More stories

  • Cabinette co-working space in Valencia plays off Jacques Tati's film Playtime

    The 1960s film Playtime by renowned French director Jacques Tati set the tone for this whimsical co-working office that Masquespacio has designed in Valencia.Cabinette is a co-working space for creatives set inside a mixed-use building in Valencia’s La Fuensanta neighbourhood.

    It takes over a ground-floor unit that was originally fit-out to serve as an apartment. Leaving the existing bathroom facilities in place, interiors studio Masquespacio reconfigured the rest of the floor plan to accommodate a series of work areas for Cabinette’s members.

    The studio’s founders, Christophe Penasse and Ana Milena Hernández Palacios, wanted to give the 200-square-metre space a retrofuturist aesthetic that’s attractive to millennials but also makes “a clear wink to the past”.

    A particular point of reference was Playtime – a 1967 comedy film directed by Jaques Tati that follows character Monsieur Hulot as he navigates a gadget-filled version of future Paris.
    It’s revered for its satirical take on modern life and was also included in Dezeen’s list of 10 films with amazing architecture.

    Masquespacio creates colour-clashing interior for phone-repair shop in Valencia

    “We once visited a museum installation here in Valencia where they showcased some fragments of the movie, especially a moment where the leading actor goes to a meeting,” Penasse told Dezeen.

    In the film, when Hulot arrives at the meeting, he enters a huge office where each employee’s desk is closed in by a cabinet-lined box – a feature which inspired Cabinette’s name.
    Penasse and Palacious have similarly divided desks in the co-working space, but instead of individual boxes have erected low-lying partitions.
    As with the interior of the boxes in Playtime, the desks and chairs in Cabinette are a pastel green-blue colour.

    The same colour features across the floor, as well as the counter, tiled splashback and a couple of cupboards in the kitchen, which sits in the corner of the room.
    Walls and part of the floor here are painted chocolate-brown, complementing the steel stools from Masquespacio’s Déjà-Vu collection that appear beside the counter. They each feature tiers of brown, ochre and blue fringing.
    Another wall in Cabinette is clad in mirrored panels, while one on the far side of the office is a bright lilac hue. It’s decorated with various graphic-print canvases and rows of illuminated tube lights.

    A set of stairs leads up to a mezzanine where there are a pair of intimate meeting rooms that members can use for group work or take private phone calls.
    They’re screened off by the same shiny silver curtains that hang in front of the full-height windows at ground level that look through to an outdoor terrace.

    There is also a more formal boardroom that features deep-purple surfaces. The central lacquered-wood table is surrounded by Masquespacio’s gold-framed Arco chairs, which are upholstered in burnt-orange velvet.
    The studio’s eye-shaped Wink lights are also mounted on the wall.

    Masquespacio was established in 2010 by Penasse and Ana Milena Hernández Palacios. The studio has applied its colourful aesthetic to a number of projects.
    These include a phone repair shop that features a clashing mix of salmon-pink and turquoise surfaces, and a tropical green and maroon restaurant that offers Brazilian-Japanese cuisine.
    Photography is by Luis Beltran.

    Read more: More

  • Xiaoxi Xiong designs greyscale interiors for Fnji office in Beijing

    The “warm sense of the future” depicted in sci-fi movie Her informed the soft grey workspaces that designer Xiaoxi Xiong has created in the Beijing office of furniture brand Fnji.The 1000-square-metre Fnji office is located northeast of central Beijing in the city’s Shunyi district.
    Chinese designer Xiaoxi Xiong was tasked with developing a striking aesthetic for the new office.

    “As the urban planning policy is tightened in Beijing, the resource of distinctive office space is rare now,” explained Xiaoxi Xiong, who leads Tra & Xi Studio alongside designer Lin Yitong. “After long term research, we chose this space in the end.”

    “Its attractive spatial advantages are the top-floor views, daylight, and the two floors which could be constructed freely.”

    Xiong wanted to imbue the office with the same “blurry and warm sense of the future” they saw in the 2013 sci-fi romance film Her, which chronicles how a shy writer gradually falls in love with an artificial intelligence system.

    Precht creates monochromatic interiors for RayData office in Beijing

    Almost every surface in the office – including the floors – has been washed with pale-grey gypsum plaster, selected for its ultra-matte surface finish.

    The plaster has also been made to cover the balustrade and treads of the curving staircase that leads up to the office’s upper level.
    Towards the back of the lower level are a couple of textural feature walls, which Xiong created by pouring semi-solidified gypsum over jumbled piles of broken bricks.

    “It’s such an interesting process to recreate an installation with recycled materials,” Xiong told Dezeen.
    “This work has a new life and exists in the space naturally.”
    Furnishings throughout the office, from the work desks to the cushioned chairs in the glass-fronted meeting rooms, are also grey.

    Two huge slate-coloured planters are installed on the lower level, and a sheer dark-grey curtain extends down from the office’s ceiling to the lower level.
    Sections of the floor are also covered by striped or checkerboard-pattern grey carpet.

    Translucent paper-like blinds hang in front of the windows to lend a soft and hazy light quality to the office interior.
    Some dark-coloured elements, like the rough black stone counter that sits towards Fnji office’s entrance, have been incorporated to “strike out the softness”.

    Much like Xiaoxi Xiong, architecture practice Precht referenced the film Her for its design of a data office in Chaoyang, Beijing.
    The floor, desks and work booths in the office are upholstered in soft grey fabric, which the practice hoped would emulate the way the film “connects technology with a very warm and tactile atmosphere”.
    Dezeen also included Her in its roundup of 10 films with striking interior design to watch under lockdown.
    Photography is by Mobai except for head image by Yu Ling.
    Project credits:
    Lead designer: Xiaoxi XiongArt director: Guqi GaoDetailed design: Juan LiSoft loading design: Yu LiEngineering manager: Mingyu ZhangEngineering execution: Jiahuan Liu

    Read more: More

  • Siren Design creates “environments where people can thrive”

    VDF studio profile: Siren is a sustainability-focused, women-led design studio that has crafted interiors for businesses from tech companies like Google and Facebook to a philanthropic organisation. The company was founded by CEO Mia Feasey in 2005 and has since expanded to include 75 employees across its original Sydney studio as well as locations in […] More

  • Offices after pandemic will “balance physical and virtual work” says Perkins and Will interior design director

    Offices after coronavirus should be designed for meetings and socialising while focused work should take place at home, says Perkins and Will interior design director Meena Krenek, who has developed proposals to rethink the purpose of the workplace. Krenek, who is based in the architecture firm’s Los Angeles office, led a team to create the […] More

  • Studio Edwards arranges yellow steel beams to form modular work pods

    Studio Edwards has created a series of modular yellow-framed work pods to turn a vacant warehouse space in Melbourne into an office. The pods by Studio Edwards are designed to accommodate groups of up to four members of staff and are constructed from bright-yellow steel beams. These beams can be bolted together and taken apart […] More

  • Pine-and-glass shelving encloses office for tech company in Ecuador

    Architects Juan Alberto Andrade and María José Váscones have built a wooden office in Guayaquil, Ecuador with a wall of angular windows that pop open, as shown in these photos with people wearing coronavirus face masks. Local architects Andrade and Váscones designed the structure for technology services company Mendotel to create a private area for […] More

  • Woods Bagot devises office layouts for workplaces post-coronavirus

    Woods Bagot has created four proposals for workplace design following coronavirus that merge working from home and office life to “strengthen culture and performance”. The Working from Home, Working from Work project was created by the architecture firm to move beyond health and safety measures, which are a given, and focus on encouraging collaboration and […] More

  • “The office will continue to be a vital part of most of our lives” says Helen Berresford

    The coronavirus pandemic will not kill the office, but we will see some striking changes when we return to work, says Helen Berresford, head of Sheppard Robson’s interiors studio. Post-pandemic offices will be reduced to 20 per cent occupancy, shared spaces will have to be rethought and a “pandemic mode” may be introduced to some workspaces, […] More