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      ATRA outfits Olson Kundig-designed house in West Hollywood

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      This townhouse in Los Angeles by US firm Olson Kundig is outfitted by furniture brand ATRA with “the best that Mexico has to offer”.

      The Garden House, which sits between West Hollywood and Beverley Hills, was designed as one of eight single-family homes that form the Rosewood Houses development.
      The interior of the Garden House is divided into two areas by a central void, which contains the staircaseEach of the two-storey residences was designed by Olson Kundig with a unique look and layout while retaining a cohesive language across the set.
      For this particular house, which is decorated for a fictional future client, Mexico City-based design studio and furniture brand ATRA used many of its own products to create an environment that complements the architecture.
      To decorate the house, ATRA used several of its own products including the dining table, along with pieces by Mexico-based artists and designers”We wanted to sublime the minimalist architecture and the simplicity of the volumes by keeping the home versatile – imagining that the owner could be a young family as well as a Hollywood actor or a tech entrepreneur and that the design should not only fit but inspire all the above,” said the ATRA team.

      From the street, the house presents as austere – comprising dark cladding materials and emphasised horizontally by an extended flat roofline and porch cover.
      The volcanic stone desk in the study is also designed by ATRAThe building is entered into a double-height space from the side, effectively splitting the plan into north and south areas.
      A staircase with open risers and glass balustrades rises up through the central void, its transparency allowing views from one side of the house to the other.
      Earth tones are used throughout the ground floor, including in the kitchenThe living room to the north is anchored by a large bronze feature that frames a fireplace, while ATRA’s Egge velvet sofa and pair of armchairs face one another across a low stone coffee table.
      On the other side of the staircase is the dining room, where the brand’s sculptural Pebble dining table sits below a branch-like chandelier by Isabel Moncada, and beside a highly textured artwork by Julio Rizhi.
      Upstairs, bolder colours are used to appear like “happy accidents””We curated the best that Mexico has to offer to enhance this house with unexpected artworks and thoughtful designs,” said Gabriella Kuti, ATRA’s lead designer.
      Earth-toned furniture and textured finishes are used prominently throughout the ground floor, including a volcanic stone desk in the study and warm wood cabinetry in the kitchen.

      One Wall Street skyscraper completes conversion from offices to apartments

      A slightly different colour palette was employed upstairs, where grey sheen walls and burgundy-hued chairs are found in the primary bedroom.
      “Some unusual warm and vibrant colors were introduced like a happy accident,” said ATRA.
      Works by international artists in the home include a wall piece by Ghanaian artist Serge Attukwei Clottey made from a patchwork of yellow gallon containers, and bold-striped paintings by French artist Edouard Ng.
      A private patio at the back of the house features a plunge poolTucked out of view at the back of the property, a small outdoor patio features a square plunge pool and sculptures by Pablo Arellano.
      The eventual owners of the house will also have access to the amenities of the adjacent residential tower 8899 Beverly, including a pool, a covered dining area and gardens, an indoor fitness centre and a yoga studio.
      The architecture by Olson Kundig comprises dark materials and exaggerated horizontal planesATRA also provided furniture and decor for a show apartment in New York’s One Wall Street designed by FrenchCalifornia, and launched its Nerthus-Sofa modular system in 2020.
      The company was founded by Alexander Díaz Andersson, who is also its creative director and works across furniture, sculpture, interiors and hospitality projects.
      The photography is by Michael Clifford and Nils Timm.

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      Mid-century Zero House in London imbued with “Kubrick feel”

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      Timber ceilings and a fireplace clad in mahogany tiles feature in this London house, which its owners have renovated to honour the dwelling’s mid-century roots and nod to the colour palette of Stanley Kubrick films.

      Located in north London’s Stanmore, Zero House belongs to recording artists Ben Garrett and Rae Morris, whose former home in Primrose Hill is the Dezeen Award-winning Canyon House designed by Studio Hagen Hall.
      Zero House in Stanmore was built between 1959 and 1961Unlike their previous dwelling, Garrett and Morris updated Zero House themselves but adopted the same mid-century palette when creating its interiors.
      “The house was built between 1959 and 1961 by a Hungarian architect,” said Garrett, who explained that the original design was informed by Californian Case Study Houses such as Charles and Ray Eames’s 1949 home and design studio.
      The two-storey dwelling was renovated by its owners”It’s a great example of a number of imaginative mid-century domestic houses dotted around metro-land,” he told Dezeen. “Our main aim was to freshen it up relatively in keeping with the time but not to feel like we were living in a total time capsule.”

      The pair maintained the matchbox timber ceilings that run throughout the two-storey home, which were stained with a dark reddish tone alongside stained wooden doors.
      Slim mahogany tiles clad the floor-to-ceiling fireplaceSlim mahogany tiles clad the floor-to-ceiling fireplace in the living room, which features the same micro-cement flooring found at Canyon House and opens out onto a lush garden.
      Garrett and Morris also maintained the home’s many exposed brick walls and inserted geometric timber shelving that displays eclectic ornaments including amorphous vases and a colourful set of nesting dolls.
      The kitchen was panelled in light-hued timberReeded 1970s-style glass was used to form various windows including a rectilinear opening in the kitchen that illuminates minimal timber cabinetry topped with grainy surfaces.
      The pair transferred the tubular Marcel Breuer chairs and Tulip dining table by Eero Saarinen from their former home, as well as the same “heinous digital artwork” that decorated their previous living space.
      Darker tones create a “horror film” feel upstairsUpstairs, a moody mahogany carpet darkens the main bedroom, which features the same timber wall and ceiling panels as the communal areas.
      “There’s a lot of dark reds and browns in the house,” said Garrett.
      “We leaned into the horror film slash Kubrick feel of the upstairs and made a few more austere choices this time,” he added, referencing the late filmmaker, whose credits include the 1980 supernatural horror movie The Shining.

      PW Architecture Office brings “a little excitement” back into mid-century Australian home

      Coffee-hued cork was chosen to clad the exterior of the bathtub and the surrounding walls while another walk-in shower interrupts the dark wooden theme with bright orange tiles and deep white basins.
      Zero House also holds a timber-panelled recording studio, which is located in a separate low-slung volume at the end of the garden and can be reached via a few stepping stones.
      Bright orange tiles were chosen for a walk-in showerGarrett and Morris left the structure of the property largely untouched. Instead, the duo chose to focus on dressing its mid-century interior.
      “We didn’t have to be clever with this house as the space is abundant and the flow and design were incredibly well thought out in the early 60s,” he said. “So it was more of a cosmetic thing.”
      There is a standalone recording studio in a shed at the back of the gardenOther recent mid-century renovation projects saw Design Theory update a coastal home in Perth from the 1960s while Woods + Dangaran added a koi pond among other elements to a Los Angeles dwelling built by architect Craig Ellwood during the same decade.
      The photography is by Mariell Lind Hansen.

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      PW Architecture Office brings “a little excitement” back into mid-century Australian home

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      Australian firm PW Architecture Office has revived the fortunes of this mid-century house in Orange, New South Wales, with a sensitive renovation that respects the original building while taking design cues from its material palette.

      Park Lane house was originally designed by noted Australian architect Neville Gruzman for the 1962 Carlingford Home Fair before being built in 1964 by construction company Kell & Rigby – known for its work on Sydney’s landmark Grace Building.
      PW Architecture Office has renovated a 1960s house by Neville GruzmanWhen Paddy Williams, founder of PW Architecture Office, discovered that the house was on the market in 2022, the team went to take a look out of architectural curiosity.
      The studio was immediately seduced by the sense of flow between the indoor and outdoor spaces of the 1964 house and the quality of the design, construction and materials, despite the fact that it had been through several unsympathetic renovations.
      Pergolas frame the entrance to the house”We loved the sense of arrival created by the pergolas and colonnade that lead you past the garden and pond into the entrance hall,” Williams said.

      “Pavilion-style wings separate the shared spaces from the private and we loved the way the pergolas wrap around the house and terraces, framing different spaces in the garden.”
      The home’s original Oregon timber beams were exposedThe practice ended up buying and renovating the house as a short-term rental for other modernist architecture lovers.
      “We felt a real sense of responsibility to do the project justice and retain the elements of the plan and materials as they were intended,” Williams said.
      “We wanted to bring a little excitement back into this mid-century marvel, as it would have had when it was first built.”
      A double-sided fireplace divides the living and dining areasFeeling that the floorplan still worked successfully, PW Architecture Office (PWAO) left it unchanged and set out to revive and celebrate the house’s original character while bringing it up to 21st-century living standards.
      “We’ve designed it to be a modern take on the mid-century aesthetic, with an immediate sense of relaxation and peace through a refined palette and connection between house and gardens,” Williams told Dezeen.
      Textural wood wool panels clad the walls in the living roomRemoving the worn-out carpets revealed the home’s original Australian cypress floorboards, which were sanded and polished to freshen them up.
      Elsewhere, PWAO replaced vinyl flooring with “durable and low-maintenance” micro-cement in the smaller living room, kitchen and some bathrooms.

      Eight renovated mid-century homes that marry period and contemporary details

      In the main living room, false ceilings were taken out to expose the original Oregon timber beams, now infilled with hardwood timber and tiled bulkheads.
      “When we pulled down the badly damaged plasterboard, the beams were in such great condition and had a beautiful texture so we decided to keep them on show,” Williams said.
      “This also allowed us to increase the height of the ceiling and play with the scale and rhythm of the beams.”
      Micro-cement was used to finish some of the floorsIn the panelled entrance hall, the original native blackbean timber needed only a little care to restore its rich varied tones, also seen on the doors throughout the house.
      Elsewhere PWAO used acacia as a feature timber for panelling and detailing across headboards, stair treads and integrated shelving.
      “We’ve used these acacia elements in a playful pattern,” the studio said. “They’re in an ongoing conversation with the original blackbean timber used around the house.”
      Terracotta tiles nod to the home’s original material paletteIn the larger living space, a double-sided fireplace helps to zone the living and dining areas, while the walls were clad in textural wood wool panels – a composite made from recycled timber fibres.
      “It is actually a thermal and acoustic panel, typically used for ceilings,” Williams said. “We thought it was a fabulous opportunity to provide texture on the walls.”
      Similar warm terracotta tones also feature in the bedroomThroughout the house, terracotta tiles add to the sense of warm earthiness established through the material palette.
      “The mosaic tiles were influenced by the original terracotta tiles in the entrance foyer,” the architect explained. “The smaller grids we’ve used are in contrast to the larger original terrace tiles, as well as the grid of the house itself, creating a play on scale.”
      When the wiring was replaced, PWAO also had the opportunity to integrate the house with smart home technology, allowing the lights, heating, fans and irrigation to be controlled via an app, balancing modernist aesthetics with modern convenience.
      The bathroom was designed to matchDezeen recently rounded up eight other mid-century home renovations that marry period and contemporary details.
      Among them was another 1960s Australian house with interiors updated by local studio Design Theory for a young client and her dog.
      The photography is by Monique Lovick.

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      Studio Varey Architects celebrates natural light in Notting Hill house renovation

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      London firm Studio Varey Architects has simplified this Victorian terraced house to create a light-filled home in Notting Hill, with timber-framed skylights designed to catch the sun.

      Set in the Westbourne Conservation Area, Huron House has belonged to its current owners for the last 25 years.
      Huron House is a renovated Victorian terrace in west LondonThe overhaul of the 19th-century building started as a simple ground-floor renovation to replace the kitchen and improve the connection between the house and its garden.
      However, exploratory works showed the four-storey property to be in bad structural condition, which demanded major improvement works but also gave the owners an opportunity to reimagine their period home.
      Decorative oak beams frame the skylight in the extensionThe new brief to Studio Varey Architects included a full house renovation and interior design, with special emphasis on the bathrooms as well as custom joinery and the rebuilding of the 1990s rear extension to create a new open-plan kitchen and dining room.

      “Our goal was to create an open-plan living space and bring lots of natural light into the ground floor, helping it to feel more inviting and better suited to entertaining friends and family,” the studio told Dezeen.
      A simple white staircase leads upstairsThe property sits on a rough east-west axis, giving it the potential to achieve great light levels throughout the day, with the sun moving from the back of the house in the morning to the front in the afternoon.
      “We wanted to ensure this natural light was captured through the architecture and design of the spaces,” the studio said.
      On the ground floor, Studio Varey Architects removed a structural post that supported the building but divided the back wall.
      A skylight illuminates the top-floor bathroomThis has been replaced with a steel frame, which allowed the studio to introduce slimline aluminium sliding doors that now run along the whole back of the property.
      An existing skylight in the flat roof here was enlarged and framed with oak beams, pulling more light into the centre of the hybrid kitchen-dining space.
      “Natural light cascades into the back of the house, while the introduction of oak beams created a feature that plays with the light as it travels through the property,” the studio said.

      Office S&M uses colour and geometry to create Graphic House in London

      The whole staircase was replaced and positioned further away from the home’s large rear windows, creating a lightwell funnels sun into the lower floors.
      On the top floor, an existing bathroom was fully renovated. Situated in the middle of the top floor it featured no windows save for a small skylight, meaning that light levels were totally inadequate.
      Here, Studio Varey Architects cut back the ceiling to create a multifaceted surface clad in birch plywood – its colour knocked back with a wash of soft white – to bounce light around the space.
      The ceiling was cut back to allow more light into the interior”We created a splayed ceiling that increased the height of the space, allowing for the playful integration of materials to emphasise the new angles,” the studio said.
      “Naturally finished birch ply, leading from the skylight down into Tadelakt walls, beautifully captures sunlight creating a special warmth in the space.”
      Oak forms bookcases in the sitting romWhite oak can be found throughout the house in the form of built-in joinery from bookcases and wardrobes, as well as in the feature beams of the extension.
      “We wanted to simplify the material palette and keep it light, both in appearance and number of elements we used,” the studio said.
      “This was done to emphasise the quality of the materials themselves, highlight the craftsmanship of the work and establish a visual link between the interior spaces throughout the home.”
      Oak joinery features in the primary bedroomPolished concrete, used for the floor at ground level, is underlaid with underfloor heating and provides a durable surface that is easy to clean for the owners after walking their dog.
      Other recently renovated houses in London include Sunderland Road House by 2LG, which features pastel-painted corniced ceilings, and Graphic House by Office S&M, which is defined by graphic shapes and bold hues.
      The photography is by Taran Wilkhu.

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      Eight renovated mid-century homes that marry period and contemporary details

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      From a modernist villa in Beverly Hills to a flat in one of Brasília’s iconic Superquadra apartment blocks, the mid-century renovations in this lookbook are a masterclass in updating a period home while retaining its distinctive character.

      Originally constructed in the post-war period between 1945 and 1969, mid-century homes have proved enduringly popular due to their prescient emphasis on natural light, clean lines, open floor plans and humble materials such as wood, stone and concrete.
      The renovations below see many of these original features retained and restored, supplemented with contemporary additions such as double-height ceilings and furniture by the likes of Tadao Ando and Mario Bellini.
      This is the latest in our lookbooks series, which provides visual inspiration from Dezeen’s archive. For more inspiration see previous lookbooks featuring art deco homes, sunny yellow interiors and serene bedrooms with striking natural views.
      Photo by Jack LovelCity Beach Residence, Australia, by Design Theory

      Australian studio Design Theory looked to preserve the “considerable mid-century charm” of this home on the coast of Perth during its renovation (top and above), remaining true to the rich palette of natural materials found in the original design.
      Contemporary furniture and lighting with gently curving forms were chosen to soften the rigorous lines of the original architecture and prevent the interiors from feeling like a period pastiche.
      Find out more about City Beach Residence ›
      Photo by An PhamBrandaw Residence, US, by 180 Degrees Design + Build and CBTWO Architects
      A new double-height living room with a pitched roof and full-height glazing was added to modernise this 1960s home in Phoenix, creating sightlines up and out towards nearby Camelback Mountain.
      Modernist touches remain on the interior in the form of plentiful wood panelling alongside finishes and furnishings in muted primary colours ranging from teal to mustard-yellow.
      Find out more about Brandaw Residence ›
      Photo by James O DaviesHampstead House, UK, by Coppin Dockray
      This house in Hampstead was originally designed by British architect Trevor Dannatt in 1960 as London’s answer to the post-war Case Study Houses built by the likes of Richard Neutra and the Eameses in California.
      When renovating and extending the property for a growing family, local studio Coppin Dockray contrasted vintage and contemporary furniture for a “domestic, lived-in” feel, with pieces ranging from a Togo chair to Mia Hamborg’s Shuffle table for &Tradition.
      Find out more about Hampstead House ›
      Photo by Gerhard HeuschBeverly Hills villa, US, by Heusch
      Historical images helped architecture firm Heusch to restore this Beverly Hills villa to its former glory and reverse some of its “unfortunate transformations” over the years.
      Existing terrazzo floors on the ground floor were restored and complemented with fluted glass details and dark timber furnishings, both new and old, including Ando’s cantilevered Dream Chairs and a bookshelf by Italian architect Augusto Romano from the 1950s.
      Find out more about Beverly Hills villa ›
      Photo by Justin ChungPalermo house, US, by OWIU
      California studio OWIU retained several original elements during the renovation of this 1955 home in LA’s San Rafael Hills, among them the glass-block walls and wooden ceiling beams, which were exposed from under false ceilings and sanded down to reveal their natural colour.
      These were contrasted with more neutral contemporary elements such as pale oak flooring and walls coated in Venetian plaster, with assorted lights by Isamu Noguchi and George Nelson – one of the founding fathers of American modernism.
      Find out more about Palermo house ›
      Photo by Joana FranceBrasília apartment, Brazil, by Debaixo do Bloco Arquitetura
      This apartment is located inside Brasília’s historic Superquadra 308 Sul, the first “superblock” apartment complex constructed as part of architect Lucio Costa’s 1957 master plan for the new Brazilian capital.
      Local studio Debaixo do Bloco Arquitetura cut open the building’s exposed concrete walls, opening up its layout to meet the needs of a modern family while preserving period details such as the building’s distinctive white breeze-block screens and its granilite flooring.
      Find out more about Brasília apartment ›
      Photo by Ingalls PhotographyMalibu Surf Shack, US, by Kelly Wearstler
      When interior designer Kelly Wearstler turned this 1950s beachfront cottage in Malibu into a bohemian retreat for herself and her family, she retained the original wood-panelled walls and selected finishes that were “hand-crafted, rustic and raw” to match the existing material palette.
      The interiors feature abundant planting, alongside an eclectic mix of period-agnostic furnishings including a 1980s green marble table by Bellini, paired with a plaster-covered Caféstuhl chair by contemporary Austrian designer Lukas Gschwandtner.
      Find out more about Malibu Surf Shack ›
      Photo by Rafael SoldiGolden House, US, by SHED
      Seattle architecture firm SHED had to make several aggressive interventions when renovating this 1950s building in nearby Shoreline, which was originally constructed as a family home but had previously been divided up to serve as a retirement home.
      Working around the existing post-and-beam structure, the studio updated the interior to maximise views of the Olympic Mountains and Puget Sound while enlarging the kitchen and reorganising it around a central island.
      Find out more about Golden House ›
      This is the latest in our lookbooks series, which provides visual inspiration from Dezeen’s archive. For more inspiration see previous lookbooks featuring art deco homes, sunny yellow interiors and serene bedrooms with striking natural views.

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      Relogged house by Balbek Bureau reinterprets traditional log cabins

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      Architecture studio Balbek Bureau has revamped a house in Ukraine using stainless steel and concrete to create a modern interpretation of a log cabin.

      The three-bedroom cabin was built from horizontally stacked logs, which the designers kept on display throughout the interior.
      Horizontally-laid logs clad both the exterior and interiorThe Kyiv-based studio aimed to deviate from conventional cabin interiors, instead creating an industrial, utilitarian scheme informed by the style of American fashion designer Rick Owens.
      “The pre-existing interior was in a classic log cabin style,” Balbek Bureau told Dezeen. “The logs were a lighter shade, closer to the natural wood colour – the furniture was mostly made of wood as well with traditional country-style shapes dominating the interior.”
      The stairs have cantilevered steps that appear to floatIn order to lend itself to a more industrial finish, the studio trimmed the interior of surplus logs and timber.

      “Our goal was to achieve a clean geometry of the space with as little extra lines as possible,” said the studio.
      “That is why we removed part of the log beams that were not load-bearing – we did the same with non-bearing walls to create an open space on the first floor.”
      A towering fireplace dominates the living spaceMicrocement flooring and project-bespoke furniture pieces such as stainless steel consoles were added to the spaces to contrast the traditional log walls.
      Vintage lounge and dining chairs from the owner’s own collection were added to character to the spaces, which were hung with paintings belonging to the client.
      Log beams juxtapose industrial finishes in the kitchenThe glass-fronted entryway contains a staircase comprising timber planks cantilevered out from wall. Beyond, the kitchen, dining room, home office and living room are contained within one fluid space.
      The cabin’s construction is most apparent in the double-height living space, where logs form tall bookcases accessed by a sliding metal ladder. These flank a tapered fireplace made from concrete blocks, at the foot of which sits a large sofa.

      Looking Glass Lodge features glass facades that reflect the surrounding woodland

      The use of concrete continues in the kitchen, which is dominated by a monolithic kitchen island flanked by floor-to-ceiling stainless steel cabinets.
      Plywood panelling replaces logs in the curtain lined theatre room leading off of the kitchen.
      Metal consoles on casters sit below the screenModern, black-framed windows were installed throughout the building, with vertical windows added in the home office and dining room to bring more sunlight into the space.
      Original ceiling beams were left exposed to highlight the cabin’s original construction.
      A clear desk contrasts the wooden dining room furnitureRecalling the sofas downstairs, the master bedroom features a sprawling custom-made bed that sits low to the floor. Its upholstered sides were bolstered by stainless steel consoles similar to those in the theatre room.
      Retro lamps were added as a playful touches including a bulbous standing lamp that arches over the bed.
      The main bedroom utilises warmer-toned woodA moveable mirror-panelled screen on castors sits against one wall, and a wooden mid-century console references the warm-toned timber-clad walls.
      Throughout the house black radiators, ceiling lights, window frames and power outlets punctuate the rooms.
      Upholstered sleeping nooks create a cosy atmosphereThe two bedrooms on the other side of the cabin retain the dark-toned log walls of the living room, adjoined by steel shelves and contrasted by soft, padded sleeping nooks.
      Both of the bathrooms are a stark contrast from the rest of the interiors, with almost no wooden finishes at all and housing white fixtures.
      Concrete covers the bathroom walls, floors and ceilings”[Relogged] allowed us to work on rethinking the rather established and traditional form of a log cabin,” concluded the studio.
      Other cabins featured on Dezeen include A-frame cabins in a remote Canadian forest by Atelier l’Abri and a cabin clad in ash wood on a rocky outcrop in Norway by Line Solgaard Arkitekter.
      The photography is by Andrey Bezuglov and Maryan Beresh.

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      Viruta Lab blankets former fisherman’s house in Valencia with chequerboard tiles

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      Spanish interiors studio Viruta Lab has renovated a compact house in El Cabanyal, Valencia’s traditional fishing neighbourhood, using geometric blue-and-white tiling for an understated nautical aesthetic.

      Built in 1946, the humble two-storey building once belonged to the grandparents of the current owner but had been boarded up for many years.
      Viruta Lab has renovated a former fisherman’s house in ValenciaViruta Lab was brought on board to transform the small 85-square-metre home into a modern holiday residence while respecting its great sentimental value to the family.
      “Emotion was a very important starting point,” the studio told Dezeen.
      The interior is dominated by chequerboard tiles”The house is a family legacy and the image they have of it is very deep, so it was necessary for any intervention to be as respectful as possible and with a language that they understood and took as their own,” Viruta Lab continued.

      “We understood that the architecture already had a value, that we only had to beautify it, preserve it.”
      Green upholstery provides a contrast with the blue-and-white colour schemeViruta Lab uncovered the building’s original brick walls from under layers of peeling paint and carefully repaired the pre-existing mouldings “to give height and nostalgic value to the interior design”.
      Liberal chequerboard tiling provides a contrast to these traditional design details, featured throughout all the rooms from the kitchen to the sleeping quarters.
      Viruta Lab restored the home’s original mouldingsIn a suitably nautical palette of navy and off-white, the tiles reference the great variety of tiled facades found in the El Cabanyal neighbourhood.
      “The dominant colours on the facades of the Cabanyal are white, blue and green, which are associated with a lifestyle linked to the resources offered by the sea,” the studio said.

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      “It was clear that we had to respect the local traditions, the architecture and the essence of the house and give it a maritime aesthetic, reinterpreting the Mediterranean style to adapt it to the tradition of the neighbourhood using its own materials.”
      Green shows up throughout the interior in the form of simple upholstered furniture – including a sofa, pouffe, benches and stools – all custom-designed by Viruta Lab for this compact space.
      European oak was used to form joinery detailsThe interior woodwork in European oak was stained to resemble Canaletto walnut, matching the tones of the two remaining original interior doors that were painstakingly restored and repurposed as sliding doors.
      “We wanted the woodwork to provide a quality counterpoint to the cold tones of the blues and greens, with an imprint and weight,” the studio said.
      The remaining interior doors were restored and repurposed as sliding doorsAnother key local material – esparto grass fibre – is less noticeable than the tiles but pops up throughout the house to add textural interest.
      Traditionally used to make ropes, baskets, mats and espadrille sandals, the flexible natural material was repurposed to form headboards and backrests, and even clad the suspended ceilings in the bathrooms.
      Esparto grass was used to from headboards and backrests”This material has been used because of its roots in the traditions and life in the Mediterranean area, especially in the Valencian community,” the studio said.
      “For Viruta Lab, the legacy comes from its use by men of the countryside and the sea, by the original residents of the Cabanyal, those men who used to wear espadrilles.”
      The house has a shaded outdoor dining area on the roofAs well as a clay-tiled roof terrace with a shaded outdoor dining area, the house also features a sensitively restored inner courtyard, complete with a stone water trough where the owner’s grandfather once dried his fishing nets at the end of a day’s work.
      Other projects that celebrate Valencia’s historic architecture include a 1920s penthouse that was renovated to celebrate its original mosaic floors and an octogenarian home in El Cabanyal that was updated using traditional construction techniques and local materials.
      The photography is by David Zarzoso.

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      Design Theory updates mid-century coastal home in Perth

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      In the City Beach suburb of Perth in Western Australia, interiors studio Design Theory has updated a tired house from the 1960s while remaining true to the rich palette of natural materials in the original design.

      The young client wanted a home where she could entertain friends and live with her dogs in a durable, easy-to-clean, pet-proof home with a reworked plan making space for three bedrooms and two bathrooms.
      Design Theory has renovated a 1960s house in Perth”The brief was, on the surface, simple: to update the home while keeping its considerable mid-century charm,” said Design Theory.
      “While its strengths lay in its architectural form and south-facing windows, our innovative approach to the project was essential in bringing contemporary functionality and sustainability to the fore,” the studio added.
      “By specifying with our client’s lifestyle in mind and considering every detail, she feels relaxed to use the house the way she wants to.”

      Carpet tiles bring tactility into the sunken loungeOnce the project was underway, Design Theory quickly discovered that the structure was largely rotten and had suffered significant termite damage, so extensive restoration work was required.
      “We established an early rationale to restore base-building elements in keeping with the original architecture and interior elements,” the studio said.
      “Joinery, finishes and furniture would be new, informed by mid-century design. This allowed the home to evolve yet respect the heritage of this special building.”
      Yellow mosaic tiles feature across the kitchen counterOtherwise, the house only needed sensitive restoration and a light touch to bring it up to date, according to the studio, due to its prescient emphasis on natural light, fresh air and modern, unpretentious living.
      “Our design cues were taken from the era of the house’s original design, a time of humbler, honest materials and restrained detailing,” said Design Theory co-founder Lisa Reeves.
      “Where cabinetry needed restoration, it was updated in respectful ways, always with a nod to what may have come before us.”
      Design Theory introduced Blackbutt timber details to the interiorThe material palette celebrates warm, earthy materials: exposed brick in terracotta tones, native Blackbutt timber and a cork-like Forbo Marmoleum on the floors.
      In the sunken lounge area, carpet tiles bring an added element of comfort and a distinctive gridded visual effect.
      The heavy use of richly toned timber and brick is balanced by the white of the painted wall sections, the grid-like window frames and low-hanging pendant lighting.

      Ten timeless mid-century modern interiors

      For the kitchen counters and the bathrooms, simple mosaic tiles continue the textural theme, while referencing the home’s early-60s origins.
      “We embraced a quintessentially West Australia landscape-inspired palette of Eucalyptus greens, warm timbers and sunset oranges,” the studio said.
      Forbo Marmoleum flooring was added for textural interestIn the kitchen, subtle detailing on the cabinetry such as the full-width handles adds visual interest without grabbing undue attention, while an orange range cooker adds a retro touch.
      The client acquired several pieces of vintage furniture along with the house, which Design Theory was keen to retain and restore.
      Mint green tiles feature throughout one of the two bathroomsAs a counterpoint to these mid-century elements, contemporary furniture in gently curving forms softens the rigorous lines of the original architecture and prevents the interiors from feeling like a period pastiche.
      Key pieces of hardware such as original door furniture and pendant lighting were also refurbished and reinstated, “lending an authenticity to the home’s new life”, according to the studio.
      The built-in bathtub is also made from multicoloured mosaic tilesOther residential projects in Perth that have been featured on Dezeen include a family home formed from arched panels of precast concrete and a wood-and-brick extension for a couple of empty nesters.
      The photography is by Jack Lovel.

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