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  • About Time: Fashion and Duration exhibition at The Met celebrates 150 years of fashion

    Set designer Es Devlin has created two clock-like gallery spaces for the latest fashion exhibition at New York’s Metropolitan Museum of Art, which compares design over 150 years.The Met’s Costume Institute opens About Time: Fashion and Duration at the museum’s Fifth Avenue location on 29 October –  the original planned opening in May 2020 was postponed due to the coronavirus pandemic.
    Featured fashion dates back 150 years to 1870 to coincide with The Met’s 150th anniversary. Rather than presenting designs chronologically, the exhibition mixes up the timeline in order to compare the cyclical nature of fashion across the years.

    Above image: the all-bacl Clock One gallery space. Top image: the mirrored Clock Two gallery space

    “About Time: Fashion and Duration considers the ephemeral nature of fashion, employing flashbacks and fast-forwards to reveal how it can be both linear and cyclical,” said The Met director Max Hollein.
    “The result is a show that presents a nuanced continuum of fashion over the museum’s 150-year history.”
    Devlin, who has created stage sets for musicians The Weekend and Katy Perry, worked with The Met’s Design Department to create a time-travelling-themed exhibition.

    White markings or light divide galleries into 60 “minutes”
    It is located in two galleries in the museum’s Iris and B Gerald Cantor Exhibition Hall that are in a circular formation like a clock. Called Clock One and Clock Two, they have different material finishes. The former is nearly all black, and the latter is covered in mirrors.
    White markings on the floor or thin white lights punctuate both spaces, resembling the marks on a clock face.
    These marks split the galleries into 60 segments or “minutes”. Each minute showcases two garments – one that follows time chronologically and another from a different time period to showcase similarities or differences in form.

    One of the spaces is covered in mirrors
    Examples include an 1870s black silk faille princess-line dress paired with a 1990s Alexander McQueen skirt and a mid-1890s silk satin dress with puffed sleeves contrasted by 2004 Comme des Garçons ensemble.
    “Fashion is indelibly connected to time,” said Andrew Bolton, the Wendy Yu curator in charge of The Costume Institute.
    “It not only reflects and represents the spirit of the times, but it also changes and develops with the times, serving as an especially sensitive and accurate timepiece.”

    It is located in two galleries in the museum’s Iris and B Gerald Cantor Exhibition Hall
    There are 125 fashions in the exhibition with a number sourced from The Costume Insitute’s collection. It includes work from well-known contemporary and historic designers and brands like Virgil Abloh, Azzedine Alaïa, Jonathan Anderson, Iris van Herpen, Karl Lagerfeld and Vivienne Westwood.
    First announced last year, The Met’s About Time exhibition is based on French 20th-century philosopher Henri Bergson’s idea of time as la durée, or duration – something which can be measured through images but never perceived as a whole.

    The Met celebrates “resurgence of camp” in new exhibition Camp: Notes on Fashion

    The Met closed its main building on Fifth Avenue, as well as its Met Breuer and Met Cloisters locations, in early March in response to the emergence of outbreaks of coronavirus in New York City.
    In lieu of the spring opening, the museum created a virtual version of About Time: Fashion and Duration on Youtube.

    Garments include this spring/summer 2020 haute couture by Viktor + Rolf
    The annual Costume Institute Benefit, also known as the Met Gala, was due to take place in May 2020 to coincide with the original opening of the exhibition. It was also cancelled due to the pandemic.
    The Met’s Costume Institute organises a spring exhibition every year. Last year’s exhibition Camp: Notes on Fashion celebrated the “resurgence of camp”, while the 2018 showcase Heavenly Bodies was themed on religion.
    Others have included a retrospective of Comme des Garcons founder Rei Kawakubo, a study of handcraft and machine production and an exploration of China.

    About Time will run from 29 October 2020 to 7 February 2021. See Dezeen Events Guide for an up-to-date list of architecture and design events taking place around the world.

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  • Burberry and Tencent collaborate on interactive WeChat shop in Shenzhen

    Visitors to Shenzhen’s Burberry flagship store can use Tencent’s WeChat app to interact with the window display and play their own music in fitting rooms.The British fashion brand and China’s largest social media company collaborated to design a shop that suited Shenzhen’s growing reputation for technology.

    Shoppers use WeChat, a Chinese messaging and social media app, to engage with the shop in Shenzhen’s MixC development.

    Tencent and Burberry have produced a custom mini program that is unlocked via WeChat. Users create a profile and are given a digital avatar in the form of a cartoon fawn that hatches from an egg.

    Through the app, shoppers can book one of the three themed fitting rooms, pre-select the clothes and play their own music while they try them on. They can also use this program to book a table at the in-house cafe and make appointments with stylists and other services.
    To encourage engagement, the program has a rewards system to earn “social currency” that unlocks custom content, such as new characters and outfits for the animal avatar and exclusive dishes on the cafe menu.

    All the products have QR codes, which can be scanned to display more information and visual hints for styling the project – and give the user more points for unlocking content.
    The interactive window display is currently a sculptural recreation of the runway for Burberry’s Autumn Winter 2020 show. Mirrors and screens capture the movement of people as they interact with it, which users can capture and share with their phones.

    “Social media is an increasingly important part of the customer journey and the interaction between social media and physical surroundings is ever more seamless,” said Burberry senior vice president of digital Mark Morris.
    “Our social retail store in Shenzhen is our response to this. It is a space where the social and physical worlds merge, taking interactions from social media and bringing them into the physical retail environment,” he told Dezeen.
    “The tech we use in the store is intended to provide a seamless journey that augments customers’ online and instore life. Therefore, this is not a tech store, but a beautiful luxury store augmented by technology.”

    Burberry chief creative officer Riccardo Tisci turned to the brand’s archive to create a visual look for the themed rooms that correspond to the digital platform.

    Peter Saville collaborates with Riccardo Tisci to design new Burberry logo and monogram

    The Italian fashion designer used the Thomas Burberry Monogram and the fashion house’s fawn print as a recurring motif – the latter being the inspiration for the WeChat avatar too.

    Furnishings, fixtures and plinths throughout the store are made from plywood and mirrors. Tisci used a palette of beige, pistachio, pink and blue throughout the 10 rooms in the shop, each of which has a different theme.
    The three bookable fitting rooms are decorated around the concept of Burberry Animal Kingdom, Reflections and the Thomas Burberry Monogram, and visitors can book their favourite via the app.

    Thomas’ Cafe is decked out in high-gloss beige with chamfered mirrors, animal-patterned wall panels and layers of sandy-coloured curtains.
    Even the tabletops are mirrored, creating a unique backdrop for diners to capture their meal for sharing on social media.

    In the Trench Experience room, digital displays set in the plywood walls show moving images of nature in reference to the fashion brand’s founder, Thomas Burberry, who designed a waterproof trench coat for British troops in the first world war. This room has more opportunities for customers to unlock custom content.
    “I am fascinated by the balance between nature and technology, and the energy that connects the two,” said Tisci.
    “This store explores this relationship, blending the digital and the physical realms in an exciting new concept. I wanted to bring this love of the outdoors to life through all the elements of the store.”

    Burberry previously brought technology to its London shop, where it installed a robot that appeared to chisel sculptures out of polystyrene blocks.
    Tencent recently opened its new headquarters in Shenzhen, a pair of towers designed by NBBJ joined by multiple bridges to encourage staff to meet and interact.

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    Preview The Met's postponed About Time: Fashion and Duration exhibition

    New York’s Metropolitan Museum of Art has created a virtual version of its About Time: Fashion and Duration exhibition, which has been postponed due to the coronavirus pandemic. The Met’s Costume Institute has made a short Youtube video of the museum’s annual major spring exhibition to coincide with its original opening date this week. The […] More

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    SO-IL designs exhibition to showcase patchwork boro fabrics

    New York architecture firm SO-IL has designed an exhibition to present a Japanese handicraft that uses remnants of hemp fabric. SO-IL created the Boro Textiles: Sustainable Aesthetics exhibition for New York’s Japan Society. It showcases the boro textiles practice that originated in Japan in the 19th and 20th centuries when cold climate conditions made growing cotton […] More

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    Eight designs that make use of waste products

    The Design Transfigured/Waste Reimagined exhibition at the Scottsdale Museum of Contemporary Art features projects that repurpose waste products. Here are eight highlights including vases sculpted from PVC pipes. The exhibit comprises over 30 projects that reimagine discarded materials and byproducts – sourced from manufacturing, agriculture, food and human waste – including building materials, home furnishings […] More