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      Weiszblüth & Brown designs tiny Thai eatery in LA that “packs a punch”

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      Diners pack tightly into this informal Thai restaurant in Los Angeles, which local studio Weiszblüth & Brown has designed to echo the intense flavours of the food served.

      Holy Basil Market has 16 seats within just 90 square feet (8.4 square metres) of space in Atwater Village, following a highly successful first location Downtown.
      Holy Basil Market has space for just 16 diners, who are accommodated thanks to flexible furnitureChefs and partners Wedchayan “Deau” Arpapornnopparat and Tongkmala “Joy” Yuons tasked Weiszblüth & Brown with maximising the compact unit so that the restaurant would feel as bustling as a Bangkok street market.
      “Weiszblüth & Brown took cues from the chef’s tendency for bright, intense flavors and hard-edge branding,” said the studio. “The space, like the food, packs a punch.”
      The stainless steel service counter has a low shelf for guestsDue to the lack of floor area, the designers removed the visual barrier between back and front of house, continuing the stainless steel from the kitchen into the dining space.

      A metal service counter has a lower shelf for diners to perch against, while the same material appears as small chairs and stools.
      Red baskets are stacked to create bases for tables that can easily be moved or put awayBright red rectangular baskets are stacked along the wall to form shelving and act as bases for flexible tables that can easily be rearranged.
      Tops for these ad-hoc tables were specially designed to slot neatly over two boxes and are wrapped in vinyl that’s covered with imagery of food laid on a tablecloth.
      Stainless steel storage containers and utensils add to the restaurant’s informal vibeThe baskets can also be upturned and used at extra stools during busy periods, or stored to the side if more floor area is required.
      Additional seating is provided in a partially covered area outside the entrance, under a neon sign that spells out the restaurant’s name.

      Studio Tarea creates “90s fever dream” inside pink Richmond eatery

      Glass panels and doors fill an arched opening that provides views into to brightly lit space from the alley.
      “Eater LA described the space as ‘almost suffocatingly intimate’, and it’s a feat of hospitality that Deau and Joy are able to welcome so many into such a small space,” said Weiszblüth & Brown.
      The table tops are wrapped in vinyl that’s covered with imagery of food laid on a tableclothA trend for more intimate dining spaces appears to be gaining popularity in the US, evident in the launch of several restaurants that can seat just a handful of guests.
      An all-pink restaurant with 18 covers recently opened in Richmond, Virginia, while an omakase spot with room for only eight in New York began welcoming diners earlier this year.
      Additional seating is provided outside the entrance, which is via glass doors within an arched windowCeramicist Alex Reed and architectural designer Dutra Brown founded Weiszblüth & Brown after Dezeen published their Harvest Shop pop-up designed for lifestyle brand Flamingo Estate in 2020.
      The project was shortlisted in the small retail interior category of Dezeen Awards 2021, and the duo then formalised their collaborative practice that works from product to architecture scale.
      The photography is by Patcha.

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      22RE takes “deconstructivist” approach to menswear store in LA

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      Los Angeles-based studio 22RE has combined metal grids, black and mirrored surfaces, and bold splashes of colour inside this men’s multi-brand boutique in the city’s Arts District.

      The second Departamento location is situated in the Signal retail enclave, which occupies a series of warehouses southeast of Downtown LA.
      The Departamento store features custom elements like a green fibreglass and resin jewellery displayUsing the building’s industrial bones to inform design decisions, 22RE took styling sensibilities of 20th-century modernists like Rudolph Schindler and Richard Neutra.
      “Inside, 22RE leans into the original architecture’s industrial elements through a deconstructivist lens,” said the studio.
      From inside a coffee shop, visitors pass through a concealed entrance and a mirrored portal to access the storeThe store’s entrance is concealed inside a Concierge Coffee, leading to a mirrored portal that opens onto the shop floor.

      While the layout follows a typical grid, the designers have inserted a variety of partitions, volumes and displays that “disrupt” the flow and encourage shoppers to explore.
      A triangular niche with mirrored walls creates infinite reflections”This non-linear layout challenges the traditional browsing experience and provides an unconventional yet effective approach to shopping,” said 22RE.
      A pair of curved metal-clad walls that evoke a Richard Serra sculpture form a narrow corridor from one area to another, while also displaying garments on their concave sides.
      Partitions and volumes are strategically placed to frame views and encourage explorationBlackened wood panels form an enclosed space, inside which bright white walls and repurposed wooden framing contrast dramatically with the rest of the store interior.
      “The space, entered via a slatted, sliding door, invites guests to experience the collection in a ryokan-inspired setting, evoking the traditional Japanese inn,” said 22RE.
      A red cylindrical element acts a fitting roomThis shop-in-shop was designed in collaboration with fashion brand Taiga Takahashi, and also features shelving made from tatami mats and flooring intended to resemble pebble stones.
      Another triangular niche features mirrored walls that create infinite reflections of the apparel and the aubergine-coloured carpet on the floor.

      22RE invokes “stillness” inside green Miami golfing boutique

      “Collections are hung and displayed via monolithic and sculpturesque forms that divide up the space, creating a fluid but juxtaposing dichotomy between the heavier wood forms and the lighter metallic elements,” 22RE said.
      A red cylindrical volume is used as a fitting room, while further dressing areas are tucked away behind silver curtains.
      22RE collaborated with Taiga Takahashi on a blackened wood shop-in-shop spaceCustom elements include a green fibreglass resin-and-foam jewellery case and a chiselled aluminium side table.
      A white aluminium ceiling grid stretches across the entire store, extending over all of the freestanding elements, with lighting embedded behind creating futuristic glowing patches.
      Influenced by Japanese ryokan inns, the space features white walls and repurposed timber framing22RE was founded by principal Dean Levin in 2021, and has since completed a range of interior design projects across the US.
      The studio recently wrapped up the offices for a creative music agency in LA that include a 1970s-style sunken meeting room and a golf clothing boutique in Miami lined with pale-green stucco.
      The photography is by Erik Stackpole Undehn.

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      Ceremony of Roses offices by 22RE feature 1970s-influenced meeting spaces

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      Los Angeles studio 22RE has included a “huddle room” that resembles a sunken living room at the offices for a creative music agency.

      The offices within a 1950s factory in Culver City were designed for Ceremony of Roses, an artist merchandising and brand services company for top music creatives.
      A minimalist white oak counter welcomes visitors to the Ceremony of Roses officesWorking with creative director Madeline Denley of creative consultancy Never Far Studios, 22RE completely overhauled the 7,000 square feet (650 square metres) of space to create four executive offices, six communal desks, a showroom, a conference room, a huddle room and a listening room.
      “The project was a full-scale, wall-to-wall customisation where we got to dig into functional priorities while maximising visual appeal and comfort,” said 22RE principal Dean Levin.
      The main communal workspace features aluminium desks atop a raw concrete floorThe main communal workspace occupies a large, lofted central room illuminated by skylights between the exposed wooden ceiling rafters.

      Reaching past a minimalist white oak reception desk, the open area features custom aluminium desks and cabinets accompanied by Eames Management chairs atop a raw concrete floor.
      Executive offices are visible through glass panelsOn either side, open and closed storage is provided by millwork cabinets and titanium travertine shelves.
      A row of executive offices, visible through tall glass panels, are furnished with a mix of French and Italian modernist pieces.
      A maple-panelled conference room is furnished with a burl wood table and Pierre Jeanneret chairsA freestanding structure built from dark-stained white oak houses a conference room, which holds a burl wood table and six Pierre Jeanneret floating-back chairs.
      Maple wall panels complement the brown carpet, and a spherical Akari lamp is suspended overhead to give the space a warm glow.
      White oak and titanium travertine, which appear throughout the project, were used to craft the kitchenOn the other side of the communal work area is a kitchen, where the same material palette of white oak and titanium travertine continues.
      A matte aluminium dining table with matching curved-back chairs – another set of 22RE custom designs – provides a space for employees to eat and congregate.
      22RE custom-designed the matte aluminium dining table and matching curved-back chairsThe listening room is decorated entirely in a chocolate brown hue, with walnut panelling, carpet and upholstery on the built-in, U-shaped sofa all carefully chosen for a monochrome effect and optimum acoustics.
      “The ceilings maximize sound quality, with angles implemented to reverberate music as top creatives gather to experience albums – which also accessorize the shelved wall – on vinyl,” said 22RE.

      And And And Studio brings 1970s elements to Century City Law Office

      The “huddle room” is modelled on a 1970s sunken lounge, evidenced by its low wraparound sofa modules upholstered in pale green mohair.
      A custom aluminium table referencing designs by Oscar Niemeyer was placed in the center and a vintage Akari light by Isamu Noguchi hangs above.
      An acoustically optimised listening room is decorated entirely in chocolate brown”The space’s soft and hard, warm and cold elements amplify the contrast of the warm wood and industrial materials that are apparent across the office interiors,” said the studio.
      In stark contrast to the rest of the office, bathrooms are enveloped floor-to-ceiling in vibrant blue, including three-inch Japanese ceramic tiles.
      In contrast, the bathrooms are enveloped floor to ceiling in vibrant blue22RE’s previous projects include a golf clothing boutique in Miami with pale-green stucco surfaces informed by the sport and the city.
      Other offices in LA with unexpected interiors include the Century City offices of an entertainment law firm, which also have a 1970s vibe.
      The photography is by Yoshihiro Makino.

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      ORA utilises LA’s fallen street trees inside Uchi West Hollywood restaurant

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      Vertical fins of live-edge wood, which was sourced from fallen street trees, divide spaces at this Japanese restaurant in Los Angeles by local studio ORA.

      Uchi West Hollywood is the first West Coast location for chef Tyson Cole’s Austin-based chain, operated by Hai Hospitality Group.
      Fallen street trees sourced from across LA form spatial dividers through the restaurantSituated on a prominent corner along Santa Monica Boulevard, the 5,200-square-foot (483-square-metre) restaurant seats 160 covers amongst a timber-dominant interior.
      “We collaborated closely with local artists, makers and craftsmen, elevating humble natural materials to create a sense of surprise and connection to the unexpected natural beauty and spirit of our city,” said ORA founding principal Oonagh Ryan.
      Custom pieces created for the space include a sculptural light fixture by Kazuki Takizawa above the bar counterOne of the main collaborations for this project was with Angel City Lumber, which sourced wood from 25 Aleppo Pine trees that had fallen across 14 different city neighbourhoods.

      “With an average diameter of 30 inches and an average length of nine feet, nearly 26 tons of local LA trees were turned into wood for Uchi,” said the team.
      The live-edge wood boards trace sinuous lines through the space, creating more intimate seating areasThe 42 logs from these trees were cut into live-edge boards of varied lengths, and suspended vertically from the restaurant’s ceiling to form spatial dividers.
      The panels follow sinuous lines that demarcate seating areas, and are followed around the top by vertical wood bands that conceal cove lighting designed by Dot Dash.
      Travertine is mounted behind the sushi barIn between, hand-troweled plaster across the ceiling helps to improve acoustics in the space.
      Meanwhile, custom concrete planters by landscape firm SBLA run underneath the dividers and extend out to a patio with further dining space.
      Light boxes above the banquettes create silhouettes of the decorative objects displayed in frontThe remainder of the earth-toned material palette is dominated by woods such as white oak and walnut, complemented by upholstery from Maharam, Knoll and Carol Leather.
      At the perimeter, bespoke booth seating by ORA is placed below glowing light boxes that create silhouettes of decorative objects displayed on shelves in front.

      Stitched brick wall welcomes guests to Uchi Miami restaurant by Michael Hsu

      Striations in travertine panels mounted behind both the sushi bar and drinks bar are accentuated by thin metal shelves for storing dishes and bottles respectively.
      Also in the bar area, a custom sculptural light fixture created by LA artist Kazuki Takizawa to evoke cherry blossoms hangs above the end of the stone counter.
      Custom concrete planters below the wooden board dividers extend out to the patio dining areaBoth the solid white oak and brass bar stools by Lawson-Fenning and the handmade ceramic lamps by Ceramicah were made locally.
      Other California-based artists represented in the space include Liisa Liiva, Molly Haynes, Rajiv Khilnani and Rachel Duvall.
      The corridor to the bathrooms is lined with thin wooden stripsThe bathrooms are reached via a corridor lined with thin vertical wooden strips, and are themselves clad in dark grey tiles.
      Uchi – which means “house” in Japanese – also has locations in Austin, Miami, Dallas and Denver, while its sister brand Uchiko has an outpost in Houston designed by Michael Hsu.
      The photography is by Eric Staudenmaier.
      Project credits:
      Architect: ORAInterior design: ORAFurniture and accessories: Hai Hospitality and ORALighting: Dot DashLandscape: Stephen Billings Landscape ArchitectsStructural: Nous EngineeringMechanical: Engineered SolutionsElectrical: TEK Engineering GroupFoodservice design: MyersContractor: Build GroupLumber shop: Angel City LumberMillwork fabricator: Architectural Woodwork of Montana

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      Eames Institute renovates 1990s industrial building to house headquarters

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      The design team at the Eames Institute of Infinite Curiosity has renovated an industrial building in California to host the organisation’s headquarters and a 40,000-object archive.

      Launched in 2023, the Eames Institute of Infinite Curiosity is a non-profit dedicated to preserving the Eames legacy through digital and physical public programming, including hosting tours of the designers’ extensive archive.
      The Eames Institute has renovated an industrial building to house offices and an archive dedicated to its designersThe institution recently completed a gut renovation of a building previously dedicated to the manufacturing of medical devices, opening up the floor plans on two storeys to accommodate staff.
      Originally built in 1997 and designed by California architect Jim Jennings, it features a saw-tooth-shaped body with a glass-enclosed lobby at its front that follows the form of its site, a wedge-shaped parcel tucked in between the off-ramps of a highway.
      The building was originally built in the 1990s by local architect Jim Jennings”The space began as dated, awkwardly-scaled private offices,” said the team.

      “Recognizing the innate value of Jennings’s design and the building’s history, The Eames Institute’s internal design team set about transforming the interiors to better fit its architectural bones.”
      “The renovated office channels the design genius of Ray and Charles Eames and notably showcases vintage furnishings from the Institute’s namesakes.”
      The new offices encompass a 2,755-square-foot (255 square metre) first-floor workspace and a 4,793-square-foot (445 metre) second-floor space, while the archive, a gift shop and a small gallery take up the rest of the building.

      The offices feature an exposed wooden structure, white walls, and Eames furniture and other pieces in the designers’ characteristic primary colour palette spread throughout.
      They are designed for “multi-disciplinary” work, with an assortment of different seating arrangements such as enclosed and semi-enclosed spaces offered for employees, including a long, wooden bar and multiple lounge areas.
      A mixture of enclosed and semi-enclosed spaces offers a variety of workspaces”Key initiatives included designing offices that offer a wide breadth of work points for both individuals and groups, as well as offering both opportunities for heads-down focused tasks and more social and collaborative activities,” said the team.
      Besides the “countless” Eames furniture pieces, lighting by Isamu Noguchi, textiles designed by Alexander Girard for Maharam, and furniture by MillerKnoll and vintage Herman Miller fill the space.

      Manual creates branding for Eames Institute of Infinite Curiosity with “dynamic configurations”

      “The interior design drew from the wellspring of creativity and design excellence intrinsic to the organization’s identity and – as everything the Institute oversees – honors the rich legacy of Ray and Charles Eames.”
      The completion of the offices coincides with the opening of the Eames Archive, which encompasses a collection of “tens of thousands of artefacts” including furniture and objects organized among rows of shelving.
      The Eames’ characteristic primary colour palette marks the interior designThe institute offers guided tours of the archive led by chief curator and Eames granddaughter Llisa Demetrios.
      It also oversees the Eames Ranch, a Sonoma Country property dedicated to “land stewardship, habitat restoration, farming, and ranching” which is currently under renovation.
      Recently, it announced new branding by design agency Manual while Reebook released a series of sneakers that incorporate Eames design signatures.
      The photography is courtesy of the Eames Institute

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      Sophie Goineau adds “wave-like” timber ceiling to Malibu beach house

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      Interior designer Sophie Goineau has renovated a family beach home in Malibu, California, adding a wave-like ceiling and maximising the panoramic ocean views from the living spaces.

      Goineau initially set about helping a young family that she met in Mexico incorporate stylish spaces for their kids into the house, but the project quickly turned into a full overhaul.
      Sophie Goineau took advantage of the Malibu home’s vaulted ceilings to create a wave-like wooden feature overheadBuilt in 1965 and remodelled at the turn of the millennium, the house’s exterior had to remain untouched in accordance with strict Malibu zoning laws.
      Inside, however, multiple walls were opened up to allow light from the expansive windows and skylights to flood all of the spaces.
      The main living space was opened up and can now fully utilise the sliding doors onto the terrace”Some rooms were divided by walls, there was no light coming through,” said Goineau. “We had to use all existing openings — sliding doors and skylights in vaulted ceilings — but there was no rhythm. What could we do here to create a harmonious vibe?”

      With the main entry points reconfigured and many of the internal partitions removed, the offset T-shaped building now benefits from more light and improved flow.
      The lounge area features black seating by ATRA and a media unit that echoes the slatted ceilingThrough the main volume of the dwelling, Goineau installed a dramatic curved ceiling composed of thermally modified ash wood in four layers.
      The effect is designed to mimic a “breaking wave” and not only directs the eye to the ocean view but also partially obscures the skylights from the bright overhead sun.
      A skylight over the entryway is partially shaded by the ceiling slats”The light here, while beautiful, is very strong, but we didn’t want to ruin the existing skylights with shades,” said the designer.
      This ceiling feature is most prominently expressed in the spacious open-plan kitchen, dining and living space, which has large windows on two sides and glass doors that opens onto a terrace.
      A large, teak front door continues the same visual language as the ceilingNeutrally decorated with white oak floors, clay plaster and micro-cement wall finishes, the social space is dotted with several black accents.
      These include the large Beluga sofa and armchairs from ATRA, the Gio Ponti dining table and chairs, and metal shelving suspended from the ceiling over the kitchen island.

      Kelly Wearstler’s Malibu Surf Shack is adorned with “rustic and raw” decor

      “It is all a visual reference of naturalist materials,” Goineau said. “The dark materials chosen highlight the contrast between dark and light in nature, and all the pieces marry so well with everything else in the house.”
      A media unit that disguises the TV echoes the wooden strips of the ceiling and the kitchen cabinetry at the other end of the room.
      The primary bedroom at the end of the main volume opens onto the terraceAt the opposite end of the building’s T is the primary bedroom, which also opens to the terrace furnished with various soft seating options.
      Rather than a full dividing wall, a tall partition acts as a headboard extension and separates the sleeping area from a large dressing room.
      A tall partition separates the primary bedroom from the dressing roomThe entrance hall sits at an angle to the home’s main volume and continues the striped effect again across the teak front door positioned below another slatted skylight.
      Contemporary sculptures by Sébastien Léon and paintings by Damien Chabauty are displayed in this space and along the corridor that connects the remaining rooms.
      The terrace features multiple soft seating areas for the family to enjoyMalibu’s beachfront is lined with impressive properties, including Kelly Wearstler’s home adorned with “rustic and raw” decor and a building by Tadao Ando that musician Ye recently stripped back to its structure.
      Goineau is based in nearby Los Angeles and has previously refurbished a mid-century house in Beverly Hills in collaboration with Enclosures Architects.
      The photography is by Virtually Here Studios.

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      Working Holiday Studio adds hacienda-style twist to midcentury LA house

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      The founders of LA-based Working Holiday Studio have renovated a midcentury home for themselves and their growing family, transforming the interiors to echo a Mexican hacienda.

      Designers Carlos Naude and Whitney Brown chose to move from their previous ranch-style home to a larger dwelling after having a second child, knowing they would need more space.
      Working Holiday Studio added arched openings and handmade brick floors to the midcentury homeThe couple found another midcentury home built in 1962 in the Granada Hills neighbourhood of Los Angeles, which they set about remodelling in “an eclectic hacienda style with Mexican and Scandinavian influences”.
      “We renovated the house because it hasn’t been updated since the first owners bought it and was in much need of a refresh,” the duo told Dezeen. “The layout didn’t make sense for modern living and the house felt dark, cold and outdated.”
      Details like iron railings with wavy balusters add a “hacienda vibe” to the interiorsThe biggest change involved opening up the wall between the dining room and kitchen, creating a large space for the family to gather and entertain under the dark-stained, mono-pitched ceiling.

      The kitchen was reimagined with swing-out French doors, dark green plaster across the walls, and warm millwork for cabinets and the central island.
      The kitchen was completely transformed with dark green plaster walls and warm millworkBricks across the floor in this space and the hallways were handmade in Tijuana, Mexico, and imported across the border.
      Together with arched openings that Working Holiday Studio added throughout the home, they add a “hacienda vibe” to the property.
      A formal living room features a variety of sculptural seats arranged around a marble coffee tableBeige plaster walls, iron railings with wavy balusters and various wooden furniture pieces also lend to the contemporary Mexican aesthetic, with hints of Scandinavian minimalism.
      “We always start with a palette of colours and materials,” said Naude and Brown. “We wanted [the interiors] to feel neutral, earthy, and warm with a few pop accents.”

      Los Angeles ranch house becomes Zen Den by Working Holiday Studio

      Also on the ground floor is a space for the family to watch TV together, which features a large cushioned sectional.
      A formal living room off the dining area has a whitewashed brick fireplace in the corner, and a variety of sculptural chairs arranged around a marble coffee table.
      Bedrooms are decorated with natural materials in neutral tones”We spend a lot of time in the family and TV room because it’s very cosy and comfortable, but love looking into the formal living room because each piece feels like an artwork or sculpture,” the couple said.
      Upstairs, the bedrooms are decorated with natural materials in neutral tones, while the bathrooms are playfully lined with checkerboard or thin straight-stack tiles.
      Playful touches in the bathrooms include checkerboard tilingAcross the exterior, the house was rendered in mid-grey stucco and black-framed windows and doors were added.
      A large covered veranda stretches almost the full length of the building and is used for outdoor lounging and dining in front of the backyard swimming pool.
      The house has a large veranda for outdoor lounging and dining in front of the backyard swimming poolOther properties designed and owned by the couple – the ZenDen in LA’s Woodland Hills and Casa Mami near Joshua Tree National Park – are available as vacation rentals for guests.
      The photography is by Carlos Naude.

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      Electric Bowery renovates Big Sur house overlooking California’s coastline

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      The co-founder of California studio Electric Bowery has renovated a redwood-clad house in Big Sur for her family, preserving its iconic features and adding custom furniture.

      The house, originally designed by well-known local architect Mickey Muennig, is perched high up on a bluff overlooking the dramatic coastline – famous for the scenic Route 1 that runs along it.
      The house was built in 1993 by renowned local architect Mickey MuennigCommissioned in 1993, the building features a curved copper roof and redwood exterior cladding that Electric Bowery co-founder Cayley Lambur and director of interiors Stephanie Luk used as the foundation for the remodel.
      After speaking to her neighbour, the original owner, Lambur delved into Muennig’s legacy and the property’s history for clues to approach the project.
      Electric Bowery co-founder Cayley Lambur’s updates to the property included reconfiguring the compact kitchen”Inspired by this connection, Lambur began to breathe new life into the residence while honouring its organic architectural roots,” said the studio.

      The house benefits from large windows and expanses of glazing that capitalise on the views across the landscape to the ocean.
      Custom furniture in the living room includes a curved sofa designed to “hug views into the canyon”Keeping these vistas top of mind, the renovation involved reconfiguring the internal spaces, and respectfully upgrading some of the outdated decor and fixtures.
      An entirely new custom kitchen was added within the tight existing space, designed to maximise counter space and celebrate the views of the garden and ocean.
      Vintage leather chairs surround an impressive stone hearthThe redwood millwork was created in collaboration with American furniture company Henrybuilt to blend with the rest of the interiors, while raw steel, warm-stained concrete floors and leathered natural quartzite complete the contemporary look.
      Where the roof slopes to its lowest point, the living room is furnished with custom pieces such as a curved channel-tufted sofa that “hugs views into the canyon” and an oversized claro walnut coffee table by Dusk.
      Redwood panelling continues in the bedrooms, with are decorated with a warm and earthy paletteBehind, an impressive stone hearth is accompanied by vintage black-leather armchairs and a variety of textured rugs and pillows.
      The redwood panelling continues in the bedrooms and bathrooms, where it’s complemented by custom beds dressed in deep red and green textiles.

      Electric Bowery arranges steel and wood cabins for Hudson Valley hotel

      “The consistent use of redwood paneling throughout the home offers the experience of bringing the outside inwards, contrasted and complemented by the incorporation of colour through art, tile and textiles,” said Electric Bowery.
      “A warm and earthy palette is carried through the home, layering textures and natural materials, old and new.”
      One of the bathrooms is tiled entirely in thin, straight-stacked, teal-glazed tilesOne of the bathrooms is tiled entirely in thin, straight-stacked teal glazed tiles, while another features a shower lined with square tiles in tones of blue.
      Also as part of the scope, a trailer on the property was restored and renovated for use as additional guest accommodation and an office for remote work.
      The house overlooks the dramatic Northern California coastline from its lofty perchLambur founded Electric Bowery with fellow architect Lucia Bartholomew in 2013, and the studio is based between Venice, Big Sur and Santa Barbara in California, and New York City.
      Other projects by the studio include the Wildflower Farms resort in Upstate New York, where a series of wood or Corten steel-clad cabins are nestled among meadows and woodland, and a house in Venice Beach that features an askew pitched roof.
      The photography is by Chris Mottalini.

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