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      ASA Studio Albanese references mid-century offices for Thom Browne store in San Francisco

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      American fashion label Thom Browne has opened its first retail location in San Francisco, designed by ASA Studio Albanese to feature dramatic marble against white slatted blinds.

      The flagship store is situated at 432 Jackson Street in the historic Yeon Building, which dates back to 1855, in the heart of the city’s luxury shopping district.
      Thom Browne’s San Francisco store pairs decorative marble walls with white slatted blindsIts interior is the latest collaboration between Thom Browne’s eponymous founder and architect Flavio Albanese of Italy-based ASA Studio Albanese, who has designed over a dozen stores for the brand since 2017.
      Like its counterparts around the world, the 1,250-square-foot (116-square-metre) space is outfitted to look like a Mad Men-era workplace.
      A selection of mid-century furniture pieces was curated for the spaceThis is achieved by pairing highly decorative marble surfaces with strips of white slatted blinds and tube lighting.

      “Behind Thom Browne’s signature slat blind-covered windows is a minimalist mid-century style office with rows of fluorescent tube lighting, polished with white Calcutta and Carrara marble floors, and banker grey Bardiglio and Carrara marble walls,” said the Thom Browne team.
      The store’s desaturated colour palette is reflective of the brand’s clothingAmong the furniture pieces curated to embellish the theme are a glass-topped desk placed in the centre of the room at one end and chairs that form a small seating area at the other.
      “Thom continues to outfit this space with mid-century furniture by American and French designers — including seating and lamps by Jacques Adnet, a desk by TH Robsjohn-Gibbings, office chairs by Knoll, benches by McCobb, coffee tables by Mathieu Mategot, and display etagere’s by Maison Jansen,” the team said.
      Accessories are displayed on minimalist shelving unitsThe largely desaturated colour palette – reflective of the brand’s clothing – is interrupted by brass accessories and details on the furniture, as well as a few camel-toned garments.
      A black band wraps around the rooms at floor level, separating the grey marble on the walls from the lighter toned stone underfoot.

      Thom Browne holds “teddy talk” for toy-inspired Autumn Winter 2022 collection

      Clothes are presented on metal rails mounted on wheels, while bags, shoes, eyewear and fragrances are displayed on minimalist freestanding shelves.
      The fitting rooms are hidden behind doors covered in the same material as the walls so that they blend in seamlessly when closed.
      The store is located in the historic Yeon Building on Jackson SquareThom Browne founded his label in 2001 with five suits in a small by-appointment shop in New York City’s West Village, and eventually expanded to include ready-to-wear and accessories lines for both men and women.
      Browne’s Autumn Winter 2022 collection was an ode to toys and featured sculptural tailoring, presented at New York Fashion Week in front of an audience of 500 teddy bears.
      The photography is courtesy of Thom Browne.

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      BC designs Francis Gallery LA to celebrate Korean art and culture

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      Gallerist Rosa Park has opened a space in Los Angeles to showcase the work of Korean artists and designers, with interiors by local studio BC intended to reflect the country’s visual culture.

      Francis Gallery LA is Park’s second location and is an expansion of her original gallery in Bath, UK – both presenting the work of emerging Korean artists.
      Places of worship informed the interiors of the gallery on Melrose AvenueSituated on Melrose Avenue in West Hollywood, the new space was designed with Lindsey Chan and Jerome Byron, founders of LA-based BC.
      The duo preserved the building while transforming the inside with references to traditional Korean architecture and art.
      The inaugural exhibition displays the work of six artists, including photography by Koo BohnchangThese include a curved partition wall influenced by a moon jar and a contemporary re-interpretation of a hanok courtyard.

      “The space was conceived to pay homage to Korean art and design in subtle ways – whether it was in the curve of a partition wall, the colour palette of the interior paints, or the profile of a low bench in the courtyard,” said Park.
      BC designed the gallery to be pared-back yet warmPlaces of worship like chapels and monasteries were also referenced in the design. These were accentuated by the use of “humble materials” and pared-back forms.
      Although minimal, the intention was to ensure the gallery still felt warm and inviting, as well as provide an appropriate setting for the pieces on show.
      Rahee Yoon’s translucent acrylic blocks are among the works on show”I think this emotional connection to a space, to a work, is central to what I’m doing with Francis,” Park said.
      “It was of great importance to me that the space acted as the ideal framework to house works that I hope will move people.”

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      The inaugural exhibition at Francis Gallery LA is titled Morning Calm, on view until 7 January 2023, and features the work of six artists of Korean descent.
      Bo Kim, John Zabawa, Koo Bohn Chang, Nancy Kwon, Rahee Yoon and Song Jaeho are all at different stages in their careers.
      An abstract painting by John Zabawa hangs on a dark wallTheir painting, photography, sculpture and ceramics all explore Korean identity in an international context and offer insights into the artists’ cultural heritage.
      “With Los Angeles being home to the largest Korean community in the United States and Park having roots in both Seoul and LA, the debut show seeks to explore the nuanced connections between the two places,” said a statement from the gallery.
      References to Korean architecture at the gallery include a contemporary interpretation of a traditional hanok courtyardLA’s art scene has grown exponentially over the past decade, and the city is now home to many new galleries and exhibition spaces.
      Well-known names that have opened their own locations there include Hauser & Wirth and The Future Perfect, while others like Marta are using modernist buildings like Neutra’s VDL II House to exhibit.
      The photography is by Rich Stapleton.

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      Woods + Dangaran brings warmth and light to mid-century modern home in Los Angeles

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      Teak wood, travertine stone and expansive glazing all feature in Woods + Dangaran’s renovation of a mid-century modern house that once belonged to singer Bing Crosby’s manager.

      Los Angeles-based Woods + Dangaran has both upgraded the architecture and designed the interiors for Clear Oak Residence, which is located on a hillside above LA’s San Fernando Valley.
      Clear Oak Residence is located on a hillside above LA’s San Fernando ValleyThe design aims to enhance the building’s relationship with its setting while also bringing an increased sense of warmth and comfort to the living spaces.
      Doorways and windows were adjusted and enlarged to enable wraparound views of the landscape, while skylights were added to highlight key moments within the interior.
      A new swimming pool cantilevers out towards the viewTravertine creates a continuous floor surface that extends out from the living spaces to a sunset terrace, while teak provides wall panelling and in-built joinery throughout.

      “The architectural finish palette was intentionally limited to four materials: clear anodised aluminium, plaster, travertine, and teak for the wall panelling,” said Woods + Dangaran.
      “This visual restraint manifests in a serene ambiance that permeates all aspects of the residence.”
      Travertine flooring extends both inside and outClear Oak Residence is shortlisted for Dezeen Awards 2022 in the house interior category, where it will compete with four other projects – including another one by Woods + Dangaran – for the title.
      Woods + Dangaran designed this project for client Robert Galishoff, whose brief to the architects was to embrace the building’s mid-century heritage but ensure the result exudes a sense of “effortless luxury”.
      Teak provides wall panelling and custom joineryLandscaping played a big role in the transformation. By relocating the swimming pool so that it cantilevers over the hill and adjusting the topography, more terrace and deck space could be created.
      Sliding floor-to-ceiling glass doors allow the main bedroom, the living room and the dining area to open out to this terrace.

      Woods + Dangaran updates 1960s California home by Craig Ellwood

      “Enlarged doorways and windows inside the house, including floor-to-ceiling glass doors, integrate the interior spaces with the landscape and foreground views by eliminating barriers,” said the architects.
      “Glazed openings inserted along corridors create memorable spatial experiences from new axes and vantage points.”
      Skylights create framed views of the skyThe interior furnishings include both new and retro pieces in natural materials and warm colours, which sit alongside Galishoff’s collection of objets d’art.
      The living room features a copper silk shag rug from Mehraban, a Minotti sectional reupholstered in a retro-patterned textile and a pair of the Arthur Casas-designed Amorfa coffee tables.
      “Inspired by mid-century pieces but adjusted for scale, function, and material, these pieces give the home a unique voice that mixes old and new, retro with contemporary vibes,” said Woods + Dangaran.
      The design respect’s the building’s mid-century heritageLed by architects Brett Woods and Joe Dangaran, Woods + Dangaran has developed a reputation for modernising mid-century homes but also designs new-builds with a similar character.
      Other recent projects include an upgrade of a 1960s Craig Ellwood house and a brass-clad home in Palm Springs.
      The photography is by Joe Fletcher.

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      Alexander May launches Sized Studio creative space in Los Angeles

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      Alexander May, the founder of creative advisory Sized, has opened a flexible studio space in a former industrial building in Hollywood that will host photoshoots, events, exhibitions and more.

      Sized Studio was designed over 5,000 square feet (465 square metres) in a former industrial space. The space will host commercial projects, events, dinners, performances and other experiential marketing, as well as public-facing programming.
      Sized Studio offers a variety of bookable spaces, including a loading bay with built-in lounge seating”Sized Studio is an exciting step in the development of the Sized brand,” said May. “It’s designed to create strong collaborations with designers, brands, and creatives. Sized Studio gives another layer of access to the environments that Sized creates.”
      A variety of spaces in the former industrial building can be booked for photographers to shoot campaigns, galleries to put on exhibitions and brands to host activations.
      Located in Hollywood, Los Angeles, the venue is designed to be a blank canvasCeiling heights in the different rooms range from 10 to 30 feet (three to nine metres), and the majority of spaces are white-washed to provide a blank canvas.

      Of the larger spaces is a 1,612-square-foot (150-square-metre) loading bay, which features exposed beams and built-in lounge seating with black cushions.
      Flexible rooms in a variety of sizes are offered to clientsAnyone who rents a space will have the opportunity to enlist Sized’s advisory services, which encompass creative direction, set design, site activation and curatorial consultation.
      “There’s no limit to what kind of activations can be realized within Sized Studio,” May said. “What’s unique about Sized Studio is that it’s adjacent to Sized, which allows the people who use it to become closer to the larger culturally conscious community that Sized embodies.”

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      Although the studios officially open on 17 October 2022, Kim Kardashian’s underwear brand Skims has already utilised the studio, while upcoming public progamming includes a planned showcase of Andy Warhol photography.
      May founded Sized in 2021, following a career in creative direction across a wide variety of locations and industries.
      The majority of the former industrial building interior is white-washedHis collaborators have ranged from interior designer Kelly Wearstler to fashion house Rick Owens.
      Prior to this venture, May founded and provided creative direction for art non-profit Fondazione Converso in Milan from 2017 to 2020.
      Ceiling heights vary from 10 to 30 feet (three to nine metres)Similar creative hubs to Sized Studio elsewhere include Spring Studios in New York, located in a Tribeca telephone exchange building converted by AA Studio.
      Brooklyn venue A/D/O by MINI hosted multiple creative events and installations before it was shuttered due to the economic fallout of the Covid-19 pandemic.

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      Kate Byron designs modernist Don't Worry Darling set as “a playful and debaucherous take on the 1950s”

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      Production designer Kate Byron used vintage “treasures” and referenced key modernist architecture to create the set of psychological thriller Don’t Worry Darling, which was shot in California’s Palm Springs.

      Byron drew on the architecture and interior style of the many modernist buildings that dominate the landscape in the desert city to create Victory – a fictional, utopian 1950s-style society where the film takes place.
      Katie Byron referenced modernist architecture for the film”We wanted to build a playful and debaucherous take on the 1950s, when there was this illustrious progressive, mid-century modern movement happening,” Byron told Dezeen.
      “The world of Victory is supposed to be alluring, it’s supposed to be beautiful and sultry and sumptuous and opulent.”
      It was shot in Palm Springs, a Californian city famous for its modernist architectureDirected by actor and director Olivia Wilde, Don’t Worry Darling follows fiery couple Alice and Jack – played by British actor Florence Pugh and musician and actor Harry Styles – as they go from living in an idealistic paradise to a troubled world fraught with secrets, control and manipulation.

      The characters move across a quintessential Palm Springs backdrop of low-slung buildings with clean lines by architects including Richard Neutra, Harold Bissner Junior and Albert Frey.
      Kaufmann House was one of the filming locationsSeveral scenes, such as a cocktail party hosted by the leader of Victory which took place in Neutra’s Kaufmann House, were shot in real modernist buildings, while the home of protagonists Alice and Jack was built in a Los Angeles studio.
      “We’re really lucky in California to have access to this architecture and in my history of being an architecture student and a production designer, I’ve gotten to visit a lot of these houses in person,” Byron said.
      “I was interested in Neutra, but also Frey was a huge inspiration for us because of that playful wholesomeness that he embodied,” she said.
      Alice and Jack’s house is filled with locally sourced propsByron, who studied architecture at University of California, Berkeley, threaded more subtle modernist details into the interiors of Don’t Worry Darling through devices such as colour.
      “A colour we used quite a bit was Frey’s favourite colour – this Frey blue – which is like a robin’s-egg blue that he puts in all of his buildings,” explained Byron.
      “There’s also a colour that Kaufman House has quite a bit of; Neutra put this really, really, really dark brown that almost feels black, but it has this warmth to it,” she continued. “We weaved that throughout the film as well.”
      Byron used lots of glass and mirrors throughout the setByron sourced vintage products from shops and prop houses in LA for Alice and Jack’s home, which recalls “cookie-cutter” houses – rows of identical homes found in idyllic depictions of 1950s suburbia.
      Much of the furniture seen was built from scratch, in part because the film was shot during the autumn of 2020 when many vendors were unavailable or had long lead times as a result of the coronavirus pandemic.

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      “When you’re in Palm Springs, they just have these antique stores and even in thrift stores and Facebook marketplace you can find really special things,” the designer recalled.
      “That’s also one of the most amazing things about Los Angeles – there are infinite prop houses here so we shopped quite a bit at all the local prop houses,” she continued.
      “The television in Alice and Jack’s house is from this vendor called RC Vintage, which is just like a treasure trove place of antique electronics.”
      Much of the furniture was made from scratchOther smaller references were embedded into Byron’s material choices, primarily glass, stone and brick.
      Meanwhile, the designer paid homage to Neutra’s storage cabinets, which the production team filled with items such as business cards, cleaning supplies and photographs of Alice and Jack to make the set feel more real for the actors.
      “Keeping with Neutra as our design inspiration, the house is designed with a lot of storage in mind – we wanted all of this stuff to be cleanly kept behind doors,” Byron said.
      The desert setting is designed to look like a utopiaByron hoped that by incorporating playful elements throughout the set she could “subvert” the sense of normalcy in Victory and play with the audience’s expectations of a thriller.
      “The thriller follows a formula often, and I thought it could be really great to just subvert that,” she said.

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      “I think the level of play helps viewers feel like they want to be there and if it wasn’t for the playful aesthetic, I think we would be expecting something to go wrong,” she added.
      Don’t Worry Darling is not the only film that draws on a key architectural movement to inform its set. Wes Anderson’s Isle of Dogs film sets were heavily informed by metabolist architecture, while Black Panther’s “voluptuous” sets recalled works by architect Zaha Hadid.
      The photography is courtesy of Warner Bros.

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      Studio Terpeluk renovates Albert Lanier-designed Noe Valley home

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      San Francisco-based Studio Terpeluk has renovated and expanded Redwood House in Noe Valley with redwood interiors and terraces.

      The three-storey Redwood House was originally designed by American architect Albert Lanier – husband to sculptor Ruth Asawa – in a hilly  San Francisco neighbourhood characterised by Victorian and Edwardian houses.
      Studio Terpeluk renovated an interior in Noe ValleyStudio Terpeluk was selected to expand the 1976 house from 2,260 square feet (210 square metres) to 3,218 square feet (299 square metres) with a new guest room suite, home office, wet bar and media room.
      The renovation “surgically modified the house in an architecturally non-aggressive manner,” the studio said.
      Western red cedar was used for the walls and ceilingWrapped with irregular western red cedar planks, the narrow house cascades down the hillside with exterior courtyards that mitigate the grade change.

      One enters the house through an intimate courtyard off the street into an open-plan upper level with a sloping ceiling and dark-knotted Douglas fir flooring made from local reclaimed pier pilings.
      Many of the walls and ceilings were updated with vintage rough-sawn redwood veneered plywood maintained from the original build.
      “Redwood surfaces and structural elements complete the warm interior landscape: from the sloping roof beams to partition walls and built-in shelves,” the studio said.
      The renovation expanded the homeTo the left of the entrance is the kitchen with custom-gloss cabinets and a Carrara marble backsplash. It opens to a dining room that features a Saarinen table and Hans Wegner wishbone chairs.
      To the right is the library where sunlight from the large window brightens the dark panelling and sculptural furniture.
      Bright panelling contrasts the rich wood tonesThe living room is oriented around a pink sculpture by American artist Wanxin Zhang.
      Padded seating wraps the corner under a large window looking out to the San Francisco skyline.
      The living room has wrap-around seating and views of San FranciscoThe house is centred around a staircase illuminated by a skylight.
      “The sculptural blackened steel stair with vintage rough-sawn redwood plywood walls anchors the house, weaving together the three floors and their diverse spatial character,” the studio continued.
      The home is oriented around a central staircaseThe middle level features guest suites with direct access to the entry courtyard.
      The primary suite is softened by light pink terrazzo tile and a micro mosaic of Indian red recycled plastic tiles.
      The home’s colour complements the art collection of the owners”Color was a recurring theme in the exquisite and eclectic art collection of the owners,” studio founder Brett Terpeluk said.
      “This went perfectly hand in hand with my interest in mid-century Italian design and its bold use of color.”
      A series of terraces connect the home with the sloping site”We collaborated with our friend and designer Beatrice Santiccioli to enrich the project with a dedicated and bespoke color language,” he continued.
      At the lowest level, a media room, home office and kitchenette open to an abundantly landscaped garden.

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      The outdoor areas were designed by Terpeluk’s wife and longtime consultant, Italian landscape designer Monica Viarengo.
      The terraces shift from curated gardens to wild vegetation as one moves through the property, while the plantings reference California coastal landscapes with yellow roses, espaliered fruit trees and a variety of thymes.
      A guest suite connects to the central courtyardStudio Terpeluk was founded in 2008 by Brett Terpeluk, after he finished a tenure working with Italian architect Renzo Piano.
      Other Noe Valley renovations include the Gable House by Edmonds + Lee, a renovated Victorian townhouse by Fougeron Architecture and an industrial home for a tech entrepreneur by Levy Art and Architecture and Síol Studios.
      Photography is by Joe Fletcher.
      Project credits
      Project team: Brett Terpeluk, Huy NguyenLandscape design: Monica ViarengoColor consultant: Beatrice SanticcioliContractor: Saturn ConstructionStructural engineering: Strandberg EngineeringFurniture: Santiccioli ArredamentiOrama sliding window systems: CooritaliaWindows: BonelliWood reclaimed wood flooring: ArboricaMetal fabrication: Upper Story DesignDrapery/upholstery: Malatesta & CoArt: Catharine Clark Gallery

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      Johnston Marklee installs villas inside industrial LA building for Holly Hunt Showroom

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      Architecture studio Johnston Marklee has installed a pair of villas inside an industrial building in Hollywood to create display spaces for design brand Holly Hunt.

      The LA-based studio collaborated with Holly Hunt’s executive creative director Jo Annah Kornak to create the showroom on North Highland Avenue.
      A vaulted villa is one of two volumes installed inside Holly Hunt’s LA showroomLed by Johnston Marklee partner Sharon Johnston, the project involved the overhaul of a two-storey, 1940s building into a flagship location for the brand to showcase its furniture and home products.
      Holly Hunt’s design aesthetic and the city’s “characteristic industrial grit” were combined through the use of rich finishes and raw surfaces.
      Furniture from the brand’s Vladimir Kagan and Holly Hunt Studio collections are displayed in the north villaTwo villas were created inside the showroom to present the designs in residential-scale spaces, surrounded by a “promenade” that shows off the building’s tall ceilings and exposed concrete beams.

      “The raw concrete shell frames an interior street,” said Johnston.
      “A double-height promenade space around the villas, together with the villa interiors, creates an atmosphere and experiential narrative for the display of elegant domestic furniture for house and garden.”
      The second villa includes interior vignettes on the lower levelThe villa to the north features a vaulted ceiling and wall niches and is used to display the brand’s Vladimir Kagan and Holly Hunt Studio collections.
      At the other end of the building, a two-level structure is arranged around a large circular atrium at the centre.
      A circular atrium is located at the centre of the second villaThe lower floor comprises a series of interior vignettes, while rooms upstairs house a library of textiles, leather, trim and rugs, along with wallcoverings from a variety of affiliate brands.
      “The visitors’ journey through the spaces reflects a spatial dialogue between exterior and interior, linked through richly finished in-between spaces,” Johnston said.
      A taller space named the promenade surrounds the building’s interiorLight-grey oak flooring runs through both villas, while terrazzo, concrete walls and hand-troweled plaster are all executed in a matte finish in the promenade.
      Bronze details also feature throughout the showroom, including the entry vestibules, stairwell and lighting gallery.

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      Although most of the interior is decorated in neutral tones, a 24-foot (7.3-metre), mustard-coloured sofa follows a curved corner of the building.
      “We approached the interior architecture in the same way that we would design a new product, being very thoughtful with our use of scale, proportion and materials,” said Kornak.
      The concrete of the 1940s industrial building is left exposed”We were very intentional about incorporating elements that celebrate LA’s signature urban aesthetic, like the original exposed concrete walls, beams, and other details throughout the space,” she added.
      Holly Hunt was set up in 1983 by its eponymous founder in Chicago.
      The brand previously operated two spaces within LA’s Pacific Design Center, but has scaled down to just the sixth-floor showroom now that the North Highland Avenue flagship has opened.
      Matte finishes and bronze details are used throughout the showroomJohnston and partner Mark Lee established their studio in 1998, and have since completed many private residential projects in Southern California – including the Vault House and Knoll’s West Hollywood showroom – as well as around the world.
      Lee is also chair of the Department of Architecture at Harvard Graduate School of Design.
      The photography is by The Ingalls.

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      Latest Soho House outpost in Los Angeles takes cues from California's mid-century art scene

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      Soho House has opened Holloway House, its third members’ club in Los Angeles, where colours and patterns are based on the work of artists such as David Hockney.

      Holloway House is located a few blocks east of Soho House West Hollywood but offers hotel rooms on top of lounge and dining spaces, while its sister property only has the latter.
      The Club area at Holloway House features green terrazzo flooringSpread over four floors and a rooftop, the club was envisioned by the company’s in-house design team, with nods to the bright block colours and strong geometric shapes of LA’s mid-century art scene.
      The interiors draw “inspiration from the Southern California landscape as well as the art movement in the 1950s and 1960s, when artists like Ed Ruscha, David Hockney, Robert Irwin and others found an unlikely home in the city,” the company said.
      Dark grey shelving in the library is contrasted with a boldly patterned carpetThe Club space on the ground floor features mint-green terrazzo floors accompanied by bespoke furniture upholstered in neutral-toned velvet and patterned fabrics.

      The flooring continues into the bar area – an outdoor atrium with table seating in golden textured fabrics to complement the various shades of green.
      The restaurant on the ground floor features burgundy leather boothsIn contrast, the library is decorated in dark grey, with a bold-patterned carpet and floor-to-ceiling shelving that wraps the space and is populated with artworks, books and lamps.
      Burgundy leather booths are paired with vintage chairs in the ground-floor restaurant, which has a menu built around popular dishes from other Soho House locations.
      Rows of cabanas face lounge seating and plants on the roofOn the roof, stepped rows of shaded cabanas face lounge seating, a screen of tropical planting and views of both the Hollywood Hills and Downtown LA.
      The Mandolin Mezze restaurant, an offshoot of the Mandolin Aegean Bistro in Miami, serves small plates and organic Greek wines to guests lounging on the neutral-toned outdoor furniture.

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      Colour is introduced to the rooftop through bold checked floor tiles, burgundy-piped umbrellas and an abstract mural by local artist Jessalyn Brooks.
      Other artworks throughout Holloway House were sourced from LA artists under 40 and include sculptures, photographs, works on paper, paintings and textile-based pieces.
      The building includes 34 guest bedrooms decorated with 1960s-influenced furnitureThe building also offers 34 hotel rooms set across its middle three floors.
      “Each is decorated with 1960s-inspired furniture, aged wooden floors and woven tapestries made with fabric designed in Southern California especially for the House,” said the design team.
      Holloway House is located just a few blocks from Soho House West HollywoodSoho House was founded in London in 1995 by Nick Jones and now has 36 properties as far-flung as Tokyo, Mumbai and Istanbul.
      Its other locations in California are Soho Warehouse in Downtown Los Angeles and Little Beach House Malibu, while other recent additions in the US include outposts in Austin and Nashville.
      The photography is by The Ingalls.

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