building as possible.

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    “The entire design of the project was thought out with respect for natural resources,” Lelièvre explained.
    “The facing of the facades is made of spruce, the internal bracing uses gypsum boards and the insulation is made of wood wool. The floor boxes are ballasted with aggregates.”

    The wood stands out against the 19th-century building
    Windows were inserted into the facades of the wooden shells, to make them resemble many smaller houses inside the bigger building.
    The ceiling height of the huge hall space means some of the boxes have facades that reach as high as 13 metres, and gabled roofs that have been slotted into the ceiling.

    The units are used for retail spaces, offices and more
    “The use of wood was a way for us to stand out against the existing building, which is entirely made of stone and metal, while also giving an ephemeral side to our layout,” Lelièvre said.
    “We wanted to give the feeling that our project was simply set down in this historical and remarkable setting.”
    Atelier L2 is based in Rennes and was founded by Julie de Legge and Pierre Lelièvre.
    Also on the shortlist for the large workspace interior category are the monochrome interiors for KCC Office in a former factory, and The Audo hotel in Copenhagen that doubles as a showroom.

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