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    Studio Empathy and Praxes design library at Korean Cultural Center New York

    Traditional Korean architecture influenced the layout and shelving design in the library at the Korean Cultural Center New York, designed by Studio Empathy and Praxes.

    Changhaak Choi of Studio Empathy and Jiyoung Kim from Praxes worked together to complete the 1,600-square-foot (149-square-metre) library, located on the third floor of the Korean Cultural Center New York’s new venue in Midtown Manhattan.
    The library is arranged to from a central courtyard formed by bookshelvesThe space houses a collection of over 10,000 books, periodicals, government publications, and multimedia resources in both Korean and English.
    It acts as a resource for research on Korea, introduces Korean writers to the New York audience, and provides educational materials for young Korean-Americans and those interested in Korean culture.
    The shelves are fabricated from plywood elements and joined to resemble traditional Korean architectural details”This new library aspires to be a cultural hub, promoting information exchange and enhancing mutual understanding of Korea among the Korean-American community and the broader New York population,” said Choi.

    “The design seamlessly blends archaic forms with a minimalistic and contemporary aesthetic, which incites a biophilic space.”
    The central space is populated with cube-shaped stools for visitors to sit and readTo enable easy circulation, the bookshelves were arranged in a rectangular plan with a pathway around the perimeter and a courtyard in the centre, with openings to allow movement between the two.
    The layout is akin to a traditional Korean han-ok house, which is similarly organised in a loop around a central space.
    The shelves sit away from the building’s glass walls so that visitors can circulate around the perimeterHere, the “courtyard” serves as the reading area and includes cube-shaped wooden stools upon which visitors can sit.
    “This design enables visitors to continuously explore the diverse scenery of book stacks and enjoy views of the rooftop garden through glass walls, seamlessly integrating indoor and outdoor elements,” Choi said.
    The library’s children’s section is housed within a lower storage moduleThe bookshelves were also modelled on the typical post-and-lintel assembly and joining techniques found in han-ok homes.
    They were fabricated as modular units using thin plywood panels, slats and metal components to be efficient and cost-effective.

    Studio Hinge creates library spaces beneath tree-like wooden columns

    Along the tops and sides of the storage modules, a wooden lattice is coloured in five bold hues to enliven the design.
    “This design resonates with the vibrant book spines, creating a dynamic visual contrast with the monochromatic, bright wood shelves, and light grey stone floor,” said Choi.
    Wooden latticework is also installed across the ceiling and behind the reception deskThe aim is for the library to become a community hub for Korean-Americans and others New Yorkers, and host events like book launches and other group activities.
    “This project showcases how cultural heritage can be preserved and celebrated through thoughtful and contemporary design, creating a unique and enriching environment for all visitors,” said Choi.
    The tops and sides of the shelves are coloured in five bold huesPlayful shelving solutions have become a hallmark of contemporary library designs around the world.
    At a space in São Paulo, MAB3 and Zénite created forest of books where shelves encircle tree-like columns, while Studio Hinge took an arboreally informed approach to storage at a library in Mumbai.
    The photography is by Michael Moran and Changhaak Choi.

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    Office of Tangible Space redesigns Brooklyn Museum Cafe

    New York studio Office of Tangible Space has refreshed the interiors of the cafe at the Brooklyn Museum, ahead of the institution’s 200th anniversary next year.

    The Brooklyn Museum Cafe is located in the building’s light-filled entry pavilion, which was added to the original beaux-arts building in 2004 by Polshek Partnership Architects (now Ennead Architects).
    Furniture at the redesigned Brooklyn Museum Cafe is laid out like “islands and streams”Serving a menu by local restaurateur and sommelier André Hueston Mack, who runs the neighborhood restaurant & Sons, the redesigned cafe is intended for locals and museum-goers to enjoy light bites and drinks.
    “Playing off the mission of the museum, [we] envisioned the cafe as a Brooklyn stoop where all are invited,” said Office of Tangible Space. “The space embodies the playfulness, creativity, craft, and expression that make Brooklyn and Brooklynites so unique.”
    The cafe occupies a portion of the building’s light-filled entry pavilionThe locally based studio created a fluid layout that allows visitors to meander through the space.

    Furniture is arranged in “islands and streams” that can accommodate diners in varied group sizes, as well as those stopping for a casual coffee.
    Periwinkle-hued tables with angled sides form snaking shapes through the space”The space is anchored by large islands of seating and undulating streams of custom tables indicating the walking paths,” said Office of Tangible Space.
    Aluminium chairs with seats and backs perforated with large holes accompany tables, including circular wooden designs for up to six guests and dark green two-tops.
    Dark green two-top tables are accompanied by aluminium chairs perforated with large holesOther tables made from folded sheets of thin periwinkle-hued metal have angled sides, allowing them to form snaking shapes when lined up in a row.
    Round cushioned poufs upholstered in pale blue and green are placed around the perimeter, which is demarcated by a set of freestanding wooden dividers and potted plants.

    OEO Studio uses materials in a “playful way” for Designmuseum Denmark cafe and shop

    “The incorporation of bold color and material add to playfulness and tactility of the space,” the studio said.
    For the new space, the museum and Office of Tangible Space commissioned 10 local artists to design one-off stools that are peppered through the cafe.
    Large round poufs are provided for more casual seatingThe handcrafted wooden seats, manufactured by Sundays, have been customised by Minjae Kim, Chen Chen and Kai Williams, Ellen Pong, Kim Mupangilaï and more.
    “These handcrafted pieces not only complement the cafe’s design but also echo the philosophy that food, like art, is an immersive experience – engaging the senses, sparking conversation, and creating a connection between the creator and the audience,” said Office of Tangible Space.
    The cafe was redesigned ahead of the Brooklyn Museum’s 200th anniversaryThe Brooklyn Museum’s building, designed by McKim, Mead & White and completed in 1895, will host a variety of exhibitions and events planned to celebrate its bicentenary.
    These include Breaking the Mold: Brooklyn Museum at 200, a showcase celebrating the institution’s collection and legacy that opens in February 2025.
    Founded by Michael Yarinsky and Kelley Perumbeti, Office of Tangible Space was longlisted in the emerging interior designer of the year category of Dezeen Awards 2020.
    The photography is by Matthew Gordon.

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